- Tytuł:
-
Interlektura utworów-intertekstów. Wysłyszeć głosy innych
Interreading intertextual pieces. To hear out the voices of the others - Autorzy:
- Janicka-Słysz, Małgorzata
- Powiązania:
- https://bibliotekanauki.pl/articles/521930.pdf
- Data publikacji:
- 2017
- Wydawca:
- Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
- Tematy:
-
intertextuality
intertextual strategies
Polish music of the 20th and 21st century
Stanisław Balbus - Opis:
- We are living in the time of intertextuality, when — following Mikhail Bakhtin — every expression is saturated with a resonance of dialogue. Therefore, to understand the style of an artistic expression, we should also consider its imminent dialogic quality. The article presents the works of Polish composers, beginning with Karol Szymanowski, from the perspective of six intertextual strategies elicited from the concept of Stanisław Balbus (Między stylami/Between Styles), a Polish literary theoretician. They are: (1) “active continuation” (adaptation of past models); (2) “restitu-tion of the form” (conscious reference to a form present within the field of cultural awareness, due to its formal fitness for the taken up expressive tasks); (3) “open imitation of models” (a model is perceived as an authoritative vehicle for values); (4) “a stylistic reminiscence” (a “memory” of the model under the brand of an individual statement) (5) “cultural transposition of a theme” (the transmigration of motifs, themes, and significant gestures, the phenomenon of the active topoi); (6) “styling” (the key type of intertextuality, emphasising the nature of intertextual and interstylistic connections). Looking at the Polish music of the 20th and the first decade of the 21st century, a number of general claims favoured by the intertextual perspective can be made. (1) Polish music set in tradition: tradition perceived as an inter-text, and building an inter-context for the pieces created. (2) Reinforced at the foundations of the Polish music created “here and now” is the sense of dialogue, opening to the other. (3) The value of the work as such is emphasised in Polish music. (4) Against the preached concepts of “the death of the author” or “the weak subject”, a powerful need for the creation of own style is still present. (5) As an inter-text, the work becomes even stronger semantically loaded.
- Źródło:
-
Aspekty Muzyki; 2017, 7; 71-83
2082-6044 - Pojawia się w:
- Aspekty Muzyki
- Dostawca treści:
- Biblioteka Nauki
Artykuł