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Wyświetlanie 1-2 z 2
Tytuł:
Przygoda estetyczno-mentalna w przekładzie
Aesthetic-mental adventure of Translation
Autorzy:
Tokarz, Bożena
Powiązania:
https://bibliotekanauki.pl/articles/487214.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
translation
adventure
empathy
intercultural communication
creativity of the interpreter — Tone Pretnar
prevod
dogodivščina
empatija
medkulturna komunikacija
kreativnost prevajalca — Tone Pretnar
Opis:
Prevajalec in prevod sta pogosto označena metaforično (npr. prevajalec kot izdajalec, kanibal, kuhar, prevod kot uvoz avtorja in izvoz bralca, prevajanje kot širjenje obzorij ipd.), k tem oznakam želim dodati še eno: prevajanje kot dogodivščina prevajalca in bralca, prinaša jima zadovoljstvo, zadoščenje, razočaranje in muke. Prevajamo predvsem zaradi antropološke in obenem tudi sporazumevalne vloge prevoda. dogodivščina ni vezana le na potovanja, čeprav se ob pripravah na pot pogosto pripravimo tudi na nenavadna doživetja. od samega potovanja se razlikuje glede na racionalna, pragmatična, emocionalna in fizična pričakovanja. na pojem pričakovanje se vežejo lastnosti: šibke točke posameznika, ambicije, želja po sporazumevanju, spoznavanju in doživetju nečesa dotlej nepoznanega ter interakcija med njimi v obliki presenečenja, očaranosti in celo šokiranosti. V vsakem tipu prevoda je vsaj eden od elementov pomensko-predstavnega polja pojma »dogodivščina«. zaradi tega se posploševanje pravil (zlasti pri umetniškem prevodu) nenehno srečuje s težavami, tako kot udeležba na tečaju ustvarjalnega pisanja ne naredi iz vsakega udeleženca pesnika, pisatelja ali dramatika. zmeraj je zraven tisto, čemur rečemo nadarjenost in empatija.
The translator and translation are often referred to by means of metaphors (e.g. translator traitor, cannibal, cook, translation is the author’s import and the reader’s export, translation is a fusion of horizons, etc.), to which i will add another one: translation is an adventure for the translator and the reader, bringing joy, satisfaction, disappointment and suffering. We translate predominantly because of the anthropological, and thus the communicative, aspect of translation. adventure does not only mean a journey, although taking to the road, we very often expect extraordinary experiences. it is distinguished from the road by means of a desire of rational, pragmatic, emotional and physical nature. The paradigm of desire is defined by: individual weaknesses, ambition, desire for communication, knowledge and experience of something so far unknown and the interaction between them in the form of surprise, dazzlement, and even shock. all types of translation include at least one of the elements of the semantic-imagery field of the phenomenon and the word adventure. This results in that the normalization of rules (especially in the case of artistic translation) often meets with difficulties, just as not every participant of creative writing course is turned into a poet, writer or dramatist. There remains the ‘something’, which is called talent and empathy.
Źródło:
Przekłady Literatur Słowiańskich; 2018, 9, 1; 17-36
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Školska lektira i kulturno pamćenje... Sadržaji nacionalne kulture u nastavnim programima za srpski jezik na mlađem osnovnoškolskom uzrastu
Compulsory Reading Lists and Cultural Memory. National Culture Content in the Serbian Language Curricula for the Lower Primary School Grades
Autorzy:
Janićijević,, Valerija
Mitrović, Milena
Powiązania:
https://bibliotekanauki.pl/articles/1627340.pdf
Data publikacji:
2020-12-29
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Serbian culture
early primary school teaching
curriculum
Serbian Language teaching
literary text
literature and culture
cultural and national identity
empathy
srpska kultura
razredna nastava
nastavni program
nastava srpskog jezika
književni tekst
književnost i kultura
istorija
kulturni i nacionalni identitet
empatija
Opis:
Maternji jezik nije samo jezik komunikacije, već i čuvar tradicije i kulture. U njemu su sačuvane sve prethodne jezičke epohe i ukupno kulturno pamćenje jednog naroda. Tako je i školski predmet Srpski jezik važan za izgrađivanje kulturnog i nacionalnog identiteta učenika i najvažniji predmet u osnovnoškolskom obrazovanju. Neophodno je da se posebna pažnja u organizaciji, planiranju i izvođenju nastave poklanja svim onim elementima nacionalne kulture koji su ugrađeni u jezik i, posebno, u književna dela. Tek tako književnost može u potpunosti da vrši svoju obrazovnu, jezičku, estetsku u identitetsku ulogu. Zato se u ovom radu razmatraju sadržaji srpske kulture u nastavnim programima za mlađe razrede osnovne škole. Polazeći od novih programa za prva četiri razred osnovne škole tumačeni su zadaci, ishodi, uputstva i propisani sadržaji u koje su ugrađeni različiti slojevi srpske kulture. Cilj istraživanja jeste da se sagleda prisustvo, rad i stvaralačko delovanje kulture u jeziku i propisanim književnim tekstovima. Tumačena su dela koja potiču iz narodne i savremene književnosti i pripadaju različitim žanrovima (epske narodne pesme, pripovetke, savremena poezija za decu). Zaključuje se da postoje napomene, usmerenja i brojni konkretni sadržaji koji u prvom ciklusu školovanja skreću pažnju na raznolikost i bogatstvo uverenja, ideja, obrazaca ponašanja i duhovnih tvorevina koje pripadaju srpskoj (nacionalnoj) kulturi.
Mother tongue is not only the language of communication, but also the guardian of tradition and culture. It preserves all earlier linguistic periods and an overall cultural memory of a nation. For this reason, the school subject of the Serbian Language is important for building students’ national identity and it is indeed the most important school subject in primary education. In the processes of organizing, planning, and teaching, a due attention must be given to the elements of national culture that are built in the language and, specifically, in literary works. It is only in this way that literature can fully perform its linguistic, aesthetic, and identity role. This paper looks at the Serbian culture content in the early primary school curricula. Taking the new curricula for the first four grades of primary school as a starting point, the authors analyse the objectives, outcomes, instructions, and the prescribed content in which different layers of Serbian culture are incorporated. The goal of the research is to examine the representation, effects, and a creative impact of culture in the Serbian Language and the literary texts included in the compulsory reading lists. The paper analyses the works belonging to national and contemporary literature, as well as to different genres (epic national poetry, short stories, and contemporary children’s literature). Our conclusion is that the examined material contains the notes, guidelines, and many contents that in the first cycle of primary education draw attention to the diversity and richness of beliefs, ideas, behavioural patterns, and spiritual heritage of Serbian (national) culture.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Litterarum Polonarum et Linguae Polonae Pertinentia; 2020, 11, 315; 141-152
2082-0909
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Litterarum Polonarum et Linguae Polonae Pertinentia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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