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Wyszukujesz frazę "kościół św. Anny w Krakowie" wg kryterium: Temat


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Tytuł:
Muzyka kościelna w diecezji krakowskiej w drodze ku Niepodległej Ojczyźnie
Autorzy:
Tyrała, Robert
Sławecki, Michał
Powiązania:
https://bibliotekanauki.pl/chapters/1040183.pdf
Data publikacji:
2018
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
muzyka kościelna
diecezja krakowska
kościół św. Anny w Krakowie
szkoły organistowskie
Konserwatorium Towarzystwa Muzycznego w Krakowie
Opis:
Church music in the Cracow diocese on the road towards Independence of Poland. The history of the Church music in the Cracow diocese is integrated into the reality of the time of Polish partitions and the circumstances imposed by occupants. Since 1817 the organists in Cracow were trained in an organized way thanks to the foundation of the Cracow “Society of Friends of Music”. In 1841 Franciszek Mirecki (1794–1862) established the first secular public school for organists which survived until 1873. Almost simultaneously, in 1877 the organ faculty was opened at the school of the “Music Society” which in 1888 was accredited by the Music Conservatory in Cracow. The Church music on the territory under the Austrian occupation enjoyed its greatest revival since 1887 when “St. Adalbert’ Society” was established in Cracow. Thanks to the efforts of “The Society of Organists’ Mutual Aid”, founded in the Cracow Diocese in 1990, “The Church Songbook” was published. The idea of the revival of Church music was enlivened again in 1908 when St. Ann’s Church in Cracow gained new organist Kazimierz Garbusiński. The convention of dean priests of the Cracow Diocese in 1907 settled the relations between church administrators and organists to introduce the act, enforced in 1908, which required signing an employment contract. The same year the memorandum was also publicized concerning the statutory old age insurance of organists. The above document was also referred to in the regulation of 1914 which ordered entering into such an agreement. On 28 February 1910 another directive came into effect, that is, the regulation pertaining to the compulsory acquisition of knowledge of the subjects in order to take an organist master examination before the commission of the Cracow Diocese. Passing this examination was a necessary prerequisite to apply for the post of an organist in the Cracow Diocese. The salary and duties of an organist were regulated in 1919 by “Work Rules and Regulations for Organists in the Diocese of Cracow”. A highly acclaimed musician in Cracow of that period was Bolesław Wallek-Walewski. Another musician, operating in Cracow, was Bronisław Rutkowski, the professor of the organ art in Cracow and Warsaw. Among the other renowned Church musicians was Tomasz Flasza, the author of the 3-volume „Church Songbook” and of the other collections of Christmas carols and numerous songs for male choirs and mixed choirs. One of the best known Cracow organists of the time was Stefan Profic, although he could boast of his major accomplishments in the inter-war period. The truest masterpieces of the revival of Church music started to flourish, understandably, after the year 1918.
Źródło:
MUZYKA SAKRALNA W DRODZE KU NIEPODLEGŁEJ; 37-47
9788364615375
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-1 z 1

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