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Tytuł:
Motocykl–widmo, czyli meandry współczesnej fantastyki (Oleg Diwow, Рыжий пес иж)
The ghost motorcycle. The meanders of contemporary fantasy literature (Oleg Divov, Рыжий пес иж)
Autorzy:
Zywert, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/915982.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Divov, ghost motorcycle, Russian fantasy literature
Divov
ghost motorcycle
Russian fantasy literature
Opis:
The present paper aims at analyzing one of the most recent Divov’s stories entitled Рыжий пес Иж (2016). The text is interesting both due to its literary genre hybridity (it embraces elements of a melodrama, a horror story, a detective story, urban fantasy and a fairy tale) and the topics it touches upon (especially animalistic issues). Divov deploys the well-known literary and cinematic motif of a soul penetrating an object and creates a story of motorcycle haunted by a dog’s soul. Due to its original solutions (inter alia referring to films) Divov’s story is an interesting work illustrating the permanent interrelations between literatures and movies as well as the author’s exploration within this scope. Moreover, the manner of creating the animal character and placing it within the structure allow for including Divov’s story into the group of contemporary literary works reflecting the proanimal trends in Russian culture.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 273-285
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mistaken for Ghosts: The Gothic Trope of Catholic Superstition in Conrad and Ford’s ”Romance”
Autorzy:
Keithline, Anne
Powiązania:
https://bibliotekanauki.pl/articles/605874.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
ghost, Catholicism, Conrad, superstition, Gothic
Opis:
Der Artikel enthält Zusammenfassungen nur in Englisch.
A perennially fruitful activity in Gothic studies is to track the development of Gothic tropes as popular literature evolves. Joseph Conrad’s career, which spanned Victorianism and early Modernism, provides examples of the evolution of certain Gothic conventions between early- and late-career work. Conrad’s collaboration with Ford Madox Ford on Romance (1903) is an early example of Conrad’s exposure to, and use of, Gothic tropes, especially relating to Catholic ghost-seeing. This paper demonstrates similarities between Romance’s uses of the trope of Catholic superstition and those of three classic Gothic novels, and also outlines the trope’s lasting effect on Conrad’s later work.
L'article contient uniquement les résumés en anglais.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ghosts in Euripides Hecuba
Autorzy:
Pietruczuk, K.
Powiązania:
https://bibliotekanauki.pl/articles/702665.pdf
Data publikacji:
2006
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EURIPIDES - HECUBA
GHOST OF POLYDORUS
GREEK LITERATURE
Opis:
The prologue of Euripides' Hecuba is delivered by the ghost of Polydorus, one of the sons of Hecuba and Priam. Polydorus tells the spectators about his own fate and mentions the earlier apparition of the spirit of Achilles, who demanded that the Greeks sacrifice the captive Polyxena to him. The present article centres on the questions of why Euripides introduced the ghost of Polydorus on stage and what his spectre has in common with the dream related by Hecuba just after the prologue. It is argued that, by introducing the ghost scene, Euripides creates a link between his play and Sophocles' Polyxena.
Źródło:
Meander; 2006, 61, 1-2; 12-28
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Gaze of the Spectral Setting in the 1968 BBC Adaptation of M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”
Autorzy:
Mydla, Jacek
Keithline, Anne
Powiązania:
https://bibliotekanauki.pl/articles/632506.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
ghost story genre
film adaptation
haunting
gaze
identification
Opis:
This article is a study devoted to the BBC adaptation of a ghost story by Montague Rhodes James, “Oh, Whistle and I’ll Come to You, My Lad.” The ideas of the spectral gaze and sympathetic spectreship are used to submit that in the film the setting itself is the spectre, with which/whom the viewer is invited to identify. This rearrangement-in comparison with the situation in the original story-casts the spectral setting both in the role of the haunting presence and the victim of an otherworldly (human) intrusion. A detailed analysis of the use of the camera supports the argument.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powrót z zaświatów – ewolucja motywu w twórczości Stanisława Wyspiańskiego
Return from the Other World – the Evolution of the Motif in Stanisław Wyspiański’s Works
Autorzy:
Wedemann, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1041856.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stanisław Wyspiański
Young Poland
romanticism
drama
ballad
ghost
Opis:
The article concerns the question of the ghost, which runs through the oeuvre of Stanislaw Wyspianski (1869-1907) from his school translation of G. A. Bürger`s Lenora  until the last, unfinished drama Zygmunt August .
