Temat: history of collection - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: An analysis of a collection’s arrangement as a source of information on the collector
Autorzy:: Mikołajczyk, Paulina Anna
Powiązania:: https://bibliotekanauki.pl/articles/6388798.pdf
Data publikacji:: 2023-06-30
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: collections
collector’s biography
Poznań’s collector
history of collection
Opis:: The article contains an analysis of objects and their the owner, as a result of which it was possible to partially recognize the space in which they were originally located, to prove the existence of the underlying idea and provided an opportunity to recreate it.
Źródło:: Historia Slavorum Occidentis; 2023, 2(37); 180-204
2084-1213
Pojawia się w:: Historia Slavorum Occidentis
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: „Zaginione – ocalone”. Odkrycie zabytków archeologicznych ze szczecińskiej kolekcji starożytności pomorskich w Mołtowie
‘Lost – Saved’. The discovery of archaeological artefacts from Szczecin collection of Pomeranian antiques in Mołtowo
Autorzy:: Kowalski, Krzysztof
Kozłowska, Dorota
Rogalski, Bartłomiej
Powiązania:: https://bibliotekanauki.pl/articles/440465.pdf
Data publikacji:: 2016
Wydawca:: Muzeum Narodowe w Szczecinie
Tematy:: archeologia archiwalna
Pommersches Landesmuseum
Szczecińska kolekcja starożytności pomorskich
historia zbiorów
ewakuacja zbiorów
restytucja zbiorów
Mołtowo
Szczecin collection of Pomeranian antiquities
history of collection
evacuation of collection
restitution of collection
Opis:: Abstract: The article presents the fate of archaeological artefacts from former collection of Pommersches Landesmuseum in Szczecin evacuated during the Second World War to the village Mołtowo, part of which (503 specimens) were found in 2016. Based on the history of Szczecin museum collection, the authors present in detail the circumstances of the objects recovery. The enclosed catalogue includes all archaeological artefacts transferred to von Braunschweig residence near Kołobrzeg.
Źródło:: Materiały Zachodniopomorskie; 2016, 12; 9-75
0076-5236
Pojawia się w:: Materiały Zachodniopomorskie
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Anonymous in Hungary. P dictus Magister’s Gesta, Age and Pusztaszer – About the Truth of Writing History
Węgierski Anonim. P dictus magister – Gesta, epoka i Pusztaszer. O prawdzie historiograficznej
Autorzy:: Horváth, Gábor
Powiązania:: https://bibliotekanauki.pl/articles/2055858.pdf
Data publikacji:: 2020-04-27
Wydawca:: Akademia Ignatianum w Krakowie
Tematy:: art history
history of collecting
Raphael’s copy
Czartoryski collection
Venice
Bergamo
Accademia Carrara
Opis:: One of the most frequently quoted and examined topic of the historiograpy of the Hungarian Middle Ages is P dictus magister and his work, Gesta Hungarorum. Throughout the many hundred years of research, there had been several occasions when the author of the Gesta was thought to be identified. Unfortunately, he was not, as there is no consensus on his identity until this day. The starting point for almost all the experts on the topic was the same, which meant two alternatives. Firstly, that “P” was in most cases supposed to stand for the Latin “prae” preposition, and secondly, that it was the initial letter of the author’s name (eg. Petrus, Paulus, or Pósa). We can say that research was determined by these two hypotheses. I based my research on the fact that P dictus magister was a learned, educated man of the Middle Ages, who was a scholar of literature, a key figure, whose ideas were characterised by spiritual, biblical, theological way of thinking – all of them typical of the age. According to my conclusions, the Gesta must have been written after 1206 and before 1217, when Kalán, the bishop of Pécs, who was the author of the Gesta in my opinion, took the sign of the cross between 1214 and 1217. We can see that the Gesta reflects the crusaders’ ideals. Bishop Kalán must have had the knowledge to write the work, he must have known the places, and his service at the chancellery, as a governor, and as the bishop of Pécs made him absolutely suitable for it.
Jednym z najczęściej cytowanych i badanych zagadnień w dziedzinie historiografii węgierskiego średniowiecza jest P dictus magister i jego dzieło, Gesta Hungarorum. Przez setki lat wielokrotnie wydawało się, że udało się zidentyfikować autora Gesta Hungarorum. Niestety, nie było tak, ponieważ nie ma zgody co do jego tożsamości aż do dzisiaj. Punktem wyjścia dla niemal wszystkich badaczy było to samo założenie, co oznaczało dwie alternatywy. Po pierwsze, „P” w większości przypadków oznaczało łaciński przyimek „prae”; po drugie, mogła to być pierwsza litera imienia autora (np. Petrus, Paulus czy Pósa). Można powiedzieć, że badania były prowadzone pod kątem tych dwóch hipotez. Swoje badania oparłem na fakcie, że P dictus magister był uczonym, wykształconym człowiekiem średniowiecza, badaczem literatury, ważną postacią, której idee charakteryzował duchowy, biblijny, teologiczny sposób myślenia typowy dla epoki. Wnioskuję, iż Gesta musiały zostać napisane po 1206, a przed 1217 r., kiedy Kalán, biskup Péczu, który moim zdaniem był ich autorem, przyjął znak krzyża (między 1214 i 1217 r.). Widzimy, że Gesta odzwierciedlają ideały krzyżowców. Biskup Kalán musiał posiadać określoną wiedzę, aby napisać takie dzieło, znać pewne miejsca, a jego praca w kancelarii dworskiej oraz stanowiska namiestnika i biskupa Peczu czynią go w pełni nadającym się do tego kandydatem.
Źródło:: Perspektywy Kultury; 2019, 25, 2; 117-132
2081-1446
2719-8014
Pojawia się w:: Perspektywy Kultury
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: The statue of Ceres from the Royal-University Collection of plaster casts
Autorzy:: Dunajko, Monika
Powiązania:: https://bibliotekanauki.pl/articles/27749143.pdf
Data publikacji:: 2022-05-17
Wydawca:: Krajowy Ośrodek Badań i Dokumentacji Zabytków
Tematy:: University museum
provenance
University of Warsaw
collections
collection history
plaster cast
Opis:: One of the more interesting collections of plaster prototypes, as yet not thoroughly studied, is the Warsaw collection of plaster casts. In the to-date studies it has been analysed from the perspective of history and history of art as a homogenous whole, a carrier of artistic culture. However, what is still missing are analyses focusing on basic facts as perceived by a museum curator, enabling identification of the objects composing the collection. The present paper aims at discussing the issues related to the identification of the works’ models and interpretation of works which come from university museums’ collections. The case study selected will concern one of the statues from the collection of the University of Warsaw. A detailed study of the cast of the goddess demonstrates how an analysis of one object can extend the knowledge of a whole museum collection. An accurate identification of the object and of its provenance allow us to better see custodians’ motivation for the selection of definite exhibits, and to enhance our understanding of how museum exhibits shape Polish culture and scholarship.
Źródło:: Muzealnictwo; 2022, 63; 15-24
0464-1086
Pojawia się w:: Muzealnictwo
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Pre-Linnaean herbaria viva of Helwing in the collections of the National Library of Poland and the University of Warsaw
Autorzy:: Spalik, K.
Powiązania:: https://bibliotekanauki.pl/articles/57024.pdf
Data publikacji:: 2014
Wydawca:: Polskie Towarzystwo Botaniczne
Tematy:: botany
history
ethnobotany
collection
botanical collection
flora
Helwing Georg Andreas
plant name
National Library of Poland
University of Warsaw
Faculty of Biology
Opis:: Georg Andreas Helwing (1666–1748) was the author of two important early accounts on the flora of former East Prussia: “Flora qusimodogenita” and “Supplementum florae prussicae”. Along with his son-in-law Matthias Ernst Boretius, he prepared several herbaria viva. Four of these herbaria survived until WWII; however, their whereabouts since WWII have been generally unknown. In this paper, two of these herbaria are described: one preserved in the collections of the National Library of Poland and another in the herbarium of the Faculty of Biology of the University of Warsaw. Both were formerly in the possession of the Königsberg city library. These herbaria document not only Helwing’s studies on the native flora of Prussia but also his experiments with acclimation of exotic species in his garden in Stullichen (Stulichy, Poland). They are also an important source of vernacular Polish and German names of plants.
Źródło:: Acta Societatis Botanicorum Poloniae; 2014, 83, 1
0001-6977
2083-9480
Pojawia się w:: Acta Societatis Botanicorum Poloniae
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Eksponaty geologiczne w osiemnastowiecznym Naturalienkabinet księdza Leopolda Jana Szersznika z Cieszyna
Geological specimens in the eighteenth century Naturalienkabinet of father Leopold Jan Szersznik from Cieszyn
Autorzy:: Machłajewska, I.
Krzeszowska, E.
Powiązania:: https://bibliotekanauki.pl/articles/2075000.pdf
Data publikacji:: 2013
Wydawca:: Państwowy Instytut Geologiczny – Państwowy Instytut Badawczy
Tematy:: Szersznik Leopold Jan
Naturalienkabinet
geological collection
history of geology
kolekcja geologiczna
historia geologii
Opis:: Leopold Jan Szersznik (1747–1814) – a Silesian priest, teacher, researcher and collector, was a leading figure in the Age of Enlightenment. He is known mainly as a founder of a great and commonly available library of manuscripts, ancient books and maps, and one of the first Polish public museums. The Szersznik’s Museum was founded in 1802 in Cieszyn to collect art, antique weapons, instruments and nature specimens, forming so-called Naturalienkabinet. Naturalienkabinet contained more than four thousand minerals, rocks and fossils. The collection was designed to illustrate the natural history and was characterised by excellent systematization and description of type, place of origin and number of specimens. Szersznik planned to create a full catalogue of natural history collections, but unfortunately he could not finish his project. The only remaining part of the mineralogical collection is stored at the Museum of Geology of Deposits in Gliwice (Poland), being one of the oldest geological collections in Poland. Unfortunately, the state of preservation and arrangement of collections at the time of their transfer to the Museum was far different from its original state. The collection has been inventoried and described scienti- fically in recent years. Among the studied geological specimens are both well-known rocks and minerals from classic locations and unusual mineralogical specimens.
Źródło:: Przegląd Geologiczny; 2013, 61, 1; 25--29
0033-2151
Pojawia się w:: Przegląd Geologiczny
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Jean-Philippe Graffenauer (1775–1838), alzacki przyrodnik i napoleoński lekarz w Polsce – mało znane, interesujące dla historii geologii prace oficera Wielkiej Armii
Jean-Philippe Graffenauer (1775–1838), an Alsatian naturalist and a Napoleonic physician in Poland - a little-known geological work of the Grande Army officer
Autorzy:: Daszkiewicz, P.
Tarkowski, R.
Powiązania:: https://bibliotekanauki.pl/articles/2074910.pdf
Data publikacji:: 2012
Wydawca:: Państwowy Instytut Geologiczny – Państwowy Instytut Badawczy
Tematy:: history of geology
Napoleonic scientists
amber
Gdańsk Natural History collection
Polska
historia geologii
napoleoński lekarz
bursztyn
gdańska kolekcja historii przyrodniczej
Opis:: The paper presents Graffenauer’s, Alsatian physician and naturalist, stay in Poland as a Napoleonic officer. The authors present the context of Natural History work during the Napoleonic Wars and the biography of this scientist. His writings are analyzed in terms of history of geology. Letters of Graffenauer constitute a precious document for the history of science. The authors emphasize the importance of information about amber, the biography of George Forster, the history of Natural History collection of Gdansk They also highlight the importance of the testimony of the Napoleonic era in the history of Natural Sciences in Poland.
