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Tytuł:
Una breve sintesi sulla presenza degli anglicismi nel settore delle lingue speciali riguardo all italiano contemporaneo
A short synthesis of the existence of anglicisms in the sector of special languages with reference to contemporary Italian
Autorzy:
Szpingier, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1052647.pdf
Data publikacji:
2008-11-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
anglicisms
contemporary Italian
special languages
English language
Opis:
This article presents the classification and description of borrowings from the English language in the sector of special languages with reference to contemporary Italian. The present times are characterized by multiplicity of linguistic variants. Different, ready-made solutions to are observed this complex situation.
Źródło:
Studia Romanica Posnaniensia; 2008, 35; 295-304
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sulle tracce perdute dell’urogallo: un approccio ecocritico a Stagioni di Mario Rigoni Stern
On the lost traces of the grouse: an ecocritical approach to Stagioni by Mario Rigoni Stern
Autorzy:
Bedin, Cristiano
Powiązania:
https://bibliotekanauki.pl/articles/43665624.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Mario Rigoni Stern
Contemporary Italian Literature
Ecocriticism
Pastoral
Wilderness
Memory
Opis:
Stagioni (2006) is the last work by the Italian writer Mario Rigoni Stern and it is like an autobiography that delves into the most important phases of his life and explains his relationship with history and, above all, with nature, the focal point of his literary production. In this contribution, starting from an overview of some theoretical fundamentals of ecocriticism, such as Pastoral and Wilderness, and considering the relationship between ecocriticism and literary studies, we intend to analyze Rigoni Stern’s environmen- talist approach, placing Stagioni in the more complex ecological discourse that the writer built in his long literary career.
Źródło:
Studia Romanica Posnaniensia; 2022, 49, 3; 75-91
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La forza del silenzio. Dalla Filomela di Ovidio a Lisario di Antonella Cilento
The Power of Silence. From Ovid’s Philomela to Lisario by Antonella Cilento
Autorzy:
Antelmi, Gerardina
Powiązania:
https://bibliotekanauki.pl/articles/1048388.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antonella Cilento
Philomela
contemporary Italian women’s writing
women’s voice
Opis:
The present article examines how Antonella Cilento reinvents the myth of Philomela in Lisario o il piacere infinito delle donne, Premio Strega finalist (2014) and winner of Boccaccio Prize (2014). After evidencing the narrative aspects of Ovid’s myth – the rape; the cutting out of the tongue depriving the raped woman of her voice; the expression of the violence she experienced – the analysis focuses on how Cilento overturns the myth by interweaving Ovid’s tale with the topos of Sleeping Beauty. Despite her silencing, Lisario discovers and appropriates the pleasure that can be drawn from her body. The paper concludes by considering how the protagonist finds new and non violent ways to express herself and relate to future generations of women.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 95-107
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Per una riconsiderazione dello standard: un’indagine sull’italiano scritto degli studenti universitari di Palermo e Messina
A New Standard Italian: Survey on the Academic Writing of Students of the Universities of Palermo and Messina
Autorzy:
Amenta, Luisa
Assenza, Elvira
Powiązania:
https://bibliotekanauki.pl/articles/446671.pdf
Data publikacji:
2018-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
standar
contemporary Italian
academic writing
norm
use
standard
italiano contemporaneo
scrittura accademica
norma
uso
Opis:
In the mid-1980s, Sabatini and Berruto theorised the need to support the Italian standard via non-standard varieties (“average use,” or neo-standard) towards which the norm’s barycentre progressively had shifted. Thirty years later, and in light of the dynamism that the uses of speakers have impressed on the system, the issue has become a central one yet again. This paper investigates the main features of university students’ written language. The corpus consists of 300 e-mails sent to professors and 150 drafts of degree dissertations, produced by students of the degree courses in Humanities, Foreign Languages, Education, and Communication of the Universities of Palermo and Messina. Despite lacking any quantitative relevance, the results of this research allow us to identify which features of neo-standard Italian are now accepted by speakers in their language uses at the level of (semi-)formal writing, such as academic writing, and to propose a new reflection on the need to redefine the norm of contemporary Italian.
