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Wyświetlanie 1-3 z 3
Tytuł:
Rok 1933. Oprawa obchodów 400. rocznicy urodzin Stefana Batorego i 250-lecia Odsieczy Wiedeńskiej na Kresach Wschodnich
1933. The ceremonial setting of the 400th birthday of Stefan Batory and the 250th anniversary of the Relief of Vienna in the Borderlands
Autorzy:
Zgliński, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/2082100.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
20th Century religious ceremonies
20th Century occasional decorations
state ceremony
political iconography
historical politics
20th Century Polish culture
Opis:
The year 1933, which marked the 15th anniversary of Polish independence, also saw the celebrations of the 400th birthday of Stefan Batory and the 250th anniversary of the Relief of Vienna led by King Jan III Sobieski. Both events allowed for a wide campaign of pro- paganda for the Sanation movement’s updated political programme, clad in historical analogies, especially in the context of Eastern policy. For this reason, the ceremonies organized in the Borderlands, a particular lieux de mémoire associated with great kings, who were seen in official historical politics as natural harbingers of Józef Piłsudski, took on a special character. This provided an excellent opportunity for the propaganda of the Polish civilizing mission in the East and the promotion of the idea of Poland as a superpower. The main ceremonies com- memorating Stefan Batory were organized in Grodno, where the monarch died in the historic castle in 1586. These celebrations, broadcast by radio and widely reported by the press, were attended by President Ignacy Mościcki and many national and local dignitaries, ministers, senators, deputies, voivodes, bishops, generals etc. Lavish occasional decorations, saturated with specific symbolism, were set up as modern- ized late 16th-century architectural stylizations. The activities of the Grodno Castle reconstruction committee were officially inaugurated on the 350th anniversary of Batory’s death. Even more magnificent were the two-day festivities commemorating the Victory at Vienna organized in Olesko, which overshadowed the central celebrations in Kraków. The programme of the ceremony proclaimed that “a deed of European importance – by King Jan III and the then-superpower Poland – must be reflected by a programme of celebrations of its 250-year anniver- sary on a superpower scale”. An extensive open-air spectacle was organized with the participation of thousands of extras, including soldiers in historical costumes, several hundred fire brigades, scouts and aviation squadrons. Particularly spectacular was the especially arranged musical performance combined with night illuminations. These celebrations were enhanced by other accompanying events such as the Star Automobile and Motorcycle Rally and the sightseeing rally On the Trail of Sobieski. In other Borderland towns such as Tarnopol the jubilee was celebrated on a smaller scale, where a number of outdoor events were organized under the umbrella name Harvest Festival of King Jan III and the Arrival of the Austrian Emperor’s Legation with a Request for the Relief of Vienna.
Źródło:
Rocznik Historii Sztuki; 2020, 45; 171-183
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postać Tadeusza Kościuszki na wybranych obrazach malarza krakowskiego Michała Stachowicza
Autorzy:
Karkocha, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1038328.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Michał Stachowicz
Tadeusz Kościuszko
ikonografia Naczelnika
malarstwo historyczne
XVIII–XIX wiek
iconography of the Chief
historical paintings
18th–19th centuries
Opis:
W artykule omówiono wybrane przedstawienia Tadeusza Kościuszki pędzla Michała Stachowicza (1768–1825) – krakowskiego malarza, rysownika i grafika, znanego głównie jako twórcę scen upamiętniających ważne wydarzenia historyczne, w szczególności związane z insurekcją kościuszkowską. Artysta ten stworzył kilkadziesiąt prac (obrazy olejne, gwasze, rysunki) ukazujących postać Naczelnika, powielanych wielokrotnie w różnych ujęciach. Są to zarówno portrety (indywidualne i grupowe), jak i sceny zbiorowe o charakterze historycznym, batalistycznym oraz alegorycznym. Na wszystkich tych kompozycjach Kościuszko jawi się jako wódz, bohater narodowy, obrońca ojczyzny, człowiek niezłomny.
In the article, the Author discussed selected images of Tadeusz Kościuszko by Michał Stachowicz (1768–1825) – a painter, drawer and graphic artist from Cracow, known mainly as the creator of scenes commemorating important historical events, in particular related to the Kościuszko Uprising. The artist has created several dozen works (oil paintings, gouaches, drawings) showing the figure of the Chief, repeated many times in different shots. These are both portraits (individual and group) as well as collective, historical, battle and allegorical scenes. On all these compositions, Kościuszko appears as a commander, national hero, defender of the Homeland, a steadfast man.
Źródło:
Acta Universitatis Lodziensis. Folia Historica; 2019, 105; 23-36
0208-6050
2450-6990
Pojawia się w:
Acta Universitatis Lodziensis. Folia Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konstruowanie przeszłości. Powstanie ludowego ubioru kaszubskiego w pierwszej połowie XX wieku
Constructing the Past: The Emergence of Kashubian Folk Costume in the First Half of the Twentieth Century
Autorzy:
Kizik, Edmund
Powiązania:
https://bibliotekanauki.pl/articles/1058000.pdf
Data publikacji:
2021-03-31
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
ethnography
folk costume
historical iconography
first half of the twentieth century
Kashubia
Bożena Stelmachowska
Opis:
The attire characteristic for peasants was described by ethnographers from the early nineteenth century, and the interest in folklore itself transformed from amateur item collecting to an academic discipline, namely ethnography. Researchers were intrigued by hand-made folk costumes, which contrasted with the factory-made clothing of the urban population. As the political importance of the peasantry grew, stylised folk costumes became an element of regional and ethnic identity. The motif of peasant culture found its way into global literature and the folk elements into political propaganda of the twentieth century. At the same time the origin of folk costumes and their design arouses controversy among researchers. Are they reconstructions of the past or perhaps ideologically motivated constructs? The article presents this issue on the example of a Kashubian costume created according to the concept of Professor Bożena Stelmachowska (1889–1956). On the basis of previously unexplored descriptions of peasants’ appearance contained in arrest warrants from the first half of the nineteenth century, the sources and research paradigm, which became a basis for the creation of the model Kashubian attire in 1954–1959, have been subjected to criticism. The concept adopted by the older scholarship was not confirmed as no primary sources (material artifacts, iconographic representations, written descriptions, etc.) were found. The similarity of clothes worn by Kashubians with clothes worn by other peasants was demonstrated, and so was the influence of military uniforms on men’s clothes. The model of Kashubian costume proposed by Stelmachowska should be treated as an intellectual construction that reflects certain trends in folklore studies of the time and a response to ideological and propaganda needs that arose in Pomerania after 1945.
Źródło:
Zapiski Historyczne; 2021, 86, 1; 111-146
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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