Temat: film and politics - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Uśpiony temat. O (nie)obecności problemu Marca 1968 roku w kinie dokumentalnym okresu PRL
Dormant topic. About the absence of the events of March 1968 in Polish documentary films before 1989
Autorzy:: Pietrzak, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/923321.pdf
Data publikacji:: 2019-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: March ‘68
Polish documentary films
film and politics
film and propaganda
Opis:: The vast majority of documentary films relevant to the events of March ‘68 and its consequences were created after 1989, when the abolition of censorship and the opening of previously hidden archives allowed Polish filmmakers to explore previously prohibited topics. The article focuses on the earlier period, and its main objective is to find echos of this political crisis in documentary films created before the collapse of the communist regime in Poland.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 26, 35; 63-75
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The Party in Krzysztof Kieślowski’s Films
Autorzy:: Zwierzchowski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/923207.pdf
Data publikacji:: 2019-03-25
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Krzysztof Kieślowski
Polish cinema
film and politics
images of Polish United Workers’ Party
Opis:: Probably no other Polish filmmaker has devoted as much attention to the Polish United Workers’ Party (PZPR) as Krzysztof Kieślowski did in his films. Early on, he perceived the party as an organization where one could meet people with different desires, motivations and modus operandi. Kieślowski’s perspective could be defined as such: do not judge the whole, focus on individuals. His subsequent films present a change in this perspective. Workers and devoted members of the communist party were in the center of the director’s interest in some of his early films. Later, he focused more and more on individuals, especially those who had to face the party as a structure and hierarchy. Kieślowski’s films made in the early 1980s show party leaders and people in charge who eventually turn out to be losers. Kieślowski perceived various aspects and forms of being a party member, not only as a stepping stone for one’s career. He saw and presented the everyday life of PZPR, relations between the authorities and society, and its members and representatives of the party apparatus. He was quite critical about the party and people in charge, but also tried to see and present the reasons motivating their conduct. Social and political changes in Poland in the early 1980s made this kind of approach increasingly difficult for Kieślowski.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 137-153
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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