Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "hero" wg kryterium: Temat


Tytuł:
Journey with nostos or without it. Many faces of the Homeric hero, Odysseus
Autorzy:
Tuszyńska, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/1047585.pdf
Data publikacji:
2020-11-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Odysseus
myth
Homer
Homeric hero
Opis:
Odysseus or in Latin, Ulysses, is kind of literary character who, by his special qualities and his adventures, gives writers many possibilities of variation in reworking the myth. The demand of the audience as well as the authors’ desire for originality provide the main motive of the myth to be presented in a new way. Thanks to it, every writer, who undertakes a piece of work, tries to produce a new portrait of the well-known mythical hero. The source of variation in the myth can also be the natural tendency of authors to assimilate the old material to contemporary fashions and customs1. Problems of morality must have also arisen in the development of the myth over the centuries. Another cause of change in the traditional material lies in the writer’s technical inventions. All of these factors are interesting enough to the present author in presenting the many faces of the Homeric hero, Odysseus, which have changed over the course of time.
Źródło:
Scripta Neophilologica Posnaniensia; 2020, 20; 273-282
1509-4146
Pojawia się w:
Scripta Neophilologica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niedorośli wobec grozy – dziecięcy bohaterowie horrorów dla młodych odbiorców
Young People and Horror –Children as Heroes of Horror for Young Audience
Autorzy:
Urbańczyk-Tulik, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/545564.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
hero
fantasy
horror
monster
adventure
Opis:
Popularity of horror story for adult readers contributed to the fact that in the years 2000-2015 increased a number of children’s books referring to the horror novel and incredible story. The transfer of formula is connected with the repetition of motifs, parody, using the gallery of monsters. Children’s heroes of horror for immature audience are confronted with anxiety represented by monsters, experiencing numerous adventures, oscillating between horror and comic. New experiences lead to gain valuable skills and meeting with monsters leads to self -acceptance and self-development.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2017, 7; 81-96
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ДА ЖАНРАВА-СТЫЛЯВЫХ АСАБЛІВАСЦЕЙ РАМАНА ЯНКІ БРЫЛЯ ПТУШКІ І ГНЁЗДЫ
GENERIC AND STYLISTIC FEATURES IN YANKA BRYL’S NOVEL PTUSHKI I GNYOZDI
Autorzy:
Alsztyniuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/444220.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
novel
lyricism
autobiography
hero
patriotism
Opis:
This article is devoted to the analysis of generic and stylistic features in Yanka Bryl’s novel Ptushki i gnyozdi. The discussion is focused on the ways the main hero is presented as well as on the role of lyricism in the novel. The hero is in the center of composition that describes his feeling and expresses his thoughts and attitudes.
Źródło:
Acta Neophilologica; 2015, XVII/1; 87-93
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Современная русская пьеса в диалоге поколений С. Я. Гончарова-Грабовская, современная русская драматургия (конец XX - начало XXI века, Минск, 2021, 271 с.)
Współczesna sztuka rosyjska w dialogu pokoleń. S. J. Gonczarowa-Grabowska, Współczesny dramat rosyjski (koniec XX – początek XXI wieku), Mińsk 2021, 271 s.
Modern Russian play in the dialogue of generations S. Ya. Goncharova-Grabovskaya, modern Russian drama (late XX - early XXI century, Minsk, 2021, 271 pp.)
Autorzy:
Maliutina, Nataliia
Powiązania:
https://bibliotekanauki.pl/articles/2085271.pdf
Data publikacji:
2022-05-30
Wydawca:
Polskie Towarzystwo Rusycystyczne
Tematy:
new drama
monodrama
verbatim
hero
action
Opis:
В новой монографии С. Гончаровой-Грабовской, которая предназначена в качестве учебного пособия, представлены новаторские черты новой и новейшей драмы русскоязычных драматургов. Глубоко проанализированы проблемы трансформации действия, персонажа, форм речи. Прослежены тенденции эпизации и лиризации драмы.
