Temat: knowledge of history of art - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Zarządzanie wiedzą o historii sztuki w internecie na przykładzie wybranych profili edukacyjnych
Management of Knowledge about Art History on the Internet, Based on Selected Educational Profiles
Autorzy:: Grabowska, Anna
Powiązania:: https://bibliotekanauki.pl/articles/37492812.pdf
Data publikacji:: 2023
Wydawca:: Polskie Towarzystwo Komunikacji Społecznej
Tematy:: Zarządzanie wiedzą
wiedza dotycząca historii sztuki
portale społecznościowe
studygram
webinar
edukacja
edurozrywka
management of knowledge
knowledge of history of art
social portals
education
edutainment
Opis:: Internet stanowi współcześnie popularne źródło informacji. W szczególności w mediach społecznościowych wiedza podawana bywa w kreatywnej, często multimedialnej formie, która może być uznana za atrakcyjną dla młodzieży. Rozwój tego zjawiska związany jest z kształtowaniem się społeczeństwa wiedzy w środowisku wspomnianego typu mediów i eksperymentowania w nich z procesami zarządzania wiedzą. W artykule przedstawiono analizę nowych form kształcenia online na przykładzie aktywności kont edukacyjnych poświęconych historii sztuki. Eksploracji poddano także sposoby odbierania treści przez te konta publikowanych. Starano się ponadto ukazać szanse i zagrożenia związane z rozwojem koncepcji zarządzania wiedzą w przestrzeni wirtualnej.
The Internet is nowadays a popular source of information. In particular, in social media, knowledge is sometimes given in a creative, often multimedia form, which can be considered attractive to young people. The development of this phenomenon is related to the formation of a knowledge society in the environment of the aforementioned type of media and experimentation in them with knowledge management processes. The article presents an analysis of new forms of online education on the example of the activity of educational accounts dedicated to art history. The ways of receiving the content published by these accounts were also explored. In addition, an attempt was made to show the opportunities and risks associated with the development of the concept of knowledge management in the virtual space.
Źródło:: Com.press; 2023, 6, 2; 32-67
2545-2320
Pojawia się w:: Com.press
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Historia sztuki w polu metodologii. Aktualne problemy i wyzwania
Art History in the Field of Methodology. Current Problems and Challenges
Autorzy:: Czekalski, Stanisław
Powiązania:: https://bibliotekanauki.pl/articles/32352273.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: art history
scientific knowledge
methodology
theory
philosophy of science
structuralism
Opis:: At the end of the 20th century, the theory of art history shifted from the area of methodology understood as a normative field of the philosophy of science to the area of the social practice of constructing knowledge. The term “art historical methodology” itself became trivialized when its meaning was detached from the horizon of epistemology and became extremely inclusive, encompassing all methods practised in the discipline, with a method being considered to be the use of any theory as a tool of interpretation. As a consequence, the basic problem of scientific methodology, which is the critical assessment of explanatory and interpretive theories due to the value of their justification, is not addressed in the self-reflection of contemporary art history. The retreat from the rigors of methodology was related to the reception of structuralism, initiated by Ernst Gombrich in the book Art and Illusion. Popper’s model of situational logic as a method of historical explanation of works of art was transformed into a structuralist model, referring to constant rules of pictorial representation, symbolization and communication. Michael Fried and Norman Bryson formulated their own theories of invariant rules defining the necessary initial conditions for the formation and reception of pictures, so that individual works could be interpreted in terms of these rules and, as a result, confirm the general theory, which created a vicious circle. Structuralist theories did not function as hypotheses requiring critical testing, but as interpretive codes that served to read each work of art within their own conceptual system. The next step in the process of the reception of structuralism was the development of theories defining general rules that would govern the discursive practice of art history, and the detection of which at the basis of this practice would discredit or invalidate its epistemological dimension. Hayden White’s narrativism was the theory that historical discourse is subject to narrative conventions, not to the laws of logic and the rigors of methodology that serve to limit the pool of alternative explanations or interpretations. This theory was intended to justify the pluralism of equal versions of history as a politically correct idea, appropriate for a “democratic” model of knowledge. Theorists developing White’s theses in the field of art history claimed that the discursive practice of this discipline was not governed by methodological rules but by political motivations (Keith Moxey) or aesthetic principles of artwriting (David Carrier). After the phase of open denial of the dependence of the art history discourse on methodology, the theory of the discipline turned into an analysis of techniques for building this discourse, which no longer included methodological issues, as in James Elkins’ book Our Beautiful, Dry, and Distant Texts. A critical review of theories separating art history from methodology leads to the conclusion that they are untenable. It is impossible to maintain the scientific status of our discipline without respecting the principles of methodology founded in the contemporary philosophy of science.
