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    Tytuł:
    Jak kino czechosłowackie detonowało bombę atomową, czyli o czym opowiada film Jindřicha Poláka Jutro wstanę rano i oparzę się herbatą (1977)
    Autorzy:
    Mariusz, Guzek,
    Powiązania:
    https://bibliotekanauki.pl/articles/897513.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    atomic bomb
    Czech cinema
    comedy film
    Opis:
    Jindřich Polák’s film Tomorrow I’ll Wake Up and Scald Myself with Tea (Zítra vstanu a opařím se Cajeme) of 1977 is neither the first nor the last attempt to “detonate” an atomic bomb by the Czech filmmakers. However, this science fiction comedy uses the Wells’s concept of time travel to entertain a viewer with what the contemporary discourse calls the counterfactual history or simply considerations on “what if...”. The film was made in the peak period of normalization, thus all the historiosophical, ideological or political allusions are deeply hidden. Despite the futuristic context, diegesis is recognizable and contemporary at the same time, and thus full of ambiguous motivations of characters. The atomic bomb, therefore, is not merely a decorative artifact around which the main characters move.
    Źródło:
    Przegląd Humanistyczny; 2017, 61(1 (456)); 91-99
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Filmowa półka sezonu 2010/2011
    Film Shelf of the Season 2010/2011
    Autorzy:
    Tambor, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/511289.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    contemporary Polish cinema
    Polish film
    best-seller
    comedy film
    drama film
    Opis:
    The article presents another summary of film events in a year 2010. Films that can be found here are: Benek, directed by Robert Gliński, and concerning Silesian subject, Chrzest (The Christening) second film by young Polish director Marcin Wrona, Czarny czwartek (Black Thursday) which tells the story of the strikes in 1970, and Joanna by Feliks Falk that offers a new perspective on the Second World War. Besides these, some other descriptions of the films that were released in 2010 or in the beginning of 2011 can be found here: Matka Teresa od kotów (Mother Teresa of Cats), Młyn i krzyż (Mill and the Cross), Och, Karol 2, Różyczka (Little Rose), Sala samobójców (Suicide Room), Skrzydlate świnie (Winged Pigs) and Weekend. The author comments the most famous films of the season viewing them through the eyes of a for-eigner who may be interested in watching them.
    Źródło:
    Postscriptum Polonistyczne; 2011, 2(8); 271-282
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Aesthetics of 1950s and 1960s interiors presented in Polish comedy films from that period
    Autorzy:
    Wojciechowska-Kucięba, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/923182.pdf
    Data publikacji:
    2019-01-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    aesthetic
    Adolf Dymsza
    Andrzej Łapicki
    Breakfast at Tiffany’s
    Sylwester Chęciński
    Tadeusz Chmielewski
    comedy film
    design
    Eams
    Jan Batory
    Jan Fethke
    Garsoniera
    Władysław Hańcza
    Jan Rybkowski
    Wanda Telakowska
    Irene
    Go Home
    A Cure for Love
    Opis:
    This article is an attempt at outlining key aesthetic standards of interior design of the 1950s and 1960s on the basis of examples exhibited in the Polish and foreign romantic comedies of that time. Some distinguishing features of 1960s Polish aesthetics were the characteristic abstract language, organic form, asymmetry, diagonal lines, arrangements based on “A” and “X” letter outlines and lively colours. Furniture design used new materials mostly plywood and plastics such as polyvinyl chloride and epoxy resins. The 1960s, called “small stabilization” by design historians, were slightly different. Shops offered a variety of new products designed by Polish creators – such as furniture, home appliances, tools and machines. New Polish industrial design of 1960s is represented by the RAMONA and EWA radios and the BAMBINO record player, whereas sectional furniture – especially SYSTEM MK designed by Bogusława and Czesław Kowalski, better known as “the Kowalskis’ furniture” – became the icon of the decade. Polish and foreign romantic comedies from 1950s and 1960s are an excellent iconographic source of information on how interior design changed in the second half of the 20th century, and specifically on how living space was organized and adapted for private and public purposes. In Poland, attempts were made to use all the “design innovations” coming from the west, however, the immutably closed Polish borders prevented them from spreading freely. We had to use local designers. In the 2nd half of the twentieth century, a period which Prof Irena Huml called “the invasion of modernity” started. The doctrine of socialist realism was rejected and the focus was on modernity. Innovation became the most desirable feature of a work of art, and modernity the most important concept.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 81-90
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Verbal Expression of Anger in Croatian Comedy Films
    Govorni izraz bijesa u hrvatskim filmskim komedijama
    Autorzy:
    Vlašić Duić, Jelena
    Powiązania:
    https://bibliotekanauki.pl/articles/636058.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film dialogue
    Croatian film
    comedy
    anger
    exhilaration
    prosody
    Opis:
    The purpose of this paper was to examine the verbal expression of anger in Croatian comedy films and also to find textual and prosodic elements that provoke the viewer’s exhilaration. On the textual level analysis includes elements with which anger causes exhilaration and shows that such anger most often expresses superiority and is also unexpected which often occurs as a result of exaggeration. Due to the specific genre of comedy, i.e. its guaranteed lack of seriousness, the viewers are not aware of high presence of anger in film comedies. Comedy requires a different insight to life situations and a reinterpretation that leads to pleasant emotions.
