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    Wyświetlanie 1-13 z 13
    Tytuł:
    Literacki opór wobec lektury odczarowującej
    Literary resistance to 'disenchanting' lecture
    Autorzy:
    Ostrowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1039644.pdf
    Data publikacji:
    2019-04-16
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    disenchantment
    instrumentalism
    otherness
    ethics
    epistemology
    interpretation
    Opis:
    The paper deals with issues regarding the disenchantment of literature stemming from the instrumental approach in literary studies. It highlights cases of resistance to this disenchantment of literature both in academic and literary works. The instrumental lecture is contrasted with the creative one, which results from opening up to otherness contained within the text. The creation of unassimilated otherness is the drving force of the literary avant-garde, which uses it as a defence against scientific disenchantment. Possible reasons for the feeling of literary disenchantment are discussed in this paper and the validity of such fears is taken into consideration.
    Źródło:
    Przestrzenie Teorii; 2018, 30; 133-145
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The rhetoric of disenchantement through symbolism
    Autorzy:
    Munyangeyo, Theophile
    Powiązania:
    https://bibliotekanauki.pl/articles/780929.pdf
    Data publikacji:
    2012-12
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    disenchantment
    discourse analysis
    representation
    sociological reading
    symbolism
    Opis:
    The symbolism of flowers has always been a significant part of cultures around the world due to their functional meaning in daily life. From their decorative to their aromatic role, flowers and their symbolic meaning trigger emotions, convey wishes and represent thoughts that can not be explicitly expressed. In this regard, an elaborate language based on flower symbolism was developed in many societies, to convey clear messages to the recipient. However, in some cultural contexts, although the flower symbolism has social connotations, it is mainly associated with economic references. As flowers are an essential precursor to fruits, they are inevitably a source of expectations and hence foster a set of hopes and dreams, which can ultimately lead to excitement or disappointment.Through a discourse analysis based on factional narratives, this article explores the parameters through which the symbolism of bifaceted meaning of flowers fictionalises a space that refers to the social reality. This association between the fictional world and social reference has highlighted that writing can profoundly be a means of representing social events through the rhetoric of symbolism. Through a sociological reading approach, this paper aims to analyse how the symbolism of flowers informs the rhetoric of disenchantment that can foster a content-based pedagogy in language learning where silencing practices engender imagery to exercise the freedom of expression.
    Źródło:
    Studies in Second Language Learning and Teaching; 2012, 2, 4; 561-577
    2083-5205
    2084-1965
    Pojawia się w:
    Studies in Second Language Learning and Teaching
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    « La religion se trouvera vraie »: désenchantement et merveilles de la science chez Renan
    “Religion will be true”: Renan’s Disenchantment and Wonders Science
    Autorzy:
    Fayolle, Azélie
    Powiązania:
    https://bibliotekanauki.pl/articles/1048013.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Bible
    disenchantment
    science
    philosophy of history
    miracle
    Opis:
    In 1863, the publication of Vie de Jésus makes Renan part of the movement of “desymbolisation” and secularization of sacred texts. Eliminating the notion of miracles from his writing on religion, Renan anticipates the pattern of Weber and Gauchet’s “disenchantment of the world”. It is thus by the methods of scientific analysis (eviction of miracles and psychological explications instead) that Renan is able to piece together the Messiah’s life, putting forward the idea of an organic Parousia, and making science a new religious ideal.
    Źródło:
    Studia Romanica Posnaniensia; 2020, 47, 4; 67-76
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un “libro terribile”. L’Imperio di De Roberto tra disincanto politico e nichilismo
    A “terrible book”. L’Imperio of De Roberto between political disillusionment and nihilism
    Autorzy:
    Ferraro, Gianfranco
    Powiązania:
    https://bibliotekanauki.pl/articles/1050791.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    De Roberto
    nihilism
    disenchantment
    pessimism
    political novel
    Opis:
    In the correspondence with his mother, Federico De Roberto defined its own novel L’Imperio as a “a terrible book”. Published in 1929, when the Sicilian writer was not longer alive, this incomplete novel concluded the project of literary triptych including the novels L’Illusione and I Viceré. What could arouse dismay and abhorrence in its readers was the nihilistic outcome of the plot. In order to explain it, the authors of the present paper show how the political disillusionment, embodied in the novel by the figure of the young journalist Federico Ranaldi, discloses for De Roberto the horizon of European nihilism. Being symbolic of the Italian generation born after the Unification, Ranaldi loses his political ideals when he understands that the politicians have no faith and are no longer right. Disgusted by the conduct of Consalvo Uzeda di Francalanza, the last heir of the ancient “viceroys” of Sicily, now the minister of the Kingdom, Ranaldi is overwhelmed by a radical, pessimistic vision of the world. Thus it is evident that De Roberto was extremely influenced by such philosophers as Giacomo Leopardi, Arthur Schopenhauer and Eduard von Hartmann.
