Temat: das Theater - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Niemieckie życie teatralne w Toruniu podczas II wojny światowej
German theatrical life in Toruń during WWII
Das deutsche Theaterleben in Thorn während des 2. Weltkriegs
Autorzy:: Grochowina, Sylwia
Powiązania:: https://bibliotekanauki.pl/articles/529467.pdf
Data publikacji:: 2014
Wydawca:: Towarzystwo Miłośników Torunia
Tematy:: Teatr
Toruń
II wojna światowa
theatr
WWII
das Theater
Thorn
2. Weltkrieg
Opis:: The aim of the article is to outline general rules determining the organisa-tion and functioning of German theatrical life in Toruń during WWII in the context of the nationalistic policy carried out by the Nazi authorities in the Gdańsk-Western Prussia Reich District. Apart from discussing organisational issues, the author analyses the repertoire of Toruń’s theatres. It reflects the policy of the Third Reich conditioned by political-ideological factors. The picture of German theatrical life in Toruń during WWII presented he-re allows us to discover general rules determining the organisation and func-tioning of theatres in the Third Reich. Theatres not only provided entertain-ment, but also satisfied the cultural needs of the German population creating the illusory sensation of stability and normality. Nevertheless, from the point of view of the German authorities, theatres were a means of political and ideo-logical indoctrination. The choice of appropriate repertoire and staging helped theatres to play an advocatory role for the idea of the national socialism.
Ziel des vorliegenden Artikels ist es nachzuzeichnen, unter welchen allge-meinen Bedingungen das deutsche Theaterleben im besetzten Thorn organi-siert war und funktionierte. Dies geschieht im Kontext der Nationalitätenpoli-tik der Besatzungsmacht im Reichsgau Danzig-Westpreußen. Außer der Erör-terung organisatorischer Fragen wird das auf den Bühnen in Thorn gespielte Repertoire analysiert. Es spiegelt die Repertoire-Politik der Staatsmacht des Dritten Reiches wieder, die von Maximen politisch-ideologischer Natur be-stimmt war. Das im vorliegenden Artikel gegebene Bild des deutschen Theaterlebens in Thorn während des 2. Weltkriegs erlaubt es gewisse allgemeine Gesetzmäßig-keiten aufzuzeigen, die die Organisation und die Arbeit der Theater im Dritten Reich bestimmten. Theater boten nicht nur Unterhaltung, befriedigten die kulturellen Bedürfnisse der deutschen Bevölkerung und schufen ein Gefühl von Stabilisierung und Normalität, sondern sie waren vor allem ein Instrument der politischen und ideologischen Indoktrination im Interesse der deutschen Staatsmacht. Durch ein entsprechend ausgewähltes Repertoire und passende Inszenierungen erfüllten die Theater die Rolle von Sachwaltern der Idee des Nationalsozialismus.
Źródło:: Rocznik Toruński; 2014, 41; 93-120
0557-2177
Pojawia się w:: Rocznik Toruński
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: Avant-Garde anatomy: dissection and re-composition of art and its history in the works of Milorad Krstić
Autorzy:: Somhegyi, Zoltán
Powiązania:: https://bibliotekanauki.pl/articles/2188253.pdf
Data publikacji:: 2022-10-24
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:: re-visitations of the past
Avant-Garde
Milorad Krstić
Das Anatomische Theater
Ruben Brandt
collector
Opis:: Numerous artists have revisited or got inspired by artworks of earlier periods, thus making their own paraphrase of previous creations. Not only artists of the (early) Modern Age had revisited Antiquity, but even Avant-Garde artists have not entirely dissociated themselves from certain forms, motifs, approaches or themes of the classical traditions. It is so, despite the Avant-Garde artists’ focus on creating along new visions, and offering radically novel perspectives in and for art and its infrastructure, that was a similar feature in most of the movements within the classical Avant-Garde. Later however, even Avant-Garde itself got historicised, and, as a consequence, became possible subject-matter of revaluation, as we can observe it in the paraphrasing practice of several artists from the 20th and 21st centuries. The works of Milorad Krstić — that are put in the centre of this study as a thought-provoking case study with fascinating consequences for aesthetics too — represent a particular approach within the aforementioned revisitations of art in general and the re-interpretation of Avant-Garde and 20th century art in particular. One of the specialities of his approach lies in the fact that he does not merely return to previous works, including those that are of crucial importance in the Avant-Garde, simply for inspiration, but his practice of the evaluative examination of the art of the 20th century will be essentially defined by the Avant-Garde techniques. In his Das Anatomische Theater he dissects the 20th century, but then encyclopaedically re-assembles the fragments to a novel total work of art that presents the history of art of the period. Then, in his full-length animation movie Ruben Brandt, collector he continues re-assembling and re-telling art history by constantly inserting fragments of it in the novel work itself, hence the collection will become not only the subject-matter of the film, but even one of its most spectacular features.
Źródło:: ARGUMENT: Biannual Philosophical Journal; 2022, 12, 1; 201-214
2083-6635
2084-1043
Pojawia się w:: ARGUMENT: Biannual Philosophical Journal
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "das Theater" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język