Temat: film tradition - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Affirmation, Acceptance and Rejection: Polish Contemporary Documentary Filmmakers and their Relation to Poland’s Documentary Film Tradition
Autorzy:: Mąka-Malatytńska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/918060.pdf
Data publikacji:: 2014-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: contemporary Polish documentary film
Tomasz Wolski
Marcin Koszałka
Wojciech Staroń
Krzysztof Kieślowski
dramaturgy
film tradition
Opis:: This paper attempts to define the complex attitude to the tradition in Poland of fact-driven cinema shared by members of the young generation of Polish documentary filmmakers. The examples of films by Marcin Koszałka and Wojciech Staroń, and Tomasz Wolski’s The Lucky Ones, discussed in greater detail, illustrate various shades of this complex attitude, oscillating between affirmation and opposition. The article argues against criticism that demands contemporary cinema take up certain issues and discard others.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 155-164
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Книжевноста, традицијата и популарната култура (преку првиот македонски игран филм Фросина)
Literature, Tradition and Popular Culture (Through the First Macedonian Feature Film Frosina )
Autorzy:: Rajčinova-Nikolova, Bijlana
Powiązania:: https://bibliotekanauki.pl/articles/1376038.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:: literature
film
popular culture
tradition
film Frosina
Opis:: The phenomenon of transporting novels into a film medium to examples of writers - scriptwriters is an opportunity for analyzing the relation literature – film and the relation tradition - popular culture. Relationships that finds a place in the first Macedonian film Frosina, which can be spoken from the aspect of tradition / past, but also from the aspect of popular culture / present.The subject of research is to explore the meaning of Frosina from the aspect of tradition and from the aspect of the popular culture, and thus to define the ways which tradition constructs the literature and the film, and popular culture deconstructs them and establishes parameters of global village.The hypothesis is from the aspect of tradition the role of the literature appears to be similar to the role of the film, but from the aspect of popular culture the literature is freed from ideological interpretations and the film invites the spectator to the revolt.The purpose of the research is to explore the role and the function of the tradition on the construction of the literature and of the film and of the popular culture on the deconstruction of the literature and of the film and changing their meaning depending from the current events and needs. An opportunity for realization of the goal is an interpreting the meanings of terms literature, film, popular culture and tradition, and analytical discursive follow-up of the content of the film Frosina, shot 1952 by Vojislav Nanovik, according to the script "The Frosina and the Son" by Vlado Malevski.
Źródło:: International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture; 2019, 1, 1
2658-154X
Pojawia się w:: International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
Dostawca treści:: Biblioteka Nauki

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