Temat: dramatic structure - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: La figura del padre en el teatro de Carlos Arniches
Autorzy:: Falska, Maria
Powiązania:: https://bibliotekanauki.pl/articles/700583.pdf
Data publikacji:: 2017
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Carlos Arniches
theatre
dramatic structure
father
Opis:: This paper aims at examining the figure of the father in the dramas of Carlos Arniches, an author highly valued by directors, whose plays were frequently staged in Spain and Spanish America in the first half of the 20th century. Family relationships, and, above all, the figure of the father as a recurring element and an important dramatic motif in selected texts, are studied in detail. Among the father figures of Carlos Arniches there are: a despot father or a father-tyrant, an overindulgent father abused by his spendthrift family members, a father who sacrifices himself for the family, and a benevolent and spiritual father. In this article, these father figures are examined and classified according to their characteristic features, as well as the way in which they are introduced and how they function within the dramatic structure of the selected plays. This paper also offers an explanation of the ideological function of the author’s message conveyed by the analysed dramas.
Źródło:: Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:: Romanica Silesiana
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Disease as a movie theme. Media and genological analysis
Autorzy:: Bożek, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/22622574.pdf
Data publikacji:: 2020-11-27
Wydawca:: Uniwersytet Komisji Edukacji Narodowej w Krakowie
Tematy:: film
kinematografia
analiza
kody werbalne i niewerbalne
struktura dramaturgiczna
cinematography
analysis
verbal and non-verbal codes
dramatic structure
Opis:: The paper concentrates on a comparative interpretation of two films which are classified by their authors as melodramas. The first one is Michael Haneke’s Love and the second one is The Notebook by Nick Cassavetes. The films selected for this analysis represent two different attitudes to disease. Haneke creates a moving image of dying, which is associated not only with physical death, but also the death of human dignity. Cassavetes focuses on a story before the disease of the main heroine, while her affliction is treated as a complement to the happy life, rather than a leading motif. The purpose of the paper is to compare the films from different perspectives: media and genological, as well as to answer the question why directors from various cultures perceive the topic of disease as a film theme in such distinct ways.
Artykuł skupia się na interpretacji porównawczej dwóch filmów określonych przez ich twórców jako melodramaty. Pierwszy to Miłość w reżyserii Michaela Haneke, drugi zaś Pamiętnik autorstwa Nicka Cassavetesa. Wybrane do analizy dzieła reprezentują różne spojrzenia na chorobę. Haneke tworzy przejmujący obraz umierania, które kojarzy się nie tylko ze śmiercią ciała, ale i ludzkiej godności. Cassavetes skupia się na historii, która wydarzyła się przed chorobą głównej bohaterki, jej przypadłość traktuje jako dopełnienie do szczęśliwego życia, nie zaś wiodący temat obrazu. Celem artykułu jest porównanie obu filmów w perspektywach: medioznawczej i genologicznej, oraz odpowiedź na pytanie, dlaczego twórcy z różnych kręgów kulturowych tak odmiennie podchodzą do choroby jako tematu filmowego.
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2020, 12, 4; 15-25
2083-7275
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Vom rechten Handeln in rechtloser Zeit – Ernst Wiecherts Novelle „Der Richter”
Acting rightly in times of lawlessness – Ernst Wiechert’s novella “The judge”
Autorzy:: Büttner, Matthias
Powiązania:: https://bibliotekanauki.pl/articles/967459.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Ernst Wiechert
novella
National Socialism
ideological delu
law and justice
moral integrity
guilt
dramatic structure
characterisation
humanism based on Christian ideals
Opis:: The novella "The Judge" by Ernst Wiechert gives testimony to the poet’s critical analysis and examination of the immediate National Socialist past and, at the same time, tries to provide some forward-looking re-orientation in terms of a comprehensive humanism based on Christian ideals. Wiechert’s narrative follows a dramatic structure in accordance with the tragedies of Classical Greek Antiquity. Faced with an existential crisis, the title character has to prove his moral integrity and steadfastness. Deluded by the pervasive Nazi ideology, the judge’s son goes astray by killing a former friend but finally, thanks to his father’s cautious, gentle guidance, finds his way back. At the end of the novella the son even atones for his wrongs while his father, an unfaltering representative and unswerving advocate of law and justice, resigns from his office in the face of the lawlessness he has experienced under the Nazi terror regime. Apart from analysing the plot of Wiechert’s novella, this study also examines the clearly outlined characters as well as the complex theme of guilt, repentance and forgiveness. Finally, the article focuses on the author’s intention of taking part in the social and political discourse of post-war Germany by conveying his message of humanity and moral integrity.
Źródło:: Acta Universitatis Lodziensis. Folia Germanica; 2015, 11; 157-168
2449-6820
Pojawia się w:: Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: The Philosophical Meaning of the Author’s Myth: Evolution of the Archetypal Image of a Religious Visionary in the Dramatic Works of Lesya Ukrainka
Autorzy:: Bodyk, Ostap
Horodniuk, Nataliia
Yuliya, Yuliya
Powiązania:: https://bibliotekanauki.pl/articles/2231496.pdf
Data publikacji:: 2022-10-06
Wydawca:: Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:: author’s myth
phenomenon of prophetism
religious prophecy
archetypal and mythological structure
dramatic sketches and poems
existential dilemma in national issue
Opis:: The article traces and analyses the movement of the author’s consciousness of Lesya Ukrainka with regard to the research topic of the evolution of the archetypal image of a religious visionary in the dramatic works of the Ukrainian poetess through the prism of mythopoetic archetypal categories on different “sections” of her dramatic works Vavylons’kyj polon (Babylonian Captivity), Na rujina.h (On the Ruins) and poems “Kassandra” (Cassandra) and “Orhija” (The Orgy). The author explains that, by referring the ancient subjects, Lesia Ukrainka realizes the need to breathe new life into the mythology of the ancients, look at the history of humankind as a tragic process of the struggle between good and evil, and connect the movement of history with manifestations of spiritual stability, with its tendency to the ideals of good. According to her aesthetic views in the artistic perception of antiquity, the poetess does not seek to aestheticize it, but to reveal in the ancient myth the eternal, timeless psychological state of human inner life and in this way explore the “catastrophes” of the modern soul.
Źródło:: Academic Journal of Modern Philology; 2022, 15; 73-94
2299-7164
2353-3218
Pojawia się w:: Academic Journal of Modern Philology
Dostawca treści:: Biblioteka Nauki

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