A metà degli anni Ottanta, Sabatini e Berruto hanno teorizzato la necessità di affiancare all’italiano standard delle varietà non standard (“dell’uso medio” – neostandard) verso cui tendeva progressivamente il baricentro della norma. A trent’anni di distanza, e alla luce del dinamismo che proprio gli usi dei parlanti hanno impresso nel sistema, la questione torna a essere centrale. Il contributo presenta un’indagine sulle tendenze in atto nell’italiano scritto degli studenti universitari. Il corpus di analisi è costituito da email inviate ai docenti e bozze di tesi di laurea, prodotte da un campione di centocinquanta studenti dei corsi di Laurea di Lettere, Lingue, Scienze della Formazione e Scienze della Comunicazione delle Università di Palermo e Messina. Pur non avendo pretese di rilevanza quantitativa, i risultati della ricerca consentiranno di isolare tratti del neostandard oggi accolti negli usi dei parlanti in una scrittura medio/formale come quella accademica e di proporre una nuova riflessione sulla questione della ridefinizione della norma dell’italiano contemporaneo.
Źródło:
Italica Wratislaviensia; 2018, 9.2; 11-36
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Umberta Eco powieści profesorskie
Umberto Eco’s Professorenromans
Autorzy:
Soliński, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/579045.pdf
Data publikacji:
2015
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
professorenroman
academic novel
campus novel
contemporary Italian literature
Professorenroman
powieść profesorska
powieść campusowa
współczesna literatura włoska
Opis:
The object of this analysis are the currently available literary works of Umberto Eco's as different manifestations of the so-called professorenroman (academic novel). Using the concept of the professorenroman as a starting point, the author claims that none of the Italian author's novels falls within this genre. Moreover, the concepts of an academic novel or a campus novel are also insufficient when it comes to Eco's books analysis. In order to popularise his own research Eco makes use of various literary, syncretic and non-literary genre patters, both the contemporary and the old ones. He is also often testing different theoretical literary concepts constructed by him or other authors. A characteristic feature of many of his novels is their cognitive over-informativeness, which on one hand hinders their reception, on the other signals methodological and methodical problems present in the study of humanities.
Przedmiotem analizy są tutaj wszystkie aktualnie dostępne literackie dzieła narracyjne Umberta Eco jako różne przejawy tak zwanej powieści profesorskiej. Wychodząc od fundamentalnego pojęcia Professorenroman, autor dowodzi, że żadna z powieści włoskiego autora nie stosuje się do tego gatunkowego wzorca. Niezbyt przydatne do ich analizy okazują się także pojęcia academic novel i campus novel. Misję popularyzacji, najczęściej własnych, badań naukowych realizuje Eco wykorzystując, w powieściach najróżniejsze literackie, synkretyczne i nieliterackie formy gatunkowe: z przeszłości i współczesności. Sprawdza również w praktyce powieściopisarskiej, w zależności od potrzeb, teoretyczne koncepty literaturoznawcze własne i cudze. Cechą charakterystyczną niektórych jego powieści jest ich poznawcza nadinformacyjność, która nie ułatwiając ich odbioru, sygnalizuje równocześnie problemy metodologiczne i metodyczne nurtujące humanistyczne badania naukowe.
