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    Wyświetlanie 1-8 z 8
    Tytuł:
    Human body-gesture capacity: the tense – lax distinction: a preliminary outline of research work
    Autorzy:
    Puppel, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1047877.pdf
    Data publikacji:
    2019-02-07
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    human body
    gesture
    tense and lax body-gesture
    Opis:
    In phonology, the terms ‘tenseness’ (tensing) and ‘laxness’ (laxing) are an important pair pertaining to the distinctive features of vowels. A similar dichotomy, ‘tenseness’ – ‘laxness’, can also be observed in the body-gesture (B-G) behaviors. On the basis of this distinction, the author of the article proposes to make a division between two body–gesture cultures, namely: the ‘lax B-G cultures’, and the ‘tense B-G cultures’, respectively. Additionally, the author constructs two working hypotheses. Namely:Hypothesis no. 1 (H1):(H1a): The laxer the B-G system is, the less ritual (and more casual) a given communication act happens to be.(H1b): The relationship “lax body posture + lax gesture” correlates with full spoken, profane (non-ritual) communication potential.Hypothesis no. 2 (H2):(H2a): The tenser the B-G system is, the more ritual a given communication act happens to be.(H2b): The relationship “tense body posture + tense gesture” correlates with full spoken, ritual (nonprofane) communication potential.
    Źródło:
    Scripta Neophilologica Posnaniensia; 2018, 18; 73-81
    1509-4146
    Pojawia się w:
    Scripta Neophilologica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Słowa, gesty a poznanie w filmowej interakcji. Casus "Dekalogu I" Krzysztofa Kieślowskiego (1988)
    Words, gestures and knowledge in film interaction. The case of the "Decalogue I" by Krzysztof Kieślowski (1988)
    Autorzy:
    Grodź, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/1852689.pdf
    Data publikacji:
    2018
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    dialog
    słowo i gest w filmie
    film jako język ruchomych obrazów
    komunikacja filmowa
    wspólnota komunikacyjna
    język i gest a poznanie
    dialogue
    word and gesture in the film
    film as a language of moving
    images
    film communicaxion
    communicaxion community
    language
    gesture and
    knowledge
    Opis:
    The paper concentrates on the verbal and nonverbal (mimics, gestures) aspects of human-human and human-computer communication, both of which are present in Krzysztof Kieślowski’s Decalogue I. In the first part of my text, I will make an extensive study of the scenes in the film, in which the director reflects on the crux of interpersonal communication (human-human): a conversation between the father and the son; a conversation between the boy and his aunt; the main character’s lecture on communication. In the second part, I will describe Kieślowski’s film which is a pioneering work as it creates statements about the new ways of interpersonal communication, connected with technicalization: a human-computer communication. Detailed analysis of the scenes: “the conversations” between the boy and his mother via the computer; spontaneous starting/start-up of the computer; mathematical “genius” of the machine. In the conclusions, I will mention the director’s reflections on the communication in the year of 1988, which are still up-to-date, as well as those that have outdated.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2018, 99, 1; 144-156
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    How research on language evolution contributes to linguistics
    Autorzy:
    Żywiczyński, Przemysław
    Powiązania:
    https://bibliotekanauki.pl/articles/1121032.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the science of language evolution
    sign linguistics and gesture studies
    cultural evolution
    linguistic niche hypothesis
    nomothetic research
    Opis:
    This paper illustrates a methodological approach to the design of an annotated corpus using a case study of phonetic convergences and divergences by multilingual speakers in southwestern Senegal’s Casamance region. The newly compiled corpus contains approximately 183,000 annotations of multilingual, spoken data, gathered by eight researchers over a ten year span using methods ranging from structured lexical elicitation in controlled contexts to naturally occurring, multilingual conversations. The area from which the data were collected consists of three villages and their primary languages, and yet many more contribute to the linguistic landscape. Detailed metadata inform analyses of variation, the context in which a speech act took place and between whom, the speakers’ linguistic repertoires, trajectories, and social networks, as well as the larger language context. A potential path for convergence or divergence that emerged during data collection and in building and searching the corpus is the crossroads in the phonetic production of word-initial velar plosives. Word-initial [k] emerges in one language where only [ɡ] is present in the other; the third utilizes both. The corpus design makes it feasible, not only to identify areas of accommodation, but to grasp the context, enabling a sociolinguistically informed analysis of the speakers’ linguistic behavior.
