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    Wyświetlanie 1-6 z 6
    Tytuł:
    Dwa homoerotyczne scenariusze fantazmatyczne Witkacego
    Witkacy’s two homoerotic phantasmal scenarios
    Autorzy:
    Sobczyk, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/969847.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    homosexuality
    queer
    abjection
    masturbation
    Decadent movement
    homoseksualność
    abiektalność
    dekadentyzm
    masturbacja
    Opis:
    The article attempts to describe homoerotic and non-heteronormative motifs mainly in Witkacy’s novels and, in a limited way, also in his plays (The Beelzebub Sonata and Maciej Korbowa and Bellatrix). The author refers to categories of bi-curiousness, semi-vir, abjection and phantasmal scenario, tracking the relation between decadence as ideology and decadence as homosexuality, and stating a thesis that Witkacy was a queer writer. The homoerotic scenes analyzed by the author, bearing similarities in structure and language, are described as representing two separate “phantasmal scenarios” in Witkacy’s literary imagination.
    Źródło:
    Wielogłos; 2012, 1, 11; 39-57
    2084-395X
    Pojawia się w:
    Wielogłos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Occulted Woman in Russian Silver Age Decadent Poetry
    Autorzy:
    Forrester, Sibelan E.S.
    Powiązania:
    https://bibliotekanauki.pl/articles/635600.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Russian Silver Age poetry
    Women poets
    decadent
    feminist
    gender
    literary scholarship
    Opis:
    The article outlines the cultural context of Russian women who contributed to the development of decadent poetry in the late 19th and early 20th centuries, most now forgotten or “occulted” (eclipsed, crowded out). Given the importance of gender theories and “feminine” discursive space in the Silver Age, this phenomenon must be examined; it is not just a typical example of women written out of literary history. The article suggests reasons why decadence may have appealed to women as well as why Russian women who adopted a specifically decadent position might not have been taken seriously. It ends by suggesting why more famous Russian poets (especially Axmatova and Cvetaeva, whose reputations have lasted and grown) achieved more lasting influence thanks to their occulted female predecessors.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 97-111
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Onomastyczne tropy dekadentyzmu. Nazwy własne w Bez dogmatu Henryka Sienkiewicza
    Onomastic traces of decadents. Proper names in Bez dogmatu by Henryk Sienkiewicz
    Autorzy:
    Rejter, Artur
    Powiązania:
    https://bibliotekanauki.pl/articles/684289.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    onomastyka literacka
    Henryk Sienkiewicz
    dekadentyzm
    stylistyka
    nazwy własne
    literary onomastics
    decadent
    stylistics
    proper names
    Opis:
    Proper names should be recognized as a significant factor of a literary character and in broader perspective of bringing closer the novel problems. The main novel character, Leon Płoszowski, percepts and sense the world through the self-analysis and analysis of the reality surrounding him. Proper names above all emphasize two features: erudition and cosmopolitism of the novel character. His formation and contact through the years with high culture do not help him to put the world – both: one inside and one outside him – in order, but all of this remains a stigma in a form of association everything with art, literature, philosophy etc. It is confirmed in the novel by numerous proper names. The fact that proper names in basic for Leon Płoszowski characteristics places in the novel apply mostly to the past, causes that they form sort of „onomastic museum”.
    -
    Źródło:
    Acta Universitatis Lodziensis. Folia Linguistica; 2016, 50; 91-103
    0208-6077
    2450-0119
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Linguistica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recenzja książki Roberto Mansbergera Amorosa pt. La Joven Europa y España: la cuestión de «el arte por el arte». Barcelona, 2013: Laertes. ISBN 978-84-7584-916-4, 466 stron
    A Review of a Book by Roberto Mansberger Amorós entitled La Joven Europa y España: la cuestión de «el arte por el arte». Barcelona, 2013: Laertes. ISBN 978-84-7584-916-4, 466 pages
    Autorzy:
    Draus-Kłobucka, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/504764.pdf
    Data publikacji:
    2014
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    “art for art’s sake”
    19th century
    art and morals
    Young Europe
    Spanish literature
    Decadent movement and Restoration
    Opis:
    The literary history of the question: “Art for art’s sake” in Europe and, more specifically, in Spain, is the subject of the book by Roberto Mansberger Amorós entitled La Joven Europa y España: la cuestión de «el arte por el arte» (Young Europe and Spain: the question of «art for art’s sake», written in Spanish). The book is composed of six chapters, along with the introduction, conclusion, extensive bibliography and index of names. The chapters focused on the general history of the idea alternate with those dedicated to the particular writers and thinkers. Chapter 1 presents the theory of “art for art’s sake,” its origin and progress. Chapter 2 introduces the subject of Young Europe, with the focus on Young Poland and Young Spain. Chapter 3 is an extensive digression about the subject of morals in Spanish 19th century literature, aesthetics, ethics and critics. Chapter 4 studies the individual stances of Valera and Campoamor, whereas chapter 5 undertakes the issue of the Decadent movement and the Restoration. The sixth and final chapter describes the poetry and the poets related to the concept “art for art’s sake.” The uniqueness of the book rests on the combination of the balanced analyses of literary sources and original period documents and archival material of Real Academia Española concerning the issues of art and morals, along with a reflection about the historical, philosophical and ideological context of the matter. Since this kind of profound knowledge united with the ability to write both persuasively and interestingly is rare, the book by Mansberger Amorós is an enlightening reading experience not only for specialists on the topic, but also for all those interested in the history of Spanish literature and ideas.
