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    Wyświetlanie 1-4 z 4
    Tytuł:
    Wymiar fraktalny polskiego organizmu przestrzennego
    Fractal dimension of Polish spatial organism
    Autorzy:
    Gibas, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/2032390.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    fractal dimension
    living structures
    spatial organism
    construction categories
    wymiar fraktalny
    żywa struktura
    organizm przestrzenny
    kategorie konstrukcji
    Opis:
    The analysis of the fractal dimension becomes one of the new approach features in spatial research. This approach bases on the perception of space as a living structure, an organism which in its complexity and heterogeneity is a multi-scale creation although holistically perceived. The aim of the authors was to determine the nationwide fractal dimensions for the distinguished construction categories and designation of general regularities in these layout.
    Źródło:
    Biuletyn Komitetu Przestrzennego Zagospodarowania Kraju PAN; 2018, 272; 359-371
    0079-3493
    Pojawia się w:
    Biuletyn Komitetu Przestrzennego Zagospodarowania Kraju PAN
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Aldo Clementi musicus mathematicus
    Autorzy:
    Carapezza, Paolo Emilio
    Powiązania:
    https://bibliotekanauki.pl/articles/780335.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Aldo Clementi
    Polydiatonic
    Constitutional categories
    Discourse construction
    Modules
    Canon
    De-collage
    Cassiodorus
    Augustin
    Leibniz
    Opis:
    Like that of Liszt and Stravinsky, the composers by whom he was attracted in his adolescence and early youth, Aldo dementi’s (Catania 1925-Rome 2011) musical production went through various phases, greatly changing on the surface and in appearance, though not in depth and substance. He himself suggests a division into five phases: 1. Preliminary (1944-1955), juvenile and apprenticeship works. 2. Structural (1956-1961). 3. Informal material (1961-1964). 4. Non-formal optical (1966-1970). 5. Polydiatonic (1970-2011): groups of letters indicating musical notes (for example: B-A-C H), or canti dati (modal or tonal - monodic or polyphonic - compositions of the western tradition, from the Stele of Sicilus to Stravinsky), but most often segments of melodic lines inferred from them. But - in the polyphonic counterpoint that derives from it - they are simultaneously intoned in the different voices in different tonalities: hence their superimposition restores the chromatic dodecaphonic total. Clementi himself proclaims the constitutional continuity of this development. The substance of his music consists in the direct transposition of a figurative project into a sonorous structure. Geometrie di musica: the title of the 2001 book by Gianluigi Mattietti refers first of all, as the subtitle says, to The diatonic period of Aldo Clementi, but it perfectly defines his whole musical production, all pervaded by dense polyphonic counterpoints. For Clementi construction is a goal, not a means to articulate discourse: indeed, he was even to do without discourse in his three central creative periods; and when in the fifth and latest one he has returned to it, he has enslaved it entirely to construction : he draws fragments from it, to be used as raw material, i.e. the diatonic subjects, of his dodecaphonic counterpoints. After the different phenomenology of the eruptions of sound matter of Varèse and Stravinsky, dementi’s music represents a further peak of pure construction in the sonorous space. His counterpoint however, like Webern’s, is limpid, subtly articulated, and dominated by reason: but here construction reigns supreme, and the composer in accordance with his requirements uses discursive melodic segments as raw material, as bricks (“modules” he says, and he describes them as mosaic tiles). “The idea of a construction achieved with the dovetailing of mirror-like images is also at the base of the figurative research of Escher, hinging on the concept of division of the plane, through repeated figures, mirror-like and congruent” (Mattietti). Indeed, dementi’s music is “disciplina quae de numeris loquitur” (discipline that speaks of numbers), according to the definition by Cassiodorus, rather than “scientia bene modulandi” (art of singing well), according to the definition by Augustine; and it is, more precisely, paraphrasing the famous definition by Leibniz, “exercitium arithmeticae manifestum coscientis se numerare animi” (evident arithmetical exercise of the mind aware of counting). Three compositions of dementi’s polydiatonic period are here thoroughly considered: two canons for string quartet, the very simple four-voiced Canone on a fragment by Platti (1997) and the very complex eight-voiced Tributo (1988) on “Happy birthday to you!”; and a de-collage, Blues and Blues 2, “fantasies on fragments by Thelonious Monk”, for piano (2001).
    Źródło:
    Interdisciplinary Studies in Musicology; 2013, 12; 57-72
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Matoša problematyzacje piękna. Tropem pewnego poszukiwania
    Matoš’s Beauty Problematizations. Following Some Research
    Autorzy:
    Czapik-Lityńska, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/635454.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    modernism
    aesthetic categories
    literary construction
    style
    artistry
    the sense of beauty
    artistic value
    aesthetic value
    Opis:
    The article describes the transformations of the traditional category of beauty in the Croatian modernist discourse. Based on the analysis of works of Matoš, we offer a study of modernist concepts of beauty, manifested in the relations between beauty, art and life. The discourse in question simultaneously transforms and explains the sense of beauty, introduces into the world of aesthetic and artistic values central to the culture of modernism.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 7
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Formalne podstawy i praktyka prowadzenia badań geologiczno-inżynierskich i geotechnicznych w Polsce
    Formal basis and practice of conducting engineering geological and geotechnical investigations in Poland
    Autorzy:
    Tarnawski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/2076167.pdf
    Data publikacji:
    2021
    Wydawca:
    Państwowy Instytut Geologiczny – Państwowy Instytut Badawczy
    Tematy:
    prawo geologiczne
    prawo budowlane
    warunki glebowe
    kategorie geotechniczne
    opinia geotechniczna
    raport geologiczno-inżynierski
    raport geotechniczny
    etapowanie badań glebowych
    nadzór inwestorski
    geological law
    construction law
    soil conditions
    geotechnical categories
    geotechnical opinion
    geological-engineering report
    geotechnical report
    staging of soil investigations
    investor supervision
    Opis:
    The changing legal conditions for soil investigation are reflected in the practice of their implementation. This, in turn, affects the quality of the investigation results, andultimately the possibility of obtaininga picture of soil conditions close to reality. Under the current legal framework, three types of soil investigation reports are prepared. It is important to stage their implementation correctly. The amendment to the Construction Law in 2020 may facilitate this, provided that the role of the Geotechnical Opinionin the soiltestingprocess is increased and the proper investor's supervision over the soil investigations is ensured.
    Źródło:
    Przegląd Geologiczny; 2021, 69, 12; 954--962
    0033-2151
    Pojawia się w:
    Przegląd Geologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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