Temat: dance anthropology - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kuduro – taniec młodego pokolenia Angoli. Charakterystyka zjawiska
Kuduro – the dance of Angola’s young generation. A description of the phenomenon
Autorzy:: Marsal Cabitango, Manuela
Powiązania:: https://bibliotekanauki.pl/articles/666929.pdf
Data publikacji:: 2016
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: kuduro
Angola
dance anthropology
forms of movements
dance forms
Opis:: Kuduro is a type of music and dance which was created in the capital city of Angola (Luanda) at the end of 1980’. It combines batida with electronic music such as techno and house and also with rap, originating from US. The paper presenting this type of dance starts with its general characteristic, then continues describing factors influencing current shape and functions of kuduro. Next, we present in details the movements of this dance and conclude with an overview of the dance forms and the definition of kuduro dance which summarize the information presented in the paper.
Źródło:: Studia Etnologiczne i Antropologiczne; 2016, 16; 201-214
1506-5790
2353-9860
Pojawia się w:: Studia Etnologiczne i Antropologiczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Dance in tourism from an anthropological perspective: An introduction to the research issue
Autorzy:: Banio, Adrianna
Malchrowicz-Mośko, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/627540.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: dance in tourism
dance anthropology
cultural tourism
sports tourism
Opis:: Nowadays, dance plays an important role in the modern tourism industry. Today, the craze for dancing creates great opportunities for cultural tourism. However, it should be remembered that there is a great danger of losing the most important meaning of dance by commercializing and reducing its essence. Dance tourism as discussed in the article is understood as travel for the purpose of learning about dance and its culture in places where given dance styles were born, or where they play an important national role as well as enjoying great popularity among the local community. This article is an introduction to the issue of dance tourism in an anthropological context. It presents potential attractions related to dance in the perspectives of cultural and sports tourism, it has an illustrative and descriptive character while its method is a literature review and presentation of popular examples.
Źródło:: Turyzm; 2019, 29, 1; 15-21
0867-5856
2080-6922
Pojawia się w:: Turyzm
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Złote spoiwa. Problem przekładu w tańcu na przykładzie klasycznego tańca japońskiego
Golden binders. Translation in dance on the example of the Japanese classical dance
Autorzy:: Umeda, Hana
Powiązania:: https://bibliotekanauki.pl/articles/1944336.pdf
Data publikacji:: 2020-12-15
Wydawca:: Narodowe Centrum Kultury
Tematy:: taniec
nihon buyō
Japonia
translacja
antropologia doświadczenia
dance
Japan
translation
anthropology of experience
Opis:: In his essay The Task of the Translator, Walter Benjamin compared literary translation to fragments of a broken vessel that need to be put together. Applying Benjamin’s metaphor to the world of dance, this article proposes to look at the practice of the Japanese classical dance as a translation process that occurs at the level of the body. Kirsten Hastrup’s anthropology of experience is proposed as the methodological perspective. Basing on her own body and many years of personal experience with nihon buyō as the field of her ethnographic research, the author reflects on her dual role of a dancer and a researcher, and her double – half-Japanese and half-Polish – identity. Reconstructing her experience of learning the dance, primarily the mistakes she made at the early stage, she looks into the process of transforming the body. With the dance recognised as a kind of a language, she proposes to approach it and its practice like a form of reading. Through a detailed analysis of different positions of the body and putting the body in motion, she searches for the possible ways to understand the dance and its translation. While doing so, she highlights this long-term process as a prerequisite for such a translation to occur.
Źródło:: Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 111, 4; 73-87
1230-4808
Pojawia się w:: Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Teatr jako gabinet luster o inspiracjach antropologicznych przedstawienia Farmy w Jaskini
Autorzy:: Mogilnicka, Krystyna
Powiązania:: https://bibliotekanauki.pl/articles/973927.pdf
Data publikacji:: 2012-06-01
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Czech theatre
laboratory-theatre / teatr laboratorium
the theatre in theatre / teatr w teatrze
theatre anthropology / antropologia teatru
Afro-Brazilian culture / kultura afro-brazylijska
Brazilian dramatic dance / brazylijskie tańce dramatyczne
candomble
Opis:: The article presents the Czech laboratory-theatre Farma v jeskyni (Farm in the Cave) and its last performance, entitled The Theatre. It simultaneously addresses the anthropological inspirations influencing the form and subject of the performance: particularly two expeditions to Brazil during which the group came in contact with Afro-Brazilian culture, its theatrical forms, dance and musical motifs. Through a description of certain scenes of the play, the set design, the props and the stage action, the author shows these inspirations within the closed material of the artistic work. She considers the transposed significance of the utilised motifs, the function of the theatre in theatre, the role of the spectator and the actor-slave parallel.
Źródło:: Kultura i Społeczeństwo; 2012, 56, 2; 127-150
2300-195X
Pojawia się w:: Kultura i Społeczeństwo
Dostawca treści:: Biblioteka Nauki

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