    Źródło:
    Academic Journal of Modern Philology; 2014, 3; 157-162
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Á LA FIN DE LA DECADENCE: LA TRADUCTION DE LANGUEUR DE PAUL VERLAINE PAR ZENON PRZESMYCKI ET SON INFLUENCE SUR LA DEFINITION POLONAISE DU DECADENTISME EUROPEEN
    Á LA FIN DE LA DÉCADENCE: ZENON PRZESMYCKI’S TRANSLATION OF PAUL VERLAINE’S LANGUEUR AND ITS INFLUENCE ON THE POLISH DEFINITION OF THE DECADENT MOVEMENT
    Autorzy:
    Kozik, Albert
    Powiązania:
    https://bibliotekanauki.pl/articles/690288.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Zenon Przesmycki; Paul Verlaine; Langueur; Niemoc; the Decadent movement; fin-desiècle; cultural transfer; translation studies; Kazimierz Wyka; Maria Podraza-Kwiatkowska; Andrzej Z. Makowiecki
    Zenon Przesmycki; Miriam; Paul Verlaine; Langueur; Niemoc; dekadentyzm; fin-de-siècle; koniec wieku; transfer kulturowy; translatologia; Kazimierz Wyka; Maria Podraza-Kwiatkowska; Andrzej Z. Makowiecki
    Opis:
    The article examines the most significant semantic changes and transpositions that can be found in Zenon Przesmycki’s translation of the seminal sonnet Langueur written by Paul Verlaine in the second half of the nineteenth century. It closely analyzes the way in which the translation was used by Polish scholars of literary history. Having influenced the vision of culture nurtured by the so-called Decadent Movement in fin-de-siècle Europe, Verlaine’s poem was then employed in numerous academic studies as an illustration of the philosophy and the attitude towards society that were dominant in the period under discussion. In Poland, Przesmycki’s translation played an important role in defining the very term “decadent,” as several influential researchers used it in their analyses in order to provide their readers with Polish equivalents of the original French terms. As a result, Przesmycki’s version of Verlaine’s sonnet, although intended just as a poetic translation, served a different purpose from the ones that its translator could have ever imagined. It helped define and describe the culture of “decadent” Europe as a whole. The terminology Przesmycki used to translate the French words, such as langueur and decadence (“niemoc” and “wielkie konanie” respectively), was thus introduced into the Polish scholarly debate on European modernism. Premised upon the idea of cultural transfer (transfert culturel), the analysis presented in the article helps determine the extent to which Przesmycki’s translation shaped the Polish perception of fin-de-siècle Europe.
    The article examines the most significant semantic changes and transpositions that can be found in Zenon Przesmycki’s translation of the seminal sonnet Langueur written by Paul Verlaine in the second half of the nineteenth century. It closely analyzes the way in which the translation was used by Polish scholars of literary history. Having influenced the vision of culture nurtured by the so-called Decadent Movement in fin-de-siècle Europe, Verlaine’s poem was then employed in numerous academic studies as an illustration of the philosophy and the attitude towards society that were dominant in the period under discussion. In Poland, Przesmycki’s translation played an important role in defining the very term “decadent,” as several influential researchers used it in their analyses in order to provide their readers with Polish equivalents of the original French terms. As a result, Przesmycki’s version of Verlaine’s sonnet, although intended just as a poetic translation, served a different purpose from the ones that its translator could have ever imagined. It helped define and describe the culture of “decadent” Europe as a whole. The terminology Przesmycki used to translate the French words, such as langueur and decadence (“niemoc” and “wielkie konanie” respectively), was thus introduced into the Polish scholarly debate on European modernism. Premised upon the idea of cultural transfer (transfert culturel), the analysis presented in the article helps determine the extent to which Przesmycki’s translation shaped the Polish perception of fin-de-siècle Europe.   
    Źródło:
    Prace Polonistyczne; 2019, 74; 175-193
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Genesis of Czech Decadence and Symbolism Towards Theurgy
    Autorzy:
    VOREL, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/909179.pdf
    Data publikacji:
    2020-09-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Art as a Complex Way of Thinking and Understanding of the World
    Czech literature at the turn of 20th century
    Decadence
    Symbolism
    Metamorphoses of Aesthetic-philosophical Concept of Symbolism
    from Decadent-Symbolism to Theurgic Symbolism
    Theurgy
    Synergy of Aesthetic and Religious Spheres
    česká literatura přelomu 19. a 20. století
    dekadence
    symbolizmus
    metamorfózy esteticko-filozofických koncepcí symbolizmu
    od dekadence k teurgickému symbolizmu
    umění jako způsob chápání světa
    synergie estetické a religiózní sféry
    Opis:
    The article is focused mainly on metamorphoses of aesthetic-philosophical approaches of the most important representatives of Czech literature at the end of 19th and beginning of 20th century whose work presents gradual heading for modern art, from decadent to symbolist focus using an aesthetic theory of Russian philosopher Vladimir Solovjov based on theurgic substance of art.
    Źródło:
    Bohemistyka; 2020, 3; 367-382
    1642-9893
    Pojawia się w:
    Bohemistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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