Źródło:
Zagadnienia Rodzajów Literackich; 2015, 58/116 z. 2; 87-98
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Colorito locale” e coscienza metalinguistica nei gialli di Santo Piazzese e di Dome-nico Seminerio
“Colourful Local Language” and Metalinguistic Consciousness in the Crime Novels of Santo Piazzese and Domenico Seminerio
Autorzy:
Sardo, Rosaria
Powiązania:
https://bibliotekanauki.pl/articles/1929929.pdf
Data publikacji:
2020-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Italian language
dialects
crime novels
language and style
Contemporary Italian
Literature
lingua italiana
dialetti
letteratura giallo-noir
lingua e stile
letteratura contemporanea
Opis:
Amongst the possible linguistic-stylistic polarities for Italian narrators (monolinguism/ standardised language and multilingualism/regionalised Italian), which are clearly outlined by De Roberto in his well-known Preface to Documenti umani, Santo Piazzese and Domenico Seminerio move with care and remarkable metalinguistic consciousness, drawing on Sciascia in different ways. Their different writing practices, far removed from Camilleri’s linguisticstylistic choices, seem oriented towards what Testa (1997) called a “simple style” with a focus on “local colour” that is part of Piazzese’s refined rhetorical and investigative play and, in the case of Seminerio, is functional to the expressive rendering of the interlacing of History, magic, and mystery. In both cases, it is thanks to this specific attention to linguistic facts that the defining principles of detective stories are renewed. The aim of this article is to systematically trace the two different ways of stylistically rendering the sociolinguistic reality narrated by Piazzese and Seminerio, with the first oriented towards the cautious mimesis of regional dialogue, the second, towards the diegetic pole of reproducing indirect and traditional narrative modes.
Fra le polarità linguistico-stilistiche possibili per i narratori italiani (monolinguismo/ lingua standardizzata e pluringuismo/italiano regionalizzato) - delineate con chiarezza già da De Roberto nella ben nota Prefazione a Documenti umani - i nostri due autori, Santo Piazzese e Domenico Seminerio, si muovono con cautela e notevole coscienza metalinguistica, facendo tesoro della lezione sciasciana con modalità diverse. Distanti dalle scelte linguistico-stilistiche di Camilleri, le loro differenti pratiche scrittorie sembrano orientate verso quello che Testa (1997) definiva “stile semplice” con un’attenzione al “colorito locale” che fa parte nel caso di Piazzese del raffinato gioco retorico e indagativo e nel caso di Seminerio è funzionale alla resa espressiva dell’intreccio tra, Storia, magia e mistero. In entrambi i casi è proprio grazie a un’attenzione specifica ai fatti linguistici che si rinnovano i moduli della narrativa poliziesca. Con forme mimetiche caute, utili a conferire colore locale oppure modi di pensare profondamente contrapposti, i gialli dei due autori offrono ai lettori la possibilità di riflettere sulle strutture sociali e i rapporti interpersonali proprio grazie a una resa equilibrata delle relazioni comunicative nel dialogato e nel narrato.
Źródło:
Italica Wratislaviensia; 2020, 11.2; 73-95
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Soluzioni legali o scelta libera: quale politica adottare verso gli anglicismi nell’italiano contemporaneo?
Legal Solutions or Free Choice: What Policy Should Be Adopted Towards Anglicisms in Contemporary Italian?
Autorzy:
Karczewska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/446302.pdf
Data publikacji:
2015-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Language policy
loanwords
contemporary Italian
Anglicisms
Superior Council of the Italian Language
politica linguistica
forestierismi
italiano contemporaneo
anglicismi
Consiglio superiore della lingua italiana
Opis:
In contemporary Italian, just like in other languages, numerous English words are used. They are particularly frequent in the terminology of some branches of science, such as computer science, as well as in the language of young people. In this article, we discuss the issue of an appropriate policy to adopt towards these foreign lexical items. Different approaches to the problem are presented: the liberal approach, in which linguists should only describe linguistic realities rather than prescribe the “right” choices; the conscious approach, in which every speaker of Italian should reflect on his or her lexical choices; and the most radical approach, in which some official solutions are to be introduced. One of these solutions is the project of the Consiglio Superiore della Lingua Italiana, whose task would be to protect the Italian language against loanwords of English origin.