    The purpose of this paper was to examine the verbal expression of anger in Croatian comedy films and also to find textual and prosodic elements that provoke the viewer’s exhilaration. On the textual level analysis includes elements with which anger causes exhilaration and shows that such anger most often expresses superiority and is also unexpected which often occurs as a result of exaggeration. Due to the specific genre of comedy, i.e. its guaranteed lack of seriousness, the viewers are not aware of high presence of anger in film comedies. Comedy requires a different insight to life situations and a reinterpretation that leads to pleasant emotions.  
    Źródło:
    Poznańskie Studia Slawistyczne; 2015, 9
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Functions of film images of Warsaw in the Polish cinema of the 1960s
    Autorzy:
    Zwierzchowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/923183.pdf
    Data publikacji:
    2019-01-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish cinema
    1960s.
    Warsaw
    film images
    comedy
    Opis:
    Polish cinema of the 1960s presented a specific vision of Warsaw, different from earlier and later ones, although it contained some solid motifs for the entire PRL era. These include emphasizing the uniqueness of Warsaw, the war past as an inseparable part of the city’s identity (though in the 1960s with a slightly different meaning) or the problem of getting a flat. The separateness and specificity of the then created images of the capital was related to the political specificity of the decade, the cultural and social moment of Warsaw development, the domination of realism that made the message authentic and genological issues – the main role in creating the image of the city was played by comedy. These images, however, were sometimes surprisingly subversive, breaking the dominant image.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 65-78
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Piosenka jako element dzieła kinematograficznego
    Autorzy:
    Łęcicki, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/2147016.pdf
    Data publikacji:
    2022-07-22
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    piosenka filmowa
    film polski
    film komediowy
    dramatyczny
    religijny
    movie song
    Polish film
    comedy
    dramatic and religious film
    Opis:
    Syntetyczne przedstawienie roli i znaczenia piosenki jako detalu w polskichfilmach fabularnych: komediowych, dramatycznych i religijnych. Zaakcentowanieznaczenia piosenki jako elementu ubarwiającego filmową fabułę oraz nośnikatreści ideowych.
    Źródło:
    Studia Theologica Varsaviensia; 2021, 59, 2; 72-128
    0585-5594
    Pojawia się w:
    Studia Theologica Varsaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    О интерсемиотической передаче комического в аудиодескрипции к советским кинокомедиям
    On the intersemiotic transposition of comedic devices in audio description in Soviet film comedies
    Autorzy:
    Mocarz-Kleindienst, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/2224216.pdf
    Data publikacji:
    2022-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    audio description
    Soviet film comedies
    intersemiotic transposition
    comedy of situation
    comic character
    Opis:
    Audio description (AD) is an additional soundtrack in a film containing concise, verbal information about what is happening on the screen. The language of the AD should be appropriate to the genre of the film lexically and stylistically. This means that the language of AD in film comedies should contain some verbal ‘signals’ of the comic as an aesthetic category. The author of the presented research has attempted to analyse lexical and stylistic means of conveying situational comic and character comic as the two main types of comic, apart from the verbal one expressed directly in the characters’ speech. The material for the research included the following Soviet film comedies: We are from jazz (directed by K. Shakhnazarov, 1983), Autumn marathon (directed by G. Daneliya, 1979), and The twelve chairs (directed by L. Gaidai, 1971). The analysis proved that the verbal track of the AD reflects the most important peripeteia of the characters, and together with them the features of the characters (appearance, character traits), the manner of their behaviour. The set of llinguistic and stylistic means is determined by the type of the comedy.
    Źródło:
    Studia Rossica Posnaniensia; 2022, 47, 1; 173-185
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Humor utracony w przekładzie
    Юмор потерянный в переводе
    Humor Lost in Translation
    Autorzy:
    Mytyk, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/1376023.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    : комизм
    перевод фильма
    Юлиуш Мачульски
    комедия
    : verbal humor
    film translation
    Juliusz Machulski
    comedy
    Opis:
    В статье вводится понятие словесного комизма и анализируются способы достижения данного явления. Автор упоминает механизм создания юмора в комедиях и отмечает трудности, с которыми сталкивается переводчик при переводе фильмов, содержащих словесный юмор. В качестве эмпирического материала использовались примеры фрагментов диалогов, встречающиеся в кинокартинах Юлиуша Махульского, которого в Польше считают королем комедии, вместе с их переводами на русский язык. В статье доказывается, что в случае перевода словесного комизма, зрители, которые не знают языка оригинала, часто теряют многие эмоции. 