    Źródło:
    Studia Romanica Posnaniensia; 2014, 41, 4; 61-75
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wrażliwość (nie tylko) artystyczna
    (Not Solely) Artistic Sensitivity
    Autorzy:
    Szpunar, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1373192.pdf
    Data publikacji:
    2017-01-30
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    sensitivity
    creativity
    disenchantment of the contemporary world
    wrażliwość
    twórczość
    „odczarowanie” współczesnego świata
    Opis:
    This article starts with an analysis of sensitivity, which is a two-sided trait. We value and admire sensitive people, but we may also consider them to be weak individuals, unable to cope. An overly intense reception of the world can sometimes lead to alienation. In today’s computerized, rationalized world, where efficiency matters above all, feelings can be a burden; reflection postpones immediate success. However, academic knowledge and artistic creativity require sensitivity to the world and the individualization of thinking and feeling. In considering philosophical ideas and the findings of researchers of the human mind, the author demonstrates that sharpened sensitivity and being different are essential traits of the creative attitude, while their lack testifies to a society’s regression.
    Źródło:
    Kultura i Społeczeństwo; 2017, 61, 1; 123-134
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Magical and the Mundane in Graham Swift’s Here We Are
    Autorzy:
    Kucała, Bożena
    Powiązania:
    https://bibliotekanauki.pl/articles/1902755.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Graham Swift
    Here We Are
    contemporary English fiction
    magic in literature
    disenchantment
    Opis:
    This article places Graham Swift’s latest novel Here We Are (2020) in the context of his previous writing and argues that much of his fiction is underpinned by the characters’ desire to transcend the limitations of their ordinary lives and to seek solace or a temporary escape within the realm of illusion. The analysis aims to demonstrate that the opposition between the two realms is the central preoccupation in Here We Are. The wish to surmount the mundane is fulfilled quite literally through the protagonist’s dedication to the practice of magic. The meaning of magic as a craft is briefly discussed, especially its quasi-religious connotations. It is also suggested that magic may be a tentative, personal answer to the problem of the “disenchantment” of the world, as diagnosed by Max Weber a hundred years ago. In Swift’s novel, far from being only a set of professional skills, magic creates an illusory realm, alternative to and more appealing than daily life.
    Źródło:
    New Horizons in English Studies; 2021, 6; 63-78
    2543-8980
    Pojawia się w:
    New Horizons in English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pojęcie racjonalności i racjonalizacja prawa w pracach Maxa Webera
    The Concept of Rationality and the Rationalization of Law in the Works of Max Weber
    Autorzy:
    Kuryłowicz, Konstanty
    Powiązania:
    https://bibliotekanauki.pl/articles/1788474.pdf
    Data publikacji:
    2021
    Wydawca:
    Stowarzyszenie Filozofii Prawa i Filozofii Społecznej – Sekcja Polska IVR
    Tematy:
    odczarowanie
    irracjonalność
    prawo
    racjonalizm
    racjonalność
    racjonalizacja
    Weber
    disenchantment
    irrational
    law
    rationalism
    rationality
    rationalization
    Opis:
    Skala rozważań Maxa Webera bywa przytłaczająca. Rezultat stanowi jednak źródło znakomitej perspektywy badawczej na rzeczywistość społeczną. Reinhard Bendix nazwał Webera magicznym nazwiskiem współczesnych nauk społecznych. Zgadzając się z tym twierdzeniem, Autor niniejszego artykułu podejmuje się rozważań w zakresie jednego z fundamentalnych problemów nauk społecznych – problematycznej koncepcji racjonalności, stanowiącej kluczowy element prac Maxa Webera. Celem niniejszej pracy będzie analiza zawiłości leżących u podstaw jej definicji. Po pierwsze, zbadana zostanie mnogość kontekstów, w których autor Gospodarki i społeczeństwa posługuje się pojęciem racjonalność i racjonalizacja. Po stwierdzeniu, że właściwie niemożliwe jest precyzyjne zdefiniowanie pojęcia racjonalizacji, bez umieszczenia jej w określonym kontekście, nastąpi przejście do problematyki racjonalizacji prawa. Spojrzenie na typologię racjonalizacji prawa, zgodnie z różnymi płaszczyznami na których system prawa może manifestować swoją racjonalność bądź irracjonalność – w materialnym, czy też formalnym aspekcie. Powyższe zostanie skonkludowane podsumowaniem, w którym Autor zarysowuje wątki winne zbadania w następnej kolejności.