Źródło:: Przegląd Geologiczny; 2012, 60, 10; 534--538
0033-2151
Pojawia się w:: Przegląd Geologiczny
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: What do the Potockis need an art collection for, namely on the Art Collecting in the Potocki Family exhibition at the Museum of King John III’s Palace at Wilanów
Autorzy:: Gołąbek, Marta
Paprocka-Gajek, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/27700347.pdf
Data publikacji:: 2023-10-25
Wydawca:: Krajowy Ośrodek Badań i Dokumentacji Zabytków
Tematy:: the Potocki family
Museum of King John III’s Palace at Wilanów
Exhibition of Antiquities
Karol Minter
art collection
museum history
Opis:: It is the assumptions, goals, and effects of the new permanent display mounted at the Museum of King John III’s Palace at Wilanów titled Art Collecting in the Potocki Family that are the topic of the present paper. The Exhibition presents a less known fragment of the Wilanów Palace’s history when it was owned by the Potockis: Aleksandra née Lubomirski and Stanisław Kostka, their son Aleksander, and grandson August and his spouse Aleksandra née Potocki. The three generations of the Pilawa-coat-of-arms family wrote a new, albeit extremely important chapter in the history of the former royal and magnate residence, placing in it the Museum of Art and the Memorial Site of the history of the Polish nation for almost a hundred years The Potockis amassed artistic collections and national mementoes, and introduced changes to the layout of the private spaces of the residence in order to adjust them to serving museum purposes. In harmony with the Potockis’ idea, the systematically growing collection turned into a treasure opened to the general public. It is the first entry in the Wilanów Guest Book: 5 August 1805 that is regarded to have been the launch of the Museum’s public operation. In its narrative and layout the new display refers to the Potockis’ Museum. The interiors of the garden gallery on the Palace’s first floor have been transformed according to ico -nographic records from the 19th and early 20th century. In the southern gallery we remind of the Library once functioning here, in the northern one, in turn, we recall Warsaw’s important cultural event from 1856: Exhibition of Antiquities. As a result of the introduced changes new display spaces have been created: the Historical Cabinet, Print Cabinet, and the Iconographic Cabinet. The first is dedicated to national mementoes, whereas the latter two are cosy display rooms of objects on paper.
Źródło:: Muzealnictwo; 2023, 64; 170-179
0464-1086
Pojawia się w:: Muzealnictwo
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Księgozbiór bożogrobców miechowskich w Bibliotece Uniwersyteckiej w Warszawie
Die Büchersammlung der Mönche vom Heiligen Grab in Miechów in der Warschauer Universitätsbibliothek
Autorzy:: Truskolaska, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/1040716.pdf
Data publikacji:: 2004-06-30
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: Bibliothek
Geschichte
Bibliotheksammlungen
Mönche vom Heiligen Grab
biblioteka
historia
zbiory biblioteczne
bożogrobcy
library
history
library collection
Order of the Holy Sepulchre
Źródło:: Archiwa, Biblioteki i Muzea Kościelne; 2004, 81; 353-369
0518-3766
2545-3491
Pojawia się w:: Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Jacob Theodor Klein jako kolekcjoner rysunku przyrodniczego oraz współpracownik rysowników i rytowników
Jacob Theodor Klein as a collector of the nature drawing and an associate of illustrators and engravers
Autorzy:: Jakubowski, Jakub
Powiązania:: https://bibliotekanauki.pl/articles/2189561.pdf
Data publikacji:: 2022-06-30
Wydawca:: Polska Akademia Nauk. Instytut Historii Nauki im. Ludwika i Aleksandra Birkenmajerów
Tematy:: Jacob Theodor Klein
historia naturalna
rysunek przyrodniczy
kolekcja przyrodnicza
przepływ wiedzy
Gdańsk
natural history
nature drawing
nature collection
circulation of knowledge
Opis:: Jacob Theodor Klein (1685–1759) was one of the most prominent collectors and naturalists operating in Gdańsk in the 18th century. Apart from natural specimens, he was gathering nature drawings, acquired from sources such as Samuel Niedenthal’s body of work or Hiob Ludolf’s legacy. In the mid-1720s, Klein commissioned David Schultz, a draughtsperson based in Gdańsk, to produce visual documentation of the Museum Kleinianum. Afterwards, the task was taken over by two of Klein’s daughters, Dorothea Juliana Gralath and Theodora Renata Klein, who made in-situ studies of selected museum exhibits with the former designing vignette illustrations for her father’s editions as well. Engravings modelled after the nature drawings from Klein’s collection often illustrated his scientific publications. Earlier ones, from the late 1720s and early 1730s, were made by Gdańsk-based Peter Böse and Johann Friedrich Mylius; later ones, from the mid-1730s to the end of the 1740s, by professional artists from Nuremberg, Leipzig and Halle on the Saale, among whom Georg Wolfgang Knorr, Johann Wilhelm Stör and Johann Michael Seligmann deserve special mention. Klein’s work consolidated the naturalist community of Gdańsk and promoted academic networking within the region.
Źródło:: Analecta. Studia i Materiały z Dziejów Nauki; 2022, 31, 1; 59-84
1509-0957
Pojawia się w:: Analecta. Studia i Materiały z Dziejów Nauki
Dostawca treści:: Biblioteka Nauki

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