The new monograph by S. Goncharova-Grabovskaya, which is intended as a teaching aid, presents the innovative features of the new and latest drama of Russian-speaking playwrights. The problems of transformation of action, character, forms of speech are deeply analyzed. The tendencies of epicization and lyricization of the drama are traced.
Źródło:
Przegląd Rusycystyczny; 2022, 2 (178); 265-273
0137-298X
Pojawia się w:
Przegląd Rusycystyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Карнавальний топос маски у романах Вiтольда Гомбровича Фердидурке та Гео Шкурупiя Дверi в день
Carnival topos masc in the novels of Witold Gombrowich Ferdydurke and Geo Shkurupia Doors in the day
Autorzy:
Журба, Світлана
Powiązania:
https://bibliotekanauki.pl/articles/481279.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
carnivalization
mask
irony
grotesque
existential hero
Opis:
The article is devoted to the study of the features of the mask topos in the novels of Witold Gombrowich Ferdydurke and Geo Shkurupia Doors in the day. On the basis of the basic concepts of carnivalization of Mikhail Bakhtin, features of the functioning of the mask image are considered, which is one of the means of expressing new forms of communication with the recipient and the metaphorical language. The mask in the experimental / avant-garde works determines the individual characters of the characters, contributes to the irony of the grotesque. The mask-stereotype in the novel by Witold Gombrowich is the bearer of a certain set of values of the hero, Geo Shkurupii through the mask of the death of the hero demonstrates the existential choice of the hero.
Źródło:
Acta Polono-Ruthenica; 2017, 3, XXII; 51-59
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narodziny „mitu smoleńskiego”
Autorzy:
Sendyka, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/644477.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
myth
Smolensk crash
hero
president
mythologizing
Opis:
After the presidential air plane crash near Smolensk, in Russia, on April 10th 2010, we had all witnessed a transformation of this historical event into a myth. The aim of this article is to document this transformation, by following the different types of narratives after the crash (news articles, blogs, films), especially in its immediate aftermath. The analysis of these sources shows that the “Smolensk myth” has been born, fully formed (with all the ideas and motifs we can see today), almost immediately after the crash.
Źródło:
Prace Etnograficzne; 2013, 41, 1
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy mit poddaje się parodii? Pacho, hybský zbojník (1975) Martina Ťapáka
Is the myth subject to parody? Pacho, the Brigand of Hybe (1975) by Martin Ťapák
Autorzy:
Hučková, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/917976.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comedy
parody
Slovakia
looter
myth
anti-hero
Opis:
Pacho, the Brigand of Hybe (dir. Martin Ťapák, 1975) was announced in the press as the first truly Slovak comedy. In fact, it is a parody of the theme of brigands. Brigands’s topic was present in the Slovak cinema from its origins. From the first story Jánošík (1921) to the superproduction under the same title made by Paľo Bielik (1962–1963), the problem has always expressed the idea of freedom of the ever subdued, tormented Slovak people. Pacho, as a parody refers not only – or not so much – to the legend of brigands, as to the superproduction directed by Bielik, the giant of Slovak film history.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 39-48
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zapomniany światopogląd tragiczny
A forgotten tragic viewpoint. An attempt to advocate some attitude
Autorzy:
Szkaradnik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1622002.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
tragic
tragedy
tragic hero
suffering
fate
anxiety
Opis:
This paper aims to comprehensively describe the category of tragic, which is dislodged from the mind of present western world’s human. The authoress analyses that odium’s causes, but first of all, with regard to various thinkers, she tries to bring out the essence of tragic viewpoint, often represented in a simplified way as a synonym of pessimism and martyrdom. In the article problems of the tragic are considered in context of the tragedy as dramatic species, human relation to the fate, characteristics of the tragic hero, the issue of human finiteness, rationalism’s limitations, the matter of transcendence and self-transcendence. Lastly, it is demonstrated that despite the accentuation of individual experience and coping with fate, the tragic viewpoint has the community potential. In conclusion, the openness to “tragic knowledge” is shown as a chance to reinterpret contemporary culture as well as a chance of the integral experience.