Nell’italiano contemporaneo, come in altre lingue, si usano numerosi anglicismi. Essi sono particolarmente frequenti nella terminologia di alcuni rami della scienza quali l’informatica, ma anche nel linguaggio giovanile. Nell’articolo viene discussa la questione della politica adeguata da adottare verso gli elementi lessicali stranieri. Si presentano diversi approcci al problema: l’approccio liberale in cui i linguisti si limitano a descrivere la realtà linguistica invece di prescrivere soluzioni corrette, l’approccio cosciente in cui ogni parlante d’italiano riflette sulle proprie scelte lessicali e l’approccio più radicale in cui si introducono alcune soluzioni ufficiali. Una di quelle soluzioni è il progetto della fondazione del Consiglio superiore della lingua italiana il cui compito sarebbe la protezione della lingua italiana dai forestierismi di origine inglese.
Źródło:
Italica Wratislaviensia; 2015, 6; 181-196
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tra legge, corpo e simbolo La paternità omosessuale e la cultura androcentrica in Sei come sei di Melania G. Mazzucco
Autorzy:
Kornacka, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/700529.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Italian contemporary novel
homosexual paternity
body
gender
androcentric culture
symbolism
Opis:
The following paper analyzes the theme of homosexual paternity. It analyzes Mazzucco’s novel on three different levels: the legal and social context, the gender perspective, and the level of literary and artistic symbols. In each of these areas we can observe the importance given to traditional paternity, seen as legal power or divine creation of the men. On the contrary, homosexual paternity is excluded by law, denied as containing maternal elements, and endowed with modest symbolic power.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A chi assomiglia Elena Ferrante? Un profilo stilometrico aggiornato
Who Does Elena Ferrante Look Like? A Revised Stylometric Identikit
Autorzy:
Cortelazzo, Michele A.
Tuzzi, Arjuna
Powiązania:
https://bibliotekanauki.pl/articles/446396.pdf
Data publikacji:
2020-07-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Elena Ferrante
contemporary Italian literature
authorship attribution
similarity measure
text clustering
letteratura italiana contemporanea
attribuzione d’autore
misure di
similarità
classificazione dei testi
Opis:
Based on a corpus including 150 novels by 40 authors, a stylometric survey was conducted to assess which modern authors were similar to Elena Ferrante, the pen name used for eight novels, including "My Brilliant Friend" (Tuzzi & Cortelazzo 2018a and 2018b). The survey proved that Elena Ferrante’s writing style is remarkably different from that of the other main contemporary Italian novelists with the notable exception of Domenico Starnone. Follow-up studies (Cortelazzo, Mikros & Tuzzi 2018 and another under way) show that non-fiction works signed by Elena Ferrante may be attributed to different authors, i.e., Anita Raja, Starnone again, and a collective author including the staff of the E/O publishing house. This study complements the results obtained by previous research by assessing Elena Ferrante’s role in modern Italian fiction following the publication of her latest novel, "The Lying Life of Adults". In addition, the analysis of her similarities to Domenico Starnone was enhanced by means of a larger corpus of his novels, thus corroborating the outcome of previous research.
Sulla base di un corpus di 150 romanzi di 40 autori, abbiamo condotto un’indagine stilometrica, per valutare quali autori contemporanei risultassero più vicini a Elena Ferrante, pseudonimo con cui sono stati firmati otto romanzi, tra cui "l’Amica geniale" (Tuzzi & Cortelazzo 2018a e 2018b). L’indagine ha dimostrato che lo stile di scrittura di Elena Ferrante è notevolmente diverso da quello degli altri principali romanzieri italiani contemporanei, con la sola eccezione di Domenico Starnone. Studi successivi (Cortelazzo, Mikros & Tuzzi 2018 e in preparazione) hanno mostrato che, invece, le opere non letterarie firmate da Elena Ferrante possono essere attribuite ad autori diversi, tra i quali Anita Raja, di nuovo Starnone e autore collettivo costituito dallo staff della casa editrice E / O. Questo studio integra i risultati delle ricerche precedenti, aggiornando la collocazione di Elena Ferrante nel panorama contemporaneo, in seguito all’uscita del suo ultimo romanzo ("La vita bugiarda degli adulti") e affinando lo studio delle similarità con Domenico Starnone, utilizzando un corpus più ampio di opere di questo autore. Risultano rafforzati i risultati delle ricerche precedenti.
