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    Wyświetlanie 1-8 z 8
    Tytuł:
    Sylwetki kobiet w zbiorku Parentalia Decimusa Magnusa Auzoniusza
    Female Characters in the Collection Parentalia by Decimus Magnus Ausonius
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/2119709.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Auzoniusz
    Parentalia
    Galo-Rzymianie
    poezja żałobna
    kobieta
    dziewictwo
    rodzina
    Ausonius
    Gallo-Romans
    elegiac poetry
    female
    virginity
    family
    Opis:
    Parentalia is a collection by Ausonius made of 30 works dedicated to 33 of his deceased relations. 15 out of 33 were Gallo-Roman women, living somewhere between the mid-3rd and the late 4th century. In a way similar to other Antique authors of mourning laments and elegies, the poet praises the admirable conduct, modesty, commitment to duties, loyalty and readiness for conciliation with their spouses as well as their care for children and grandchildren. What Ausonius values most in these women is their ability to find the middle ground for joyfulness and solemnity, kind-heartedness with dignity, or – in general – the ability to find the golden means of human disposition. He also speaks with respect and appreciation about those women who willingly  stayed in virginity until death. He utters his warm and subtle words about those who died young. However, the most emotional poem in the collection is dedicated to his young deceased wife Sabina. The poems are individual portraits of mothers, wives, virgins – both elderly ladies and maidens who passed away young. Of all the women he speaks with nothing but immeasurable respect.
    Źródło:
    Roczniki Humanistyczne; 2011, 58-59, 3; 133-150
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Strata, tęsknota, ciekawość
    Loss, yearning and curiosity
    Autorzy:
    Sośnicki, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1534467.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    elegiac mood
    poetry and philosophy
    relations between poetry and painting
    cubism
    Miron Białoszewski.
    Opis:
    In his piece, the author of the article ponders on the experience of loss in human life. It is this particular experience, as well as the accompanying longing, that form the basic components of an elegiac attitude. However, in its broader sense, loss becomes one of the most universal experiences in literature and the arts of the twentieth century. After all, they shared the conviction that reality, no matter how looked upon, was never fully accessible to us and that man always played a losing game with it. Contrary to outward appearances, the above also applies to the creators of avant-garde movements. An analysis of the poem Do NN***, written by Miron Białoszewski, carried out first within the context of elegy and then with reference to the techniques and the program of cubism, makes us aware that Białoszewski somehow evades both elegiac mood and the avant-garde principles such as they are underlined in its program. The driving force for his writing is then curiosity. And it is curiosity, and just curiosity, independent and one that cannot be reduced to just the desire to know, that forms the only real alternative that, in a way, always remains metaphysical.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 213-221
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trzy zwiędłe liście, trzy smutne wiersze (Garczyński, Lenartowicz, Asnyk)
    Three withered leaves, three sad poems (Garczyński, Lenartowicz, Asnyk)
    Autorzy:
    Hamerski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/1534688.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Victor Hugo
    elegiac mood
    lyric poetry
    conceptions of poetry
    Romanticism
    literary tradition
    Friedrich Schiller
    Friedrich Schlegel
    Opis:
    This text provides an interpretation of three poems, written by nineteenth century poets, that share a common theme of Autumn, with a particular attention given to the motif of a withered leaf. The author is interested how the poems in question match the elegiac convention of autumn lyric poetry and, at the same time, how each in its own way tries to overcome this convention. In Odpowiedź na list written by Stefan Garczyński, the acceptance of passing is concurrently met with defiance, expressed in a language of paradoxical metaphor. Teofil Lenartowicz in his Liście zwiędłe breaches the formal elegiac tone with the application of underlying vitalistic overtones included in the poem. Adam Asnyk’s Zwiędły listek, through a superposition of metonymies, achieves the effect of multilayered mediation and erasure of the trace of experience. The reading and understanding of the three poems, composed in Romanticism and post-Romanticism periods, make it possible to observe, fragmentarily of course, the multiplicity of different poetic attitudes that accompany the process of re-enchantment of the world.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 125-145
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Moment elegijny” Victora Hugo
    Victor Hugo’s elegiac moment
    Autorzy:
    Siwiec, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1534724.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Victor Hugo
    elegiac mood
    lyric poetry
    conceptions of poetry
    Romanticism
    literary tradition
    Friedrich Schiller
    Friedrich Schlegel
    Opis:
    This article attempts to define the place of elegiac modality in the literary output of Victor Hugo. The starting point for the discussion and at the same time appropriate interpretative tool is the definition of elegy derived from the writings of German theoreticians of Romanticism: Friedrich Schiller and Friedrich Schlegel. The thing is question is the elegiac attitude based on exposing of what is ideal and lost at the same time. The above, indeed, constitutes an answer to the questions of the experience of crisis so inherent to Romanticism. Analyses of the early poetical volumes written by the author show a particular evolution of Hugo’s conception of poetry. Politically committed The Odes, being anti-elegiac by assumption, are discussed, as well as purely poetical Eastern poems overtly promoting limitless freedom which characterizes the creative imagination. The interpretation of individual poems from these volumes proves, however, that one can discern a certain elegiac tone in them, though the tone is never dominant. The volume that distinctively enhances the elegy (thus far discredited by Hugo and from then on permanently occurring in his works) turns out to be Autumn Leaves — a collection of poems of contemplative, melancholic, visionary and self-reflective character.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 103-123
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Locus horribilis pod zamkniętymi drzwiami. Trzy paralaktyczna Janusa Secundusa (el. I 5, II 5, III 1) wobec tradycji klasycznej
    Locus horribilis behind the closed door. Three paraclausithyra by Johannes Secundus (el. I 5, II 5, III 1) in the light of classical traditio
