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Tytuł:
Hausväterliteratur in the Education and Spirituality of a Nobleman in the Early Modern Era
Autorzy:
Rychnová, Lucie
Akimjaková, Beáta
Judák, Viliam
Hlad, Ľubomír
Ďatelinka, Anton
Powiązania:
https://bibliotekanauki.pl/articles/18653952.pdf
Data publikacji:
2022-09-27
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Hausväterliteratur
Early Modern Era
spirituality
morality
Early Modern Literature
Opis:
Aim. The aim of this study is to discuss how important the so-called Hausväterliteratur genre was in the education and spirituality of (not only) aristocrats in the Early Modern Era. Concept. This article will introduce the Hausväterliteratur as a literary genre that strongly influenced the spirituality and morality of its readers –householders, administrators of property, and their wives. Methods. The method applied was text analysis. The social history method based on research of the primary sources was also employed. Results. The study confirms that the treatises of the so-called Hausväterliteratur genre, kept in high numbers in European libraries in the Early Modern Age, carry a certain type of spirituality which calls for “true Christian life” following what was often a Protestant pattern (exhortation for frequent reading of the Bible). Conclusion. Most of these books outline an ideal of the Christian life, characterised by the establishment of an order within the “household”, or “house”, i.e., the family in the broader sense, including both the manor owner and those closest to him as well as all his subjects and servants.
Źródło:
Journal of Education Culture and Society; 2022, 13, 2; 503-514
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interpretacje po końcu świata
Interpretations after the end of the world
Autorzy:
Śnieżko, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/1041771.pdf
Data publikacji:
2017-09-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
medieval and early modern literature
methodology of literary studies
interpretation
empathy
affect
poetology of insight
Opis:
The topic of the article is an analysis of the positions of today’s interpretations of the old Polish literature. Firstly, the position of the interpreter was examinated in the context of the methodological map of medieval, Renaisssance and Baroque studies in Poland. Secondly, it is about the chronological location of the interpreter, generally beyond the horizon of medieval and early modern authors’ expectations toward future readers, that was limited by the eschatological perspective (near the end of the world). The issues of empathic references and affective reactions have also been raised, which are considered here as a stimulating experience of “recognizing continuity” between the ancient and present epochs. At last, the article presents the justification for the interpretative practice that could be called “the poetology of insight” – in reference to the remarks by Roland Barthes and Hans Ulrich Gumbrecht.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 169-183
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transmedialne losy wybranych fragmentów XVI- i XVII-wiecznej poezji i prozy Johna Donne’a jako ilustracja społecznej użyteczności śmiechu
Transmedial Exploitation of Selected Passages of John Donne’s 16th- and 17th-century Poetry and Prose as an Illustration of the Social Usefulness of Laughter
Autorzy:
Gładkowska, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/444923.pdf
Data publikacji:
2020-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
early modern literature
John Donne
transmedia and humour
social function of laughter
philosophical message and comic relief
Opis:
This article indicates the specific manner in which early modern literature is exploited in contemporary media. It focuses on the interaction involving the trans-position of philosophical texts to the domain of laughter embedded in the everyday life of the modern recipient. Selected passages of John Donne’s (1572-1631) prose and poetry serve to illustrate how an old literary work encourages new creativity, how it transcends the boundaries set by a given epoch, culture and form, to undergo a specific thematic and structural transformation. What seems particularly interesting in this process is the conversion of philosophical sadness into a useful joke incorporated in, inter alia, the transition from meditation to motivation, from inspiration to action. In other words, this article examines laughter provoked at the interface between a profound philo-sophical message and popular entertainment which combines images and words and activates the intellect as well as the senses and emotions. Such foundations give rise to a transmedia message being socially functional – not only as comic relief, but also as a didactic tool for shaping attitudes.
