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    Wyświetlanie 1-3 z 3
    Tytuł:
    Typology of opening scenes in the new generation of TV series
    Autorzy:
    Borowiecki, Artur
    Powiązania:
    https://bibliotekanauki.pl/articles/2194784.pdf
    Data publikacji:
    2021-06-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    contemporary drama series
    narrative complexity
    quality drama
    continuing series
    teaser
    Opis:
    The product of quality TV, modern TV series have undergone significant changes compared to traditional productions. TV series used to have a closed episodic structure, contained within a single episode. These days, the format marked by a narrative continuity prevails. The types of sequences that open TV series have changed, too. Filmmakers employ various ‘opening strategies’ to make their productions stand out and attract audiences’ attention. The initial scenes highlight dynamic action, set the tone and express the central conflict. Other types of opening aim to explicate the main protagonist to make them intriguing. This article will provide the definition of ‘opening scenes’, and their typology will be discussed based on selected examples.
    Źródło:
    Kultura-Społeczeństwo-Edukacja; 2021, 19, 1; 119-132
    2300-0422
    Pojawia się w:
    Kultura-Społeczeństwo-Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Na przekór formatowi. Kilka uwag o polskim dramacie współczesnym
    Autorzy:
    Kopciński, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/1186438.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Polish contemporary drama
    series
    theater
    television format
    Opis:
    The author of the essay reflects on the original shape of Polish contemporary dramaturgy, which ostentatiously breaks the known genre rules at the level of language, style, composition, construction of the protagonist and the presented world. He lists many reasons for this, focusing on the surprising relationship between contemporary drama and the format of popular television series produced in soap opera style. This is a negative relation - the authors who write TV scripts on a daily basis ostentatiously deny the use of the series’ formats in their dramatic texts. Thus, in Polish contemporary culture, we observe an interesting tension with the conventionalized, yet extremely popular formula of the series and the very avant-garde, and at the same time exclusive poetics of many Polish theater plays. This tension concerns both aesthetic and worldview. While the series propose a rather conservative vision of the world, contemporary plays eagerly revise it from a liberal or leftist perspective. The negative reference to the poetics of the drama series allows us to capture many of its characteristic features, such as hybridity, transgression and criticality.
    Źródło:
    Załącznik Kulturoznawczy; 2020, 7; 605-617
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Narracyjna złożoność współczesnego serialu telewizyjnego na przykładzie Breaking Bad Vince’a Gilligana
    The Narrative Complexity of Contemporary TV Series Based on Vince Gilligan’s Breaking Bad
    Autorzy:
    Lewandowska, Zuzanna
    Powiązania:
    https://bibliotekanauki.pl/articles/920486.pdf
    Data publikacji:
    2015-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Breaking Bad
    Vince Gilligan
    TV series
    contemporary television
    quality television
    post-network era
    quality drama
    narrative complexity
    Opis:
    The formula of the contemporary TV series, as a product of quality television, differs significantly from the traditional series in terms of its narrative structure and ways of building a plot line. Th is article presents an analysis of  the Breaking Bad series’ “narrative complexity”, which is the most distinguishing feature of the modern TV series. “Narrative complexity” can be understood not only as a series of innovative narrative devices, such as cold opens, flashbacks and flashforwards, but is also based on the multiplicity of plot lines present in each episode, constituting a whole story over the course of the seasons. Looking at the ways used to construct a plot and the narrative techniques adopted in Vince Gilligan’s Breaking Bad, that is, his use of parallels and symmetries, and the plot’s focus on the development of the series’ (anti)hero, the show can be interpreted as a “result drama"and “mirroring drama”. Th rough its use of the above-listed features of “narrative complexity”, the show meets the standards for a contemporary, quality television series.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 43-52
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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