Źródło:
Italica Wratislaviensia; 2020, 11.1; 123-141
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Osobliwości południowotyrolskie we współczesnej prozie włoskiej: na przykładzie powieści Eva dorme Franceski Melandri
The South Tyrol’s peculiarities in contemporary italian literature: the case of Eva dorme by Francesca Melandri
Le peculiarità altoatesine nella narrativa italiana: il caso di Eva dorme di Francesca Melandri
Autorzy:
Kamińska Di Giannantonio, Giulia
Powiązania:
https://bibliotekanauki.pl/articles/938902.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
South Tyrol
contemporary italian literature
regional identity
Francesca Melandri
Alto Adige
Sudtirolo
letteratura italiana contemporanea
identità regionale
Południowy Tyrol
Górna Adyga
współczesna literatura włoska
tożsamość regionalna
Opis:
The article deals with the subject of the South Tyrol’s peculiarities in Francesca Melandri’s debut novel Eva dorme (Eve sleeps, 2011). The author presents the most important characteristics of the region – the multilingualism of province, lack of understanding between the different ethnic groups, relationships with newcomers, reciprocal stereotypes and the legal separation of italian- and german-speaking groups. The novel is an interesting and original position on italian publishing market (due to a subject of novel) but it represents a conservative attempt to the problem of local identity and didactics aspiration to approach a less well-known part of country to the italian reader.
Artykuł porusza zagadnienie obecności Południowego Tyrolu we współczesnej literaturze włoskojęzycznej. Autorka stara się pokazać, w jaki sposób poszczególne cechy charakterystyczne dla alpejskiej prowincji zostały zrealizowane w powieści Eva dorme Franceski Melandri (2011). Wśród omówionych problemów znalazły się: kwestia wielojęzyczności regionu, brak zrozumienia między poszczególnymi grupami etnicznymi oraz relacje z przybyszami spoza prowincji, stereotypy i wzajemne uprzedzenia oraz prawnie narzucone rozdzielenie grupy włosko- i niemieckojęzycznej. Powieść, ze względu na poruszaną tematykę, jest ciekawą i oryginalną pozycją na włoskim rynku wydawniczym, można w niej jednak dostrzec zachowawczy sposób przedstawiania lokalnej tożsamości regionalnej oraz aspiracje dydaktyczne, służące przybliżeniu włoskiemu czytelnikowi mało znanej części kraju.
Źródło:
Fabrica Litterarum Polono-Italica; 2019, 1; 187-205
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maszyna do pisania, maszyna do zapamiętywania. Antonelli Aneddy zmagania z historią – z perspektywy tłumacza
A Typewriter, a Memory Writer. Antonella Anedda’s Struggle with History − Translator’s Perspective
Autorzy:
Płaszczewska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1194054.pdf
Data publikacji:
2021-06-20
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Antonella Anedda
cezury
współczesna poezja włoska
maszyna do pisania i komputer jako metafory
historia
pamięć
time landmarks
contemporary Italian poetry
typewriter and computer as metaphors
history
memory
Opis:
Artykuł to przyczynek interpretacyjny, poświęcony lekturze wiersza Antonelli Aneddy Macchina (Maszyna). Komentarz tłumacza dotyczy metaforycznych znaczeń maszyn (do pisania, komputera, taranu) w kontekście związków historii i pamięci z literaturą. Podsumowaniem artykułu jest prezentacja autorskiego przekładu utworu Aneddy na język polski.
This interpretative essay concerns the concept of time landmarks reflected in contemporary Italian poetry an example of which makes Antonella Anedda’s poem Macchina [Machine]. The poem is analysed to explore figurative meanings of ‘machines’ depicted in the text such as battering rams, typewriters, or computers as the artefacts of historical interest. These figurative meanings are interpreted in the context of memory and history and their associations with literature. As the conclusion of this essay the author presents her own Polish translation of the poem Macchina. 
