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Wyświetlanie 1-15 z 105
Tytuł:
Czy chory człowiek może być inspiracją dla artysty?
Should a Sick Person Be an Inspiration for An Artist?
Autorzy:
BŁACHUTA, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1033816.pdf
Data publikacji:
2013
Wydawca:
Zakład Opieki Zdrowotnej Ośrodek Umea Shinoda-Kuracejo
Tematy:
affective disorders
history of art
psychiatry
Opis:
This article highlights the role of psychiatric illness, mainly the affective disorders, in the work of famous painters throughout the centuries. Especially paintings from well-known artists such as Pieter Bruegel, Albrecht Dürer, Henri de Toulouse – Lautrec, Vincent van Gogh, Edward Munch, Ernst Ludwig Kirchner, Frida Kahlo and Lucian Freud are discussed in detail. While pain and disease are unavoidable parts of human life artists are especially sensitive to suffering and melancholy. Artists should create honest and true art which gives a reflection of the times they live in. Through their art they should give a reason to look closer and understand people and circumstances. Overidentification of the artist with that mission may, however, lead to overwhelmingly deep compassion and may cause depression. On the positive side art may contribute to higher awareness concerning many diseases and thus provide a strong impulse to more intense research activity or social tolerance, which finally will considerably improve the situation of the patients.
Źródło:
Medicina Internacia Revuo; 2013, 25, 101; 243- 252
0465-5435
Pojawia się w:
Medicina Internacia Revuo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The history of architecture and art and how it is seen by tourists
Autorzy:
Kaczmarek, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/627863.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
tourism
architecture
painting
history of art
Opis:
The article presents the relation between the presence of works of art (buildings, sculptures, paintings) at different locations in the world, and tourism. The main theoretical and practical questions include the following: How important is knowledge of the history of art for seeing works of art? What other factors make modern travellers visit places where they can find these works of art?
Źródło:
Turyzm; 2013, 23, 2; 9-13
0867-5856
2080-6922
Pojawia się w:
Turyzm
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wejście smoka
Autorzy:
Poprzęcka, Maria
Powiązania:
https://bibliotekanauki.pl/articles/909505.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
conference
Poznań
Association of Art Historians
institutional critique
Opis:
The paper is a reminiscence of my first meeting with the colleagues from the Institute of Art History of Adam Mickiewicz University, which took place at an annual conference of the Association of Art Historians in 1974, titled “Reflection on Art.” Choosing an unusual title, I wanted to convey the impetus with which a group of young art historians from Poznań entered the decent and somewhat stagnant stage of Polish art history. The critique they presented was directed against Polish academic institutions, the problematic of the conference, the empty rituals of academic life, etc. Even though I did not accept all their objections, the heated debate suddenly turned out for me to be a liberating factor, stimulating continuous critical thinking which is an antidote for spiritual and intellectual captivity.
Źródło:
Artium Quaestiones; 2019, 30; 393-398
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Enter the Dragon
Autorzy:
Poprzęcka, Maria
Powiązania:
https://bibliotekanauki.pl/articles/909520.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
conference
Poznań
Association of Art Historians
institutional critique
Opis:
The paper is a reminiscence of my first meeting with the colleagues from the Institute of Art History of Adam Mickiewicz University, which took place at an annual conference of the Association of Art Historians in 1974, titled “Reflection on Art.” Choosing an unusual title, I wanted to convey the impetus with which a group of young art historians from Poznań entered the decent and somewhat stagnant stage of Polish art history. The critique they presented was directed against Polish academic institutions, the problematic of the conference, the empty rituals of academic life, etc. Even though I did not accept all their objections, the heated debate suddenly turned out for me to be a liberating factor, stimulating continuous critical thinking which is an antidote for spiritual and intellectual captivity.