    The magnitude of Max Weber’s work is overwhelming. However, with it, comes its great insight into the social reality. Reinhard Bendix has called Weber the magical name of the modern social sciences. Agreeing with this claim, The Author of this article takes on one of the fundamental problems of the social sciences – the problematic concept of rationality. This concept remains a key element of the works of Max Weber. Therefore, the purpose of this work is to analyze the intricacies of its definition by the famous German scholar. First comes the analysis of the multiplicity of contexts in which Weber makes the use of the term rationality and the rationalization. Then, after the realization of the impossibility of a precise definition of the rationalization without taking the context into account, the transition to the rationalization of law follows. The look at the division of rationalization of law into various planes on which it can manifest its rationality or irrationality (be it the material or formal aspect) is concluded with the summary, where The Author poses questions about certain issues that require further research.
    Źródło:
    Archiwum Filozofii Prawa i Filozofii Społecznej; 2021, 3(28); 82-94
    2082-3304
    Pojawia się w:
    Archiwum Filozofii Prawa i Filozofii Społecznej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Portrait de l’artiste en jeune barbu : Le Peintre de Saltzbourg de Charles Nodier
    Portrait of the Artist as a Young Bearded Man: Charles Nodier’s "Le Peintre de Saltzbourg"
    Portret artysty jako młodego brodacza: "Le Peintre de Saltzbourg" Charlesa Nodiera
    Autorzy:
    Sukiennicka, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/683338.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Charles Nodier
    Maurice Quai
    malarstwo
    ekfraza
    ut pictura poesis
    szkoła rozczarowania
    painting
    ekphrasis
    disenchantment
    Opis:
    Charles Nodier był jednym z ważniejszych promotorów idei fraternité des arts w latach 1830, ale jego doświadczenie życia i tworzenia w artystycznych kręgach, skupiających zarazem pisarzy, malarzy i kompozytorów, nie ogranicza się tylko do prowadzenia salonu w Bibliotece Arsenału. Już we wczesnej młodości Nodier obracał się w środowisku malarzy, zbuntowanych uczniów Jacquesa-Louisa Davida, którzy na początku XIX wieku stworzyli grupę (sektę) zwaną Méditateurs. To doświadczenie zostawiło swój ślad w dziele literackim Nodiera. Jego powieść Le Peintre de Saltzbourg (1803) zdradza pewne pokrewieństwa z estetyczną doktryną Maurice’a Quai i grupy Méditateurs. Ten zapomniany epizod historii romantyzmu został przywrócony pamięci w 1832 roku dzięki ponownej publikacji powieści w Dziełach Charlesa Nodiera oraz dzięki prasie, która porównała Méditateurs do głośnej wówczas grupy Jeunes-France.
    Charles Nodier was one of the leading advocates of the fraternity of artists in the 1830s, but his experience of life and work in artistic circles embracing writers, painters and composers was not limited to his own literary salon at the Arsenal. Already as a young man, Nodier moved in the circle of Méditateurs, a group started at the beginning of the 19th century by rebellious former students of Jacques-Louis David. This experience left its mark on Nodier’s work: his novel, Le Peintre de Saltzbourg (1803) reveals a certain affinity with the aesthetic doctrines of Maurice Quai and Méditateurs. This forgotten episode of the history of Romanticism was brought back to memory in 1832 by the republication of the novel in OEuvres de Charles Nodier, and by the contemporary critics, who compared Méditateurs to Jeunes-France, a popular artistic cenacle of the day.
