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    Wyświetlanie 1-4 z 4
    Tytuł:
    The Edition and Publication of Historical Sources in Poland from the Perspective of Historians of Political and Legal Thought
    Autorzy:
    Barwicka-Tylek, Iwona
    Malczewski, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/924093.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    source edition
    legal historical source
    translation of historical source
    institute of national
    remembrance
    the karta centre
    history of political and legal thought
    methodology of edition
    polish political thought
    republican thought
    socialist regime
    Opis:
    The article discusses the current state of edition of legal historical sources in Poland from the perspective of historians of political and legal thought. The authors begin by explaining the idea and scope of „source base”specific to their field of research. Three following issues are discussed later: (a) translation of foreign sources into Polish; (b) critical (re)edition of classic Polish texts in political thought; (c) edition of 20th century documental sources by the Institute of National Remembrance and The KARTA Centre. The authors make a number of comments and requests concerning the subject of discussion.
    Źródło:
    Krakowskie Studia z Historii Państwa i Prawa; 2014, 7, 3; 517-525
    2084-4115
    2084-4131
    Pojawia się w:
    Krakowskie Studia z Historii Państwa i Prawa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Projekt Tefsir – wydanie krytyczne XVI-wiecznego przekładu Koranu na język polski
    The Tefsir Project – critical edition of the 16th century Polish translation of Koran
    Autorzy:
    Kulwicka-Kamińska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/480114.pdf
    Data publikacji:
    2017-12-31
    Wydawca:
    Wydawnictwo Księży Werbistów Verbinum
    Tematy:
    historia języków polskiego i białoruskiego
    kitabistyka
    Koran
    przekład
    tefsir
    History of Polish and Belarussian tongues
    kitabistics
    translation
    Opis:
    Przedmiotem opisu jest autorski projekt Czesława Łapicza i Joanny Kulwickiej-Kamińskiej, realizowany w ramach Narodowego Programu Rozwoju Humanistyki, pt. Tefsir – projekt filologiczno-historycznego opracowania oraz krytycznego wydania tzw. tefsiru Tatarów Wielkiego Księstwa Litewskiego z 2 połowy XVI w. (pierwszego przekładu Koranu na język polski). Celem projektu jest opracowanie i edycja tefsirów Tatarów Wielkiego Księstwa Litewskiego. Księgi typu tefsir to trzeci na świecie (po łacińskim i włoskim) przekład Koranu na język europejski, a zarazem pierwszy przekład tej księgi na język słowiański – polszczyznę północnokresową. Powstał prawdopodobnie w II połowie XVI wieku, wpisując się w europejską biblijną tradycję przekładową co do metod tłumaczenia oraz przyjętych rozwiązań translatorskich. Należy do materialnego dziedzictwa kulturowego Tatarów Wielkiego Księstwa Litewskiego. Dziedzictwo to tworzą zabytki piśmiennictwa religijnego powstałe w wielokulturowej Rzeczypospolitej Obojga Narodów – w środowisku muzułmanów żyjących w otoczeniu chrześcijańskim.
    The article presents the in-house project of Czesław Łapicz and Joanna Kulwicka-Kamińska, conducted under the National Programme for the Development of the Humanities: Tefsir – Philological and Historical Study and Critical Edition of the so-called Tefsir of the Tatars of the Grand Duchy of Lithuania in the Second Half of the 16th Century (the first translation of Koran into Polish). The objective of the Project is the study and edition of the tefsirs of the Tatars of the Grand Duchy of Lithuania. These were the third ever translations of Koran into European languages (after Latin and Italian), and the first one into a Slavic language, that is, Polish spoken around the northern edges of the country. It probably comes from the second half of the 16th century. It was done according to the European, biblical tradition of translating foreign texts. The work belongs to the material and cultural heritage of the Tatars of the Grand Duchy of Lithuania. It is one of prime examples of the literary and religious traditions of Muslims living among Christians in the multicultural environment of the Polish-Lithuanian Commonwealth.