Źródło:
Artium Quaestiones; 2019, 30; 237-242
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
1968: In Search of “Socialism with Human Face” in Czech Art History
Autorzy:
Bartlová, Milena
Powiązania:
https://bibliotekanauki.pl/articles/909521.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
Czechoslovakia 1968
humanist Marxism
Marxist iconology
Opis:
The five or eight years leading up to the failed “Prague Spring” represent the most important period of Czech humanities tradition during the Communist Party dictatorship. Art history did not directly participate in either of the most prominent period discourses, but it was able to develop its own specific methodologies following the Czech continuation of the Vienna School legacy. The contribution analyzes the discourse of Marxist Iconology, developed by J. Neumann and R. Chadraba, and presents the case of F. Šmejkal and his concept of Imaginative Art, which was, interestingly, the sole case during the whole 40 years of the Communist Party rule when the highest Party officials became directly involved in Czech art historical practice. From the point of view of art historical practice, the most important feature of the brief period 1963–1969 was the new possibility of contacts with foreign art historians and of traveling abroad.
Źródło:
Artium Quaestiones; 2019, 30; 225-236
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tadeusz Bonifacy Chrzanowski (1926-2006)
Autorzy:
Węcławowicz, T.
Powiązania:
https://bibliotekanauki.pl/articles/218042.pdf
Data publikacji:
2007
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
Chrzanowski Tadeusz Bonifacy
historia sztuki
history of art
Opis:
Już wszystko zrobiłem, co miałem zrobić i więcej nie mam nic do powiedzenia - mawiał u schyłku swego życia.
It's all I've done what I had done and I have nothing more to say - he would say at the end of his life.
Źródło:
Wiadomości Konserwatorskie; 2007, 21; 103
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A History of Polish Art” by Michał Walicki and Juliusz Starzyński in Poland between the World Wars. The West, Poland, the East
Autorzy:
Labuda, Adam S.
Powiązania:
https://bibliotekanauki.pl/articles/909536.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
overview of the history of Polish art
national art
transhistorical status of a national artistic form
center and periphery
Opis:
Writing an academic history of Polish art was an urgent task of art historians after World War I, when the country regained its political independence. An important and creditable achievement in that respect was a study by Michał Walicki and Juliusz Starzyński, published in 1934 as a kind of supplement to the monumental Geschichte der Kunst von der altchristlichen Zeit bis zur Gegenwart by the Marburg historian Richard Hamann, translated at that time into Polish. In 1936, the work of the Polish scholars was published again in the form of a separate book. The paper focuses on three problems that were addressed in it: the cultural and artistic ties of Poland to the West, the vernacular features of Polish art, and the presence of the “Eastern art” in Polish artistic heritage. The author examines also the question whether those issues were related to the political, social, and cultural reality of the Second Polish Republic.
Źródło:
Artium Quaestiones; 2019, 30; 65-91
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Guidebooks in the context of the development of knowledge about art in the ‘Polish lands’ of the 19th century
Autorzy:
Ziarkowski, Dominik
Powiązania:
https://bibliotekanauki.pl/articles/627592.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
travel guidebooks
history of tourism
history of art
19th century
Opis:
Former guidebooks are an important category of historical source that allows for the reconstruction of many aspects of the history of tourism. The dynamic development of guidebook literature began in the 19th century when a modern type with descriptions according to routes and containing much practical information was developed. The guidebooks also presented a lot of other information of a general nature, such as geography, ethnology, natural science, as well as descriptions of monuments and works of art. The importance of Polish guidebooks for writing about art is very high yet underestimated. The aim of this paper is to define the role that these publications played in the field of artistic historiography, and to indicate the relationships between the guidebooks and the development of academic research on art. These problems are undoubtedly an interesting area of interdisciplinary relation between the historical development of tourism and academia, with a particular focus on art history in this case.
Źródło:
Turyzm; 2019, 29, 1; 83-96
0867-5856
2080-6922
Pojawia się w:
Turyzm
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Michała Walickiego i Juliusza Starzyńskiego „Dzieje sztuki polskiej” w II Rzeczypospolitej. Zachód, Polska, Wschód
Autorzy:
Labuda, Adam S.
