Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "epic poetry" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 23
Tytuł:
Epic Poetry in 'The Literature of Ancient Greece'
Autorzy:
Komornicka, A. M.
Powiązania:
https://bibliotekanauki.pl/articles/702739.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EPIC POETRY
GREEK LITERATURE
Opis:
A team of Polish Classical scholars has written a comprehensive survey, in two volumes, from Homer to the VI century AD, entitled 'Literatura Grecji starozytnej' (The Literature of Ancient Greece) . The work was edited by Henryk Podbielski, fellow of the Catholic University of Lublin. The present text is a review of the first part of vol. I, devoted to epic poetry.
Źródło:
Meander; 2005, 60, 2; 239-247
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Sbigneis” Mikołaja Kotwicza ze Żnina, czyli niedokończone dzieło epickie o prymasie Zbigniewie Oleśnickim
„Sbigneis” by Mikołaj Kotwicz of Żnin: the unfinished epic on primate Zbigniew Oleśnicki
Autorzy:
Lewandowski, Ignacy
Powiązania:
https://bibliotekanauki.pl/articles/15998708.pdf
Data publikacji:
2022-12-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish-Latin literature
epic poetry
epic novel
dactylic hexameter
Opis:
Mikołaj Kotwicz of Żnin (c. 1440–1507) studied law at the Jagiellonian University and probably graduated in Bologna, where he earned a doctor’s degree. Having returned to his country, he was ordained a priest and found employment at the court of Zbigniew Oleśnicki, the Primate of Poland. In Renaissance Italy, where the works of ancient writers drew much scholarly interest, he acquired a wide knowledge of ancient history and literature, as well as mastered Latin and learned poetic art. His command of the latter is evident in his unfinished work “Sbigneis”. It was the only epic poem in medieval Poland, unfortunately made only as an exposition, with the narrative cutting off at the mid point of the hexameter. The poem, modeled on ancient epics such as Greek Iliad by Homer, Roman “Punica” by Silius Italicus, or “Pharsalia” by Lucan, was supposed to narrate a long-standing armed conflict between the related houses of Oleśnicki and Gruszczyński. The idea to embark on such an interesting social issue, albeit touched upon in an exposition only, attests to Kotwicz’s considerable talent and unusual poetic art. The conflict and the composition are clearly outlined; the Latin lan - guage and dactylic hexameter are impeccable. The style of the narrative and the rhetorical figures featured therein are well suited to the epic genre. Only an elaboration of the topic and the ending are missing. The talented author would probably have finished the poem if it had not been for the unfortunate external circumstance following the real-world death of the main character (Zbigniew Oleśnicki), a difficulty that Kotwicz was unable to surmount. Therefore, the epic muse Calliope did not spread her wings in the Polish Middle Ages, even though she was on the right way thanks to a poet from Żnin.
Źródło:
Studia Europaea Gnesnensia; 2022, 24; 95-113
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epitaphs in Nonnus' 'Dionysiaca'
Autorzy:
Lasek, A. M.
Powiązania:
https://bibliotekanauki.pl/articles/702911.pdf
Data publikacji:
2006
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EPIC POETRY
EPIGRAM
GREEK LITERATURE
NONNUS ('DIONYSIACA')
Opis:
Nonnus' great epic poem contains many epigrams that are presented as written on somebody's tomb or invented as an epitaph by a dying man, his killer, or another mythical personage. The epitaphs stand out of the poem and usually have most of the elements typical of their genre.
Źródło:
Meander; 2006, 61, 1-2; 56-65
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Was Calypso Able to Make Odysseus Immortal?
Czy Kalipso mogła uczynić Odyseusza nieśmiertelnym?
