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Wyszukujesz frazę "geopoetica" wg kryterium: Temat

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    Wyświetlanie 1-2 z 2
    Tytuł:
    Geografismo literario: en pos de la identidad (el Mar de Bolivia y el Equinoccio del Ecuador)
    Literary Geography: in Pursuit of Identity (The Sea of Bolivia and Ecuadorian Equinox)
    Autorzy:
    ÓRZHYTSKYI, Ígor
    Powiązania:
    https://bibliotekanauki.pl/articles/485972.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Ecuador
    Bolivia
    geopoética
    identidad
    geografía
    geopoetics
    identity
    geography
    Opis:
    Philosophy undertakes investigation of the Ecuadorian national identity in the 40s of the twentieth century when appear the studies of P. Jaramillo Alvarado, L. Benites Vinueza. The literature takes up the idea of P. Jaramillo on the incongruity of the country's official name. This motif is metaphorized in the work of J. E. Adoum, A. Barrera Valverde, N. Estupiñan Bass determining the identity dis-course. In terms of artistic and philosophical counterweight to this question appears self-designation of the centric location of Ecuador on the globe, causing some paradi-siacal mythologems in the poetry of J. Carrera Andrade. In Bolivia, due to the national trauma of the lost sea, J. Mendoza's scientific arguments about the sea as an insepara-ble part of Bolivian geology translated into poetic imagery and philosophy of the “mystics of the earth”. The sea metaphorically becomes the basis for ideas of all kinds. Are consubstantial sea and mountains are identified with each other (in the work of O. Cerruto and P. Castrillo) and even intimate poetry uses the metaphor of the sea. So, it becomes evident how the geopoetics determines a culture that is progress-ing in its self-reflection.
    La filosofía ecuatoriana emprende indagación de la identidad na-cional en los 40. del s. XX con estudios de P. Jaramillo Alvarado, L. Benites Vinueza. La literatura retoma la idea de P. Jaramillo sobre la incongruencia del nombre oficial del país. Este motivo se metaforizará en la obra de J. E. Adoum, A. Barrera Valverde, N. Estupiñan Bass determinando el discurso identitario. En función de contrapeso fi-losófico y artístico a tal cuestionamiento de la autodenominación aparece la enfatiza-ción de la ubicación “céntrica” del Ecuador en el globo, originando mitologemas pa-radisíacos en la poesía de J. Carrera Andrade. En Bolivia, su trauma nacional llevó a que la argumentación científica de J. Mendoza acerca del mar como parte inseparable de la geología boliviana se tradujera en imágenes poéticas y filosofía de los “místicos de la tierra”. El mar deviene fundamento para metaforizar ideas de toda índole. Se consustancian mar y sierra (en la obra de O. Cerruto y P. Castrillo) y hasta la poesía intimista recurre a la metáfora del mar. Así se patentiza cómo la geopoética determina una cultura que está progresando en su autorreflexión.
    Źródło:
    Revista del CESLA. International Latin American Studies Review; 2010, 2, 13; 419-432
    1641-4713
    Pojawia się w:
    Revista del CESLA. International Latin American Studies Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między "Ustami Italji" a brzegiem Nervi. Przypadek Kazimiery Alberti
    Between "The Mouth of Italy" and the Nervi banks. The case of Kazimiera Alberti
    Tra "La bocca dell’Italia" e le sponde del Nervi. Il caso di Kazimiera Alberti
    Autorzy:
    Janas, Janina
    Powiązania:
    https://bibliotekanauki.pl/articles/784412.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    memory
    geopoetics
    literary reportage
    memoria
    geopoetica
    reportage letterari
    pamięć
    geopoetyka
    reportaż literacki
    Opis:
    Nell’articolo si fondono diverse prospettive interpretative. La prima si concentra sul volume di poesie Usta Italji, pubblicato negli anni ‘30, nel quale Kazimiera Alberti, inconsapevolmente, preannuncia il suo futuro. Le “escursioni poetiche” tra le varie città italiane, rafforzate da elementi di stampo autobiografici, mostrano una soggettività letteraria tutta femminile. Il discorso biografico rappresenta una cornice per le esperienze affettive quali malinconia, tristezza e passione. Oggi chiameremmo tale esperienza legata ad un dato luogo come “poetica dello spazio”, nella quale gli elementi reali si collegano a quelli immaginari. La seconda parte dell’articolo è dedicata al soggiorno di Kazimiera Alberti in Italia. Soggiorno che certamente non può essere trattato come un semplice viaggio di piacere o a fini turistici. L’analisi del codice della memoria culturale dà vita ad una rappresentazione convincente dello sforzo con cui il poeta cerca un proprio modo di “vivere” in un mondo che si divide tra il tragico passato polacco e la sicurezza della terra italiana. Le riflessioni sulla lettera di Kazimiera Alberti indirizzata a Maria Grabowiecki non possono essere trattate come una mera procedura d’interpretazione, ma anche, e soprattutto, un impulso per cogliere, per quanto sia possibile, il fulcro centrale del lavoro dell’Alberti. Si tratta di un gesto di ri-creazione, un tentativo di ri-apertura del mondo verso i grandi miti culturali; una passione creativa la cui evocazione poetica diventa reale come l’isola “immaginaria” di Capri.
    The article conjoins several interpretative perspectives. The first one focuses on Kazimiera Alberti’s volume of poetry entitled Usta Italji [The Mouth of Italy] published in the 1930s, in which Alberti unconsciously predicts her future. Her poetic excursions into Italian cities, enhanced by autothematic tropes, reveal the writerly-feminine subjectivity. What the biographical discourse delineates there is the frame for affective experiences, such as melancholy, sadness, and passion. This experience of the place would be identified today as the poetics of space, in which actual addresses merge with made up after-images. The second part of the article is devoted to Kazimiera Alberti’s experience of living in – and not only sightseeing – Italy. An analysis of the cultural memory code makes it possible to accurately portray the effort with which the poet seeks an original way of inhabiting the world that spans between the tragic Polish past and the Italian space of salvage. A reflection on Kazimiera Alberti’s letter to Maria Grabowiecka becomes not only an interpretative procedure but also – and primarily – a trigger to discuss the (arguably) central theme in Alberti’s oeuvre: the gesture of re-creation. This gesture stands for the attempt to re-create the world in the language of great cultural myths, or for the creative passion whose poetic evocation is Capri – an island equally real and “made up” or imagined.
    Źródło:
    Fabrica Litterarum Polono-Italica; 2019, 1; 39-69
    2658-185X
    Pojawia się w:
    Fabrica Litterarum Polono-Italica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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