Powiązania:
https://bibliotekanauki.pl/articles/909507.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
overview of the history of Polish art
national art
transhistorical status of a national artistic form
center and periphery
Opis:
Writing an academic history of Polish art was an urgent task of art historians after World War I, when the country regained its political independence. An important and creditable achievement in that respect was a study by Michał Walicki and Juliusz Starzyński, published in 1934 as a kind of supplement to the monumental Geschichte der Kunst von der altchristlichen Zeit bis zur Gegenwart by the Marburg historian Richard Hamann, translated at that time into Polish. In 1936, the work of the Polish scholars was published again in the form of a separate book. The paper focuses on three problems that were addressed in it: the cultural and artistic ties of Poland to the West, the vernacular features of Polish art, and the presence of the “Eastern art” in Polish artistic heritage. The author examines also the question whether those issues were related to the political, social, and cultural reality of the Second Polish Republic.  
Źródło:
Artium Quaestiones; 2019, 30; 339-365
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wpływ osoby i kultu błogosławionej Doroty na życie duchowe parafii i wyposażenie kościoła w Mątowach Wielkich od średniowiecza do współczesności
The influence of the person and the cult Dorothea’s of Montau over the spiritual life of the parish and the interior of the Church in Mątowy Wielkie from Middle Ages till the present time
Autorzy:
Grabowska-Lysenko, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/2165720.pdf
Data publikacji:
2013-12
Wydawca:
Wyższe Seminarium Duchowne Diecezji Elbląskiej w Elblągu
Tematy:
Dorothea of Montau
Mątowy Wielkie
History of Art
Middle Ages
Piety
Opis:
The aim of this paper is to show the influence of the blessed Dorothy and her spirituality at the religious life of the parish and the shape and meaning of the interior of the Saint Peter and Paul church in Great Montau. The most important elements in the Dorothy’s spirituality were the passion piety and Eucharistic cult. The works of art from the Middle Ages, preserved in the church, confirm their important role also in the religious live of the parish community (Sacrament House, Pieta, Christ on the Cold Stone). In the modern times, when the Dorothy’s cult was renewed in the Kulm Diocese, the interior of the church was enlareged with three elements connected with Dorothy – the Latin inscrioption about her life, the procession paiting depicting her mystical communion, as well as her image within the southern side altar. Also in the 19th and in the beginning of the 20th Century the cult of the Recluse was living in the parish. After 1945 it was less cultivate. The cult was renewed in the 70’s of the 20th Century. Today is the Dorothy’s cult again living, and an important part of it are the works of art (procession painting, baptismal font). The temple in Montau is an extraordinaryexample among others Prussian churches, because here some cult continuity was preserved and thanks the works of art is it possible, to follow its history.
Źródło:
Studia Elbląskie; 2013, 14; 47-61
1507-9058
Pojawia się w:
Studia Elbląskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Shaftesbury V. Richardson: a Counterfactual Exercise
Shaftesbury Versus Richardson: Ćwiczenie Kontrfaktyczne
Autorzy:
Mount, Harry
Powiązania:
https://bibliotekanauki.pl/articles/2082085.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
art theory
social history of art
aesthetic theory
18th Century British aesthetics
taste
beginnings of art history
neoclassicism
Opis:
This article considers what might have happened had the 3rd Earl of Shaftesbury lived long enough to see his planned book of art theory, Second Characters, into publication. It suggests that Second Characters would have challenged, and perhaps supplanted, Jonathan Rich- ardson the Elder’s Theory of Painting (1715) as the first substantial and original British contribution to the theory of art. Much of the article consists of a comparison between Richardson’s Theory of Painting and the ‘Plasticks’ section of Second Characters, for which Shaftsbury’s notes survive. This comparison suggests that the theory of painting which Shaftesbury would have offered to his compatriots would have dif- fered from that offered by Richardson in certain important respects. Primarily addressing his text to his fellow aristocratic patrons rather than to painters, Shaftesbury’s vision for the future of British art was both more high-minded and more narrow than that offered by Richardson. For Shaftesbury the moral subject matter of painting was all-important, and the artistic traits he most admired, including historical subjects, grandeur of scale and austerity of style, were those he saw as best placed to transmit that moral subject matter. Richardson, by contrast, was for more tolerant of the extant British taste for portraits and more sensual styles and offered a theory of art which was in part formalist. The article also stresses the importance of the equation Shaftesbury made between the social and political health of a society and the quality of its art, and suggests that had Second Characters been published at the time when it was written we might now consider Shaftesbury, rather than Winckelmann, as the father of the social history of art. The article ends by considering two possible outcomes had Second Characters been published in the early eighteenth century, in one of which it had a profound impact on British art and British attitudes to art, and in the other of which Shaftesbury’s refusal to compromise with current British tastes condemned his text to no more than a marginal status.