Źródło:
Analiza i Egzystencja; 2017, 37; 5-23
1734-9923
2300-7621
Pojawia się w:
Analiza i Egzystencja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transformacja mitu o bohaterstwie w rosyjskiej współczesnej prozie wojennej
Transformation of the myth of heroism in Russian contemporary war prose
Autorzy:
Borkowska, Aldona
Powiązania:
https://bibliotekanauki.pl/articles/481951.pdf
Data publikacji:
2018-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
war
hero
heroism
war prose
contemporary literature
Opis:
Contemporary “war prose” contains works on both the Second World War and the subsequent conflicts in Afghanistan and Chechnya. The aim of the article is to analyse the changes of the war hero myth in autobiographical texts of the wars’ participants. Among the authors are Oleg Yermakov, Zachar Prilepin, Arkady Babchenko. As we find out, the contemporary “war narrative” is interwoven with the lack of ideology and patriotic pathos. A soldier fails to accept his war; moreover, he questions the authorities in their decision to break out the military conflict. In these conditions, it is difficult to make heroic acts and sacrifice for the good of the homeland.
Źródło:
Acta Polono-Ruthenica; 2018, 3, XXIII; 19-30
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The political subject and hero in culture in the light of Juri Lotman’s theory
Autorzy:
Doda-Wyszyńska, Agnieszka
Obrębska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2076789.pdf
Data publikacji:
2021-12-24
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Juri Lotman
Lech Wałęsa
subject
hero
explosion
Opis:
Politics appears to have a direct impact on the quality of our lives as citizens of states. We outline here the dependence between culture and its inherent mechanism of forgetting, and between a hero and a political subject. We employ the theory of Juri Lotman, who underlines the role of individuals and of single events in culture. The primary illustration given is the figure of Lech Wałęsa, politician, legendary co-founder of the Solidarity trade union, and Nobel Peace Prize winner. He exemplifies Lotman’s notion of a mobile hero, one who powered the course of history, but whose present-day political and social activity is of an empty and querulous nature, lacking a goal and deeper meaning, while the actions he performs take place within a closed semantic field. He is an example of a paradoxical hero, whose actions no longer generate tensions or build a new semiotic quality. Wałęsa’s problem is the ossification of his discourse and failure to perceive that transformation has already taken place.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2021, 11, 2; 435-446
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Рациональное и мифологическое в сознании героя Ф. М. Достоевского
Rational and mythological in consciousness of Fyodor Mikhaylovich Dostoyevsky’s hero
Autorzy:
Ельницкая, Людмила
Powiązania:
https://bibliotekanauki.pl/articles/22625027.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Fyodor Mikhaylovich Dostoyevsky
hero
consciousness
underground
rational
mythological
Opis:
The article considers two types of consciousness, which are typical of Dostoyevsky's heroes. The first type searches for support in human mind. However, individualism of the modern person leads him to revolt against the world, and gives rise to solitude and isolation in the "underground". Such rational thinking creates deadly deadlock to the existence of the human. The second type of consciousness is mythological. It is also connected with the inevitability of death which is, however, a condition of the subsequent revival and the rebirth, allowing the person to see the world differently.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 69-79
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O roli bohatera w kreowaniu wywiadu prasowego (na przykładzie rozmów ze Sławomirem Mrożkiem)
Autorzy:
Ślawska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/511479.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
press interview
interview hero
communicative strategy
Sławomir Mrożek
Opis:
The article is of an analytical nature. The author explains the specificity of a press interview and the type of communication that is characteristic of this genre. She presents the participants of the interaction: the journalist and the interview hero. Here an unusual interview with Sławomir Mrożek published in „Duży Format” (addition to „Gazeta Wyborcza”) is recalled. The author refers to this text as an example of a game and specific communicative strategy. This example and fragments of some other interviews with Mrożek prove that the hero of the interview influences the creative character of the interview itself.