    The article introduces the concept of verbal comedy and analyzes the means to achieve a given phenomenon. The mechanism of creating humor in comedies was mentioned and the difficulties encountered by the translator when translating texts containing verbal jokes were mentioned. Examples of dialogue fragments found in the films of Juliusz Machulski, considered in Poland as the king of comedy, together with their translations into Russian, were used as empirical material. The article proves that in the case of translating verbal comedy, there is often a loss of emotion in viewers who do not know the original language.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis | Studia Russologica; 2020, 13; 206-212
    1689-9911
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis | Studia Russologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Filmowa półka sezonu 2011/2012
    Film Shelf 2011/2012
    Autorzy:
    Tambor, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/511172.pdf
    Data publikacji:
    2012
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    contemporary Polish cinema Polish film
    romantic comedy
    Oscar nominations
    Silesia
    Pope John Paul II
    World War II
    Opis:
    The article presents a summary of film events of the season 2011/2012. Films that can be found here are: Uwikłanie [Entanglement] directed by Jacek Bromski, Bitwa warszawska 1920 [Battle of Warsaw 1920] – the first Polish movie filmed in 3D, directed by Jerzy Hoffman, Ewa directed by Adam Sikora and Ingmar Villqist, Baby są jakieś inne – a long expected film by Marek Koterski, director of Dzień świra [The Day of the Wacko], Listy do M. [Letters to Santa] by Mitja Okorn, Wymyk by Greg Zgliński, Habemus Papam – an Italian film featuring Jerzy Stuhr directed by Nanni Moretti, Los numeros by Ryszard Zatorski, W ciemności [In Darkness] – Polish film directed by Agnieszka Holland nominated to the Oscar Academy Avard, Trzy minuty 21:37 directed by Maciej Ślesicki. The author endevours to comment on the most famous films of the last year and the beginning of this year, viewing them through the eyes of a foreigner who may be interested in Polish cinema and Polish culture.
    Źródło:
    Postscriptum Polonistyczne; 2012, 1(9); 283-293
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ten chudy Schlechter
    That Thin Schlechter
    Autorzy:
    Maleszyńska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1533388.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    pre-war Polish song
    cabaret
    comedy
    Polish pre-war film
    popular culture
    Lviv ghetto
    Holocaust
    Polish-Jewish artist identity
    Opis:
    The article relates the life and work of a pre-war author who is almost unknown by name, but very popular because of his work, an author of songs, cabaret sketches, and film scrips. He was born in a family of assimilated Jews from Lviv. He made a great contribution to Polish language, both literary and colloquial, by writing song lyrics with phrasings that have become fixed expressions used in communication of the simplest and most universal feelings. Schlechter became a victim of the Holocaust, and his artistic work, which focused on joy and the bright side of life, did not protect him physically and mentally from the Nazi death machine. He was killed in Lviv ghetto, probably in 1943.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 55-70
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dramaturgia "Dwóch ludzi z szafą"
    The Dramaturgy of Roman Polański’s Two Men with a Wardrobe
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/920438.pdf
    Data publikacji:
    2015-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    dramatis personae
    diegesis
    genre
    student film
    etude
    poetry
    drama
    dramaturgy
    dramatization
    tragedy
    comedy
    dramatic and epic
    aggression
    conflict
    thriller
    media
    fear
    absurd
    suspense
    distanciation
    alienation effect
    Verfremdungseffekt
    Opis:
    The Dramaturgy of Roman Polański’s Two Men with a Wardrobe Marek Hendrykowski’s case study on Polański’s famous student etude Two Men with a Wardrobe reconstructs this wonderful short movie take-by-take: a must for anyone who cares about cinema as art. The young (24 years old) director, together with a team of talented colleagues (cameraman Maciej Kijowski, actors Jakub Goldberg and Henryk Kluba, director’s assistant Andrzej Kostenko and film music composer and jazzman Krzysztof Komeda), demonstrated a very modern way of thinking about the art of the moving image and about the various possibilities hidden in the simple poetics of screen drama. From its opening scene on the beach to the dramatic and nostalgic ending with a comeback to the sea, the film charts two men’s struggles on the difficult path to becoming independent human beings enjoying their own freedom.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 189-201
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Semiotyka dziwactwa
    Semiotic of curiosity
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/923229.pdf
    Data publikacji:
    2018-12-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    curiosity
    extravaganza
    semiotics
    face
    film
    photography
    expression
    behavior
    manifestation
    culture
    norm
    social norm
    freedom
    individual
    artist
    art
    comedy
    parody
    caricature
    counter culture
    Internet
    Facebook
    symbolic interaction
    network
    Opis:
    The author assumes that the curiosity is a type of human expression. It can manifest in various languages and people’s behaviors, e.g.: verbal, mimic, gestural, costume and also by props, hairstyles, makeup etc. Regardless of differences between particular manifestations of the curiosity it is always semiotic. Freaks, eccentrics and weirdos disturb human community’s order and call into question established norms. They do that by their specific behaviors, appearances and individualism. They rectify, transform and change the social reality. The artistic curiosity not infrequently turn out to be the metaphor of an individual lifestyle (e.g. Witkacy, Dali). Freaks in the world of culture are not either savages or barbarians. They express themselves as well as they express their distance from the cultural system. In connection to this thesis, the author assumes that the curiosity is culture-producing.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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