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 167-181
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hybrid watermarking scheme based on singular value decomposition ghost imaging
Autorzy:
Wu, Jun-Yun
Huang, Wei-Liang
Wen, Ru-Hong
Gong, Li-Hua
Powiązania:
https://bibliotekanauki.pl/articles/1835818.pdf
Data publikacji:
2020
Wydawca:
Politechnika Wrocławska. Oficyna Wydawnicza Politechniki Wrocławskiej
Tematy:
digital watermarking
SVD ghost imaging
discrete wavelet transform
imperceptibility
Opis:
A hybrid watermarking algorithm with an optical watermark image based on singular value decomposition (SVD) ghost imaging is designed. Simultaneously, the blended watermarking algorithm is designed based on 4-level discrete wavelet transform (DWT), discrete cosine transform (DCT) and singular value decomposition (SVD). The 4-level diagonal sub-band image is obtained by performing 4-level two-dimensional wavelet transform on the original image, and the coefficient matrix is produced by applying the discrete cosine transform on the 4-level diagonal sub-band image. Then, three matrices are obtained by performing the singular value decomposition on the coefficient matrix. In addition, the optical watermark image is encrypted by an SVD ghost imaging system. The system could generate a secret key, and unauthorized users could not decrypt and reconstruct the original watermark image without this key. Later the encrypted watermark image is generated into the other three matrices by singular value decomposition. Afterwards, the encrypted watermark is embedded in the host image by mutual operation of different matrices in the algorithm. Simulation results validate the feasibility of the proposed hybrid watermarking scheme.
Źródło:
Optica Applicata; 2020, 50, 4; 633--647
0078-5466
1899-7015
Pojawia się w:
Optica Applicata
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nubica onomastica miscellanea III. Notes on and corrections to personal names found in Christian Nubian written sources
Autorzy:
Ochała, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1195383.pdf
Data publikacji:
2018
Wydawca:
Fundacja im. Rafała Taubenschlaga
Tematy:
Christian Nubia onomastics
ghost names
Greek
Coptic
Old Nubian
Opis:
The paper, the third part in the ‘Nubica onomastica miscellanea’ series, offers a number of corrections to the reading of names in written sources coming from all over Christian Nubia. The texts represent a variety of epigraphic and papyrological genres and were written in Greek, Coptic, and Old Nubian
Źródło:
The Journal of Juristic Papyrology; 2018, 48; 141-184
0075-4277
Pojawia się w:
The Journal of Juristic Papyrology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Et si, au Louvre, on respirait du fantôme ! Géocritique d’un espace muséal
And If, at the Louvre, We Breathed a Ghost! Geocriticism of a Museum As a Space
Autorzy:
Mecheri, Lamia
Powiązania:
https://bibliotekanauki.pl/articles/2056903.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
museum
ghost
art
geocriticism
literature
musée
fantôme
géocritique
littérature
Opis:
The Ghosts of the Louvre by Enki Bilal embodies  an exhibition of this artist which took place in this same place. The author offers an unusual visit to the museum: he has chosen works from which he brings up so many ghosts. The artist juxtaposed the ghosts and the photographs taken and built a biography for each protagonist. Using geocriticism, we will answer the following questions: how does the author take over the museum to build multiple and heterogeneous parallel worlds? How does the museum become both a place of terror and of admiration?
Le livre d’Enki Bilal, Les fantômes du Louvre (2012), met en scène une exposition de cet artiste, qui s’est déroulée en ce lieu, entre le 20 décembre 2012 et le 18 mars 2013. L’auteur y propose une visite surprenante et inhabituelle du musée : après avoir passé plusieurs heures dans les galeries en prenant des centaines de photos, il a choisi vingt-deux œuvres, à partir desquelles il fait resurgir autant de fantômes. En fait, ces derniers – ceux de La Joconde, de la Victoire de Samothrace, de la Jeune Orpheline au cimetière, etc. – ont un point en commun : leur original, leur maitre est souvent mort de façon violente. L’artiste, en imaginant dans le détail lesdestins de ces personnages, a superposé les fantômes aux photographies et a construit une biographie pour chaque protagoniste. Les errants se promènent librement dans les couloirs de l’établissement artistique, « c'est comme si au Louvre on respirait du fantôme »…suggère l’auteur. Ainsi, en recourant à lathéorie géocritique et en empruntant les concepts des mondes parallèles et de l’espace encore-vide, nous tenterons de répondre aux questions suivantes :comment l’auteur s’empare-t-il du musée, lieu fantasmagorique où interagissent Histoire et fiction, pour bâtir des mondes parallèles, multiples et hétérogènes en passant par le filtre de la littérature ? En quoi le musée, source de vibrations et d’émotions ressenties par le visiteur, devient-il à la fois le lieu mythique de la terreur et de l’admiration ?
