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Wyświetlanie 1-7 z 7
Tytuł:
Género y Cultura de Maíz: en la lucha por definir otra soberanía alimentaria
Gender and Maize Culture: In the Struggle for Defining Another Food Sovereignty
Autorzy:
Vizcarra Bordi, Ivonne
Powiązania:
https://bibliotekanauki.pl/articles/486464.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
género
Cultura de Maíz
soberanía alimentaria
decolonialidad
conciencia
México-indígena
gender
Maize Culture
food sovereignty
decoloniality
consciousness
Mexico-indigenous
Opis:
Through the decolonial perspective, this article aims to analyze the cross-cultural relationships of the Maize Culture and gender. Particularly, in contexts of defense of food sovereignty, indigenous and peasant women have accumulated experiences of subordination and empowerment, giving possibilities to define a sovereignty beyond food. In this sense, more than self-determination and autonomy, this paper tries to expand the concept, through the methodology of states of consciousness. This method allows the construction of a decolonial critical mass on the capitalist-patriarchal binomial that imposes power relations and directs global agro-food policies and imposes low-quality diets. Furthermore, these relationships generate numerous phenomena related to social inequalities and the loss of biosafety in rural localities. The study was carried out with the help of ethnographies of the Mazahua people of the State of Mexico (2011-2017). Four states of consciousness of Mazahua women were analyzed (pre-conscience, collective, rational and liberating). It is concluded that the liberating and decolonizing consciousness is a way to define a new sovereignty. It is the maximum state of consciousness achieved in the accumulation of experiences of indigenous peasant women in the Maize Culture. In this state, the conditions are created to build an ethic of life based on the harmony of human and non-human beings, from the perspective of compassion, care and service with love.
Con una perspectiva decolonial, este artículo tiene el objetivo de analizar las relaciones que se entrecruzan entre la Cultura de Maíz y las mujeres indígenas y campesinas, quienes en contextos de defensa de la soberanía alimentaria, tienen experiencias acumuladas de subordinación y empoderamiento, lo que ofrece posibilidades para definir otra soberanía. En este sentido, la soberanía alimentaria es más que la autodeterminación y autonomía, por lo que este texto intenta expandir el concepto, utilizando la metodología de los estados de conciencia. Este método permite construir una masa crítica decolonial y antipatriarcal sobre el binomio capitalista-patriarcado que impone relaciones de poder y dirige las políticas y dietas agroalimentarias globales que, además de que son de dudosa calidad, son responsables de numerosos fenómenos relacionados con las desigualdades sociales y la pérdida de bioseguridad. Para ello se tomaron las etnografías realizadas del pueblo Mazahua del Estado de México (2011-2017). Cuatro estados de conciencia fueron analizados (pre-conciencia, grupal, racional y libertadora). Se concluye que la conciencia libertadora y decolonizadora es un camino para definir una nueva soberanía; es el estado de conciencia máximo logrado en el cúmulo de experiencias de las mujeres indígenas campesinas en la Cultura de Maíz.  En este estado, se crean las condiciones para construir una ética de vida basada en la armonía de seres humanos y no humanos, desde la perspectiva de la compasión, el cuidado y el servicio con amor.
Źródło:
Revista del CESLA. International Latin American Studies Review; 2019, 24; 101-130
1641-4713
Pojawia się w:
Revista del CESLA. International Latin American Studies Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Where Butchers Sing Like Angels,” Of Captive Bodies and Colonized Minds (With a Little Help from Louise Erdrich)
Autorzy:
Poks, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/626466.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Louise Erdrich
decoloniality
species war
normative humanity
Opis:
The Master Butchers Signing Club – Louise Erdrich’s “countehistory” (Natalie Eppelsheimer) of the declared and undeclared wars of Western patriarchy–depicts a world where butchering, when done with precision and expertise, approximates art. Fidelis Waldvogel, whose name means literally Faithful Forestbird, is a sensitive German boy turned the first-rate sniper in the First World War and master butcher in his adult life in America. When Fidelis revisits his homeland after the slaughter of World War II, Delphine, his second wife, has a vision of smoke and ashes bursting out of the mouths of the master butchers singing onstage in a masterful harmony of voices. Why it is only Delphine, an outsider in the Western world, that can see the crematorium-like reality overimposed on the bucolic scenery of a small German town? Drawing on decolonial and Critical Animal Studies, this article tries to demystify some of the norms and normativities we live by.  