    Autorzy:
    Urban-Godziek, Grażyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2013687.pdf
    Data publikacji:
    2014-06-02
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    paraklausithyron
    elegia miłosna
    Johannes Secundus
    poezja nowołacińska
    eschatologia elegijna
    love elegy
    Neo-Latin poetry
    elegiac eschatology
    Opis:
    The article presents an elegiac motif of paraclausithyron (a song sung behind the closed door) in the poetical output of a Dutch Latinist, Johannes Secundus (1511−1536). The night vigil behind the closed door experienced by a rejected poet-lover who tries in vain to gain his beloved’s favour and access to her alcove is compared by the Roman elegiacs(Prop. II 17, Tib. I3) to the infernal torments of the mythical heroes: Tantalus, Ixion, Sisyphus and Tytios. Being very close to their goal, yet unable to get the object of their desire, they suffer a great anxiety. This kind of metaphor, taken probably from Lucretius, finds its continuation evenlater (Paulus Silentiarius), and is developed in the Renaissance poetry. Two scandalous paraclausithyra (el.II 5andIII 1) by Secundus –not yet analysed in the light of this convention − seem to be the settlement with ancient masters, who were proudly announcing that each girl could be conquered with their poems (Prop. III 2; Ovid.Am. II 1). At the same time, it is an ironic reinterpretation of Secundus’s own triumphalism, and of his previous belief in the power of his own poetry − the poetry which is actually more important than its subject matter − love. However, behind the closed door and in confrontation with the rival’s money, the song loses its supernatural power and the hurt feeling brings hellish torments to the poet. In the elegiac paraclausithyra the threshold of an inaccessible house defines the lover’s locus horribilis. Stayingin such an inferno brings the desire of revenge and the will to expose the guilty ones to eternal torment. This initiates an eschatological perspective (inscribed in the represented elegiac world), where true lovers receive the Elysian award, while their traitors and rivals − eternal punishment (Tib. I 3; Prop. IV 7, and others Renaissance elegiacs).
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 17-33
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Matki odchodzą — wariacje 2009
    Mothers depart. Variations 2009
    Autorzy:
    Czyżak, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1534656.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poetry
    elegiac mood
    old age motif
    mother
    mother-son relationship
    Polish poetry
    contemporary poetry
    Tadeusz Różewicz
    Piotr Sommer
    Jan Polkowski
    Eugeniusz Tkaczyszyn-Dycki
    Opis:
    This article proposes some considerations on a particular variation of the elegiac mood represented by and manifested in lyrical farewells of departing mothers. A review of the variants commences with an analysis of a particularly important work by Tadeusz Różewicz written at the beginning of this century — Matka odchodzi. The book was, at the time, a particular reference point for the following poetic volumes in which the theme of the death of the poet’s mother was paramount and significant. The article also focuses on volumes of poems, written by poets that belonged to different generations but shared the same date of publication, i.e. the year 2009. Both clear similarities and marked differences in the actual commitment in carrying out the theme and in creating the profiles of mothers that have passed away are to be found in the works of Piotr Sommer (Dni i noce), Jan Polkowski (Cantus) and Eugeniusz Tkaczyszyn-Dycki (Piosenka o zależnościach i uzależnieniach).
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 163-174
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Elegijne dykcje Aleksandra Wata
    Aleksander Wat’s elegiac diction
    Autorzy:
    Pietrych, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1534672.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    elegiac mood
    twentieth-century Polish poetry
    literature and Communism
    the topos of the old poet
    Aleksander Wat
    Opis:
    The present article tries to show and characterize Aleksander Wat’s poetic diction included in the pool of the kinds of the literary elegiac mood and mournful strains used by the writer. Wat does not employ just one language that would offer the power of expressing oneself and convey one’s own existential experience — he speaks with varied elegiac voices: be it full of sadness, melancholy and despair, be it filled with irony and sarcasm. In fact, the elegiac tone in its traditional variation is to be found only in one war poem, whereas all his post-war poetic volumes bring a rich polyphony of varied elegiac voices. Wat’s late poetic writings is underlined by a necessity to renew what has already happened, to repeat the existing pattern of expressing oneself, and thus forms a particular elegiac intertextuality. In this way, such rhetorical dimension of the word is revealed that challenges the feasibility of getting the content through in a straightforward manner. The awareness of repetition, however, does not restrict the author to silence — just the opposite, it makes him aware of a necessity to draw from codes lodged in tradition and thus to create a collage-like diction of his own.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 147-162
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Jeszcze tutaj jesteś, Jeszcze z tobą mówię”. O wierszach żałobnych Marii Kureckiej“
    You are still here, I am still talking to you”: Poems of grief and mourning by Maria Kurecka
    Autorzy:
    Strzeżek, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/2172231.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    poetry of grief and mourning
    the elegiac tradition
    Witold Wirpsza (1918–1985)
    Maria Kurecka (1920–1989)
    Maria Kurecka
    poezja żałobna
    trauma
    tradycja literacka
    archiwum
    Opis:
    This article examines a cycle of poems by Maria Kurecka, the acclaimed writer and translator, in which she mourns the loss of her husband, Witold Wirpsza, who died in 1985. Held by the archives of the Pomeranian Library in Szczecin, these unpublished poems were written in the final years of her life. In this article they are positioned and read against the background of Polish funerary poetry and its traditions. Apart from having single poems published in literary magazines, Maria Kurecka produced just one volume of poetry, Trzydzieści wierszy (Thirty Poems, 1987). In fact, though, there may be quite a lot of poems that she chose to keep private. Remembered as an outstanding translator of German literature, Maria Kurecka the poet is virtually unknown. It is hoped that by drawing attention to her poetic work this article will contribute to a better appreciation of her achievement.
    Źródło:
    Ruch Literacki; 2022, 1; 95-114
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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