Źródło:
Postscriptum Polonistyczne; 2017, 1 (19) W kręgu badań językoznawczych; 213-229
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Akritic Hero in Byzantine and Macedonian Epic Poetry
Autorzy:
Митевски [Mitevski], Витомир [Vitomir]
Powiązania:
https://bibliotekanauki.pl/articles/508726.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Macedonian traditional epic poetry
King Marko
Byzantine epic tradition
akritic hero
Digenes Akritas
comparative analysis
horseman
child-hero
dragon slaying
Opis:
The Akritic Hero in Byzantine and Macedonian Epic PoetryComparative analysis of the most prominent heroic characters of Byzantine (Armouris and Digenes) and Macedonian (King Marko) epic poetry uncovers numerous contact points that reveal the close relation between these two cultures over a longer period of time. By using the term “akritic hero” or border warrior in Byzantine and the term kraishnik in Macedonian epic poetry, the paper analyses the relation between these two representations of the same type of epic hero. Complex concordance is explored on several levels which illustrate several characteristic features of the Byzantine akritic heroes Digenes and King Marko in traditional Macedonian epic poetry. Both Digenes and Marko are lone horsemen roaming in restricted territory (Cappadocia andMacedonia), they fight as individuals with distinguished opponents and even with armies, and win the fights, slay the dragon in identical manner, there are occurrences of child-heroes in the songs and the institution of avunculate is particularly emphasised in the act of initiation etc. Unlike monolithic character of Homeric heroes, in Byzantine and Macedonian epic poetry both Digenes and Marko are significantly more complex and occasionally inconsistent characters which is due to their centuries-long shaping in territories where different cultural influences are interwoven. Bohater z pogranicza w bizantyjskiej i macedońskiej poezji epickiejAnaliza komparatystyczna najbardziej wyrazistych postaci w bizantyjskiej (Armuris i Digenis) i macedońskiej (Królewicz Marko) epice ujawnia szereg punktów wspólnych, co świadczy o bliskich kontaktach pomiędzy tymi dwiema kulturami w długim okresie czasu. Na przykładzie pojęcia akryty, to znaczy żołnierza z pogranicza [Cesarstwa Wschodniorzymskiego], który w macedońskiej epice jest nazywany pogranicznikiem i jest nośnikiem takiego samego znaczenia (jak termin akryta), w artykule analizowany jest wzajemny stosunek tych dwóch odmian tego samego typu bohatera epickiego. Kompleksowa analiza uwidacznia podobieństwo na wielu poziomach, przy czym akryta - pogranicznik Królewicz Marko w macedońskiej tradycyjnej poezji epickiej odznacza się szeregiem charakterystycznych cech właściwych akrycie. Tak oto, i Digenis, i Karólewicz Marko są samotnymi wojownikami, którzy poruszają się po ograniczonej przestrzeni (Kapadocja i Macedonia), stają samotnie do dwuboju z wybitnymi przeciwnikami, a nawet z całymi armiami i wychodzą z nich zwycięsko, w ten sam sposób pokonują żmija, w pieśniach o nich występują dzieci-junacy, przy czym w obydwu kontekstach (bizantyjskim i macedońskim) jest kładziony akcent na instytucję awunkulatu (avunculus), co ma szczególne znaczenie w kontekście aktu inicjacji, itd. W przeciwieństwie do monolitycznego charakteru bohaterów homeryckich, w bizantyjskim i macedońskim eposie, Digenis i Królewicz Marko są postaciami o wiele bardziej kompleksowymi i wewnętrznie sprzecznymi, co wynika z ich wielowiekowego poetyckiego kształtowania się na terenach, na których krzyżują się najróżnorodniejsze wpływy. Акритскиот херој во византиската и македонскатаепска поезијаСпоредбената анализа на најистакнатите херојски ликови на византиската (Армурис и Дигенис) и македонската (Марко Крале) епика открива низа допирни точки што сведочи за блискиот контакт меѓу овие две култури во тек на подолг временски период. На примерот на поимот за т. н. акритски херој т. е. воин одграничните предели кој во македонската епика го носи називот краишник со идентично значење, во текстот се истражува меѓусебниот однос на овие две пројави на еден ист тип епски херој. Комплексното соодветство се развива на повеќе нивоа при што краишникот Марко Крале во македонската традиционална епска поезија се истакнуива со низа типични „акритски“ обележја. Така, и Дигенис и Марко се осамени коњаници кои се движат на ограничен простор (Кападокија односно Македонија), стапуваат како единка во двобои со истакнати противници, па дури и со цели војски и од нив излегуваат како победници, на идентичен начин го погубуваат змејот, во песните за нив се јавуваат деца-јунаци при што и на двете страни акцент се става на институтцијата на авункулат што особено важи во чинот на иницијација итн. Наспроти монолитниот карактер на хомерските херои, во византискиот и македонскиот еп Дигенис и Марко се многу покомплексни и понекогаш противречни фигури што е резултат на нивното повеќевековно поетско обликување на простори каде што се преплетуваат најразлични влијанија.