    Źródło:
    Yearbook of the Poznań Linguistic Meeting; 2019, 5, 1; 1-34
    2449-7525
    Pojawia się w:
    Yearbook of the Poznań Linguistic Meeting
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rosyjskie kinociała lat pięćdziesiątych – między „obcym” a „swoim”
    Russian body cinema of the 50s’ – between “us” and “them”
    Autorzy:
    Bułgakowa, Oksana
    Powiązania:
    https://bibliotekanauki.pl/articles/1853422.pdf
    Data publikacji:
    2018
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    język cielesny
    gest
    naśladowanie
    moda i film
    amerykanizacja
    bikiniarze
    bodily language
    gesture
    copying
    fashion and film
    americanisamion
    Opis:
    The armicle analyses the changes of a Soviet man’s bodily language shown in the films of the late 1950s’ and early 1960s’. The author observes how foreign movies shown on Russian screens with great delay had been changing the bodily language of Russian film characters and the impact of a significant gender roles switch so vivid in post-war Western European and American cinemamic producmions. Getming rid of a might pattern of gesture in the world of cinema has become a phenomenon almost as important as the polimical thaw. This approach is parmicularly visible in the images of the workers’ bodies, working class people brought up in children’s homes and living in dormitories – the youth portrayed in films such as Under the Clouds, Girls, I am 20, Dima Gorin’s Career, Spring on Zarechnaya Street, Walking around Moscow. By observing the process of an on-screen change of bodily techniques one may assume that the body doesn’t have a memory of its own, and therefore imitates new techniques easily; the body keeps the memory of a gesture and acquires new habits with much dificulty. Soviet films subsequently suggest both approaches.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2018, 99, 1; 13-28
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Budowanie warsztatu aktora (casus Zbigniewa Cybulskiego)
    Building the at of acting (casus Zbigniew Cybulski)
    Autorzy:
    TOKARCZYK, JOLANTA
    Powiązania:
    https://bibliotekanauki.pl/articles/920956.pdf
    Data publikacji:
    2016-11-03
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zbigniew Cybulski
    film
    gesture
    actor
    Bim-Bom
    Ashes and Diamonds
    Train
    See you tomorrow
    Salto
    The Codes
    Jowita
    Opis:
    Building the at of acting (casus Zbigniew Cybulski) 2017 brings two important anniversaries: the 90th anniversary of the birth (1927) and 50th anniversary of the death of Zbigniew Cybulski, Polands foremost actor of the 1960s and the hero of his time. His image (dark sunglasses, leather jacket, worn jeans and sneakers and ever-present backpack) was imitated by thousands of Poles. For Cybulski one of the most important means of expression were gestures. This was very important in one of Cybulskis first films - Ashes and Diamonds. Cybulski developed his arsenal of acting expression in subsequent films, including: Night Train, See you tomorrow, No more divorces, The Saragossa Manuscript, Salto, The Codes, Jowita.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 171-184
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Ekstaza” czy „admiracja”? Ikonografia obrazu św. Franciszka z Muzeum Diecezjalnego w Siedlcach w kontekście wymowy wybranych płócien z serii franciszkańskiej El Greca
    Ecstasy or admiration? Iconography of the painting of st. Francis from the diocesan museum in siedlce in the semiotic context of selected works from el greco’s franciscan series
    Autorzy:
    Kossowski, Maciej Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/2046336.pdf
    Data publikacji:
    2021-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    El Greco
    Ecstasy of St Francis
    notions of ecstasy and admiration
    symbolism of the open arms gesture
    stigmata and finger arrangement
    context of the skull and bone fragments
    painting conservation
    Opis:
    The widely adopted title of “Ecstasy of St Francis”, a painting at the Diocesan Museum in Siedlce, was introduced in literature in 1966 based on the typology developed by José Gudiol. The designa- tion continues to be used until today. However, the significance and the purport of the title has not been confronted with the representation, especially given the current knowledge about its details. No attention has been paid so far to the nature of the stigmata, nor have any conclusions been drawn from the arrangement of the fingers or the depiction of bone remains, their pattern and placement. An analysis of those motifs changes the previous interpretation of what the work seeks to convey. The paper also cites arguments in favour of amending the current dating, from 1578-80 to the early seventeenth century.
    Źródło:
    Studia Europaea Gnesnensia; 2021, 23; 47-66
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nudity in Pomeranian Dance and Performance
    Autorzy:
    Czajkowska, Joanna M.
    Powiązania:
    https://bibliotekanauki.pl/articles/24536095.pdf
    Data publikacji:
    2023
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Tematy:
    FNAF 8 Export Gdańsk
    Nudity
    Political Gesture
    Performance Art Festival & Conference
    Pomeranian Dance and Performance
    Theoria Cum Praxi of Performance Art 2022
    Źródło:
    Sztuka i Dokumentacja; 2023, 29; 161-174
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Inny aktywizm w "Historii i czynie" Tadeusza Gajcego, czyli powrót Norwida na marginesach „Sztuki i Narodu”
    Autorzy:
    Christian, Zehnder,
    Powiązania:
    https://bibliotekanauki.pl/articles/897227.pdf
    Data publikacji:
    2018-05-25
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Tadeusz Gajcy
    Andrzej Trzebiński
    Wacław Bojarski
    Sztuka i Naród (Art and Nation)
    Cyprian Norwid
    Polish Activism
    Nation
    cultural history
    performance
    gesture
    contemplation
    underground
    conspiracy
    Opis:
    This paper focuses on the symbolic role attributed to Cyprian Norwid (1821–1883) in the young poets’ and critics’ circle gathered around the right-wing conspiracy journal Art and Nation (1942–1944) in occupied Warsaw. They used a paraphrase of Norwid’s words, “The artist is the organizer of national imagination”, in order to emphasize their aim of an autonomous and at the same time nationally committed art. However, in many statements by Andrzej Trzebiński (1922–1943) and Wacław Bojarski (1921–1943), the term “nation” appears to be more of a performative gesture than a reference to a consistent, historically evolving reality, as conceived of by Norwid. It was only in the 1944 essay “History and Deed”, never to be printed in the underground, that the circle’s foremost poet Tadeusz Gajcy (1922–1944) critically revisited anti-traditional activism and championed a genuinely “Norwidian”, contemplation-based understanding of creativity.
    Źródło:
    Przegląd Humanistyczny; 2017, 61(4 (459)); 65-77
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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