Źródło:
Acta Neophilologica; 2020, XXII/1; 113-126
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historia o Magielonie, królewnie neapolitańskiej. Pytanie o podstawę polskiego przekładu
“The Story of Magielona, Princess of Naples”: The Question of the Basis of the Polish Translation
Autorzy:
Wierzbicka-Trwoga, Krystyna
Winiarska-Górska, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/14769789.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Magielona/Maguelonne/Magelona
Warbeck
Polish translation
Czech translation
text segmentation
early modern literature
przekład polski
przekład czeski
segmentacja tekstu
literatura wczesnonowożytna
Opis:
Artykuł dąży do ustalenia podstawy polskiego przekładu starofrancuskiego romansu o „pięknej Magielonie”. Polska wersja została przełożona w wieku XVI, lecz nie z francuskiego, tylko za pośrednictwem wersji niemieckiej lub czeskiej. Dotychczas brak było badań, które pozwoliłyby określić podstawę polskiego tłumaczenia, przekazanego w kilku wydaniach siedemnastowiecznych. Analiza przedstawiona w niniejszej rozprawie dotyczy delimitacji tekstu, czyli podziału treści na rozdziały w polskich drukach w porównaniu do niemieckich wydań z XVI wieku oraz do wersji czeskiej (poświadczonej dopiero z wieku XVIII), jak również porównania inicjalnych zdań rozdziałów. Pozwala sformułować wniosek, że polski przekład powstał najprawdopodobniej z wersji niemieckiej, z wydania zawierającego pierwotną segmentację tekstu niemieckiego, który w drugiej połowie XVI wieku wydawany był w redakcji wtórnej z drobniejszą segmentacją tekstu.
The paper seeks to establish the basis of the Polish translation of the Old French romance about the “beautiful Magielona.” The Polish version was translated in the sixteeth century, though not from the French, but via a German or Czech version. Until now, there were no studies on the base text of the Polish translation, transmitted in several seventeenth-century editions. The analysis presented in our paper concerns the delimitation of the text, i.e. the division of content into chapters in the Polish prints in comparison to the German editions of the sixteenth century and to the Czech version (transmitted from the eighteenth century), as well as the comparison of the opening sentences of the chapters. It allows for the conclusion that the Polish translation arose most probably from the German version, from an edition containing the primary segmentation of the German text, which in the second half of the sixteenth century was published in a secondary edition with a finer segmentation of the text.
Źródło:
Porównania; 2023, 33, 1; 403-422
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Romantic nationalist paradigm overcome: the study of the early modern Czech language and Bohemian literature
Autorzy:
Timofejev, Dmitrij
Powiązania:
https://bibliotekanauki.pl/articles/28408629.pdf
Data publikacji:
2022-09-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Early Modern Czech language
Early Modern Czech literature
Early Modern manuscripts
Czech national revival
The Society of Jesus
Maria Theresa
Joseph II
Opis:
The paper presents the latest trends in studying the eighteenth-century written culture of the Czech lands and covers research on the history of the Czech language and Bohemian literature, its modern challenges, and prospects. The history of written culture in the eighteenth-century Czech lands is divided into two main periods. The first period dated to the beginning of the century and lasted until the early 1770s; during this time, the leading cultural institutions, especially schools and publishing houses, were owned or sponsored by Catholic orders, most notably the Jesuits. The second period commences in the mid-1770s, when, after the reforms of Maria Theresa and Joseph II, the Habsburg state established its cultural hegemony. Many nineteenth- and twentieth-century philologists stigmatised the earlier period as an era of „downfall” unworthy of interest but praised the last quarter of the eighteenth century as the formative years of the Czech National Revival. However, the latest research in this area proves this point of view to be distorted and, in some ways, mistaken. The paper gives a brief overview of the older approach to studying the eighteenth-century Bohemian written culture and points out its disadvantages. The central part of the paper introduces concepts developed by contemporary scholars that might also be applied to linguistic and literary studies in other Central European countries.
Źródło:
Wiek Oświecenia; 2022, 38; 70-98
0137-6942
Pojawia się w:
Wiek Oświecenia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Animal Transformation in Early Modern English Witchcraft Pamphlets
Autorzy:
Rutkowski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/973947.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
animal metamorphosis,
witch-hunts,
early modern European culture, British literature
Opis:
Animal metamorphosis was a traditional component of witchcraft beliefs during the European early modern witch-hunts, during which it was taken for granted that witches could and did turn into animals regularly in order to easier do evil. It must be noted, however, that the witch-turned-animal motif was much less common in England, where witches did possess the shape-shifting abilities but relatively rarely used them. A likely reason for the difference, explored in the present paper, was the specifically English belief that most witches were accompanied and served by familiar spirits, petty demons that customarily assumed the shape of animals. It seems that the ubiquity of such demonic shape-shifters effectively satisfied the demand for magical transformations in the English witchcraft lore.