Źródło:
Colloquia Humanistica; 2018, 7
2081-6774
2392-2419
Pojawia się w:
Colloquia Humanistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pamięć lat 1912 i 2012: artystyczny plon dwóch Skargowskich rocznic (sztuki plastyczne)
Remembrance of the Years 1912 and 2012: The Artistic Fruit of two Skarga Anniversaries (visual arts)
Autorzy:
Ożóg, Kazimierz S
Powiązania:
https://bibliotekanauki.pl/articles/1205070.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Peter Skarga
Iconography
national hero
1912-1936 anniversaries
Opis:
The text deals with the fragmentary issue of Piotr Skarga’s iconography which is the artistic legacy of the anniversaries celebrated in 1912 and 2012. The remembrance of this Jesuit’s death one hundred years ago stirred up many emotions. It was visible in, for instance, mass manifestations, books, theatre performances or the creations of fine arts. In the reality of the beginnings of the 20th century, what was important was the impact of the image created by Jan Matejko as well as its ideological, virtually mystical, background. This jubilee, celebrated one hundred years ago, has left numerous traces in the arts, some of which have not been retained to this day. The medal by Witold Bieliński; the bust sculptured by Władysław Mazur and Jan Tombiński; or the exquisite bas-relief by Luna Drexler on the Lvov Latin Cathedral were characteristic of those times. However, the level of those works is contrasted with the quality and number of creations dedicated to Skarga during the last anniversary. Both the postage stamp issued by the Polish Postal Service as well as the monument unveiled at the Warsaw Catholic School are not really original. In 2012, Skarga was mentioned most frequently on the Internet, in the forms of memes, which were often obscene and inappropriate.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2013, 21, 3; 361-375
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Images to Remember: Nostalgia and Hegemonic Identities in Italia 90: The Movie
Autorzy:
Salas-Murillo, Bértold
Powiązania:
https://bibliotekanauki.pl/articles/27177643.pdf
Data publikacji:
2022
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Soccer
National Hero
Memory
Nostalgia
Costa Rican Cinema
Identity
Opis:
The reconstruction of the past and memory is examined in the feature film Italia 90: The Movie (2014) by Miguel Gómez, which depicts the first participation of a Costa Rican team in a World Cup. The analysis includes the narrative, visual, and sound operations with which the past and memory are recreated (... or created), as well as the ways in which the story involves the viewers, particularly those who remember the episode. It is explained that, although the story resorts to certain topics of sports cinema, it is presented more as an adventure of the community, which would eventually include an entire country, and favors the exploration of the intimate over the epic. Italia 90: The Movie appeals to nostalgia, through recognizable images and sounds, as well as figures anchored in the hegemonic Costa Rican imaginary (such as the “common peasant”), to narrate an episode that, in addition to being central in the history of sports in Costa Rica, it is among the events that symbolically mark the country's entry into the globalized world.
Źródło:
Review of International American Studies; 2022, 15, 2; 109-127
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies