Temat: energeia - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Teoria partycypacji w myśli Grzegorza Palamasa
Autorzy:: Palusińska, Anna
Powiązania:: https://bibliotekanauki.pl/articles/1042148.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Grzegorz Palamas
hezychazm
partycypacj
energeia
hesychasm
participation
Gregory Palamas
Opis:: Gregory Palamas creates philosophical and theological synthesis, which originates from his own mystical experience of hesychasm. Palamas claims that man can participate in non created, eternal energeiai of God, which are the external activities ofGod’s uosia – essence. Palamas says that all things participate in God, and they are constituted by this participation, they do not, however, participate in His nature, but in Hisactivity. A man participates in God’s eternal activities and in this way can achieve moral and ontic perfectness.
Źródło:: Zeszyty Naukowe Centrum Badań im. Edyty Stein; 2016, 15; 155-166
1895-2984
Pojawia się w:: Zeszyty Naukowe Centrum Badań im. Edyty Stein
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Energeia, ingenium i Arystotelesowskie pojęcie ruchu
Energeia, ingenium and the Aristotelian Concept of Movement
Autorzy:: Niebelska-Rajca, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/1945403.pdf
Data publikacji:: 2008
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: energeia
ingenium
metafora
przedstawienie unaoczniające
żywość stylu
metaphor
representation
vividness of style
Opis:: The category of “energeia” was an essential concept of seventeenth-century aesthetics and poetics. It has its source in Aristotle’s philosophical and rhetorical writings. In his “Physics” and “Metaphysics” it is an elementary component of the conception of movement understood as a transition from potentiality to act, in opposition to the category of “dynamis” defined as act, action, and realisation of potentiality. In the Rhetoric and Poetics it becomes an element of the theory of metaphor, and means the vividness of style accomplished by means of the presentation of reality in motion and the presentation made visible (pro ommaton poiein). The formation of metaphor in Stagirite’s theory depends on poetic talent (eufuia) and mental acuity (aghinoia). In the sixteenth century, the Italian translators and commentators of Aristotle Lodovico Castelvetro and Alessandro Piccolomini combined the origin of metaphor with the action of the rapid and acute ingenium, and they defined “energeia” as the presentation of movement and action. The categories of movement and “energeia”, together with the creative “ingenium” related with movement, play a very essential role in the baroque theory of concept and metaphor. In the writings of the theorists of concepticism, Emanuel Tesaur and Baltasar Gracián, also Matteo Peregrini, the expression of movement, the concepts of energy and agility, also rapidity, swiftness, and acuity of “ingenium” are categories that determine the effectiveness of metaphor and of the process of persuasion. The baroque poetics of concept, especially in Tesaur’s version, draws on Aristotle’s theory, but he transforms and reinterprets it, adjusting the Aristotelian concept to new aesthetics.
Źródło:: Roczniki Humanistyczne; 2008, 56, 1; 131-151
0035-7707
Pojawia się w:: Roczniki Humanistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Rozróżnienie realne esse-essentia w metafizyce według Leonarda Polo
Real distinction esse–essentia in metaphysics according to Leonardo Polo
Autorzy:: Sołomiewicz, Adam
Powiązania:: https://bibliotekanauki.pl/articles/22676860.pdf
Data publikacji:: 2023
Wydawca:: Wyższe Seminarium Duchowne w Łodzi
Tematy:: essence
energeia
entelecheia
physical causes
act of existence
persistence
przyczyny fizyczne
istota
akt istnienia
persystencja
Opis:: In order to lead metaphysics out of the crisis, according to Leonard Polo it is necessary to recover for philosophy its greatest achievements and rethink its fundaments and correct possible aporias. These include Aristotle’s too narrow approach to the concept of potency (substances are in fact potential), or the adoption of too many acts of existence and essences in physical reality. According to Polo, the world has one act of existence and one essence, while the multiplicity of beings comes from the interaction of four physical causes: material, formal, causative and final. The unity of the order of these co-causes creates one essence, which corresponds to one act of existence of the world: persistence. The existence of the universe is the first principle of non-contradiction, while the first principle of identity is the Creator, from whom everything comes. The object of Leonardo Polo’s metaphysics is the act of existence of the physical world, whereas the created acts of spiritual existence (persons) are the object of transcendental anthropology, which stands above metaphysics.
Źródło:: Łódzkie Studia Teologiczne; 2023, 32, 1; 37-51
1231-1634
Pojawia się w:: Łódzkie Studia Teologiczne
Dostawca treści:: Biblioteka Nauki

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