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Wyszukujesz frazę "dramaturgia Karpowicza" wg kryterium: Temat


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Tytuł:
Osobność Karpowicza albo dramat myśli uwikłanej w świat
Karpowiczs Individuality or the Drama of the Thought Entangled in the World
Autorzy:
Michalczuk, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1944048.pdf
Data publikacji:
2010
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Tymoteusz Karpowicz
dramaturgia Karpowicza
teatr subiektywny
Karpowicz's playwriting
subjective theatre
Opis:
This paper focuses on Karprowicz – the inventor of a certain kind of subjective theatre, his “mental” theatre in which he sought to find a new form of his poetic quests. The concept of personal theatre refers here to the situation in which there is no correspondence between the basic indicators of kind and genre in the drama, when the rules and principles of writing are no longer recognised through the prism of convention. Rather they are defined by other points of reference, especially the overall literary accomplishment of the writer, the singularity of his conclusions. According to Karpowicz, the essence of innovation does not reside in the formal shape, but in the new and revealing understanding of man, in being open to the whole dynamic complexity of human nature. This paper is therefore also an attempt to show the image of man written in the construction of heroes who function in Karpowicz's “mental” world. It is the only world that according to Karpowicz bears the chance to come closer to the truth about the essence of humankind. It is the world in statu nascendi, the world of constant movement, development and change, the world governed by the logic of paradox. This logic sanctions the existence of oppositions constituted by the heroes or else deformed by them. They become bearers of contents inscribed in the basic categories of human existence. They are exemplifications of the dynamic co-existence of contrary ideas, models stigmatised by their own carnality and history, which still face a chance to discover the essence of humankind that enlivens the incessant movement of thoughts.
Źródło:
Roczniki Humanistyczne; 2010, 58, 1; 219-237
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W pułapce istnienia. Dramatis personae i ich świat w Przerwie w podróży Tymoteusza Karpowicza
In the Trap of Existence. Dramatis Personae and Their World in Tymoteusz Karpowiczs Przerwa w podróży (A Stop in the Journey)
Autorzy:
Michalczuk, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1953994.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
dramaturgia Karpowicza
postać dramatyczna
dramat polski
analiza dramatu
Karpowicz's dramas
drama character
Polish drama
analysis of drama
Opis:
In one of Tymoteusz Karpowicz's most ambitious dramaturgic attempts – Przerwa w podróży (A Stop in the Journey) – the protagonists representing the most general categories of human existence and various aspects of human activity, who are `all passengers of all means of communication', are put in the situation of existential suspense. A stop in the journey in the spatial sense makes it possible to travel into the depth of oneself, it becomes a chance to throw away all the redundancy of life and find in oneself the integral `ego', independent of functionality, that is of the roles that one has to play. The transitional reality in which the dramatis personae find themselves validates many interpretative orders, which in turn gives the characters many dimensions – they make ambiguous gestures, actions and their relations become ambiguous. A confrontation of many interpretation planes creates a polyphonic world of creative “all-possibility”, which, however, has its inner logic that is reflected in the way of presenting the protagonists and in the subsequent sequences bringing changes of arrangements and oppositions that are formed between them. The changing configurations, in which the characters look for affirmation of their existence in the relation with a partner, constitute the process of becoming mature enough – in experiencing oneself and others – to have one's own authentic consciousness; to one's humanity.
Źródło:
Roczniki Humanistyczne; 2004, 52, 1; 151-181
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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