Źródło:
Anglica. An International Journal of English Studies; 2019, 28/1; 21-34
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sanctissimum, zmysły i retoryka. Wierszowany cykl z końca XVII wieku o tajemnicy Eucharystii autorstwa studentów kolegium jezuickiego w Orszy
Autorzy:
Krzywy, Roman
Sieradzka, Aldona
Powiązania:
https://bibliotekanauki.pl/articles/2030433.pdf
Data publikacji:
2021-06-06
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
early modern polish literature
Jesuit poetry
Eucharistic mystery
senses
literatura staropolska
poezja jezuicka
tajemnica Eucharystii
zmysły
Opis:
  The article is concerned with the handwritten cycle of poems "Głosy piąci zmysłów" [“Speeches of Five Senses”], that comes from the 2nd half of the 17th century. The text is part of a codex containing other rhetorical exercises by students of the Jesuit college in Orsza (Belarus). "Głosy piąci zmysłów" develop the issue of the Eucharistic mystery – voices of the five senses try to explore this problem and the Mind is their leader. But it turns out that four senses – eyesight, taste, the senses of touch and of smell – have failed. Only hearing can prove that the truth about this sacrament was revealed in the words of Christ and the saints. The hardest task is to believe them.
Źródło:
Tematy i Konteksty; 2014, 9, 4; 250-267
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Plugawe i orgiastyczne święto miłości? Sobótka w ujęciu Jana Kochanowskiego
A Filthy and Orgiastic Celebration of Love? Sobótka as Perceived by Jan Kochanowski
Autorzy:
Maciejewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2234001.pdf
Data publikacji:
2022-12-29
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Sobótka
Kupala Night
bonfire
Saint John’s Eve
mugwort
Jan Kochanowski
The Midsummer Song about Sobótka
Early Modern Polish literature
Opis:
Noc świętojańska (Midsummer night) is associated with the very distant times when the sun and water were worshipped. At that time the Slavs paid special attention to astronomical phenomena resulting from the Earth’s rotation around the Sun. The time of the summer solstice appeared to be a time of great celebration, as evidenced by the wide range of nomenclature defining the entirety of these rites: Kupalnocka, Kupala, noc swietojanska or Sobótka. It is also very likely that this celebration has become a Christian equivalent of the pre-existing cult of a pagan deity, as evidenced by, for example, numerous Midsummer rites: clapping, playing, singing, dancing, jumping around the fire, girding oneself with mugwort. Performing night dances, singing and pairing up became the basis not only for accusations by preachers that pagan idols were being glorified, but it even began to arouse anxiety among moralists, who considered the above-mentioned acts debauched. Although Catholics and Protestants tried to combat the customs related to the Sobótka, Jan Kochanowski decided to maintain these folk traditions.
Źródło:
Academic Journal of Modern Philology; 2022, Special Issue, 17; 85-100
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
In Defense of Futile Effort – Joanna Rapacka and the Study of Croatian Literary History
Obrona wysiłków daremnych – Joanna Rapacka i badania historii literatury chorwackiej
Autorzy:
Bogdan, Tomislav
Powiązania:
https://bibliotekanauki.pl/articles/635889.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Joanna Rapacka
early modern Croatian literature
reconstruction of historical poetics
research of sources
deconstruction of national myths
critique of national essentialism
Opis:
The article analyses two methods from the scholarly oeuvre of a great Polish Croatian and Slavic studies scholar Joanna Rapacka (1939–2000). These two methods are very interesting and in a particular manner topical, especially in Croatian philology: due to a reconstruction of historical poetics and research of sources, and because of a deconstruction of national myths and national essentialism in literary historiography. These two approaches are closely linked in an attempt to understand an older, pre-modern literary culture in its original, epochal context.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Czarna legenda” Niccolò Machiavellego w polskiej poezji XVII wieku (na wybranych przykładach)
Bad Opinion about Niccolò Machiavelli in Polish Poetry of the 17th Century (Based on Selected Examples)
Autorzy:
Maciejewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/27321539.pdf
Data publikacji:
2023-12-15
Wydawca:
Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
Tematy:
Niccolò Machiavelli
bad opinion
Polish poetry
Wespazjan Kochowski
Wacław Potocki
Stanisław Orzelski
early modern Polish literature
czarna legenda
poezja polska
literatura staropolska
Opis:
The subject matter of my research is the black legend of Niccolò Machiavelli in Polish baroque poetry. This legend spread in the 17th-century Commonwealth on such a large scale that the name of this secretary of the Florentine republicbegan to be used to describe even kings or pretenders to the throne who were political opponents. For this reason, I described in this scientific article the literary works of poets such as Wacław Potocki, Wespazjan Kochowski and Stanisław Orzelski. The second of these authors acted in a similar way in The Stone of Testimony of the Innocence of the Great Senator in the Polish Crown, comparing the actions of the royal court to an infernal council, in which such characters as Machiavelli, Richelieu and Mazarini take part. In my scientific article, I will emphasize that this Polish Baroque poet also showed the secretary of the Florentine republic in his other literary works as a perverse and demonic person. I will also note that Wacław Potocki in his work negatively refers to those people who defame John III Sobieski in lampoons and accuse him of using “Machiavellian arts”. I will not ignore Stanisław Orzelski’s Macaronica carmina Marfordii Mądzikovii poetae approbatihere.
