Temat: ephemeral print - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: O języku publikacji Ruchu Społeczeństwa Alternatywnego („Homek” i druki ulotne)
About the Language of Publications by the Movement of Alternative Society (Homek and Ephemeral Prints)
Autorzy:: Kula, Agnieszka
Grzelka, Monika
Powiązania:: https://bibliotekanauki.pl/articles/1045411.pdf
Data publikacji:: 2014-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: magazines of the second circulation
manifesto
ephemeral print
sender
persuasiveness
evaluation
stylistic heterogeneity
Opis:: The text has been devoted to the analysis of the publications of the Movement of Alternative Society (Pol. Ruch Społeczeństwa Alternatywnego, RSA), a group gathering people with neo-anarchist views, originally jointly creating underground Solidarity movement, and later operating independently. The adopted research perspective—primarily pragmatic and stylistic—enabled scholars to distinguish and describe several features of the analysed magazines of the second circulation: the magazine Homek (at the beginning published as a biweekly, then as a monthly and finally published erratically) and ephemeral prints constituting an important tool of the Movement’s (RSA) operation.
Źródło:: Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2014, 21, 2; 25-39
1233-8672
2450-4939
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Co słychać w manifestach?
What Can Be Heard in Manifestos?
Autorzy:: Karpowicz, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/578848.pdf
Data publikacji:: 2019
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: ephemeral print, the language of the interwar avant-garde, discourse of the interwar period, voice, scream, Futurist manifesto
Opis:: The text proposes an experimental reading of the manifestos of the first Polish futurists in line with the “listening to literature” project (Andrzej Hejmej). I look for traces of the audiosphere associated with the human voice in the manifestos and ephemeral prints in which they were published in 1921. I try to reconstruct them using the recontextual method, by outlining the discursive field of the era in which they were created. Asking about the possibility of reconstructing the audiosphere on the basis of historical texts, I point to screaming and shouting as the main voice practices of the interwar period and I make a connection between them and the language of the press and politics as well as subversive communication strategies.
Źródło:: Zagadnienia Rodzajów Literackich; 2019, 62, 2; 31-47
0084-4446
Pojawia się w:: Zagadnienia Rodzajów Literackich
Dostawca treści:: Biblioteka Nauki

Artykuł

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