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    Wyświetlanie 1-12 z 12
    Tytuł:
    Filmowa twórczość fanowska graczy MMORPG
    Fan Movies of MMORPG Players
    Autorzy:
    Markocki, Miłosz
    Powiązania:
    https://bibliotekanauki.pl/articles/534741.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    fan fiction
    movies
    MMORPG
    Opis:
    The article presents various movie conventions inspired by MMORPG and made by the players. In order to characterize and describe this kind of fun fiction, the author divided the movies into several general categories due to the functions that, according to their makers, the movies are to fulfil. The criterion of production or technological differences was not, thereby, taken into consideration. Such an approach enables the author to accommodate not only machinima movies but also, to some extent, the MMORPG recordings (such as video tutorials). The article aims at general presentation and description of MMORPG players’ fan movies in order to make it more popular among both the game studies and fun studies scholars.
    Źródło:
    Śląskie Studia Polonistyczne; 2017, 9, 1; 111-121
    2084-0772
    2353-0928
    Pojawia się w:
    Śląskie Studia Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ja piszę, ty piszesz, oni piszą. Literacka twórczość fandomu jako czynnik integrujący społeczność
    I Write. You Write. They Write. The Literary Works Of Fandom as A Factor in Integrating the Community
    Autorzy:
    Obrec, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/579081.pdf
    Data publikacji:
    2013
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Fan fiction (powieść napisana przez fana)
    fandom (społeczność fanów)
    pisanie
    fandom
    fan fiction
    writing
    Opis:
    Fan fiction is a fiction based on situations and characters that have been created by someone else. It is written by fans who use original texts to create their own art and culture. Writing fan fiction is something that fans do together. They discuss original texts, share their views and opinions about plot and characters, and create common interpretation that can be used by other fandom members. They also participate in creating new texts by commenting fanficks published by other fans. Writing is not only a way to express fans opinions about their favourite books and shows, but also an opportunity to spend time with people sharing their interests. Analysis of fan-created texts shows not only its importance to individual fans, but also a vital role writing fan fiction plays in building fan communities and creating bonds between their members.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2013, 56/112 z. 2; 185-196
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fanfikcja po rosyjsku – w kręgu polskich inspiracji
    Autorzy:
    Podlyuk, Anastasiya
    Powiązania:
    https://bibliotekanauki.pl/articles/694801.pdf
    Data publikacji:
    2017
    Wydawca:
    Polskie Towarzystwo Ludoznawcze
    Tematy:
    fan fiction
    fanfik
    polska literatura
    rosyjskojęzyczna tradycja fanfikowa
    Trylogia
    Sienkiewicz
    fan fiction, fanfic, polish literature, Russian tradition of fan fiction, The Trilogy, Sienkiewicz
    Opis:
    Celem niniejszego artykułu jest zaprezentowanie sposobów recepcji polskiej klasyki literackiej przez przeciętnego odbiorcę polskiej kultury w ramach rosyjskojęzycznego środowiska fanfikowego. Ukazane zostały specyficzne cechy współczesnej rosyjskojęzycznej fanfikcji, będącej syntezą dwóch tradycji fan fiction – zachodniej i rosyjskiej. Dodatkowo artykuł jest próbą zapoznania polskiego odbiorcy z tradycją rosyjską, która powstawała niezależnie od zachodniej.
    The purpose of this article is to present ways of reception of Polish literary classics by an average recipient of Polish culture in the framework of Russian-language fan fiction community. The text shows specific features of the contemporary Russian fan fiction, which is a synthesis of two fan fiction traditions – Western and Russian. In addition, this article is also an attempt to introduce the Russian tradition, which arose independently of the Western one, to a Polish audience. 
    Źródło:
    Literatura Ludowa; 2017, 1
    2544-2872
    0024-4708
    Pojawia się w:
    Literatura Ludowa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzeum, które nie może przetrwać. Wirtualne muzeum feministyczne a próby utrwalania kobiecej twórczości fanowskiej
    The museum that cannot survive. The virtual feminist museum and the attempts at preservation of women’s fan production
    Autorzy:
    Urbańczyk, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1038502.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    archive
    virtual feminist museum
    fan fiction
    censorship
    fan studies
    Opis:
    This paper examines the history and the shape of contemporary fanfiction repositories. The notion of an archive – one that is often used to describe such spaces, and appears in their names – is contrasted with Griselda Pollock’s proposal of a virtual feminist museum. Though for decades there have been attempts at preserving fan fiction (mostly created by women, non-canonical and transgressive), the stories had been subjected to selection and censorship. With the disappearance of such practices, the repositories start to embody Pollock’s notion. At the same time, however, as the lack of censorship causes economic problems, the virtuality of such ‘museums’ no longer denotes their digital nature but their evanescence.
    Źródło:
    Przestrzenie Teorii; 2020, 34; 191-207
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Granice kreatywności. Dyskurs dotyczący postaci typu Mary Sue w amatorskiej twórczości literackiej a reguły funkcjonowania społeczności fanowskich
    The Limits of Creativity. Discourse of Mary Sue Characters in Fan-Fiction and the Rules of Fan Communities
    Autorzy:
    Siuda, Piotr
    Jankowiak, Daria
    Krawczyk, Stanisław
    Powiązania:
    https://bibliotekanauki.pl/articles/26850915.pdf
    Data publikacji:
    2013-04-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    fans
    fan communities
    Mary Sue
    discourse analysis
    fan fiction
    Opis:
    Some participants of popular culture do not confine themselves to a one-time contact with a favorite book or movie. Instead, they return to fictional worlds, creating literary texts based on original works and sharing these texts with other followers of the same pop-products. A number of these fan-made pieces contain idealized characters whose mentalities tend to be very similar to the personalities of their creators. Such characters, who are known under the name of Mary Sue, frequently become an object of harsh criticism on the readers’ part. The paper presents various forms of so strong a negative reaction and describes its possible causes, basing on the analysis of a discourse created by the users of Mirriel Literary Forum (a message board which attracts people who are interested in amateurs’ literary pieces). The main goal of the paper is to demonstrate how the information obtained in discourse analysis may shed new light on the rules which govern the lives of all kinds of fan communities – most importantly, the rule of staying faithful to the object of one’s passion, that is, to the worlds created by professional authors. Apart from that, the paper demonstrates a concise discussion of the strong and weak points of the method employed.
    Źródło:
    Kultura i Edukacja; 2013, 2(95); 128-147
    1230-266X
    Pojawia się w:
    Kultura i Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fanfik miłosny, erotyczny czy ze slashem? Oblicza miłości w utworach internetowych fanów
    Fanfick romantic, erotic or slash? Varied faces of love in Internet fans’ pieces
    Autorzy:
    Werra, Martyna
    Powiązania:
    https://bibliotekanauki.pl/articles/460230.pdf
    Data publikacji:
    2016
    Wydawca:
    Fundacja Pro Scientia Publica
    Tematy:
    fan fiction, Internet, miłość, fanfik miłosny, fanfik erotyczny, fanfik ze slashem
    fan fiction, Internet, love, romantic fanfick, erotic fanfick, slash fanfick
    Opis:
    With the creation of the Internet associates getting common comes the development of a new literary species called fan fiction, that is practiced by fans of different books, movies, TV series or computer games.The focus of this article is covering three fan fiction subspecies that attempt to unveil love of two characters. They are: romantic, erotic and slash fanfick. In the article characteristics of these three subspecies are presented, as well as pairs making strategies that Internet authors practice. Types of romantic, erotic and slash fanficks characters, who recur most often, are presented too. In the article is a figure appealing to fanficks based on different sources: books, movies, TV series.
    Źródło:
    Ogrody Nauk i Sztuk; 2016, 6; 479-484
    2084-1426
    Pojawia się w:
    Ogrody Nauk i Sztuk
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Praktyka pisania fan fiction. Tutorial fanfikowca
    Autorzy:
    Gąsowska, Lidia
    Powiązania:
    https://bibliotekanauki.pl/articles/579247.pdf
    Data publikacji:
    2013
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    fan fiction
    fandom (społeczność fanów)
    pisanie
    tutorial
    fanfikowiec
    fandom
    writing
    Opis:
    Mass literature and its more modern branch — popular literature, tends to be described as „trivial”, „third-rate” and worse. Nowadays, there is a consensus among scholars that the name „popular” is the most neutral and non-evaluative, so in this sense the literary production can be addressed and one can give it the status of an academic discipline. Common plots, themes, topoi and solutions which a researcher in the field of his interests explores, are not perceived as worse, imitative, predictable or banal… Today, in the age of information and pleasure the culture drifts and it is not dependent on the economics of production but rather on more information and free imagination. The individual becomes free from the tragic conflict of values. Community experience, which it ensures, is a model of experience of being with others and what is perhaps even more valuable, being-in-the-world of unquestioned significance. Community contemplates the passage, does not seek to create „great narratives”, leaving a space for other parts/ fragments. It accounts for rooted local values, it is a place of their articulation. Fandom, in this perspective, becomes a post-modern form of diaspora.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2013, 56/112 z. 2; 165-184
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
    Autorzy:
    Popłońska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/653571.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Irene Adler
    Sherlock Holmes
    adaptation
    appropriation
    reinterpretation
    transmedia fandom
    fan fiction
    Opis:
    One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
    Źródło:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
    2353-6098
    Pojawia się w:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
    Autorzy:
    Popłońska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/24987870.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Irene Adler
    Sherlock Holmes
    adaptation
    appropriation
    reinterpretation
    transmedia fandom
    fan fiction
    Opis:
    One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
    Źródło:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 41-49
    2353-6098
    Pojawia się w:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fanfikcja
    Fan-Fiction
    Autorzy:
    Umerle, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/1359606.pdf
    Data publikacji:
    2016-05-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    fan fiction
    Fans
    amateur literature
    cyberculture
    fanfikcja
    Fani
    cyberkultura
    twórczość amatorska
    Opis:
    Hasło prezentuje literacką twórczość fanowską w kontekście poetyki, literackiej twórczości amatorskiej oraz wybranych zagadnień kulturoznawczych i mediologicznych.
    This keyword presents fan-produced literary work in the context of poetics, amateur literary production, and selected topics of cultural and media studies.
    Źródło:
    Forum Poetyki; 2016, 4-5; 114-123
    2451-1404
    Pojawia się w:
    Forum Poetyki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recepcja Jane Austen w polskojęzycznym Internecie na przykładzie stron internetowych poświęconych pisarce
    Autorzy:
    Ewa, Szczepkowska,
    Powiązania:
    https://bibliotekanauki.pl/articles/897284.pdf
    Data publikacji:
    2019-11-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Jane Austen
    popular culture
    e-culture
    fan fiction
    kultura popularna
    e-kultura
    Opis:
    The subject of the article is the reception of Jane Austen in the sphere of e-culture – its fragment connected to websites and discussion forums concerning the writer. The phenomenon of “Austen mania” starts in Poland mainly because of the popularity of the movies based on Jane Austen prose. These sites and forums played not only a popularizing role, spreading the knowledge about the writers’ biography, work, film adaptations, or Regency, but they also grouped the society of fans who felt the need of being close to the other readers of Austen and some virtual companion in a feminine sphere created by numerous, common interpretation of the behaviour of the heroes of her prose, and also fans’ creativity in the area of gadgets, Regency costumes and literary tourism. The other form of activity is fan fiction, slightly represented on the forums and sites, especially in the comparison to fan fiction around the work of Austen in the English-speaking circle. They are most frequently the translations from The Republic of Pemberley, not prepared, unfinished, fragmentated, or personal attempts of a romance kind, in a style of Harlequin literature and a sentimental tone.
    Źródło:
    Przegląd Humanistyczny; 2019, 63(2 (465)); 105-114
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ludzie są jak fan fiction. Na przykładzie Fanfika Natalii Osińskiej
    Autorzy:
    Malec, Bogusz
    Powiązania:
    https://bibliotekanauki.pl/articles/679405.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    fan fiction
    Fanfik
    narrative identity
    Natalia Osińska
    postgenderism
    radical feminism
    textual poaching
    metafora kłusownicza
    postgenderyzm
    radykalny feminizm
    tożsamość narracyjna
    Opis:
    The article concerns the analysis of Fanfik, a young adult novel written by Natalia Osińska, especially a metaphorical meaning of its title. It is associated with studies of fan culture, that are using a metaphor as a research tool, such as Henry Jenkin's metaphor of the textual poacher, which organizes a kind of framework for better understanding fan creativity. Cultural studies are linked with radical feminism and its postgender thesis to inrterpret the title of the novel in an existential and phenomenological view. The plot of the novel challenges ideological postulates of identity politics based on a concept of narrative identity. Therefore, fan fiction is understood primarily as a social phenomenon. It is opposed to a traditionalist perception of a book itself, which is also analysed in a metaphorical sense, that is connected with the popular sentence: „people are like books”. A purpose of the article is to show that is more likely to say: „people are like fan fiction”.
    W artykule analizuję Fanfik, powieść młodzieżową Natalii Osińskiej, w kontekście metaforycznego znaczenia tytułu. Odwołuję się przy tym do badań kultury fanowskiej (Jenkins, Parrish, Stasi), spośród których szczególnie interesuje mnie użycie metafory jako narzędzia badawczego. W swojej analizie wykorzystuję więc między innymi metaforę „kłusowniczą”. Splatam je również z postgenderowymi tezami radykalnego feminizmu po to, aby zinterpretować tytuł analizowanej przeze mnie powieści w egzystencjalnym świetle. Fabułę utworu konfrontuję z ideologicznymi postulatami polityki tożsamości skupionej wokół koncepcji tożsamości narracyjnej. Tym samym fan fiction traktuję przede wszystkim jako zjawisko społeczne i przeciwstawiam je tradycjonalistycznemu pojmowaniu książki, również w kategoriach metaforycznych – poddaję krytyce popularną maksymę: „ludzie są jak książki”.
    Źródło:
    Artes Humanae; 2017, 2
    2449-6340
    Pojawia się w:
    Artes Humanae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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