Źródło:: Artium Quaestiones; 2023, 34; 293-336
0239-202X
Pojawia się w:: Artium Quaestiones
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: THE ESSENTIAL CONNECTION BETWEEN COMMON SENSE PHILOSOPHY AND LEADERSHIP EXCELLENCE
Autorzy:: Redpath, Peter A.
Powiązania:: https://bibliotekanauki.pl/articles/507500.pdf
Data publikacji:: 2014
Wydawca:: International Étienne Gilson Society
Tematy:: aim
analogy
anarchy
art
body of knowledge
cause
common sense
communication
comprehensive understanding
concept
contrary
contrariety
culture
demonstration
demonstrative
equality
emotion
end
excellence
existence
explanation
fear
genus
habit
happiness
harmony
hierarchically ordered
history
hope
human
humanist
inequality
judgment
knowledge
language
leadership
logic
mathematics
memory
metaphysics
multitude
nature
operational
opposite
order
part
person
philosophy
physical
poetry
principle
quality
reason
receptivity
relationship
renaissance
resistance
rhetoric
science
soul
species
strength
syllogism
system
truth
West
Western civilization
unity
universe
virtue
whole
wonder
Opis:: This article argues that, strictly speaking, from its inception with the ancient Greeks and for all time, philosophy and science are identical and consist in an essential relationship between a specific type of understanding of the human person as possessed of an intellectual soul capable of being habituated and a psychologically-independent composite whole, or organization. It maintains, further, that absence of either one of the extremes of this essential relationship cannot be philosophy/science and, if mistaken for such and applied to the workings of cultural institutions, will generate anarchy within human culture and make leadership excellence impossible to achieve. Finally, it argues that only a return to this “common sense” understanding of philosophy can generate the leadership excellence that can save the West from its current state of cultural and civilizational anarchy.
Źródło:: Studia Gilsoniana; 2014, 3: supplement; 605-617
2300-0066
Pojawia się w:: Studia Gilsoniana
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: THE NATURE OF COMMON SENSE AND HOW WE CAN USE COMMON SENSE TO RENEW THE WEST
Autorzy:: Redpath, Peter A.
Powiązania:: https://bibliotekanauki.pl/articles/507346.pdf
Data publikacji:: 2014
Wydawca:: International Étienne Gilson Society
Tematy:: aim
analogy
anarchy
art
body of knowledge
cause
common sense
communication
comprehensive understanding
concept
contemporary
contrary
contrariety
culture
demonstration
demonstrative
disorder
education
equality
emotion
end
enlightened
enlightenment
excellence
existence
explanation
fear
fundamentalistic
genus
God
habit
happiness
harmony
hierarchically ordered
history
hope
human
humanist
inequality
inspiration
inspired
judgment
justice
knowledge
language
leadership
logic
mathematics
memory
metaphysics
modern
multitude
nature
Nietzschean
operational
opposite
order
part
person
philosophy
physical
poetry
power
principle
provocative thought
quality
reality
reason
receptivity
relationship
renaissance
resistance
rhetoric
science
scientism
skeptic
sophist
soul
species
strength
success
system
truth
utopian
West
Western civilization
unity
universe
values
virtue
whole
will
wisdom
wonder
World War
Opis:: Since most pressing today on a global scale is to be able to unite religion, philosophy, and science into parts of a coherent civilizational whole, and since the ability to unite a multitude into parts of a coherent whole essentially requires understanding the natures of the things and the way they can or cannot be essentially related, this paper chiefly considers precisely why the modern world has been unable to effect this union. In so doing, it argues that the chief cause of this inability to unite these cultural natures has been because the contemporary world, and the West especially, has lost its understanding of philosophy and science and has intentionally divorced from essential connection to wisdom. Finally, it proposes a common sense way properly to understand these natures, reunite them to wisdom, and revive Western and global civilization.
Źródło:: Studia Gilsoniana; 2014, 3: supplement; 455-484
2300-0066
Pojawia się w:: Studia Gilsoniana
Dostawca treści:: Biblioteka Nauki

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