    -
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2018, 13; 33-44
    1505-9065
    2449-8831
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Romanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    National Currencies and National Identities: Historical Origins and Ironies of the Neoliberal Baltic Model
    Autorzy:
    Norkus, Zenonas
    Powiązania:
    https://bibliotekanauki.pl/articles/2048305.pdf
    Data publikacji:
    2014-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    economic crisis 2008 – 2010
    postcommunism
    internal devaluation
    democratic corporatism
    neoliberal capitalism
    national money
    disenchantment
    Opis:
    During recent economic crisis 2008 – 2010, the economic policy of internal devaluation in the Baltic States earned the applause of exponents of the neoliberal orthodoxy. How to explain the choice and ability of the Baltic States to maintain the fixed exchange parity? Economists look for conventional costbenefit calculation. The paper advances culturalist NeoWeberian argument, elaborating the concept of “nation neoliberalism” of Henri Vogt and the research of Eric Helleiner on the contribution of national currencies to the modern nation building. Because of the destruction of the national Baltic States by Soviet occupation in 1940, postcommunist transformation in the Baltic States was restitutionally oriented. Hard national currency, modelled after “that old good Litas, Lats, or Kroon” of the interwar time became a central symbol of national identity along with national flag, anthem and coat of arms. This “monetization” of the Baltic identities predisposed indigenous Baltic peoples to embrace the neoliberal model of capitalism and to accept the cost of the defence of currency peg during the crisis. The success was ironically selfdefeating, as it enabled Baltic nations to join European Monetary Union, which conclusively disenchants the money by abolishing national currencies.
    Źródło:
    Kultura i Edukacja; 2014, 6(106); 40-66
    1230-266X
    Pojawia się w:
    Kultura i Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Wszyscy oskarżeni są piękni...”. Antynomie doświadczenia prawa w prozie Franza Kafki
    Autorzy:
    Paweł, Dybel,
    Powiązania:
    https://bibliotekanauki.pl/articles/897114.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    positive law
    father
    disenchantment
    guilt
    trauma
    acephalic law
    prawo pozytywne
    ojciec
    rozczarowanie
    wina
    prawo acefaliczne
    Opis:
    This article is an attempt to demonstrate the specificity of a relation of a human subject to the institution of law in the form in which it was presented in Franz Kafka’s prose, linking it closely with the writer’s approach to the figure of the father. I indicate that in both cases this relation is based on the feeling of guilt, with no “redemption” possible. However, the difference is that in the first case this is the feeling of guilt towards an anonymous institution of the positive law as such, whereas in the second case guilt as guilt towards the father is of personal nature. In the first case, the problem of “the accused” lies in the fact that the accusation and judgment whether someone is guilty or not has no clearly defined point of reference. It is not guilt towards “someone” – e.g. towards God, the father, the sovereign etc. – but towards law itself. This is law which is the prosecutor and decides on guilt. This, in turn, means that one is guilty before no one. The positive law is the acephalous law, this is the headless law. Therefore, any attempt to prove own innocence towards it is doomed to failure.
    Źródło:
    Przegląd Humanistyczny; 2016, 60(4 (455)); 9-22
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The End of the Classical Paradigms of Law
    Autorzy:
    Leszczuk, Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/2135751.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    paradigm
    legal science paradigms
    legal science
    philosophy of law
    grand narratives
    disenchantment of the world
    Opis:
    Goal – the aim of this text is to show the functioning, transformation, convergence and ultimately decline of classical paradigms operating in the legal sphere. Particular attention is focused on the contemporary state of affairs, referring to today’s trends in thought, philosophy and the contemporary way of explaining reality by societies that are carriers of the law. The purpose is to showcase that the today’s changing world is faced with many problems that are completely new to humanity as a whole, and that those problems have the power to affect the legal sphere as well. It proves that despite the belief in the stabilizing function of the law, it itself begins to be questioned, and its iron foundations begin to waver in principle, resulting in spectacular changes in the way we view such non‑negotiable issues as justice, power, order, and the meaning of being. Research methodology – through an analysis of the literature on the subject and by compiling the most important paradigmatic frameworks, a cross‑section of attitudes relevant to understanding the presented issue is made. Score/result – as a result, an observation is made regarding the current state of paradigms operating in the legal sphere. In line with the conclusion, it is stated that in the present world paradigms have mostly lost or are losing their power. They will lose it completely or undergo a transformation. There is also an exhaustion of the power of all grand narratives that must necessarily be taken into account when making any considerations about the embeddedness of law and its validity. Originality/value – the content of the text refers to well‑known paradigms of law that seem to be unshakable elements of Western legal culture. Nevertheless, the analysis of the problems presented in the text shows that the unshakable foundations of law are beginning to degrade, or at least to change, in collision with, above all, contemporary socio‑cultural transformations.
