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    Wyświetlanie 1-2 z 2
    Tytuł:
    Angoisse(s) salacrienne(s). Réappropriation de motifs expressionnistes dans L’Archipel Lenoir et Histoire de rire d’Armand Salacrou
    Autorzy:
    Ziółkowski, Sebastian
    Powiązania:
    https://bibliotekanauki.pl/articles/2095816.pdf
    Data publikacji:
    2022-04-04
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Tematy:
    Salacrou
    Expressionist drama
    war of brains
    anxiety
    caricature
    drame expressionniste
    guerre des cerveaux
    angoisse
    Opis:
    This paper aims to highlight the exploitation of some expressionist motifs in two plays by the French playwright Armand Salacrou (1899-1989), L’Archipel Lenoir and Histoire de rire throughout the painting of a metaphysical anxiety. In those pieces we can see realisation of such expressionist concepts as the war of brains (bataille des cerveaux), irradiation of the author’s I which conditions an antinaturalistic and caricatured expression of anxiety in an axiologically misstructured world. We can also appreciate elaboration of the expressionist motif of psychological murder which is an illustration of empoisoned relations between man and woman who do seek to destruct and moulder each other.
    Źródło:
    Cahiers ERTA; 2022, 29; 152-175
    2300-4681
    Pojawia się w:
    Cahiers ERTA
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Morderca, nadzieja kobiet Oskara Kokoschki jako dramat preekspresjonistyczny
    Oskar Kokoschkas Murderer, the Hope of Women as a Pre-Expressionist Drama
    Autorzy:
    Janicka, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1954019.pdf
    Data publikacji:
    2004
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Oskar Kokoschka
    dramat ekspresjonistyczny
    expressionist drama
    Opis:
    The article reveals an expressionist character of one of Oskar Kokoschka's dramas – Murderer, the Hope of Women. This one-act play written in 1907 deals with the issue of the conflict of the sexes that is treated as a struggle full of aggression and selfishness. Its participants are the characters of Woman and Man treated in an abstract way. They are put in a space that is also abstract, limited by a few elements of scenery: the town walls, a tower, some stairs and the floor that is rising towards the town walls. The protagonists, devoid of any individual features, are accompanied by, respectively, a group of Girls and Warriors, often appearing as personifications of the protagonists' often contrary emotions, thoughts and desires. The abstract quality of these categories of the drama, but also of the time and place, as well as the bombast of the stage images and the didactic-moral significance of Murderer, the Hope of Women, reveal its connections with the morality play. At the same time the rule of the three dramatic unities that is maintained, limiting the number of protagonists to two, its structure and the tragic nature of the drama are a proof of its dependence on the ancient tragedy. In the content of the play there is a series of images brought to the stage as visions that are saturated by strong stage effects, such as: a murder, sexual acts, a fire, and many other light effects, difficult to achieve on the stage. The vision of a woman and a man's relations that is presented by the author is full of mutual desire, but also of the protagonists' selfishness and aggression. Both sides of the sex conflict want to be together, but this means at the same time destruction for them. In O. Kokoschka's opinion it is impossible to solve this problem. In the struggle between Woman and Man nobody can win; everybody loses. The features of Oskar Kokoschka's drama Murderer, the Hope of Women discussed above authorize us to call the text an expressionist one.
    Źródło:
    Roczniki Humanistyczne; 2004, 52, 1; 183-208
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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