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Wyświetlanie 1-15 z 109
Tytuł:
Z zagadnień leksyki ekspresywnej – pilch
Autorzy:
Kucharzyk, Renata
Powiązania:
https://bibliotekanauki.pl/articles/678743.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
pilch lexeme
folk culture
Opis:
From the issues of expressive lexis – pilchThe object of this article is the description and interpretation of the semantic development of the pilch lexeme. In its basic meaning this word means a mammal from the Gliridae family. Pilch has already been known in pre-Slavic language and is also confirmed in the historical dictionaries of the Polish language. The historical material documents only the zoological meaning of the lexeme, while in the local dialects one can observe the semantic development of this unit. Pilch, next to indicating various animals, occurs also as a word describing 1. a mean person 2. a bad-natured person, 3. little child. Pilch is an interesting example of a lexical unit that primarily denominates an animal but which extended its meaning and became a personal expressivism as a result of connotations occurring in the folk culture.
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesna plastyka ludowa jako konwencja – uzupełnienia po latach
Autorzy:
Robotycki, Czesław
Powiązania:
https://bibliotekanauki.pl/articles/644482.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
folk art
convention
traditional folk culture
Opis:
This article is an attempt to answer the question of how folk art existence in contemporary society. The first part presents the broad context European tradition of the study of art. Conceptual frame of thinking about art has been developed primarily by philosophers and art historians. In the nineteenth century art begins to function in a new context, as a result of the transformation of civilization, social and economic. For this change is highly influenced by surrealist ideological program. It is his case was undermined dichotomy: high art and low art. In the second part the author presents the mutual influences of surrealism and ethnology, which resulted in interest in primitive art, and her new research perspective. The third part of the article is the diagnosis: difficult to define term „folk art” has become a convention. It is a symptome of changing meaning and decay of traditional folk culture.
Źródło:
Prace Etnograficzne; 2013, 41, 1; 1-13
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Słoma w kulturze tradycyjnej
Straw in traditional culture
Autorzy:
Tymochowicz, Mariola
Powiązania:
https://bibliotekanauki.pl/articles/667069.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
straw
folk culture
rituals
ecology
Opis:
Straw is a particular raw material that has been widely used in the past and in the past. The text enumerates its practical qualities and reported importance in former rituals, beliefs, healing or divination. Then the text deals with the symbolism of the straw, which is becoming more and more difficult to interpret.
Źródło:
Studia Etnologiczne i Antropologiczne; 2017, 17; 146-160
1506-5790
2353-9860
Pojawia się w:
Studia Etnologiczne i Antropologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika włosów w polskiej kulturze ludowej
Hair Symbolism in the Polish Folk Culture
Autorzy:
Figiel, Anna
Powiązania:
https://bibliotekanauki.pl/articles/966796.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Hair
Symbolism
Polish Folk Culture
Opis:
Of all the elements of the human body, hair has been one of the most well-developed symbols. It has been the subject of a variety of activities to which many meanings have been assigned. A specific hairstyle, its shape, length, weave or color in different cultures have meant belonging to particular social groups or determining economic or social status. The author focuses her attention on the aspects of folk rituals using hair, including the symbolic meaning of manipulation of hair, such as combing, pinning and cutting. In addition to determining social status, the important role in the ritual’s calendar and family life, hair has been associated with broadly understood symbolism and various meanings. The purpose of the text is to also show the relationship between the belief function and the appearance of the hair and the actions by which they are affected.
Źródło:
Zeszyty Wiejskie; 2017, 23; 125-137
1506-6541
Pojawia się w:
Zeszyty Wiejskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tureccy i bałkańscy „singers of tales” – „jarzmo” inspiracji czy epicka dwubiegunowość?
Autorzy:
Ayşen Kaim, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/677831.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Balkan epics
folk singer
Turkish folk culture
Opis:
Turkish and Balkan “singers of tales” – a yoke of inspiration or epic independence?The research material is mostly based on the works of Albert Lord and Milman Parry, Karl Reichl, Ilhan Basgoz, Pertev Boratav. Epic singers played a significant part in spreading national spirit, be it Turkish or Slavic. The Balkan artists called guslar used a one-string instrument called gusle while a Turkish minstrel ozan and ashik usually used a two-stringed instrument called kopuz or saz. The typical stage for their activities were coffeehouses. Oral epics were transmitted by word of mouth from one singer to another, sometimes by way of formal training based on the transmission of repertoire and technique from master to apprentice. Representative of both traditions was the use of metrics and formulaic style. The song was orally composed in performance, with the audience’s participation. The musical aspect facilitated memorisation. The text to be learned by heart was a story in a song. Although the Turkish and Balkan epic traditions developed independently of each other, the effect of Turkish conquest on the Balkan epic tradition is evident, especially in the style of those singers who perform in borderland (in Kosovo and northern Albania). The Turkish occupation itself became the subject of many epics, reinforcing the national identity of the local population. However, oriental influences also emerged in some formal characteristics, such as the length of the songs, the ornamentation and stylised oriental images and the transformation of separate ballads and short narratives into epic cycles. In both cases for performers themselves this artistic activity became “a way of life”.
Źródło:
Slavia Meridionalis; 2011, 11
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Folk culture specialists?
Autorzy:
Brzezińska, Anna Weronika
Powiązania:
https://bibliotekanauki.pl/articles/704380.pdf
Data publikacji:
2009
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
folk culture
ethnography
museology
tradition
folklore
Opis:
Every discipline has its own special terms regarded to be the “difficult” ones. Very often these are part of the achievements of many generations of scholars, in the same time being components of colloquial language. Such an example for ethnology would be „folk culture”. The term is popularly understood as idealized pictures of Polish camp’s social life. For specialists, though, the term is very wide-ranging, multidimensional and set in a specific historical context. Still there is a ground for agrement and creation between academic research and popular understanding that involves activities taken by employees of cultural institutions. In their struggle to respond to a public demand, they face a dilemma of how folk culture should be widespread. On one hand, they see the presented topics to be appealing, they also recognize the possibilities lying in its educational values (craft’s demonstrations and workshops). On the other hand, they are aware of its artificialness and of their setting up meanings yet outdated. These dilemmas may as well be associated to the way ethnologists are educated in the field of regional cultures, where they are trained for potential ‘specialists’ of folk culture.
Źródło:
Nauka; 2009, 3
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le tradizioni come identità: la Baìo di Sampeyre
Traditions as identity: La Baìo in Sampeyre
Autorzy:
Olcese, Gianluca
Powiązania:
https://bibliotekanauki.pl/articles/1051634.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
traditions
popular feasts
continuity
folk culture
Opis:
During the last Baìo in 2007, I interpreted carnival as an occasion to investigate popular traditions. Agricultural feasts have been present since ancient times, sometimes hidden behind the veil of other meanings: today they represent a way to allow the present society to feel itself as a continuation of the past. The communities of small local areas show a representation of their identity through ancient rituals – like manifestations, such as the Baìo – to sew their relationships with the modern territory. Those rituals also demonstrate several, and sometimes unexpected, connections with different cultures of the present and the past.
Źródło:
Studia Romanica Posnaniensia; 2010, 37, 1; 69-84
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Клетвата во македонската традиционална култура
Curse in Macedonian Traditional Culture
Autorzy:
Петреска, Весна
Powiązania:
https://bibliotekanauki.pl/articles/635980.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
curse
sin
values
Macedonian folk culture
punishment
Opis:
Curses are spoken formulas that express a desire to happen something bad in the future to someone or something, with the assurance that it will capture. This conviction or belief is based on faith in the magical power of the word. In the folk life curses are being made when the most important values in the community are injured. Therefore, curses are discussed in relation to the  values that are maintained in a given community, and their  violation determines sin, and depending on the committed sin and weights required curses or punishments. Looking from this social perspective, they represent a measure of values in the society that occurs  as  an  indication  of  distortion  of values,  whether  those  who  suggest  deteriorated values occupy a high or low social status in the community or family. The curse is correcting the distortion, i.e. some satisfying justice, out exclusively on force majeure, and indefinitely. In this regard it emphasizes that the most important values in traditional Macedonian culture were life itself, created progeny, and their family, property and honor. Most evidence of the belief  in  the  power  of  the  curse  by  folk  stories  is the  event  of an  accident  either  cursed person  or  his  family.  Therefore,  curses  also  point  another  very important  value,  which  is highly  appreciated  –  the  natural  course  of  human  life,  birth-marriage-death,  that  value in  ritual  practices  tend  to  emphasize  or  re-establish  if  it  is disturbed,  and  curses  she  tries to unravel.
Źródło:
Poznańskie Studia Slawistyczne; 2012, 3
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Palma bije nie zabije czyli drzewa i krzewy w obrzędowości dorocznej na Podkarpaciu
Autorzy:
Marciniak, Maria
Powiązania:
https://bibliotekanauki.pl/articles/470012.pdf
Data publikacji:
2017
Wydawca:
Poznańskie Towarzystwo Przyjaciół Nauk
Tematy:
Folk culture
rites
tees and shrubs
Polska
Opis:
Folk culture of the South Eastern Poland (Podkarpacie) was very interesting. Rich rituals belonged to her. Tees and shrubs were important in the ceremonies
Źródło:
Our Europe. Ethnography – Ethnology – Anthropology of Culture; 2017, 6; 47-66
2299-4645
Pojawia się w:
Our Europe. Ethnography – Ethnology – Anthropology of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Folk culture resources as a component of tourism space
Autorzy:
Mokras-Grabowska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/627789.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
folk culture
commercialization
authenticity
folk tourism
tourism space
hospitality
Opis:
The paper concerns folk tourism – describes the mutual relations between folk culture and tourism and the main mechanisms of the commercialization of cultural heritage. Moreover it locates folk culture resources in tourism space and includes hospitality.
Źródło:
Turyzm; 2013, 23, 2; 43-47
0867-5856
2080-6922
Pojawia się w:
Turyzm
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwiastuni śmierci, żałobnicy i ostatni towarzysze podróży
Death harbingers, mourners and the last travelling companions
Autorzy:
Kielak, Olga
Powiązania:
https://bibliotekanauki.pl/articles/691933.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
ethnolinguistics, linguistic worldview, folk culture, death, domestic animals
Opis:
The subject of the article is a scientific reflection on the behaviours of domestic animals in the face of human death. Using the rich folkloristic and ethnographic material, the author has distinguished three types of roles in which – in folk beliefs – animals are incarnated: (a) death harbingers, (b) mourners, feeling sad and regret after losing a loved one, (c) the last travelling companions. The analysis proved that the roles played by animals in the face of the death of a loved one implement the principle of „solidarity with life” – a key principle of traditional peasant culture, the basis of life and a keystone of existence in the group.
Źródło:
Zoophilologica. Polish Journal of Animal Studies; 2019, 5
2719-2687
2451-3849
Pojawia się w:
Zoophilologica. Polish Journal of Animal Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jerzy Harasymowicz - poeta pogranicza
Jerzy Harasymowicz - poet boundary
Autorzy:
Ksenicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/482039.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
tradition
Beskid Niski
folk culture
customs
religions calendar
Opis:
The article tries to show Harasymowicz as a poet working under the influence of two cultures. In his poetry relations of Polish and Ukrainian cultures are shown on the cultural and historical background, which are even evident in his first volume of poetry which was published in 1956. The geographical area of the Carpathian mountains and Low Beskids hold a special place in his poetry. Family tradition, objectivity of the poet and his delight in mountain scenery for „the dream and a fairy-tale world” created a metaphorical image of the area and people living in it.
Źródło:
Acta Polono-Ruthenica; 2016, 1, XXI; 185-193
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elementy tricksteriady w dawnych polskich i rosyjskich zwyczajach kolędniczych
Elements of “tricksteriada” in old Polish and Russian carolling customs
Autorzy:
Zalewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/482438.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
“tricksteriada”
carolling customs
folk culture
carnival
Slavic rites
Opis:
Celem niniejszego artykułu jest analiza porównawcza działalności polskich i rosyjskich kolędników, którą rozpatrywać można w kategoriach symbolicznej tricksteriady. Jako materiał źródłowy wykorzystano opisy zwyczajów kolędniczych kultywowanych w XIX i na początku XX wieku, zawarte głównie w opracowaniach etnograficznych. Wspomniany wyżej problem nie doczekał się do chwili obecnej opracowań wykraczających poza dość zdawkowe uwagi dotyczące tricksterskiej natury przebierańców oraz ich zabaw. Kultura ludowa, tj. twór synkretyczny, ukształtowana została z elementów pogańskich i chrześcijańskich. W kontekście podjętej w niniejszym artykule tematyki dowodzą tego obrzędy słowiańskie, takie jak bożonarodzeniowe i noworoczne kolędowanie. „Przybysze z innego świata”, przebrani za zwierzęta oraz postacie antropomorficzne, naruszają kultu-rowe tabu. Czas karnawału sprawia, że dochodzi do odwrócenia porządków: akceptowane jest wówczas nawet obsceniczne zachowanie. Kolędnicy występujący w roli wędrownych aktorów wydają się zatem wcieleniem błazna na scenie.
This paper provides a comparative analysis of Polish and Russian carolling activity, which may be considered as a symbolic celebration of “tricksteriada”. Descriptions of carolling customs cultivated in the 19th- and at the beginning of the 20th century, primarily in ethnographic studies, were used as the source material. The issue mentioned above, to date, has not been studied, except quite limited comments concerning the “trickster” nature of masqueraders and their plays. Folk culture, i.e. a syncretic creation, was formed by pagan and Christian elements. In the context of the subject of this paper, rituals such as Christmas and New Year’s carolling prove its Slavic origin. The “supernatural visitors”, dressed as animals and anthropomorphic characters, violate cultural taboos. During carnival the order is reversed and provocative behaviour is acceptable. The carollers, in their role as traveling actors, seem to impersonate jesters in plays.
Źródło:
Acta Polono-Ruthenica; 2020, 2, XXV; 121-136
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kultura ludowa Mazowsza w dorocznej obrzędowości Warmiaków
Folk culture of Mazowsze in annual rituals Warmians
Autorzy:
Hochleitner, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/2165227.pdf
Data publikacji:
2014-12-15
Wydawca:
Ostrołęckie Towarzystwo Naukowe
Tematy:
kultura ludowa
obrzędy
zwyczaje
religijność ludowa
folk culture
rituals
customs
folk religiosity
Opis:
Gdy przybyli mazowieccy koloniści u schyłku średniowiecza wprowadzili wiele zwyczajów do kultury regionalnej pogranicza warmińsko-mazurskiego. Pozostałości tej kultury świadczą o uniwersalnych treściach, które wraz z przyjęciem chrześcijaństwa utrwaliły na wiele stuleci oryginalną kulturę ludową. Chrześcijaństwo wkraczające na te ziemie było jednak otwarte na przyjmowanie zastanych praktyk. Wiele obrzędów i ludowych zwyczajów wprowadzono do kalendarza kościelnego. Opisywane poniżej prace gospodarcze opierały się przede wszystkim na wiedzy potocznej, przekazywanej z pokolenia na pokolenie.
When the colonists arrived in Mazovia in the late Middle Ages introduced many customs to regional culture borderlands of Warmia and Mazury. The remains of this culture testify to the universal content which, together with the adoption of Christianity perpetuated for many centuries original folk culture. Entering Christianity in these lands, however, was open to accepting existing practices. Many rituals and folk customs were introduced into the Church calendar. Described below economic work based primarily on common knowledge, passed on from generation to generation.
Źródło:
Zeszyty Naukowe Ostrołęckiego Towarzystwa Naukowego; 2014, Zeszyt, XXVIII; 76-94
0860-9608
Pojawia się w:
Zeszyty Naukowe Ostrołęckiego Towarzystwa Naukowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Iдэйна-мастацкiя пошукi паэтаў беларуска-польскага памежжа: творчасць Адама Плуга
Ideological and artistic search of poets of the Belarusian-Polish borderland: Adam Ploug’s literary ouvre
Autorzy:
Brusewicz, Anatol
Powiązania:
https://bibliotekanauki.pl/articles/2131013.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Belarusian-Polish borderland
poetry
Romanticism
Christianity
Belarusian folk culture
Opis:
This article is devoted to the study of the ideological and aesthetic foundations of Adam Ploug’s poetry in organic correlation with the artistic experience of other representatives of the Belarusian-Polish literary borderland (A. Mitskevich, J.I. Krashevsky, etc.). It is worth noting that the formation of A. Ploug’s creative consciousness took place under the direct influence of a number of ideas of Western European Romanticism, including the sacralization of the homeland and its past (historical memory), the idealization of freedom, Christian humanism and non-conformism, the idea of the timelessness of art. At the same time, both the concept of the lyrical hero and the artistic space in A. Ploug’s works are all built on the basis of the traditions of the Belarusian folk culture, which makes it possible to assert that the poet belongs primarily to Belarusian Romanticism.
Źródło:
Białorutenistyka Białostocka; 2021; 109-122
2081-2515
Pojawia się w:
Białorutenistyka Białostocka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 109

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