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    Wyświetlanie 1-4 z 4
    Tytuł:
    Rozwój filmowych adaptacji komiksów – „kino superbohaterskie” jako gatunek
    The evolution of comic book adaptations – ‘superhero movie’ as a genre
    Autorzy:
    Czyżak, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1047303.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    comic book movie
    movie genre
    Marvel Studios
    superhero
    superhero movie
    Opis:
    This article is an attempt to consider superhero movies as a developing genre of popular cinema. The theory is based on Rick Altman’s “Semantic/Syntactic/Pragmatic” approach to genre. It tries to capture features of superhero blockbusters and their main themes – the most distinctive trait of this genre, according to the author of the text, is supposed to be the relationship between an individual, their “power” and society. The text is both an extension of and a counter-proposal to conclusions made by Tomasz Żaglewski in Kinowe uniwersum superbohaterów.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 338-348
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Забавная история из жизни животных как речевой жанр интернет-коммуникации
    Autorzy:
    Хорохордина, Ольга
    Zheng, Xiaotang
    Powiązania:
    https://bibliotekanauki.pl/articles/2057444.pdf
    Data publikacji:
    2021-09-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    speech genre
    Internet communication
    written speech
    oral speech
    comic category
    Opis:
    The authors of the article analyze selected texts of Internet communication, identify the speech genre of a funny story from the life of animals, identify its typological parameters in accordance with a concept developed by Mikhail Bakhtin, show the stylistic originality of the ironically written and spoken presentation of the plot, compare the specified genre of Internet communication with the related non-media genre of funny stories, and demonstrate the similarities and differences between the compared genres. The authors note that the genre of a funny story from the life of animals reveals its belonging to the Internet communication environment with such properties as the attractiveness of the emotiogenic situation underlying its plot, hypertextual connection within the frame of entertainment sites, forums, and channels of the source text with other narrative texts of the same genre as well as with reactive replicas-comments, where an abbreviated version of this genre is implemented and from whose totality a polylogue is formed as a reflection of the interactivity of Internet communication. The authors state the kinship of the compared genres and pay attention to the prospects of studying the specifics of Internet genres against the background of their non-media counterparts. The research material consists of 40 Internet texts.
    Źródło:
    Acta Polono-Ruthenica; 2021, 3, XXVI; 119-130
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    «Вечные темы» в юмористических рассказах Аркадия Аверченко
    Eternal themes in humorous short stories of Arkady Averchenko
    Autorzy:
    Polakowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/915928.pdf
    Data publikacji:
    2018-12-20
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Arkady Averchenko
    humourist writer
    comic genre
    humour
    laugh
    humourist
    humoresque
    joke
    buffoonery
    hyperbole
    Opis:
    The paper describes the early period of Averchenko’s work. His stories were based on hilarious topics, humour and caricatures. The writer used all this means of expression very freely, easily, with a gentle tact and power of conviction, and what is even more important, with humour and wittily. During this period, he chose topics focused on a common big city life, stories of ordinary people, “new” trends in art, always up-to-date topic of man and woman, as well as relations between fathers and their children. Showing the portrait of a common citizen, the satirists laughed at defects of the contemporary world. This is how the particular humour Averchenko’s manifested.
    Źródło:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 107-114
    2391-470X
    Pojawia się w:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wokół definicji parodii filmowej
    Around the definition of a movie parody
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/917988.pdf
    Data publikacji:
    2014-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    parody
    film parody
    genre
    metagenre
    comic effect
    intertext
    pars destruens
    renewal
    restoration
    parody in contemporary cinema and new medias
    parodia filmowa
    parodia
    Opis:
    The revision of key topics that are related to film parody. The crucial question of Marek Hendrykowski’s research sounds as follows: what is the semiotic mechanism that gives parodistic effect expressed in the language of motion pictures? According to the author, conditio sine qua non of each parody are: incorrectness, caricatural exaggeration, comic effect, deconstruction, pars destruens and new meaning of old characteristic elements confronting the audience and its common memory. In the light of new reading and revised definition of this term, film parody is not a separate genre but rather meta-genre in its relations to many other film genres and individual screen performances being object of parody
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 29-38
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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