Źródło:
Academic Journal of Modern Philology; 2023, 19; 233-244
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nieobecna „książka białogłowskiego konceptu”. Kobiety, kanon i badania literatury dawnej
Autorzy:
Staniszewski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/636505.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Early Modern women’s literature, literacy of women in 17th century, canon and canon formation, methodology of literary history, teaching literary history, Anna Stanisławska
Opis:
The absent book “penned by one of the fairer sex”. Women, canon and the studies of early modern Polish literatureThe main goal of the paper is to focus on the image of the past suggested by the present state of the studies of early modern Polish literature and to propose a new and more inclusive approach to it. Using the debate on Western canon and its formation as well as the specific example of A Transaction, or an Account of the Entire Life as an Orphan, a memoir by a 17th century author, Anna Stanisławska, the author of the paper argues that what is believed now to be the canon of early modern Polish literature is rather a result of conscious decisions made by present scholars rather than an adequate representation of the past literature. The paper proposes answers to the following questions: What is lost from the image of the past as argued by the scholars when they fail to mention texts like the Transaction? How does the image of the cultural past change when one decides to acknowledge such texts? In Canon’s discourse. Fragments, the first part of the paper, the author relates briefly the debate on Western canon and its formation. He reminds that the different answers to the central question ‘what Western canon is and how it came to be’ translate to different sets of professional and political responsibilities associated with being a scholar. In Canons, syllabuses, reading material. What is ‘early modern Polish literature’?, which is the second part of the paper, the author tries to pinpoint texts which form the canon of early modern Polish literature. It consists of the texts that are actually taught at the faculties of Polish literature and are presented to their students as the early modern literature. The author analyses the curriculums of certain literary courses held in six Polish universities and finds ten recurring authors. He argues then that these authors, although respected, represent only one type of early modern Polish literature – written by the well-educated, Latin-speaking men. Consequently, the author proposes to broaden the perspective of literary studies by including in their focus such texts as the above mentioned Transaction. In Case study. Anna Stanisławska, women’s literacy and writing in the 17th century, the third part of the paper, he recapitulates briefly Stanisławska’s life and proceeds to show strong connection between Anna’s memoir and literary culture of her age (which can be seen in the way she employs topos humilitatis). He also points out that the appearance of such a text in the 17th century of all periods was no accident. During Stanisławska’s life, the number of schools dedicated solely to educating women in the Polish-Lithuanian Commonwealth was increasing. Although the literacy remained far below the level achieved in Western Europe, reading and writing became much more widespread among women. The author argues that leaving Stanisławska’s text out of the curriculum results also in failing to properly represent cultural shifts which came to pass in the 17th-century Poland. The author of the paper concludes that practicing literary history focused both on writers well-known as well as neglected like Stanisławska is a valid opportunity for a modern scholar. Not only does it enable them to create more complete narration about the past, but it also helps them grasp the consequences of the images of the past produced by their narration.
