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    Wyświetlanie 1-3 z 3
    Tytuł:
    Folk tradition as reflected in the Court decisions of the Hungarian Courts, 19th through 20th centuries. The study on legal ethnography
    Autorzy:
    Nagy, Janka Teodora
    Powiązania:
    https://bibliotekanauki.pl/articles/926223.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    legal history
    legal cultural history
    customary law
    legal folk custom
    legal tradition
    ethnography of law
    folk law
    legal anthropology
    ethnographia
    forensic ethnography
    beliefs
    superstition
    witchcraft
    fraud
    murder
    historia prawa
    historia kultury prawnej
    prawo zwyczajowe
    zwyczaje ludowe
    tradycja
    prawna
    etnografi a prawa
    prawo ludowe
    antropologia prawna
    „ethnographia”
    etnografi a medyczna
    wierzenia
    zabobony
    magia
    oszustwo
    morderstwo
    Opis:
    Among the numerous interesting and remarkable topics of applied law related to the period between the two World Wars, this study focuses on a very special aspect of judicial practice of that time. It attempts to trace archaic standards, legal folk traditions, as reflected by court decisions or brought up by the parties during the litigation process. Based on this approach, studies and case-studies published in a Hungarian ethnographical journal, Ethnographia, were re-evaluated in order to exploit a rich historical source and extract interesting legal historical information that had not been directly expressed before.
    Źródło:
    Krakowskie Studia z Historii Państwa i Prawa; 2013, 6, 1; 31-35
    2084-4115
    2084-4131
    Pojawia się w:
    Krakowskie Studia z Historii Państwa i Prawa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Głosa w sprawie polskich uniwersytetów ludowych
    A GLOSS ON THE POLISH FOLK HIGH SCHOOLS
    Autorzy:
    Maliszewski, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/417501.pdf
    Data publikacji:
    2010
    Wydawca:
    Akademickie Towarzystwo Andragogiczne
    Tematy:
    ADULT EDUCATION LAW
    FOLK HIGH SCHOOLS - LEGISLATION IN POLAND
    HISTORY AND THE PRESENT TIMES OF FOLK HIGH SCHOOLS
    Opis:
    This text is an appeal to Polish Members of Parliament - members of National and Ethnic Minorities Committee visiting Pomeranian Region in July 2010 to take notice of the social usefulness of Folk High Schools. The author recalls the contributions of those institutions in the development of Polish rural areas, and shows - on the example of Kashubian Folk High School - how important those institutions of adult education can be in building local democracy outside big agglomerations also today. The appeal, in a form of a typical gloss, once again tries to encourage the members of the Parliament of the Republic of Poland to make the effort of providing comprehensive regulation of legal and organizational situation of Polish Folk High Schools and other adult education entities of non-commercial character.
    Źródło:
    Rocznik Andragogiczny; 2010, R. 2010
    1429-186X
    2391-7571
    Pojawia się w:
    Rocznik Andragogiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Talent to dobro powierzone...” – etyka chrześcijańska w postawie twórczej i życiowej Witolda Lutosławskiego
    Autorzy:
    Bolesławska-Lewandowska, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/668977.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    Witold Lutosławski
    history of Polish music
    WWII
    Martial Law in Poland
    folk songs
    Christmas carols
    Opis:
    „Talent is a form of wealth entrusted to us” – these words may serve as Witold Lutosławski’s motto. He repeated them often and at many occasions, emphasising that each creative artist is obliged to treat his talent carefully and develop it to produce great results for public consumption. This corresponds well with Biblical parable on talents but does it mean that Lutosławski was a religious man? Was Christian ethic important to him? In his music there is no much connection with religion – only his youthful Lacrimosa for soprano, choir and orchestra, and the arrangements of traditional Polish Christmas carols, composed shortly after the Second World War, present his direct relations to religious inspirations. However, he did not like to talk about his beliefs and worldview, especially in the context of his own music, which for him always was abstract and free from any extra-musical features. But his attitude to composing, as well as to the public activity, reveals many connections with Christianity values. He was brought up in the family of strongly catholic and patriotic beliefs, connected with high moral principles. An atmosphere of Lutosławskis’ family, which belonged to the intellectual elites of pre-war Poland, made strong influence on young Witold. For the rest of his life he felt obliged to pay his duties both as a composer and as a man of a high moral standards. He not only concentrated on his creative work (though it was his main life obligation) but searched for public weal in his social activity, always aiming „to behave decently”. This corresponds perfectly with Christian ethic and indeed in one of his interviews Lutosławski openly admitted that not only his worldview was formed by Catholicism, towards which he remained faithful, but also that in his opinion Christian ethic remains pre-eminent among all ethic systems formed by the humanity.
    „Talent is a form of wealth entrusted to us” – these words may serve as Witold Lutosławski’s motto. He repeated them often and at many occasions, emphasising that each creative artist is obliged to treat his talent carefully and develop it to produce great results for public consumption. This corresponds well with Biblical parable on talents but does it mean that Lutosławski was a religious man? Was Christian ethic important to him? In his music there is no much connection with religion – only his youthful Lacrimosa for soprano, choir and orchestra, and the arrangements of traditional Polish Christmas carols, composed shortly after the Second World War, present his direct relations to religious inspirations. However, he did not like to talk about his beliefs and worldview, especially in the context of his own music, which for him always was abstract and free from any extra-musical features. But his attitude to composing, as well as to the public activity, reveals many connections with Christianity values. He was brought up in the family of strongly catholic and patriotic beliefs, connected with high moral principles. An atmosphere of Lutosławskis’ family, which belonged to the intellectual elites of pre-war Poland, made strong influence on young Witold. For the rest of his life he felt obliged to pay his duties both as a composer and as a man of a high moral standards. He not only concentrated on his creative work (though it was his main life obligation) but searched for public weal in his social activity, always aiming „to behave decently”. This corresponds perfectly with Christian ethic and indeed in one of his interviews Lutosławski openly admitted that not only his worldview was formed by Catholicism, towards which he remained faithful, but also that in his opinion Christian ethic remains pre-eminent among all ethic systems formed by the humanity.
    Źródło:
    Pro Musica Sacra; 2013, 11
    2083-4039
    Pojawia się w:
    Pro Musica Sacra
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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