    Źródło:
    Studia Sieci Uniwersytetów Pogranicza; 2021; 79-92
    2544-5790
    Pojawia się w:
    Studia Sieci Uniwersytetów Pogranicza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Rozhuśtana na grozie wesołość” – barok w poetyckim świecie Wisławy Szymborskiej
    „Merriment dangling from terror” – baroque in the poetic world of Wisława Szymborska
    Autorzy:
    Bielak, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/29520388.pdf
    Data publikacji:
    2023-07-21
    Wydawca:
    Uniwersytet Bielsko-Bialski
    Tematy:
    baroque
    disenchantment of the world
    existential questions
    poetic anthropology
    the horror of existence
    Szymborska’s poetry
    poezja Szymborskiej
    barok
    świat odczarowany
    pytania egzystencjalne
    poetycka antropologia
    groza istnienia
    Opis:
    „Merriment dangling from terror32” – baroque in the poetic world of Wisława Szymborska The article extends previous findings regarding the multiple connections between Szymborska’s poetry and the baroque tradition. It exposes the existential dimension of these references concerning anthropology and the place of man in the world. The world of Szymborka’s poetry, unlike the baroque one, is a disenchanted world. The author of the article draws attention to the inner dark trend in Szymborska’s work, related to the sense of terror of existence. This conviction about the tragic essence of the condition of human nature is skillfully masked with linguistic means, giving the impression of cheerful fun. The poet asks questions about the responsibility for one’s own life, for other beings. Existential anxiety of this poetry is mitigated by the convention of linguistic play. However, this does not ease the sense of being lost in the abyss of being.
    Źródło:
    Świat i Słowo; 2023, 40, 1; 210-222
    1731-3317
    Pojawia się w:
    Świat i Słowo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Theology for Nones: Helping People Find God in a Secular Age
    Autorzy:
    Delfino, Robert A.
    Gniadek, Andrew
    Powiązania:
    https://bibliotekanauki.pl/articles/507392.pdf
    Data publikacji:
    2017-03-30
    Wydawca:
    International Étienne Gilson Society
    Tematy:
    nones
    atheists
    agnostics
    naturalists
    spiritual but not religious
    disenchantment
    secularization theory
    scientism
    natural theology
    spiritual centers
    Sam Harris
    Richard Dawkins
    Walter Rauschenbusch
    Mary Eberstadt
    Charles Taylor
    Joseph Bottum
    Saint Thomas Aquinas
    Jacques Maritain
    Mariano Artigas
    Opis:
    One-third of all adults under the age of thirty in the United States of America are ‘nones’. Nones include atheists, agnostics, and those who answer “nothing in particular” to religious survey questions. In this article the authors examine the rise of the nones, drawing upon the work of Mary Eberstadt, Charles Taylor, and Joseph Bottum. We classify the nones into three groups: naturalists, transcendent spiritualists, and non-transcendent spiritualists. After discussing various challenges for evangelization among the nones, we propose some ideas to address these challenges. Here we draw upon the work of Saint Thomas Aquinas, Jacques Maritain, and Mariano Artigas. Finally, we discuss some cultural concerns and problems that would probably result if the rise of the nones is left unaddressed.
    Źródło:
    Studia Gilsoniana; 2017, 6, 1; 31-46
    2300-0066
    Pojawia się w:
    Studia Gilsoniana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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