    Źródło:
    Nurt SVD; 2017, 2; 208-223
    1233-9717
    Pojawia się w:
    Nurt SVD
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz Turka osmańskiego — między mitem, historią a przekładem (na marginesie dwóch powieści historycznych Wery Mutafczijewej)
    Образът на Османеца — между мита, историята и превода (за два исторически романа на Вера Мутафчиева)
    Representations of Ottoman Turks — between myth, history and translation (about two historical novels of Vera Mutafchieva)
    Autorzy:
    Kovacheva, Adriana
    Powiązania:
    https://bibliotekanauki.pl/articles/487104.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Vera Mutafchieva
    mit
    historia i przekład
    myth
    history and translation
    Opis:
    .В настоящата статия са поставени два основни проблема. Първият е свързан със ситуирането на повествователната стратегия на представяне на османеца в романите "Случаят Джем" и "Последните Шишмановци" в рамките на българския исторически и литературен контекст от 60-те и 70-те години на ХХ век. Образите на мюсюлманите и турците в историческите романи на Вера Мутафчиева не могат да бъдат разглеждани без контекста на възрожденската и фолклорна традиция на представяне на османските турци. В така начертаните аналитични контекстови полета се очертават три важни конфликтогенни теми, чиeто пресъздаване може да послужи като критерий за оценка на полския превод на романа "Случаят Джем" — темата за Изтока и Запада, темата за многоетничността в Османската империя и темата за българските стереотипи за турците, исляма, за епохата на османско управление и за собствената национална идентичност. Вторият засяга полския прочит на горепосочените романи на Мутафчиева, изразен в превода. Анализът на някои значими детайли показва, че в полската езикова версия образът на османските турци не следва акцентите на оригинала и елиминира неговите локални начения, а следователно — нивелира заложените в него ключови за интерпретацията му конфликти и противоречия.
    This paper raises two main questions. The first one is how to situate the strategy of representation of Ottoman Turks in historical novels of Vera Mutafchieva "The Djem Affair" and "The Last Shishmans" in the frames of bulgarian historical and literary context of the ‘60s and ‘70s of the 20th century. It is not possibile to describe this strategy without reference to the impact of folklore and nineteenth century tradition of representing the Muslims and Turks. In this context fields three themes that causes conflicts are distinguished and their interpretation in the translation of the novel could be used as a criterium for the translation’s evaluation. These themes are the notion of East and West, the topic of multiethnicity in Ottoman Empire and bulgarian stereotypes of Turks, Islam and national identity. The second question is how the Polish translator interpreted above mentioned historical novels of Mutafchieva. The analysis of some important details shows that the polish translation of "The Djem Affair" do not follow original emphases and thus eliminate some local meanings of the novel, which means that it obliterates some of its key conflicts and contradictions.
    Źródło:
    Przekłady Literatur Słowiańskich; 2011, 2, 1; 61-79
    1899-9417
    2353-9763
    Pojawia się w:
    Przekłady Literatur Słowiańskich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Koncepcja przekładu artystycznego Dory Gabe i jej odzwierciedlenie w korespondencji z Anną Kamieńską
    Dora Gabe’s Notion of Literary Translation and its Reflection in Her Letters to Anna Kamieńska
    Autorzy:
    Kowaczewa, Adriana
    Powiązania:
    https://bibliotekanauki.pl/articles/511099.pdf
    Data publikacji:
    2013
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    history of translation
    contemporary Polish poetry contemporary Bulgarian poetry
    letters and correspondence as biographical materials
    Opis:
    Dora Gabe’s concept of translation as a product and creative practice was formed by her cooperation with one of the most prominent Bulgarian scholars – Boyan Penev. Later on, after Penev’s death, the poetess has changed and modified her understanding of the process of translation significantly. In this article the author claims that a corporeal experience of the process of translation, spontaneity and a consciously recognized need to cooperate with the author are the most important characteristics of Gabe’s own translational project. Gabe’s long-lasting correspondence with Anna Kamieńska shows all those characteristics and proves that in the late period of Gabe’s work translation was a way to establish a feeling of com-munion and transgress her cultural and artistic identity.
    Źródło:
    Postscriptum Polonistyczne; 2013, 2(12); 257-273
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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