Źródło:
Review of International American Studies; 2020, 13, 1; 123-144
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dekolonizacja dokumentu
Decolonization of the documentary
Autorzy:
Borowski, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/889432.pdf
Data publikacji:
2020-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
documentary film
decoloniality
performativity
ethnofiction
translation
Opis:
The article addresses the problem of the so-called documentary turn in contemporary art, especially in those practices that are related to the project of decoloniality. It examines how traditional documentary conventions, which constitute part of the Western epistemic code, are appropriated and dismantled for the purposes of the decolonialization of the image of cultural Others. From this perspective, I analyse the main strategies used by activist artists who seek to expose the typical mechanisms of knowledge production in non-Western cultures. I complement my interpretations with a genealogy of experimental ethnographic films, tracing contemporary artistic solutions back to the so-called ethnofictions of Jean Rouch. I use this as a background for analysing two video works by the Polish artist Wojtek Doroszuk (Prince, 2014, and Sape, 2016).
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 157-158; 1-25
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pathways and Crossroads of the Decolonial Option: Challenging Marx and Zeus with a Rabo de Arraia
Autorzy:
Feijó, Glauco Vaz
de Melo Resende, Viviane
Powiązania:
https://bibliotekanauki.pl/articles/1062859.pdf
Data publikacji:
2020
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
decoloniality
decolonial feminism
contra-coloniality
critical discourse studies
Opis:
This essay uses the expansion of decolonial studies in the so-called Decolonial Turn as a starting point to discuss a few recent significant criticisms against this project – notably those arising from decolonial feminism and counter-colonial thinking. The first criticism of the decolonial option refers to its rapid expansion, with a somewhat mythical portrayal of the Modernity/Coloniality project, thus risking the radical quality of initial ideas. Additionally, there is the pertinent criticism of the treatment initially given to the gender issue, which was not addressed by scholars considered to be precursors of this line of thought. Other powerful matters arose as decolonial thinking spread to different social science fields, including questioning the very possibility of criticism from academic circles. These criticisms generate profound reflections on this movement that intends to bring radical transformations to conservative academic knowledge production. Assuming that coloniality is constitutive of the present, we take these criticisms to look at decoloniality in the field of language studies. On that ground, we maintain that any epistemological breach must start from the contradictions of modernity. We believe that critical discourse studies improve understanding by situating intertextuality and interdiscursivity as inevitable aspects of every discourse, including academic theories and practices.
Źródło:
Language, Discourse & Society; 2020, 8, 1; 57-67
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Queer Indiscipline, Decolonial Revolt. The Production of Undisciplined Knowledges in the Neoliberal Age
Autorzy:
Fritschy, Tyna
Powiązania:
https://bibliotekanauki.pl/articles/2077295.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Warszawski. Ośrodek Studiów Amerykańskich
Tematy:
knowledge production
intellectuality
decoloniality
indiscipline
dispossession
Opis:
"As an intervention into a domesticated academic knowledge production and an increasingly normative queer theorizing, Queer Indiscipline, Decolonial Revolt asks for the proliferation of other modalities of thinking and writing. The context of such interrogation is the neoliberal restructuring of the university which comfortably accommodates criticality. Where criticality has lost its sting, this paper calls for a daring indiscipline opposing political, public, and scientific disciplining. This brings practices of doing knowledge and not the knowledges as such into attention. An intimacy between the queer and the undisciplined is established by referencing the resistance to assimilationist politics and practices as queer theory’s principal asset. Yet, undisciplined knowledges are not only geared towards challenging the bounds of the discipline(s), but also, and more broadly, towards decolonial futures. Queer Indiscipline, Decolonial Revolt explores various moments of concomitant unlearning and improvisation on and beyond the academic stage. The piece conducts three non-linear explorations. The first part analyzes the making of a hierarchical knowledge machine as part of capitalist modernity and revisits moments of queer and black queer theorizing that challenge the dividing lines between high/low, sensible/nonsensical, intellectual/corporeal, theory/practice, speech/chatter, etc. The second part discusses the masterful subject as the agent of knowledge. While the persistence and the pervasiveness of such master fantasy gets acknowledged, the verve of this paper is oriented towards the modality of queer dispossession. The final section gives way to the sabotage inherent in the unruly rhythm of life. Such sabotage is tested to counteract the frameworks, formats and concepts which articulate intellectuality on a more fundamental level. This advances the deconstruction of intellectuality to the terrifying and beautiful point where intellectuality is co-extensive with the social."