Źródło:
Terminus; 2014, 16, 2(31)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poczet królów polskich i bajka lafontenowska w moralizatorskim dziele osiemnastowiecznej literatury szwedzkiej
Poland’s List of Monarchs and the la Fontaine Table in a Moralizing Work of Swedish Eighteenth-Century Literature
Autorzy:
Zillén, Eriik
Powiązania:
https://bibliotekanauki.pl/articles/690350.pdf
Data publikacji:
2014
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
poczet królów polskich
wczesnonowożytna literatura szwedzka
etyka cnót
historia recepcji
bajki La Fontaine’a
list of Polish monarchs
early modern Swedish literature
virtue ethics
reception history
fables of La Fontaine
Opis:
The paper elucidates a work of Early Modern Swedish literature, entitled Polska Kongars Saga och Skald [Saga and Song of Polish Kings] and published anonymously at the royal printing house in Stockholm in 1736. This book is remarkable in several respects. In 51 chapters it portrays the rulers of Poland, from the legendary founder of the nation, Lech I, up to Stanisław Leszczyński, still in power in early 1736. The chapters are composed in a similar way, each of them containing an engraving of the monarch, a historical sketch in prose, and a concluding comment in verse. The paper starts off by discussing the attribution of Polska Kongars Saga och Skald, an issue on which Swedish and Polish scholars have held divergent views. The dispute is settled here by identifying the author as the Stockholm clergyman and occasional poet Johan Göstaf Hallman (1701–1757). The main focus of the paper, however, is an investigation of the work’s verse comments. It is argued that the delineation of Poland’s sovereigns is used primarily as a stock of exempla, being explained in terms of virtues and vices in the poems closing the individual chapters. In particular, the chapters on the medieval rulers Bolesław V (Bolesław Wstydliwy) and Ludwik I (Ludwik Węgierski) are scrutinized. As moralizing comments on the historical events, these chapters employ verse fables by Jean de La Fontaine, rendered in Swedish. With his faithful verse translations of “Le Loup & l’Agneau” and “L’oeil du Maître”, Hallman enriches the initial phase of La Fontaine reception in Sweden, which took place, it is shown, several decades after the earliest reception of Fables choisies, mises en vers in Polish. Of even greater significance, though, is the fact that the two French fables, both of them highly aestheticized according to the taste of Classicism, in the context of Poland’s history are given a clearly moral-didactic function by the Swedish clergyman. Hallman thereby inverts the most groundbreaking contribution of La Fontaine to European fable history.
Źródło:
Prace Polonistyczne; 2014, 69; 131-143
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“This is realism, isnt it”? Charles Baudelaire and Cyprian Kamil Norwid on representation
„Bo jest w tym realizm”? Baudelaire i Norwid o reprezentacji
Autorzy:
Siwiec, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2087234.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Comparative literature study
early modern Polish and French literature
poetic genres
realism and moral fable
photography
Cyprian Kamil Norwid (1821–1883)
Charles Baudelaire (1821–1867)
Norwid Cyprian
Baudelaire Charles
Champfleury Jules
realizm
fotografia
dagerotyp
Opis:
This article is a comparative study of the aesthetics of Cyprian Kamil Norwid and Charles Baudelaire. The analysis focuses on their use of realistic techniques and metaphors of representation in the context of critical statements about realism (especially the paintings of Gustave Courbet), in which both poets repudiate the notion of pure art as a direct imitation of reality. While they declare that this doctrine is reductive and unworkable, they do, as the article points out, make use of some of its techniques and practical suggestions (i.e. to foreground ordinary, trivial, and arguably ugly objects). Seen from this perspective, the poetry of both Norwid and Baudelaire, the harbingers of modernity, can be situated at an interface of faits divers (shocking tabloid stories) and the moral fable.
Źródło:
Ruch Literacki; 2021, 1; 5-25
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teatr, który wychodził na ulice: Przestrzeń miejska w dawnych teatrach szkolnych
Theater Out in the Streets: Urban Space in Historical School Theaters
Autorzy:
Mieszek, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/32083647.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
teatr szkolny w XVI–XVIII wieku
nowożytne wydarzenie parateatralne
literatura okolicznościowa
procesje religijne
16th–18th-century school theater
early modern paratheatrical events
occasional literature
religious processions
Opis:
Przedmiotem artykułu jest sposób wykorzystania przestrzeni miejskiej w sztukach i przedsięwzięciach teatralnych i parateatralnych związanych ze środowiskiem staropolskich teatrów szkolnych. Wśród analizowanych tekstów znalazły się utwory dramatyczne, dialogi oraz kronikarskie i okolicznościowe relacje z parateatralnych wydarzeń organizowanych w rożnych miastach z okazji świąt religijnych i świeckich. Interpretacja obejmuje wydobyte z tych tekstów elementy obrazujące przemiany, jakim w widowiskach realizowanych na cmentarzach, ulicach czy rynkach poddawano pejzaż i atmosferę miasta. Zwrócono również uwagę na rozbudowywanie strony widowiskowej i zwielokrotnianie środków wyrazu artystycznego w przestrzeniach miejskich (strojne kostiumy, śpiew, taniec, efekty pirotechniczne, operowanie symbolem, nawiązywanie do wyobrażeń emblematycznych, rekwizyty). Podkreślono społeczny i kulturotwórczy wymiar udziału teatrów szkolnych w wydarzeniach lokalnych i państwowych. Gdy teatr wychodził poza szkolne mury, uczniowie byli włączani w performatywny proces kreowania teatru uczestnictwa, w którym zgromadzeni na ulicach mieli stać się aktywnymi współuczestnikami widowiska. Istotną rolę w ich aktywizacji odgrywało widowiskowo-teatralne przekształcenie dobrze znanej przestrzeni miejskiej.
The article discusses the use of urban space in plays and theatrical and paratheatrical undertakings of school theatres in the Old Poland period (16th to 18th century). The analysed texts include dramas, dialogues, as well as chronicles and occasional accounts of paratheatrical events organized in various cities to celebrate religious and secular holidays. The interpretation focuses on how the cityscape and atmosphere changed during performances staged in cemeteries, streets, or squares. Attention is paid also to the expansion of the visual aspect of the performances and multiplication of means of artistic expression in the urban space (costumes, song and dance, pyrotechnics, the use of symbols, references to emblematic images, props). The article emphasizes the social and culture-making dimension of the participation of school theatres in local and nation-wide events. Leaving the school buildings behind, students got involved in a performative process of creating a theatre of participation; the people in the streets were to become active co-participants in the performance. An important factor in their activation was the theatrical transformation of the familiar urban space.
Źródło:
Pamiętnik Teatralny; 2022, 71, 1; 51-72
0031-0522
2658-2899
Pojawia się w:
Pamiętnik Teatralny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drexel w Polsce (XVII-XVIII wiek). Rekonesans
Drexel in Poland (The 17th–18th Centuries). An Exploration
Autorzy:
Pawlak, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/2053934.pdf
Data publikacji:
2022-02-25
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Drexel Jeremias
Drexel Jeremias – recepcja w Polsce
literatura nowołacińska
piśmiennictwo jezuickie
polsko-niemieckie związki literackie
transfer kulturowy w Europie wczesnonowożytnej
Drexel Jeremias – Polish reception
Neo-Latin literature
Jesuit writing
Polish-German literary relations
cultural transfer in early modern Europe
Opis:
Artykuł dotyczy polskiej recepcji twórczości niemieckiego jezuity Jeremiasa Drexela (1581-1638), twórcy popularnych w całej niemal Europie łacińskich pism o tematyce religijnej i moralistycznej. Autor przedstawia korpus XVII- i XVIII-wiecznych polskich translacji dzieł Drexela (autorstwa m.in. Jana Chomętowskiego, Szymona Jurkiewicza, Albrychta Stanisława Radziwiłła i Kazimierza Stęplowskiego), rejestruje ich obecność w księgozbiorach przedrozbiorowej Rzeczypospolitej oraz liczne świadectwa ich odbioru w tekstach polskich twórców, przede wszystkim w piśmiennictwie kaznodziejskim i religijnym, wskazuje możliwe kierunki przyszłych badań (np. nad strategiami translatorskimi staropolskich tłumaczy) oraz podkreśla rolę literatury nowołacińskiej w transferze kulturowym między dawną Rzecząpospolitą a krajami niemieckiego obszaru językowego oraz w przełamywaniu barier etnicznych, politycznych i wyznaniowych we wczesnonowożytnej Europie.
This article discusses the Polish reception of the works by the German Jesuit Jeremias Drexel (1581–1638), the author of Latin religious and moralistic writings, popular almost all over Europe. The study presents seventeenth- and eighteenth-century Polish translations of Drexel’s works by, amongst others, Jan Chomętowski, Szymon Jurkiewicz, Albrycht Stanisław Radziwiłł and Kazimierz Stęplowski, records their presence in the book collections of the Polish-Lithuanian Commonwealth, and provides evidence of their extensive reception in the texts of Polish authors, primarily in sermons and religious literature. It also indicates possible directions for future research (for example, on the translation techniques of Old Polish translators)  and emphasises the role of Neo-Latin literature in the cultural transfer between Poland-Lithuania and the countries of the German language area, as well as in overcoming ethnic, political and religious barriers in early modern Europe.
Źródło:
Roczniki Humanistyczne; 2022, 70, 1; 9-30
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 16

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