Autor rozważa, co mogłoby się stać, gdyby trzeci hrabia Shaftesbury żył na tyle długo, aby ujrzeć publikację swojej planowanej książ- ki z teorii sztuki, Second Characters. Sugeruje, że Second Characters zakwestionowałyby i być może zastąpiłyby Theory of Painting (Teorię malarstwa) Jonathana Richardsona starszego (1715) jako pierwszy znaczący i oryginalny brytyjski wkład w teorię sztuki. Dużą część swych rozważań autor poświęca na porównanie Theory of Painting Richardsona i tekstu Plasticks z Second Characters, do którego zachowały się notatki Shaftesbury’ego. Porównanie to pozwoliło na wysunięcie tezy, że teoria malarstwa, którą Shaftesbury zaproponowałby swoim rodakom, różniłaby się pod pewnymi względami od tej przedstawionej przez Richardsona. Shaftesbury, zwracając się przede wszystkim do arystokratycznych mecenasów, a nie do malarzy, miał wizję przyszłości sztuki brytyjskiej bardziej wzniosłą, ale równocześnie bardziej zawężoną niż ta zaproponowana przez Richardsona. Dla Shaftesbury’ego najważniejsza była moralna tematyka w malarstwie, najbardziej cenił tematy historyczne, które najlepiej było pokazywać w dużej skali i z zastosowaniem surowego stylu. Richardson natomiast był bardziej tolerancyjny wobec brytyjskiego upodobania do portretów oraz zmysłowego malarstwa i proponował teorię sztuki, która była po części formalistyczna. Autor podkreślił również znaczenie zrównania przez Shaftesbury’ego zdrowia społecznego i politycznego społeczeństwa z jakością jego sztuki oraz wysunął przypuszczenie, że gdyby Second Characters zostały opublikowane w czasie, gdy powstały, mogliby- śmy teraz uznać Shaftesbury’ego, a nie Winckelmanna za ojca społecznej historii sztuki. Artykuł kończy się założeniem dwóch możliwych skutków opublikowania Second Characters na początku XVIII w. – jednym mógł być silny wpływ na brytyjską sztukę i brytyjski stosunek do sztuki, drugim zaś mogłaby być marginalizacja tego tekstu z powodu bezkompromisowego podejścia Shaftesbury’ego do ówczesnych gustów brytyjskich.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 5-17
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historic Gardens as Places of Conflicting Values
Autorzy:
Salwa, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/781167.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Gardens
restoration
Alois Riegl
ecology
value conflict
history of art
Opis:
The aim of the article is to present historical gardens as phenomena inevitably pervaded by an ongoing clash of values. The conflict stems from the twofold character of gardens where art (or in broader terms: culture) and nature are combined, which results in a tension between the tendency to remain static and durable that human culture seeks, and the changeability and dynamics that are inherent in nature. This conflict can be characterized by referring to a theory proposed by Austrian art historian Alois Riegl, one of the founders of modern monument restoration theory who identified three types of values associated with monuments: historical value, age value, and present-day values. What is more, one can assume that gardens can be treated as particular tokens of landscape. Thus, the conflict of values within a garden may be seen as a more limited example of the same clash going on at the more general level oflandscape. The argument is illustrated by a short case study of the recent debate over the restoration of the historic Krasinski Garden in Warsaw, Poland.