Źródło:
Lublin Studies in Modern Languages and Literature; 2020, 44, 4; 57-66
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
I Am in Eskew: Soundscape, Cityscape and Mindscape of Hostile Architecture
Autorzy:
Kobus, Aldona
Powiązania:
https://bibliotekanauki.pl/articles/31343977.pdf
Data publikacji:
2022
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
hauntology
ghost city
media representation
mental illness
hostile architecture
Opis:
Am in Eskew is the epitome of an independent podcast, written, produced and performed by two people – Jon Ware and Muna Hussen. It tells the story of David Ward (Jon Ware), a man trapped in the city of Eskew, where nightmares become real. The story offers manifold answers and interpretations, depending which genre and mode of reception we choose to follow. On a literal level it is a fantasy horror story about a cursed city that tortures its entrapped residents by creating cityscapes full of monsters, spatial and body horror (Eskew as a landscape); on a metaphorical level I Am in Eskew is a representation of mental illness and mental disorders (Eskew as a mindscape). The present article discusses the use of medium in I Am in Eskew and the capabilities of podcasts in creating an immersive horror story (Eskew as a soundscape) as well as possible interpretations of the podcast, focusing on the concept of hostile architecture as an expression of the late capitalist inclination to dehumanize various aspects of human life (space, relationships etc.). The article discusses hostile architecture as a form of narration and narration as a form of hostile architecture through the lense of Derridian hauntology.
Źródło:
Literatura Ludowa; 2022, 66, 2; 45-63
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Major and minor elemental trends of gypsum-ghost limestones of the Osiek-Baranów Sandomierski native sulphur deposit (northern Carpathian Foredeep, Poland): implications for limestones genesis
Autorzy:
Gąsiewicz, A.
Powiązania:
https://bibliotekanauki.pl/articles/2059018.pdf
Data publikacji:
2010
Wydawca:
Państwowy Instytut Geologiczny – Państwowy Instytut Badawczy
Tematy:
Carpathian Foredeep
Badenian
native sulphur deposits
gypsum-ghost limestones
Opis:
The Middle Miocene (middle Badenian) "gypsum-ghost" limestones composed of calcite and/or sulphur pseudomorphs after selenitic gypsum, are a salient feature of the Polish sulphur deposits from the northern Carpathian Foredeep (S. Poland). Sulphurous rocks (including the gypsum-ghost limestones) are present within the evaporite unit, the so-called "Chemical Series", and are commonly believed to be lithological equivalents of synchronous gypsum deposits, resulting from regionally extensive, wholesale replacement of the sele-nite lithofacies by limestones and limestone + native sulphur. However, detailed geochemical examination of regional major and minor element compositions in these unusual carbonates suggests considerable internal differences. Distinct variations in chemical distribution along the main development of the Osiek-Baranów Sandomierski native sulphur deposit, together with the associated barren limestone areas, are clearly recognized. The pattern of the geochemical parameters of these gypsum-ghost limestones is inconsistent with an epigenetic model of formation of the Polish sulphur deposits (wholesale replacement of sulphate deposits by carbonates + native sulphur) and argues for their formation within a sedimentary-early diagenetic regime.
Źródło:
Geological Quarterly; 2010, 54, 4; 519-532
1641-7291
Pojawia się w:
Geological Quarterly
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nubica onomastica miscellanea IV. Notes on and corrections to personal names found in Old Nubian documents from Qasr Ibrim
Autorzy:
Ochała, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1195405.pdf
Data publikacji:
2019
Wydawca:
Fundacja im. Rafała Taubenschlaga
Tematy:
Christian Nubia
Qasr Ibrim
Old Nubian
onomastics
ghost names
Opis:
The fourth instalment of the ‘Nubica onomastica miscellanea’ series offers a massive batch of corrections to personal names found in Christian Nubian sources. The anthroponyms discussed in this paper come exclusively from Old Nubian documents discovered at Qasr Ibrim and published by Gerald M. Browne and Giovanni Ruffini. The article includes simple re-readings of anthroponyms on the one hand and more elaborate reinterpretations of whole phrases containing them on the other. Identification with known foreign names and etymologies for many local Nubian names are proposed, greatly contributing to our understanding of medieval Nubian naming practices. Last but not least, many ghost-names are identified and their true meaning is explained.