Źródło:
InterAlia: Pismo poświęcone studiom queer; 2021, 16; 127-139
1689-6637
Pojawia się w:
InterAlia: Pismo poświęcone studiom queer
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
South Asian Youth in Diaspora. Anti-racist Discourses & Entangled Epistemes
Autorzy:
Amin, Riham
Pascale, Celine-Marie
Powiązania:
https://bibliotekanauki.pl/articles/2081268.pdf
Data publikacji:
2021-06-24
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
Textual Analysis
Discourse Analysis
Coloniality
Decoloniality
Feminism; Racism
Anti-racism
Epistemic Disobedience Ontological Insecurity
Opis:
The South Asian postcolonial diaspora has produced multiple new encounters with racism for South Asian immigrants. Colonial forces that repressed non-western traditional thought and knowledge persist today through the coloniality of power. Erasures of South Asian cultures are advanced through imperial legacies of racism, colorism, sexism, and islamophobia. South Asian youth raised in diaspora must negotiate a liminal state poised between their parents’ often romanticized and conservative traditions that were forged in relation to coloniality and the marginality of their own experiences and identities produced through North Atlantic discourses of whiteness and modernity. This article is based on textual analysis of feminist and antiracist discourses in Brown Girl Magazine, a multimedia platform founded by and for South Asian womxn. We use the theoretical frameworks of coloniality and decolonialism to situate everyday practices within broader cultural practices—both contemporary and historical. Our analysis concerns how feminist, anti-racist discourses in Brown Girl Magazine characterize and challenge inequalities affecting South Asians. Our analysis demonstrates some of the discursive strategies deployed in Brown Girl Magazine to construct counter-hegemonic discourses and practices—in particular those used to cultivate a sense of cultural community for South Asian youth.
Źródło:
Language, Discourse & Society; 2021, 9 (1); 107-118
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La digestión de la alteridad en el Tropicalismo musical brasileño: Antropofagia y decolonialidad
The digestion of alterity in Brazilian musical Tropicalismo: Anthropophagy and decoloniality
Autorzy:
da Luz, Ana Carolina
Powiązania:
https://bibliotekanauki.pl/articles/45704336.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Warszawski. Ośrodek Studiów Amerykańskich
Tematy:
Tropicalismo
decolonialidad
antropofagia
estética decolonial
historia de las ideas
decoloniality
anthropophagy
decolonial aesthetics
history of ideas
Opis:
El movimiento artístico-musical Tropicalismo nació en São Paulo en 1967 con una propuesta estética que representó importantes rupturas con las estructuras del arte y de la cultura en el Brasil de los años ‘60, sosteniendo oposición a la dictadura cívico-militar (1964-1985) y una postura crítica también con relación a la izquierda tradicional. Al adoptar una praxis antropofágica de creación, herencia del Modernismo brasileño que cumple su centenario en 2022, el Tropicalismo se caracterizó por relaciones novedosas tejidas entre estética y política. El presente trabajo busca demostrar la dimensión decolonial del movimiento explicitando cómo este digirió las producciones musicales de ámbito internacional, las cinematográficas del movimiento Cinema Novo y las literarias y artísticas del Concretismo. Para eso son analizadas canciones de discos tropicalistas lanzados entre 1967 y 1969, así como textos y biografías de integrantes del movimiento. El análisis discursivo empleado está anclado en el marco teórico-metodológico de la disciplina filosófica de la Historia de las Ideas Latinoamericanas.
The artistic-musical movement Tropicalismo was born in São Paulo in 1967 with an aesthetic proposal that represented significant ruptures with the structures of art and culture in Brazil in the 1960s, sustaining opposition to the civic-military dictatorship (1964-1985) and also a critical stance in relation to traditional left-wing politics. By adopting an anthropophagic praxis of creation - legacy of Brazilian Modernism that completed its centenary in 2022 - Tropicalismo was characterized by innovative relationships woven between aesthetics and politics. The present study seeks to explain how it has digested the musical productions of an international scope, the cinematographic ones of Cinema Novo and the literary and artistic ones of Concretismo; in addition to demonstrating the decolonial dimension of the movement, connected with such an anthropophagic praxis of digesting alterity. For this purpose we analyze songs from tropicalist albums released between 1967-69, as well as letters and biographies of movement members. The discursive analysis performed is based in the theoretical-methodological framework of the philosophical discipline of History of Latin American Ideas.
Źródło:
Revista del CESLA. International Latin American Studies Review; 2023, 31; 247-270
1641-4713
Pojawia się w:
Revista del CESLA. International Latin American Studies Review
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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