Autorzy:
Bartol, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/1046586.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek epic poetry
the Odyssey
Calypso
Odysseus
immortality
Opis:
The article, focusing primarily on the Odyssey 5. 135–6, offers a set of remarks designed to foreground the qualities that make the Calypso episode not only interesting as an example of how the epic poet exploits traditional themes and phrases, but exciting as a story of a man’s desire.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 2; 5-16
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O alegorii jako warunku arcydzielności epickiej
Allegory as a condition of epic excellence
Autorzy:
Czechowicz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2012733.pdf
Data publikacji:
2017-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
alegoria
poezja epicka
interpretacja alegoryczna
allegory
epic poetry
allegorical interpretation
Opis:
This article concerns the potential of figurative meaning in heroic poems as well as the links between epic mimesis and allegorical interpretation. It also deals with an early modern idea of a literary masterpiece and its standards. As an outstanding work, a poem should be attractive for both trained and less advanced readers, those who are capable to grasp intellectually each level of the text, and those who simply want to enjoy poetry as a source of pleasure and otium. The analysis of Alegoria del poema by Torquato Tasso and De perfecta poesi by Maciej Kazimierz Sarbiewski proves that in the early modern period the idea of figurative meaning of epic poems was still widely recognized. This multidimensional semantic structure, conceptualized by writers and critics, combines both didactic and the ‘pleasure-giving’ aspect of a poem as well as makes the epic plot a vivid actualization of moral beauty, and thus influences a reader in a long-lasting way typical of poetry and art. An allegorical interpretation, built over a structure of a heroic fable, unites the sensual beauty of things with an intellectual experience of the great order of the world. It also adds universal qualities to the mimesis of a poem and opens it up to a cognitive and ethical perspective. The process of intense reading, although described in academic terms in Renaissance and Baroque literary criticism, is initiated in a reader’s mind, as (s)he gets exposed to poetic beauty by the very nature of poesis perfecta.    
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 175-188
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epickie epicedium renesansowe w eposie Radivilias Jana Radwana
Renaissance Epic Epicedium in Radivilias by Jan Radwan
Autorzy:
Malinowska, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/2119716.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
neolatynistyka
epika
epicedium
Jan Radwan
Radivilias
Neo-Latin studies
epic poetry
Opis:
The study is concerned with the 4th book of an epic poem entitled: Radivilias sive de vita et rebus praeclarissime gestis immortalis memoriae illustrissimi principis Nicolai Radivili […] libri quattuor (Vilnius, 1592) by Jan Radwan. The book, which has a literary shape of epicedium, portrays in a panegyric manner Mikołaj Radziwiłł, the Red struggling against Ivan, the Terrible during the Livonian War. Radziwiłł appears as an ideal ruler and citizen, gifted military commander and a person respected for his bravery, moral strength and honour. His virtues are described according to both the ancient system of moral principles and Christian science of morals.
Źródło:
Roczniki Humanistyczne; 2011, 58-59, 3; 179-196
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mise en poeme: Epic (Auto)reflexivity and South Slavic Poetry in the Age of Romanticism
Autorzy:
Brajović, Tihomir
Powiązania:
https://bibliotekanauki.pl/articles/30148678.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
South Slavic Romanticism
epic poetry
(auto)reflexivity
intertextuality
integration story
mise en abyme
Opis:
This paper deals with the discursive phenomenon of reflexivity in the epic poetryof South Slavic romantic poets around the middle of the 19th century. Reflection is here understood as a kind of poetic self-formation procedure of romantic literary subject and his efforts to renovate epic mode in its original form. Starting with concept of “epic Romanticism”, in a way specific to South Slavic literatures, the author proceeds by distinguishing basic modes: explicit, implicit, and intertextual reflexivity. While the first two are related to typical romantic affectivity (D. Demeter, F. Prešeren) and/or rhetoric identification with oral folk rhapsodists’ tradition (P. P. Njegoš), the third one is marked with so-called “integration story” (I. Mažuranić), or mise en abyme, i.e. “the mirror in the text” effect as a medium of artistic auto-perspectivization and possible creative invention which leads to indications of the early pro-modern poetic procedures.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 47-73
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oświeceniowe rozważania o eposie. Dyskusja wokół Pułtawy i Jagiellonidy