Źródło:
Ethics in Progress; 2014, 5, 1; 96-112
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na styku Zachodu i Wschodu, czyli o wielowiekowym dziedzictwie Kultury architektonicznej Łotwy
The meeting of West and East i.e. the centuries-old heritage of architectonic culture of Latvia
Autorzy:
Pawlicki, B. M.
Powiązania:
https://bibliotekanauki.pl/articles/217556.pdf
Data publikacji:
2013
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
Łotwa
sztuka
urbanistyka
architektura
historia sztuki
Latvia
art
planning
architecture
history of Art
Opis:
Sekret każdej książki tkwi w jej powszechnym odbiorze społecznym. Pochwalając zamysł ukazania się na polskim rynku wydawniczym nowatorskiego opracowania naukowego na temat mało poznanej esencji dziejów kultury, sztuki architektury i urbanistyki Łotwy należy podkreślić, że książka ta jest autorstwa dwojga wybitnych postaci z kręgu nauki polskiej, wychowanków Uniwersytetu Jagiellońskiego (historyka sztuki, profesora historii architektury i doktora nauk humanistycznych), wieloletnich wytrawnych badaczy i popularyzatorów wiedzy na tematy filozofii, estetyki, psychologii odbioru i kultury.
The secret of every book lies in its general social perception. Commending the plan year on the Polish market innovative studies, learned little about the essence of the history of culture, art, architecture and urbanism of Latvia should be noted that this book is written by two prominent figures from the circle of Polish science, pupils at the Jagiellonian University (art historian, professor of history of architecture and Ph.D.), perennial seasoned scholars and popularizers of knowledge on the subjects of philosophy, aesthetics, psychology and cultural acceptance.
Źródło:
Wiadomości Konserwatorskie; 2013, 35; 101-102
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Facing the Work of Art. Memories of My Student Years
Autorzy:
Skubiszewski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/909539.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
University of Poznań – art history
University of Poitiers – art history
methodology of art history
art history around 1950
Opis:
The present essay includes the author’s memories of his university studies and the intellectual formation that he received as a student of art history at the University of Poznań in 1949-1954. His first professor who opened to him the door to art history and exerted on him a strong intellectual influence, was Szczęsny Dettloff, a disciple of Heinrich Wölfflin in Munich and Max Dvořák in Vienna. Dettloff taught his students that the foundation of studying art in history is the study of the form of an individual artwork He believed that without a proper analysis of form it is impossible to construct appropriate series of the works of art and specify their position in the culture of the times of their origin. Similar sensitivity to form and the understanding of its significance for the art historian’s work were represented by two other professors important for the author, both educated by Dettloff already before World War II: Gwido Chmarzyński and Zdzisław Kępiński. When in 1957-1968 the author was a postgraduate student in the Centre d’Études Supérieures de Civilisation Médiévale at the University of Poitiers (CÉSCM), it turned out that the local methodological tradition was similar to what he had learned in Poznań before. The CÉSCM was founded as a multidisciplinary institute for the study of the Middle Ages, combining history, art history, literary history, and the history of ideas. It was important that one of them could shed light on an object studied by another, but each of them, including art history, kept its material and methodological identity. In the French tradition, art history had an “autonomous” status, focusing on artistic creation as a special sphere of human activity. That idea influenced also quite strongly the study of medieval architecture, originated in the early 19th century by Arcisse de Caumont, and continued until today by many generations of French scholars. What is characteristic of their research is meticulous analysis of form, articulated with a precise, detailed, and comprehensive specialist vocabulary. The lectures of French scholars on medieval architecture, which the author attended in Paris and Poitiers, taught him precision in the analysis of the artwork’s structure and its components, as well as responsibility for every single statement made on art. For a young art historian who did not specialize in architecture but in representational arts, that French experience was a lesson of methodological rigor necessary in the intellectual pursuits of the humanities scholar.
Źródło:
Artium Quaestiones; 2019, 30; 7-20
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 105

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