Źródło:
The Journal of Juristic Papyrology; 2019, 49; 143-251
0075-4277
Pojawia się w:
The Journal of Juristic Papyrology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A systematic solution for mitigating the problem of derelict fishing gear
Autorzy:
Bąk, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/135116.pdf
Data publikacji:
2020
Wydawca:
Akademia Morska w Szczecinie. Wydawnictwo AMSz
Tematy:
MARELITT
ghost nets
derelict fishing gear
Baltic Sea
ecology
fishery
Opis:
In this article, a systematic solution for mitigating the DFG (Derelict Fishing Gear) problem has been presented using an example of a DFG wreck operation. The planning process has been described in detail and the influence of ghost net recovery on the marine environment has been shown. The research was performed on selected wrecks found in the Polish economic zone and the method consisted of scanning the sea bottom using 2D sonar. Based on the information obtained by the sonar, the ghost nets were later retrieved using a creeper (in cases where the ghost nets were lying on the sea bottom) or with the help of divers (in cases where the nets were sitting on the wrecks). The results have shown that, taking into consideration the research area of the Baltic Sea, the presented method will be satisfactory in most cases.
Źródło:
Zeszyty Naukowe Akademii Morskiej w Szczecinie; 2020, 62 (134); 51-57
1733-8670
2392-0378
Pojawia się w:
Zeszyty Naukowe Akademii Morskiej w Szczecinie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Thats the Way to Wooooo It!"
Autorzy:
Hill, Trevor
Powiązania:
https://bibliotekanauki.pl/articles/2131277.pdf
Data publikacji:
2022-05-15
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
ghost story
Punch and Judy
puppets
M.R. James
supernatural
Opis:
M.R. James is known as a master of the ghost story, giving his name to a sub-genre. This article explores his use of the traditional Punch and Judy puppet show in his short story The Story of a Disappearance and an Appearance and the subsequent use by two modern authors, Christopher Harman and D.P. Watt, writing in the Jamesian style. The article considers the association between puppets and the occult before examining aspects of the show and how representations of historic and contemporary performances differ. Finally, the authors’ utilization of the Punch and Judy tradition in the stories is analyzed.  
Źródło:
Acta Neophilologica; 2022, 1, XXIV; 213-230
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nubica Onomastica Miscellanea I: Notes on and Corrections to Personal Names Found in Inscriptions from Faras
Autorzy:
Ochała, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/484063.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Christian Nubia
Faras
Greek
Coptic
Old Nubian epigraphy
onomastics
ghost-names
Opis:
This paper offers corrections and new readings to names found in eleven inscriptions originating from Faras. Inscriptions were discovered at different periods, ranging from the visit of Karl Richard Lepsius in 1844 to the rescue excavation by the Polish archaeological mission of Kazimierz Michałowski in 1961–1964. The material covers different types of sources (epitaphs, visitors’ inscriptions, subscriptions, and an owner’s inscription) in three languages (Greek, Coptic, and Old Nubian) and spans roughly the whole Christian period in Nubia, from the seventh to the fourteenth or even fifteenth centuries. The corrections include both ‘cosmetic’ improvements in reading (e.g. from the form ⲁⲛⲁⲛⲉ to ⲁⲛⲁⲛⲏ) as well as identification of ghost-names (e.g. the highly unusual name Theoria, which is in fact a misreading of Theophil).
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2019, 32; 181-198
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Subject of Creatio Continua and Its Ecclesial Aspect
Autorzy:
Liszka, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2039375.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
creatio continua
God
trinity
Holy Ghost
Christ
man
participation
persistence
development
fullness
Opis:
It is God who is the subject of creatio continua; in Christianity it is a triune God. Fundamentally divine nature, Divine Persons: God the Father, God the Son and the Holy Spirit, who in the logic of the internal life of the Trinity is third and in relation to the world the most direct. The personal specificity of the Third Divine Person predestines it to activity, creativity, to stirring creative power and action in created beings. The Holy Spirit develops and unites, creates the interior of the beings, combines them and strengthens the link with the Creator. This ongoing creation is encoded in the act of creation and is in keeping with the workings of Providence, which also is a creation of the Trinity, and indirectly a creation of people: individuals and societies. Participation in the act of creation stands in proportion to the growth in holiness, which means it is proportional to becoming a person. Created beings personalize themselves through participation in creatio continua, and by participating in this act, they personalize themselves. All this is implemented though the activity of the intellect, will and emotions. It is Jesus Christ in his capacity of God and man who occupies the centre stage of the ongoing creation.
Źródło:
Roczniki Teologiczne; 2016, 63, 2 English Version; 135-148
2353-7272
Pojawia się w:
Roczniki Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
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