The Age of Enlightenment’s considerations of epic poetry. A discussion of Pułtawa i Jagiellonida
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1389443.pdf
Data publikacji:
2016-03-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
polemics
Age of Enlightenment’s epos
dispute over epic poetry
Jagiellonida
Pułtawa
Classicism
Opis:
Literary polemics are a very characteristic phenomenon of eighteenth century culture. Some of the polemics refer to the essential problems of culture, while others, such as the analysed discussion on “Jagiellonida” and “Pułtawa”, are critical in nature. The reviewers criticise the two unsuccessful epics, however, they also touch upon the important issues concerning this genre. Who should be the protagonist in epic literature? How to combine realism with fantasy fiction? Which classical authors should be imitated? The answers to these questions are sought by the theoreticians of Enlightenment literature and the participants in this argument. A reconstruction and juxtaposition of their opinions are presented in this article.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 26; 89-107
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polska epika bohaterska przed i po „Gofredzie”
Polish heroic poetry before and after 'Jerusalem delivered'
Autorzy:
Krzywy, Roman
Powiązania:
https://bibliotekanauki.pl/articles/1036413.pdf
Data publikacji:
2020-12-20
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Old Polish epic poetry
heroic epic
historical epic
Jerusalem delivered
ottava rima
epika staropolska
epos bohaterski
epos historyczny
Jerozolima wyzwolona
oktawa
Opis:
The article is a review of the most important trends in the development of the Polish epic in the 16th and 17th centuries. In the absence of significant traditions of knightly works, the creation of Polish heroic poetry should be associated primarily with the humanistic movement, whose representatives set a heroic epic at the top of the hierarchy of genres and recognized 'Eneid' as its primary model. The postulate proposed first by the Renaissance and later by the Baroque authors did not lead to the creation of a ‘real’ epic in Poland. The translations of: the Virgil’s epic poem (1590) by Andrzej Kochanowski and Book 3 of 'The Iliad' by Jan Kochanowski can be regarded as the genre substitutes. These translations seem to test whether the young Polish poetic language is able to bear the burden of an epic matter. Then again, the works of Maciej Kazimierz Sarbiewski on the Latin 'Lechias' (the 1st half of the 17th century), which was to present the beginnings of the Polish state, were not completed. Polish Renaissance authors preferred themes from modern or even recent history, choosing 'Bellum civile' by Lucan as their general model but they did not refrain from typically heroic means in the presentation of the subject. This is evidenced by such poems as 'The Prussian War' (1516) by Joannis Vislicensis or 'Radivilias' (1592) by Jan Radwan. The Latin epic works were followed by the vernacular epic in the 17th century, when the historical epic poems by Samuel Twardowski and Wacław Potocki were created, as well as in the 18th century (the example of 'The Khotyn War' by Ignacy Krasicki). The publication of Torquato Tasso’s 'Jerusalem delivered' translation by Piotr Kochanowski in 1618 introduced to the Polish literature a third variant of an epic poem, which is a combination of a heroic poem and romance motives. The translation gained enormous recognition among literary audiences and was quickly included in the canon of imitated works, but not as a model of an epic, but mainly as a source of ideas and poetic phrases (it was used not only by epic poets). The exception here is the anonymous epos entitled 'The siege of Jasna Góra of Częstochowa', whose author spiced the historical action of the recent event with romance themes, an evident reference to the Tasso’s poem. The Polish translation of Tasso’s masterpiece also contributed to the popularity of the ottava rima, as an epic verse from the second half of the 17th century (previously the Polish alexandrine dominated as the equivalent of the ancient hexameter). This verse was used both in the historical and biblical epic poems, striving to face the rhythmic challenge.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2020, 20; 97-122
2081-1853
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Akritic Hero in Byzantine and Macedonian Epic Poetry
Autorzy:
Митевски [Mitevski], Витомир [Vitomir]
Powiązania:
https://bibliotekanauki.pl/articles/508726.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Macedonian traditional epic poetry
King Marko
Byzantine epic tradition
akritic hero
Digenes Akritas
comparative analysis
horseman
child-hero
dragon slaying
Opis:
The Akritic Hero in Byzantine and Macedonian Epic PoetryComparative analysis of the most prominent heroic characters of Byzantine (Armouris and Digenes) and Macedonian (King Marko) epic poetry uncovers numerous contact points that reveal the close relation between these two cultures over a longer period of time. By using the term “akritic hero” or border warrior in Byzantine and the term kraishnik in Macedonian epic poetry, the paper analyses the relation between these two representations of the same type of epic hero. Complex concordance is explored on several levels which illustrate several characteristic features of the Byzantine akritic heroes Digenes and King Marko in traditional Macedonian epic poetry. Both Digenes and Marko are lone horsemen roaming in restricted territory (Cappadocia andMacedonia), they fight as individuals with distinguished opponents and even with armies, and win the fights, slay the dragon in identical manner, there are occurrences of child-heroes in the songs and the institution of avunculate is particularly emphasised in the act of initiation etc. Unlike monolithic character of Homeric heroes, in Byzantine and Macedonian epic poetry both Digenes and Marko are significantly more complex and occasionally inconsistent characters which is due to their centuries-long shaping in territories where different cultural influences are interwoven. Bohater z pogranicza w bizantyjskiej i macedońskiej poezji epickiejAnaliza komparatystyczna najbardziej wyrazistych postaci w bizantyjskiej (Armuris i Digenis) i macedońskiej (Królewicz Marko) epice ujawnia szereg punktów wspólnych, co świadczy o bliskich kontaktach pomiędzy tymi dwiema kulturami w długim okresie czasu. Na przykładzie pojęcia akryty, to znaczy żołnierza z pogranicza [Cesarstwa Wschodniorzymskiego], który w macedońskiej epice jest nazywany pogranicznikiem i jest nośnikiem takiego samego znaczenia (jak termin akryta), w artykule analizowany jest wzajemny stosunek tych dwóch odmian tego samego typu bohatera epickiego. Kompleksowa analiza uwidacznia podobieństwo na wielu poziomach, przy czym akryta - pogranicznik Królewicz Marko w macedońskiej tradycyjnej poezji epickiej odznacza się szeregiem charakterystycznych cech właściwych akrycie. Tak oto, i Digenis, i Karólewicz Marko są samotnymi wojownikami, którzy poruszają się po ograniczonej przestrzeni (Kapadocja i Macedonia), stają samotnie do dwuboju z wybitnymi przeciwnikami, a nawet z całymi armiami i wychodzą z nich zwycięsko, w ten sam sposób pokonują żmija, w pieśniach o nich występują dzieci-junacy, przy czym w obydwu kontekstach (bizantyjskim i macedońskim) jest kładziony akcent na instytucję awunkulatu (avunculus), co ma szczególne znaczenie w kontekście aktu inicjacji, itd. W przeciwieństwie do monolitycznego charakteru bohaterów homeryckich, w bizantyjskim i macedońskim eposie, Digenis i Królewicz Marko są postaciami o wiele bardziej kompleksowymi i wewnętrznie sprzecznymi, co wynika z ich wielowiekowego poetyckiego kształtowania się na terenach, na których krzyżują się najróżnorodniejsze wpływy. Акритскиот херој во византиската и македонскатаепска поезијаСпоредбената анализа на најистакнатите херојски ликови на византиската (Армурис и Дигенис) и македонската (Марко Крале) епика открива низа допирни точки што сведочи за блискиот контакт меѓу овие две култури во тек на подолг временски период. На примерот на поимот за т. н. акритски херој т. е. воин одграничните предели кој во македонската епика го носи називот краишник со идентично значење, во текстот се истражува меѓусебниот однос на овие две пројави на еден ист тип епски херој. Комплексното соодветство се развива на повеќе нивоа при што краишникот Марко Крале во македонската традиционална епска поезија се истакнуива со низа типични „акритски“ обележја. Така, и Дигенис и Марко се осамени коњаници кои се движат на ограничен простор (Кападокија односно Македонија), стапуваат како единка во двобои со истакнати противници, па дури и со цели војски и од нив излегуваат како победници, на идентичен начин го погубуваат змејот, во песните за нив се јавуваат деца-јунаци при што и на двете страни акцент се става на институтцијата на авункулат што особено важи во чинот на иницијација итн. Наспроти монолитниот карактер на хомерските херои, во византискиот и македонскиот еп Дигенис и Марко се многу покомплексни и понекогаш противречни фигури што е резултат на нивното повеќевековно поетско обликување на простори каде што се преплетуваат најразлични влијанија.
Źródło:
Colloquia Humanistica; 2018, 7
2081-6774
2392-2419
Pojawia się w:
Colloquia Humanistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Combinations of Tense Forms in Serbian Folk Epic Poetry
Autorzy:
ĆARKIĆ, MILOSAV Ź.
Powiązania:
https://bibliotekanauki.pl/articles/957785.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Opolski
Tematy:
tense forms
Serbian folk epic poetry
the present
the perfect
the aorist
the imperfect
the future
Opis:
In this paper the author is dealing with combinations of tense forms in Serbian folk epic poetry and he statistically proves that the present tense is the predominant tense form in this kind of Serbian folk poetry. He is trying to discover the main reasons for such use of the present tense. As regards combinations of tense forms in Serbian folk epic poetry, they are rather free and depend, primarily, on the manner of presenting the epic content and on the length of the poem, but there is above all a certain regularity resulting in firm systems.
Źródło:
Stylistyka; 2007, 16
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Heroikomika w poematach dygresyjnych Juliusza Słowackiego
On mock heroism in “The voyage to the holy land from naples” by Juliusz Słowacki
Autorzy:
Dąbrowski, Roman
Powiązania:
https://bibliotekanauki.pl/articles/690213.pdf
Data publikacji:
2016
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Juliusz Słowacki
poemat heroikomiczny
poemat dygresyjny
epika
ironia romantyczna
mock heroic poem
digressive poem
epic poetry
romantic irony
Opis:
The starting point of the considerations which constitute the core of the article is the similarity between two genres: mock heroic poem and digressive poem. As mock heroic category is vital for the former, the question is whether it plays a part in the latter. The aim of this article is to scrutinise this issue on the basis of The voyage to the Holy Land from Naples by J. Słowacki. The focus is put on those fragments of the poem in which mock heroic category manifests itself clearly. The poet`s stance on the evoked conventional elements of epic tradition, such as invocation to Muse, introduction or Homeric simile, and their place in the poem is crucial. The presented analyses in the article lead to a conclusion that in a Romantic digressive poem, mock heroism functions as a subject of ironical poet`s play, who in this way demonstrates the power of his talent.
Źródło:
Prace Polonistyczne; 2016, LXXI; 57-67
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modelativni potencijal kletve u usmenoj epici
On the Modelative Potentials of the Curse in Oral Epics
Autorzy:
Detelić, Mirjana I.
Delić, Lidija D.
Powiązania:
https://bibliotekanauki.pl/articles/635986.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
oral epic poetry
functions of the curses
mother’s curse
mother’s milk
parent’s curse
girl’s curse
Opis:
This paper offers an analysis of (prevalently feminine) curses which come to being within the text of the epic songs. This specific form of cursing is particularly pointed in the curses by mother’s milk. Both in tradition and in the epics, these curses are equal to taboo, which means that nobody dares disobey them: such is the deep belief in their efficiency. Because there is no discrimination in the epics about who can or cannot make a curse (everybody can: narrator/singer, protagonists, antagonists, heroes and their foes, messengers, mothers, wives, godmothers, sisters, brothers, fairies, forests, etc.), focusing on the parental and lovers’ curse is necessary for the sake of congruence. This will  help in spotting the interactive patterns in the structure of epic songs more accurately. The analysis is done on the corpus of approximately 1500 epic songs described at the end of this paper.
Źródło:
Poznańskie Studia Slawistyczne; 2012, 3
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obrazy biczowania Chrystusa w wybranych mesjadach pasyjnych z XVII wieku
Autorzy:
Drożdżewicz, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2030354.pdf
Data publikacji:
2021-06-06
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Baroque
Polish epic poetry
Polish Passion literature
messiad
Polish religious poetry
Passion symbols
barok
epos polski
literatura pasyjna polska
mesjada
poezja religijna polska
symbolika pasyjna
Opis:
My paper addresses the ways of presenting the Passion of Christ in the 17th century Polish passion messiads. Concentrating on the images of the flagellation of Christ in the narrative poems of Kasper Miaskowski, Abraham Rożniatowski, Wacław Potocki and Wespazjan Kochowski, I analyze the relation of the motifs used by them to the exegetic, the mystic, and the apocryphal traditions. Respectful of their original context, my interpretation of the fragments is supported by a thorough analysis of their structure and use of rhetoric devices. My research allows me to conclude that in order to approach the mysteries of faith, the authors of the messiads used symbolic language as a living faith tradition.
Źródło:
Tematy i Konteksty; 2014, 9, 4; 356-379
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zaprzeczone przymiotniki i imiesłowy przymiotnikowe w poematach romantycznych
Negative adjectives and adjectival participles in romantic poems
Autorzy:
Stachurski, Edward
Powiązania:
https://bibliotekanauki.pl/articles/2172243.pdf
Data publikacji:
2021-12-29
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
negacja
leksemy zaprzeczone
statystyka leksykalna
epika romantyczna
funkcje semantyczne i stylistyczne zaprzeczeń
negation
negativewords
lexicalstatistics
romantic epic poetry
semantic and stylistic functions of negatives
Opis:
The article is a research attempt to show the participation of a group of negative adjectives and adjectival participles formed using prefixes nie- and bez- in 8 romantic poems representing the textual corps of Polish romantic poetry. The negatives with prefix nie- are nine times more numerous than negatives formed using prefix bez-. Almost each negative is in romantic poems less numerous than his not negative equivalent. The participation of negatives reach 1,45% of the vocabulary and 0,34% of the text of analyzed corps. From among 7 romantic poets C. Norwid uses negatives most willingly. Most frequently represented are negatives: niemy, nieruchomy, niewinny, nieznajomy and niezwykły. Negatives in romantic poems are used for semantic and stylistic purposes. Most often they serve the poets to specify the description of characters and things.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica; 2021, 16; 199-210
2083-1765
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 23

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies