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Tytuł:
Bartosz Adamczewski, The Gospel of Luke. A Hypertextual Commentary (European Studies in Theology, Philosophy and History of Religions 13) (Frankfurt am Main: Peter Lang Edition 2016)
Autorzy:
Mielcarek, Krzysztof Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1178905.pdf
Data publikacji:
2019-09-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Ewangelia Łukasza
hipertekstualność
Gospel of Luke
hypertextuality
Opis:
Book Review: Bartosz Adamczewski, The Gospel of Luke. A Hypertextual Commentary (European Studies in Theology, Philosophy and History of Religions 13) (Frankfurt am Main: Peter Lang Edition 2016). 
Źródło:
The Biblical Annals; 2019, 9, 4; 749-754
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Cyberjournalism That We Make And The One That We Want – Cyberjournalistic Praxis: The Case Of Mass Media In Matanzas, Cuba
Autorzy:
Febles García, Auxiliar. Sussene
Oviedo Bravo, Arianna
Martiatu, Yusel Reinaldo
Powiązania:
https://bibliotekanauki.pl/articles/526549.pdf
Data publikacji:
2020
Wydawca:
Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:
Hypertextuality
Interactivity
Multimediality
Cyberjournalism
Opis:
The present work characterizes the hypermedia communication's features of mass media in Matanzas, Cuba: TV Yumurí, Radio 26 and the Editorial Girón. The study takes an approach, from the academy, to the cyberjournalistic praxis, describing professional practices, self-regulation and application of knowledge. A group of theoretical considerations around hypermedia resources are proposed in order to improve the digital journalism that we do. The communicology study integrates technical resources of quantitative and qualitative levels. It also considers policy documents, reflections of academics and legitimizing agents to analyze the assessments of their own social development. The main findings point to the heterogeneity, uneven development and fragmentation of cyber-journalistic wasting of the communicative potentialities that provides Internet, such as its hypertextuality, the interactivity and its multimediality.
Źródło:
Media Literacy and Academic Research; 2020, 1; 73-84
2585-8726
Pojawia się w:
Media Literacy and Academic Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sind Aphorismen hypertextuell? Zur konzeptionellen Hypertextualität analoger Texte
Are Aphorisms Hypertextual? Conceptional Hypertextuality of Analog Texts
Autorzy:
Szczepaniak, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/567986.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
Tematy:
text
coherence
aphorism
hypertext
hypertextuality
Opis:
The following article is an attempt to point out the conceptional similarities between two medially distinct kinds of text - the aphorism and the hypertext. The basis for achieving this aim is the concept of coherence. This article supports a broader, process-oriented concept of coherence, which involves the reader as the creator of coherence. The analysis concetrates on the aphorism, with its fragmentary structure, which demandrs participation in constructiong the sense of the text. An attempt is made to exemplify the conceptional hypertextuality of such texts with some aphorisms of K. Kraus, E. Canetti and S. J. Lec.
Źródło:
Linguistica Copernicana; 2015, 12; 271-286
2080-1068
2391-7768
Pojawia się w:
Linguistica Copernicana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hypertextuality in Internet reporting
Autorzy:
Urbaniak, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2231473.pdf
Data publikacji:
2020-12-31
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Internet report
intertextuality
hypertextuality
multimodality
Opis:
The transfer of so-called traditional journalistic genres to the Internet usually results in significant changes to their distinctive features. A good example is the Internet report, which simultaneously uses various forms of communication with recipients (e.g. text, film, image) and becomes both multimedia and intertextual material, which results in its hypertextual character. Similarly to any hypertext, because it often has a multimodal structure, it is also a kind of semi-finished product, as it only becomes a carrier of meanings and a complete work during its reception. As a result, extra tasks are set for the recipients. They must even more fully than in the case of classic literature or literary works participate in the process of decoding the meaning and become even more co-creators of the sense of the work that is being read. This article aims to demonstrate the essential features of how reports function on the Internet by referring to two specific materials that fall within the definition of the Internet report. Apart from this, the text attempts to confront the new variety of reporting with selected literary theories, such as the concept of “the death of the author” by Roland Barthes. Lastly, the article aims to cover the characteristics of the different types of recipients of hypertext forms of reporting functioning in an Internet environment.
Źródło:
Academic Journal of Modern Philology; 2020, 10; 247-254
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda
Parody over parody. C. A. Jordana rewritten by Mercè Rodoreda
Autorzy:
Mir, Catalina
Powiązania:
https://bibliotekanauki.pl/articles/1877538.pdf
Data publikacji:
2021-10-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
detective story
parody
hypertextuality
C. A. Jordana
Mercè Rodoreda
Opis:
This paper proposes a reinterpretation of plot parallelisms between El collar de la Núria (1927), by C. A. Jordana, and Crim (1936), by Mercè Rodoreda. The comparative analysis aims to show how Crim, in addition to working as a parody of the principles of the detective story, can be read as a parody of an earlier parody of the same genre – that is, the text by Jordana. This rewriting exercise strengthens the hypertextual link between these two novels and results in what we may call, following the terminology by Gérard Genette, a hyperparody.
Źródło:
Studia Romanica Posnaniensia; 2021, 48, 3; 61-72
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra
Hypertextual relationships in Judit (1929), by Josep Maria de Sagarra
Autorzy:
Rosselló, Ramon X.
Powiązania:
https://bibliotekanauki.pl/articles/1877535.pdf
Data publikacji:
2021-10-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Catalan theatre
tragedy
Judith
Josep M. de Sagarra
hypertextuality
Bible
Opis:
This article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genette in his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.
Źródło:
Studia Romanica Posnaniensia; 2021, 48, 3; 89-101
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La recepció del teatre espanyol a Catalunya. Un cas d’estudi: El último mono (1926) de Carlos Arniches i la seva adaptació catalana (L’adroguer del carrer Nou, 1929)
The reception of the Spanish theatre in Catalonia. A case study: Carlos Arniches’ El último mono (1926) and its Catalan adaptation (L’adroguer del carrer Nou, 1929)
Autorzy:
Orazi, Veronica
Powiązania:
https://bibliotekanauki.pl/articles/1877534.pdf
Data publikacji:
2021-10-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Carlos Arniches’ theatre
El ultimo mono
reception of Spanish theatre in Catalonia
theatrical adaptation
hypertextuality
Opis:
Study of the reception of Carlos Arniches’ play El último mono in Catalonia, through the analysis of its Catalan translation. Starting from the identification of the characteristic features of the author’s theatre, as presented in the work under examination, the strategy of transposition into the resulting hypertext will be defined, according to the different types of treatment (preservation, adaptation, replacement, elimination, etc.) of the key elements, both in terms of content as well as of language and style.
Źródło:
Studia Romanica Posnaniensia; 2021, 48, 3; 103-117
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A New Voice for an Ancient Story: Speaking from the Margins of Homer’s Iliad in Madeline Miller’s The Song of Achilles
Autorzy:
Struzziero, Maria Antonietta
Powiązania:
https://bibliotekanauki.pl/articles/2049073.pdf
Data publikacji:
2021-10-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Madeline Miller
Achilles
Patroclus
Homer
hypertextuality
Iliad
re-writing
trauma
love
death
Opis:
Madeline Miller’s The Song of Achilles (2011) is an imaginative rewriting of Homer’s Iliad. The writer uses the strategy of transfocalization and enters the text from the point of view of Patroclus. His fresh look offers a new critical perspective both on the moral world of the epic and on Achilles, the great Greek hero whose complex personality and tragic hubris Patroclus observes with emotional understanding. Miller transforms the Homeric sparing narrative of the friendship between Patroclus and Achilles into a touch- ing love story built on their mutual devotion, and locates this narrative at the heart of a world of ruthless violence. This paper will consider the writer’s use of hypertextual adap- tation in the novel from the perspective of the change in the narrative focus of the source, and discuss her objectives and methodology.
Źródło:
Anglica. An International Journal of English Studies; 2021, 30(1); 133-152
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Twórczość dramatyczna Łesi Ukrainki w kontekście teorii intertekstualności
Intertextuality Aspects Of Lesya Ukrainka’s Dramaturgy
Autorzy:
Kaczmarczyk, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1929327.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
twórczość Łesi Ukrainki
intertekstualność
paratekstualność
metatekstualność
hipertekstualność
architekstualność
works by Lesya Ukrainka
intertextuality
paratextuality
metatextuality
hypertextuality
architextuality
Opis:
The author of this paper aims at presenting a rich network of intertextual relations vividly seen in the dramaturgy of Lesya Ukrainka basing on the theoretical insights proposed by the theoreticians who worked on the phonemenon of intertextuality. The analysis is mainly based on the theory of intertextuality (transtextuality) introduced by Gerard Genette.
Драматурга Лесі Українки в контексти теории інтертекстуальностиАвторка статти презентуе різноманитну картину інтертекстуальних зь’язків присутних в драматичній творчості Лесі Українки, використовуючи для цього пропозиції теоретиків інтертекстуальнoсти, b першій черзі запропонований Женетом проект теорії інтертекстуальнoсти (транстекстуальнoсти).
Źródło:
Roczniki Humanistyczne; 2012, 60, 7; 103-114
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La grammatica del linguaggio giuridico. Analisi comparativa di alcune varianti di una legge regionale
The grammar of legal language. Comparative analysis of selected varieties of a regional law
Autorzy:
Maniowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/446375.pdf
Data publikacji:
2018-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Italian legal language
interpretation
hypertextuality
intertextuality
linguaggio giuridico e legale
interpretazione
ipertestualità
intertestualità
Opis:
According to the Italian legal system, Regions may intervene on social and administrative questions with their own laws. The aim of this paper is to analyse varieties of the same law in different Italian regions and cities. The quantitative and qualitative approach is aimed to show the efficiency of each text, taking into consideration linguistic factors and their use in legal writing, such as syntax and lexis as well as intertextuality and relations between hyper- and hypotext (European directives and national norms vs. local norms). The comparison between five similar texts on the same subject will show how the interpretation of a norm may deeply differ one from another and how the quality of a norm may negatively influence it’s comprehension.
Secondo l’ordinamento italiano le regioni possono intervenire sulle questioni sociali e amministrative approvando leggi locali. Nel presente articolo vogliamo analizzare varietà della stessa legge promulgata in diverse regioni e città italiane. L’approccio qualitativo e quantitativo dell’analisi è stato adottato per dimostrare l’efficacia del singolo testo, considerando inoltre fattori linguistici e le modalità della scrittura legale, tra cui la sintassi e il lessico adoperato, nonché l’intertestualità e le relazioni tra l’ipo- e l’ipertesto (si pensi alle direttive europee in materia, alla legge nazionale e alle norme locali). Il confronto tra cinque testi affini dedicati allo stesso argomento dimostrerà quanto sia differente l’interpretazione tra un testo e l’altro e quanto la qualità della norma scritta possa compromettere la sua comprensione.
Źródło:
Italica Wratislaviensia; 2018, 9.2; 143-160
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Live-Ticker: zu der neuen multimodal-hypertextuellen Form der Live-Berichterstattung
Autorzy:
Smułczyński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1202483.pdf
Data publikacji:
2020-01-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Live-Ticker
Medienkonvergenz
Multimodalität
Hypertextualität
Online-Berichterstattung
live-ticker
media convergence
multimodality
hypertextuality
online broadcasting
Opis:
The live broadcast of different, socially important events is nowadays no longer reserved only for radio and television. The live-ticker, a result of various media convergence processes, is a multimodal and interactive set of institutional reports, journalists’ and politicians’ opinions, pictures, short films and social media posts, that 24/7 provides the most up-to-date information on a specific topic. The article is an investigation into the media genre live-ticker with a focus on its multimodal structure, the language-image relations, as well as aspects of hypertextuality. Finally, I want to show what the live ticker differs from similar forms of online broadcasting. The corpus are three Danish live-tickers that provided the most detailed report on the trial of the Danish entrepreneur and designer Peter Madsen: bt.dk, ekstrabladet.dk and jyllands-posten.dk. Madsen murdered in 2017 a Swedish journalist Kim Wall, for which he was sentenced in April 2018 to life imprisonment.
Źródło:
Folia Scandinavica Posnaniensia; 2019, 27; 14-34
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autorskie (od)tworzenie. O intertekstualnych wątkach w twórczości Tima Burtona
Autor’s (re)construction. The intertextual threads in the works of Tim Burton
Autorzy:
Żakieta, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/460170.pdf
Data publikacji:
2013
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Tim Burton
intertekstualność
architekstualność
hipertekstualność
rekontekstualizacja
postmodernizm
(od)tworzenie
intertextuality
architextuality
hypertextuality
recontextualization
postmodernism
(re)creation
Opis:
Artykuł skupia się na analizie gier z konwencją, wykorzystaniu gatunków, symboli, schematów oraz klisz kulturowych w wybranych fi lmach Tima Burtona. Ważny aspekt rozważań stanowi dialogiczność między innymi takich fi lmów jak Edward Nożycoręki czy Jeździec bez głowy, bowiem właśnie żywioł intertekstualny czyni twórczość Burtona na tyle oryginalną, by móc ją określać mianem kina autorskiego.
This article is focused on playing with convention, genre, symbols and cultural clichés in selected Tim Burton’s fi lms. The most important aspect of this work is the dialogism in such fi lms as Edward Scissorhands or Sleepy Hollow, because intertextuality is exactly what makes Burton’s work original enough to be considered an auteur cinema.
Źródło:
Ogrody Nauk i Sztuk; 2013, 3
2084-1426
Pojawia się w:
Ogrody Nauk i Sztuk
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Michael Riffaterre’s ‘Interpretant’ Reinterpreted
Autorzy:
Krawczyk, Mateusz Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1048775.pdf
Data publikacji:
2020-02-21
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
christology
hypertextuality
interpretant
intertextuality
michaele riffaterre
rom 2:7
wis 2:23
wis 6:18.19
Opis:
Bible exegesis is dealing at times with the accusation of superficial implementation of methods from various fields of science and of disrespect for the theological character of the Bible in hermeneutical and methodological presuppositions. This accusation can be directed also towards the many uses of intertextuality in biblical scholarship. The article challenges this situation and proposes what has been called a ‘theological model of intertextual interpretation’ – an approach based on literary theory of the ‘interpretant’ as understood by Michaele Riffaterre – that tends to respect more fully the theological character of the biblical text. After a detailed description of the approach and its methodological elements, the second part of the article deals with an example of the application of thereof – an intertextual exegesis of Rom 2:7 and Wis 2:23; Wis 6:18.19.
Źródło:
The Biblical Annals; 2020, 10, 2; 261-277
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Approaches to Direct Transformation through the Examples of Selected Rock Cover Songs
Autorzy:
Niemiec, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/29520339.pdf
Data publikacji:
2023-12-18
Wydawca:
Uniwersytet Bielsko-Bialski
Tematy:
Gérard Genette
intertekstualność
transtekstualność
hipertekstualność
transformacja bezpośrednia
covery rockowe
intertextuality
transtextuality
hypertextuality
rock covers
direct transformation
Opis:
Intertextuality, a term coined by Julia Kristeva, is a crucial aspect of all forms of creative expression, including literature, music, and art. The idea of intertextuality has been further expanded by Gérard Genette, who included intertextuality as one of the five aspects of the broader phenomenon of transtextuality. Among these several types is hypertextuality, which refers to the relationship between a text and its hypertextual extensions or variations. Within the scope of hypertextuality, Genette identified two methods of transforming a text A into a text B: direct and indirect transformation. This paper considers direct transformation. Although its primary association is with prose and poetry, it can also be extended to encompass song lyrics. In this article, several rock covers serve as examples of text B, and consideration is given to how they differ from their original counterparts (text A), albeit not in a musical form, but rather in terms of their lyrics. In the process, four different approaches were found for delivering a transformation of the original lyrics: fixed transformation, slight transformation, conversion of both the original meaning and lyrics, and considerable transformation.
Źródło:
Świat i Słowo; 2023, 41, 2; 197-222
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Playing with Time, Space and Narrative in Arturo Pérez Reverte’s "The Flanders Panel" ("La table des Flandres")
Autorzy:
Kliszcz, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/1186472.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Jorge Luis Borges
crime fiction
narrative
chess in literature
story within the story
intertextuality
hypertextuality
Arturo Pérez Reverte
Opis:
The article discusses hypertextuality as a composition dominant of Arturo Pérez Reverte’s The Flanders Panel (La table des Flandes). To achieve this aim it focuses on the relation between the novel and Borges’s oeuvre, but also its relation to crime fiction as such (in considering its involvement with different types of crime story). Also addressed is the question of impact of introducing different timelines and spatial planes on the composition of the novel.
Źródło:
Załącznik Kulturoznawczy; 2020, 7; 455-471
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
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