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    Wyświetlanie 1-2 z 2
    Tytuł:
    The Education of an Ambassador: The Marquis d’Effiat in England (1624–25)
    Autorzy:
    Balayre, Amélie
    Powiązania:
    https://bibliotekanauki.pl/articles/2035959.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Diplomatic training
    early modern France
    Louis XIII
    career diplomat
    Charles of England
    Marquis d’Effiat
    Henrietta-Maria
    marriage negotiations
    Opis:
    When he left France in July 1624 to go to England, on young Louis XIII’s order, Antoine Coiffier de Ruzé, Marquis d’Effiat, began his very first diplomatic trip. Despite his functions, the Marquis d’Effiat never accomplished any diplomatic mission of any kind. However, a few years earlier, he negotiated the marriage of Honoré d’Albert, a Duke of Luynes’s brother. Thus, in 1624, he was entrusted with the delicate mission to bring England and France together through the marriage of Henrietta-Maria of France, the King’s sister, to Charles, Prince of Wales. This is an extraordinary embassy and the dispatches of the ambassador have been preserved as well as the replies of Louis XIII and the Secretary of State, Antoine de Lomenie. This allows us to observe an evolution both in Effiat’s account of his actions and the content of the points negotiated, and the way his work was staged. Despite his age, the Marquis d’Effiat was new to diplomacy. He was familiar with the royal French court but his ignorance about England and diplomatic practices raises questions about the King’s choice of sending him across the Channel. This ignorance of diplomatic customs includes negotiation strategies, but also the body language that an ambassador must adopt to serve the interests of his master and extensively described in 16th century treatises on ambassadors. This article aims to compare the ambassador’s discourse with the diplomatic accomplishment. The interest of this embassy, besides its political and religious stakes, is that it makes it possible to observe its fears of error and procrastination through the correspondence of the marquis.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 59-74
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Temporal and Spiritual Powers: Colonial Diplomacy Associated with the Painting France Bringing Faith to the Huron-Wendats of New France (c. 1666)
    Autorzy:
    Ouellet, Pierre-Olivier
    Powiązania:
    https://bibliotekanauki.pl/articles/2035969.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Early modern Quebec
    New France
    gift-giving
    painting
    Canadian art history
    Opis:
    Preserved in Quebec City, the French canvas entitled France Bringing Faith to the Huron-Wendats of New France, executed around 1666, constitutes a central piece of Canadian art history painted during the French colonial period. Espousing an iconography adapted to the New World, this painting presents an Indigenous figure in its foreground. The man, with a tanned complexion and black hair, whose naked body is dissimulated by a single blue and gold piece of clothing, faces a female character having European features, adorned with noble fabrics and precious jewellery. The scene, set in nature, evokes the grandeur and wilderness of North America. A two-masted French merchant ship floating on the majestic expanse of water reinforces this impression. This painting, obviously, illustrates the Europeans’ arrival on this territory in the seventeenth century, and the encounters between the French and Indigenous peoples. However, the representation is also rich in motifs that are likely to attract attention and curiosity: the mise en abyme (the painting within the painting), the celestial figures, and the coat of arms at the bow of the vessel constitute such examples. In this regard, the research studies of our Canadian art history predecessors – to which we are indebted – have enabled us to, first, retrace the painting’s history and, second, clarify its interpretive elements in relation to the spiritual and contextual dimensions specific to New France, in order to shed light on some of its well-kept secrets.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 209-235
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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