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    Wyświetlanie 1-4 z 4
    Tytuł:
    From Villain to Superhero: The Image of the North Korean in Contemporary South Korean Cinema
    Autorzy:
    Husarski, Roman
    Powiązania:
    https://bibliotekanauki.pl/articles/1977461.pdf
    Data publikacji:
    2019-09-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    cinema and politics
    hero and villain
    political myth
    South Korean cinema
    ideology
    propaganda
    Opis:
    Confidential Assignment (Kongjo, Kim Sung-hoon), released on January 18, 2017 between DPRK nuclear tests, tells a story of two special agents. One is from North Korea and the other one from South Korea, and they unite to fight against a common enemy. Extraordinarily, the North Korean agent is portrayed as more formidable than his South Korean counterpart who is unable to match him in every field. Also, the North Korean agent is portrayed by a Korean super star, Hyun-Bin. In this paper, I analyze two other similarly themed movies: The Net (Kŭmul, Kim Ki-Duk) and Steel Rain (Kangch’ŏlbi, Yang Wooseok). All of them were released recently and were huge commercial successes in South Korea. The aim of the following paper is to show and analyze the evolution of the image of North Korean characters in South Korean cinema. During the analysis, the question of how the change from villain to super hero was possible is answered. The way in which the movies talk about inter-Korean relations and how they portray both countries is particularly important to understand the current political sentiments in the Peninsula and how it can affect the Moon Jae-in presidency.
    Źródło:
    Polish Political Science Yearbook; 2019, 3 (48); 431-446
    0208-7375
    Pojawia się w:
    Polish Political Science Yearbook
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Resztki awangardy. Powojenne pisma filmowe Tadeusza Peipera
    Leftovers of the Avant-Garde. Postwar Film Writings of Tadeusz Peiper
    Autorzy:
    Wójtowicz, Aleksander
    Powiązania:
    https://bibliotekanauki.pl/articles/578840.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Tadeusz Peiper, avant-garde and cinema, social realism, constructivism, the politics of the voice
    Opis:
    Postwar film writings of Tadeusz Peiper are the protest against “the policics of the voice” (M. Dolar) of the Polish social realist and propaganda films. Escaping from be-ing involved in communist ideology, the author creates a cinematic theory concentrated on nonverbal elements. An important role is played by categories extremely far from the constructivist discourse of art (nostalgia, community, non-human).
    Źródło:
    Zagadnienia Rodzajów Literackich; 2019, 62, 2; 101-113
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    KONFLIKT POKOLENIOWY JAKO ZWIERCIADŁO SPORU IDEOLOGICZNEGO (« Information Man » n°2) Retrospektywne spojrzeniena anni di piombo w wybranych włoskich filmach fabularnych przełomu lat 70. i 80.
    GENERATIONAL CONFLICT AS A MIRROR OF IDEOLOGICAL DISPUTE. A RETROSPECTIVE LOOK AT THE ANNI DI PIOMBO IN SELECTED ITALIAN FEATURE FILMS OF THE LATE 1970S AND 1980S
    Autorzy:
    Miller-Klejsa, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/487824.pdf
    Data publikacji:
    2016-11-07
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    POLITICS AND CINEMA
    ITALY IN 1970'S
    THE RED BRIGADE
    BERNARDO BERTOLUCCI
    DINO RISI
    GIANNI AMELIO
    POLITYKA I KINO
    WŁOCHY LAT 70
    CZERWONE BRYGADY
    Opis:
    GENERATIONAL CONFLICT AS A MIRROR OF IDEOLOGICAL DISPUTE. A RETROSPECTIVE LOOK AT THE ANNI DI PIOMBO IN SELECTED ITALIAN FEATURE FILMS OF THE LATE 1970S AND 1980S The concept of anni di piombo – literally meaning ‘years of lead’ – in Italian culture used to determine the 1970s, and hence decade, whose political face was dominated by numerous acts of terror (both radical left and neofascist). Miller-Klejsa analyzes the Italian films dealing with this phenomenon, completed in the late 1970s and 1980s. She concentrates on three embodiments in which the father-son relationship (Dear Dad by Dino Risi, The tragedy of the funny small man by Bernardo Bertolucci, Strike at the heart by Gianni Amelio). An interesting feature in the movies is the use of the motives from then popular psychoanalysis: among others, Freud’s thesis about the desire to ‘kill fathers’, which frequently was shown in historical context (e.g. the assassination of former Prime Minister Aldo Moro).
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2016, 21; 220-241
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Party in Krzysztof Kieślowski’s Films
    Autorzy:
    Zwierzchowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/923207.pdf
    Data publikacji:
    2019-03-25
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Krzysztof Kieślowski
    Polish cinema
    film and politics
    images of Polish United Workers’ Party
    Opis:
    Probably no other Polish filmmaker has devoted as much attention to the Polish United Workers’ Party (PZPR) as Krzysztof Kieślowski did in his films. Early on, he perceived the party as an organization where one could meet people with different desires, motivations and modus operandi. Kieślowski’s perspective could be defined as such: do not judge the whole, focus on individuals. His subsequent films present a change in this perspective. Workers and devoted members of the communist party were in the center of the director’s interest in some of his early films. Later, he focused more and more on individuals, especially those who had to face the party as a structure and hierarchy. Kieślowski’s films made in the early 1980s show party leaders and people in charge who eventually turn out to be losers. Kieślowski perceived various aspects and forms of being a party member, not only as a stepping stone for one’s career. He saw and presented the everyday life of PZPR, relations between the authorities and society, and its members and representatives of the party apparatus. He was quite critical about the party and people in charge, but also tried to see and present the reasons motivating their conduct. Social and political changes in Poland in the early 1980s made this kind of approach increasingly difficult for Kieślowski.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 137-153
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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