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    Wyświetlanie 1-6 z 6
    Tytuł:
    Nowa edycja Confessio fidei Abrahama Kulwiecia
    Autorzy:
    Niedźwiedź, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/636471.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Reformation in Lithuania, Abraomas Kulvetis (Abraham Kulwieć), Confessio fidei, Renaissance literature
    Opis:
    A New Edition of Abraomas Kulvietis’sConfessio fideiThe paper discusses the latest edition of the works of a Lithuanian humanist and propagator of the Reformation, Abraham Kulwieć (Abraomas Kulvetis, ca. 1510/1512–1545), edited by a Lithuanian scholar, Dainora Pociūtė. In the first part the author raises the question of Kulvetis’s absence in the contemporary historical studies of Polish Renaissance literature. In the second part of the paper the author reminds the role of this person in the development of humanist culture and Reformation in the Grand Duchy of Lithuania in the first half of the 16th century.
    Źródło:
    Terminus; 2014, 16, 3(32)
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Życie konsekrowane - dynamiczny akt wiary i Confessio Trinitatis
    Consecrated Life - a Dynamic Act of Faith and Confessio Trinitatis
    Autorzy:
    Paszkowska, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/31340012.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    wiara
    życie konsekrowane
    formacja
    confessio Trinitatis
    faith
    the consecrated life
    formation
    Opis:
    “Jesus’ call to come, ≪follow me≫ marks the greatest possible exaltation of human freedom, yet at the same time it witnesses to the truth and to the obligation of acts of faith and of decisions which can be described as involving a fundamental option” (Veritatis splendor, n. 66). Consecrated life in the Church is a canonical way of living thanks to the strength resulting from acts of faith and from decisions connected to the practice of evangelical advice. A crisis inconsecrated life results from crisis of faith and from a luck of psychological stability of consecrated persons. This article shows several way show to pass over this crisis: the first way concerns the theological dimension; it consists in better understanding of the dynamism of faith; the second way concerns the spiritual formation; it consists in transforming the consecrated person in the spirit of faith; the third way is situated in life itself; it consists in confessing God as Trinity through the way of living (i.e. confessio Trinitatis). This article is based on the documents of Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, on the declarations of the Associations for the Apostleship, on the teaching of Popes Paul VI, John Paul II and Benedict XVI, and on some theological works on this matter.
    Źródło:
    Roczniki Teologii Duchowości; 2012, 4; 75-95
    2081-6146
    Pojawia się w:
    Roczniki Teologii Duchowości
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konfesja. Kilka uwag o znaczeniu terminu oraz jego używaniu i nadużywaniu w polskiej literaturze historycznoartystycznej
    Confession. A Few Remarks on the Meaning of the Term and its Use and Abuse in Polish Historical-Artistic Literature
    Autorzy:
    Krasny, Piotr
    Walczak, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1953485.pdf
    Data publikacji:
    2006
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    ołtarz
    konfesja
    kontrreformacja
    mensa
    relikwie
    nastawa ołtarza
    altar
    confessio
    confession
    Counterreformation
    relics
    retable
    Opis:
    A tendency has recently appeared in Polish art-historical literature, initiated most certainly by Szczęsny Dettloff, to treat the term confession in a very broad sense. One understand here all the altars that contain bigger relics, or almost complete bodies of saints. Now Ryszard Mączyński's book crowns this tendency, for it numbers several dozen “modern Polish confessions,” which most often have the form of an altar with relics laid in an ornamented coffin lifted up above a mensa. This form of an “altar-confession” is decisively different from the description of confessio contained in Milanese Archbishop St. Charles Boromeo's Instructiones fabrica et supellectilis ecclesiasticae of 1577, which is commonly thought to be the most important regulation of the principles of Catholic sacred art in the period after the Trident Council. He stated that the confessio should have the form of a crypt under on altar, containing the relics of a saint. Now confessions whose shape correspond to this definition were encouraged by Boromeo himself (in S. Prassede's church in Rome, in the cathedral, and in S. Fedele's church in Milan), and the bishops under his influence (e.g. Cardinal Gabriele Paleotti in the cathedral in Bologna). The famoust confession erected during the Counterreformation was St. Peter's confession in the Vatican Basilica (Carlo Maderno, completed in 1616). The altar and the baldachin put up over this wide crypt were never described in the 17th century as integral elements of the confessio, but as autonomic structures, supplementing the ornamentation of the tomb of the first pope. In the Italian texts of the Counterreformation period we do not find any transposition of the term confessio on the altar in which the bigger relics are laid over the floor, in the mensa, or in the retable. This type of altars were not called confessions even in the Polish sources until the end of the 18th century. Most often they were simply described as tombs or saints' mausoleums. Therefore it seems that referring the term confession to them is obviously anachronic and can make difficult in the future to study the sources of the artistic ornamentation of the saints' cult in Polish Kingdom of the Counterreformation period. The scope of the term confession, recently propagated by Mączyński, also decisively diverges from the definition of the term, as it is assumed in the most important West European artistic lexicons. We mean those lexicons that have the same scope of the term in relation to the Counterreformation epoch as it was assumed by Boromeo. We can do nothing but to adjust the Polish meaning of the confession to the standard accepted by scholars in other countries. If we allow ourselves to be free in acquiring universal artistic terms, we can be separated in the history of art from scientific discussion that is going on in other countries. A tendency has recently appeared in Polish art-historical literature, initiated most certainly by Szczęsny Dettloff, to treat the term confession in a very broad sense. One understand here all the altars that contain bigger relics, or almost complete bodies of saints. Now Ryszard Mączyński's book crowns this tendency, for it numbers several dozen “modern Polish confessions,” which most often have the form of an altar with relics laid in an ornamented coffin lifted up above a mensa. This form of an “altar-confession” is decisively different from the description of confessio contained in Milanese Archbishop St. Charles Boromeo's Instructiones fabrica et supellectilis ecclesiasticae of 1577, which is commonly thought to be the most important regulation of the principles of Catholic sacred art in the period after the Trident Council. He stated that the confessio should have the form of a crypt under on altar, containing the relics of a saint. Now confessions whose shape correspond to this definition were encouraged by Boromeo himself (in S. Prassede's church in Rome, in the cathedral, and in S. Fedele's church in Milan), and the bishops under his influence (e.g. Cardinal Gabriele Paleotti in the cathedral in Bologna). The famoust confession erected during the Counterreformation was St. Peter's confession in the Vatican Basilica (Carlo Maderno, completed in 1616). The altar and the baldachin put up over this wide crypt were never described in the 17th century as integral elements of the confessio, but as autonomic structures, supplementing the ornamentation of the tomb of the first pope. In the Italian texts of the Counterreformation period we do not find any transposition of the term confessio on the altar in which the bigger relics are laid over the floor, in the mensa, or in the retable. This type of altars were not called confessions even in the Polish sources until the end of the 18th century. Most often they were simply described as tombs or saints' mausoleums. Therefore it seems that referring the term confession to them is obviously anachronic and can make difficult in the future to study the sources of the artistic ornamentation of the saints' cult in Polish Kingdom of the Counterreformation period. The scope of the term confession, recently propagated by Mączyński, also decisively diverges from the definition of the term, as it is assumed in the most important West European artistic lexicons. We mean those lexicons that have the same scope of the term in relation to the Counterreformation epoch as it was assumed by Boromeo. We can do nothing but to adjust the Polish meaning of the confession to the standard accepted by scholars in other countries. If we allow ourselves to be free in acquiring universal artistic terms, we can be separated in the history of art from scientific discussion that is going on in other countries.
    Źródło:
    Roczniki Humanistyczne; 2006, 54, 4; 67-97
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Will Luther’s Excommunication be lifted in 2021? A Plea of the Altenberg Ecumenical Round Table
    Autorzy:
    Gosker, Margriet
    Powiązania:
    https://bibliotekanauki.pl/articles/1727426.pdf
    Data publikacji:
    2021-09-27
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Apel altenberski
    ekumenizm
    Luter
    ekskomunika
    wspólna deklaracja
    Wyznanie Augsburskie
    Altenberg Appeal
    Ecumenism
    Luther
    Excommunication
    Joint Declaration
    Confessio Augustana
    Opis:
    The Altenberg Ecumenical Round Table appeals in a declaration or appeal to Pope Francis asking him to lift the ban on Martin Luther and his followers, while appealing to the Lutheran World Federation to remove from the confessions the passages calling the Pope Antichrist. I describe the release of the Altenberg Appeal and the publication of the book on the subject, including its background and the first reactions to both. Finally, I explain my own position here.
    Altenberskie ekumeniczne obrady okrągłego stołu w swej deklaracji odwołują się do papieża Franciszka, pytając się go o zniesienie ekskomuniki na Marcina Lutra i jego następców, apelując jednocześnie do Światowej Federacji Luterańskiej o usunięcie z wyznań wiary ustępów określających papieża jako Antychrysta. W artykule zostaje opisana działalność grupy: publikacja tzw. Apelu Altenberskiego i publikacja książki dotyczącej tematu, z uwzględnieniem jego podstaw, jak i pierwszych reakcji. Ponadto zaprezentowane zostaje stanowisko autorki.
    Źródło:
    Roczniki Teologiczne; 2021, 68, 7; 35-57
    2353-7272
    Pojawia się w:
    Roczniki Teologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Metra quaedam Archipoetae
    Autorzy:
    Gajda-Krynicka, Janina
    Powiązania:
    https://bibliotekanauki.pl/articles/1954292.pdf
    Data publikacji:
    2003
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Archipoeta
    Reinald von Dassel
    Fryderyk I Barbarossa
    topika
    confessio
    recusatio
    Arch-poet
    Reinald of Dassel
    Frederick I Barbarossa
    topic
    Opis:
    The paper focuses on one of the most eminent poets of the twelfth century. He is called Arch-poet (vates vatum) because we do not know his real name. Only nine poems have been preserved to date, and they can be found in the codes of Götingen and Brussels. The Corpus Archipoetae contains poems addressed to the poet’s patron Reinald of Dassel, arch-chancellor of Frederick I Barbarossa and archbishop of Cologne. One may assume that the poems that have been preserved make up only a part of the poet’s writing. They have been selected and preserved with respect to the person of the Chancellor of the Empire. They can be included within the genre of occasional poetry, almost each of them contains some kind of request of support. This fact, however, does not deprive them of any poetic value or overshadow the great talent, erudition, and individuality of the poet. The preserved poems contain personal hints, so that we can re-construct five years from the life of Arch-poet, his relationship with the patron and protector, his education, and also his unusually interesting personality and individuality.
    Źródło:
    Roczniki Humanistyczne; 2003, 51, 3; 85-106
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recepcja Ojców Kościoła w Confessio catholicae fidei christiana Stanisława Hozjusza
    Reception of the Fathers of the Church in Confessio catholicae fidei christiana by Stanislaus Hosius
    Autorzy:
    Wysocki, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/613322.pdf
    Data publikacji:
    2016
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    kardynał Stanisław Hozjusz
    Confessio fidei
    reformacja
    teologia konntreformacyjna
    Ojcowie Kościoła
    argument patrystyczny
    Cardinal Stanislaus Hosius
    Reformation
    Conter- Reformation theology
    Fathers of the Church
    patristic argument
    Opis:
    Among the famous people related to Warmia one of the most prominent is undoubtedly the bishop of Warmia, Cardinal Stanislaus Hosius, a famous diplomat, humanist, lawyer, poet, illuminator scientific life in Warmia, but also a theologian and defender of the Catholic faith. His theological views and his defending of the faith against the reformers are included in a number of his writings, but the greatest influence and fame had his work Confessio catholicae fidei Christiana (Christian profession of the Catholic faith). It was written as an extension of a creed created on request of participants of the Council in Piotrków (1551), who turned to Hosius with request to write a short statement of the most important truths of the Catholic faith. In his work Hosius many times repeatedly referred to the argument from Tradition and he used the writings of the early Christian writers. The article is an attempt to explore how Hosius, arguing with Protestants, uses patristic argument and how he uses the writings of early Christian writers. The article presents as well the idea of the reception of the Fathers of the Church in the most important work of Hosius.
    Źródło:
    Vox Patrum; 2016, 65; 727-739
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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