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2021, 11 (14); 377-390
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narcyzm po włosku albo digitambulicy i selfiści
Italian narcissism, or digitambulists and selfie-makers
Autorzy:
Rygielska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1856942.pdf
Data publikacji:
2020
Wydawca:
Narodowe Centrum Kultury
Tematy:
narcyzm
narciselfie
włoska kultura współczesna
homo
civicus
prowspólnotowość
narcissism
italian contemporary culture
homo civicus
community oriented
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 108, 1; 202-209
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka jak Ocean. Novecento Alessandra Baricco w kontekście porównawczym
Music like an ocean. Alessandro Baricco’s Novecento in a comparative context
Autorzy:
Zarych, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/649553.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary literature
italian literature
music inspiration
comparative analysis
Opis:
Elżbieta Zarych presented the Italian writer and musicologist’s famous monologue in the context of his other literary and theoretical books, literary and musical works that served as his inspiration, as well as, contemporary pieces which deal with the same topic. The author of the dissertation, while considering the music and melody of Baricco, focused on pieces that possess the two principal topics: ‘music’ and ‘sea.’ Baricco wrote ‘the sea is the music’ and in the monologue Novecento they both are connected in the highest form. The author presented the conception of Baricco who, in order to avoid classifying his work into literary genres, wrote just ‘stories’ while connecting the literature, the music and the painting into the ‘white music of a story’. She also presented Barrico’s concept of real and ideal music in the context of his multi-level plot and the Novecento composition. Furthermore, the author analyzed the jazz quintet accompaniment composition for the Novecento monologue written for the Italian actor Eugenio Allegri, as well as, explored the realized and unrealized ideas during the composition’s creation process. She at-tempted to characterize the imagination of Baricco who, using his musical knowledge, tries to concretize the plot of Novecento; the metaphors: ‘life is a navigation’, ‘a sea is a music’, and ‘a story is a music and a sea’, as well as, describe the life of an ideal and genial musician Danny Boodmann T. D. For Lemon Novecento, life is music and music interprets reality. The author showed that for Baricco too, music is something real and normal, and for this reason in Novecento he tells the story of real music – jazz, played in real time on a real traveling ship.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 43-53
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genere e rappresentazione del femminile nei testi del diritto e dell’amministrazione in Italia
Autorzy:
Dell’Anna, Maria Vittoria
Powiązania:
https://bibliotekanauki.pl/articles/2083471.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Italian language
gender
feminization
legal communication
contemporary texts
Opis:
Gender and representing the feminine in legal and administrative texts in Italy – The paper examines the linguistic treatment of the genre (delimiting the concept to ‘female’, ‘woman’) at various levels of legal communication, through the analysis of legal and administrative texts of different kinds produced in Italy in the 20th and 21st centuries (codes, sentences, regulations, etc). The survey focuses on lexical aspects and is supported by lexicographical research.
Źródło:
Kwartalnik Neofilologiczny; 2019, 2; 353-360
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polish-Italian Design Dualism. Artistic Projects by Dorota Koziara
Autorzy:
Wiśnicka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/28409302.pdf
Data publikacji:
2017
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Italian design
Polish design
Design history
Contemporary art
Milan
Opis:
Polish-born, Milan-based designer, Dorota Koziara has been active on the international design scene for two decades. Her artistic career has swung between her national roots and the well-established traditions of Italian design. Working alongside the iconic Alessandro Mendini, Koziara gained a brand-new way of self-expression, smoothly intermingling between the two cultures. Her activity covers an outstanding range of projects, she is also the winner of the Third Millennium International Sculpture Competition held in Italy. Her achievements on both Polish and Italian design scenes are a unique example of how fluid contemporary trends based on national heritage can be. In this border-free society, the influences and relations between Polish and Italian design seem to be highly important. After centuries of inspiration and domination by Italian art, today’s scene shows a different approach to multicultural dialogue, the results of which are apparent in Koziara’s works. The article focuses on her achievements in the light of reciprocal Polish-Italian influences.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 160-175
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

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