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    Wyświetlanie 1-9 z 9
    Tytuł:
    Okres Bożego Narodzenia u Ormian w Kutach
    Armenian Christmas celebrations in Kuty
    Autorzy:
    Mojzesowicz, Mikołaj
    Powiązania:
    https://bibliotekanauki.pl/articles/470059.pdf
    Data publikacji:
    2019
    Wydawca:
    Poznańskie Towarzystwo Przyjaciół Nauk
    Tematy:
    Armenians in Poland,
    Kuty,
    Christmas,
    Christmas carols
    Opis:
    The town of Kuty was the largest Armenian centre in Poland. Even before World War II, elderly people spoke Armenian and many Armenian customs were preserved. This article is about celebrating Christmas in Kuty.
    Źródło:
    Our Europe. Ethnography – Ethnology – Anthropology of Culture; 2019, 8; 27-29
    2299-4645
    Pojawia się w:
    Our Europe. Ethnography – Ethnology – Anthropology of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Українські коляди Почаївського Богогласника (1790/ 1791) – від давнини до сучасності
    Ukrainian Carols in Pochayiv Bohohlasnyk (1790/1791): From Ancient Times to Nowadays
    Autorzy:
    Івашків, Василь
    Powiązania:
    https://bibliotekanauki.pl/articles/2030708.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Pochayiv Bohohlasnyk
    Christmas carols
    naïve and reflection related poetry
    Źródło:
    Slavia Orientalis; 2021, LXX, 4; 705-727
    0037-6744
    Pojawia się w:
    Slavia Orientalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Chóralne wydania polskich kolęd na obczyźnie w czasach II wojny światowej
    Choral Editions of Polish Christmas Carols Published Abroad during World War II
    Autorzy:
    Mazur, Marcin Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/25806461.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    kolęda
    chór
    śpiewnik
    II wojna światowa
    Christmas carols
    choir
    songbook
    World War II
    Opis:
    Podczas wojny i okupacji w wielu miejscach, w których przebywali Polacy powstawały chóry i zespoły śpiewacze. Na ich potrzeby zostały wydane na obczyźnie śpiewniki z polskimi kolędami w opracowaniach na chór a cappella. Śpiewnikom tym poświęcony jest niniejszy artykuł. W l. 1940–46 w Villard-de-Lans koło Grenoble działało polskie Gimnazjum i Liceum im. C. Norwida. Na potrzeby chóru szkolnego, prowadzonego przez Ernesta Bergera (1904–58), matematyka i dyrektora szkoły powstał Zbiór pieśni kościelnych E. Bergera (Villard de Lans 1941). Rudolf Rygiel (1910–86), uczestnik kampanii wrześniowej, w 1940 r. dotarł do Francji, gdzie włączył się czynnie do działalności ruchu oporu oraz działał jako dyrygent i kompozytor. W 1941 r. wydał trzeci zeszyt Echa ojczystego zawierający dwadzieścia trzy kolędy na chór męski a cappella. Jednym z najważniejszych polskich zespołów w Wielkiej Brytanii był założony w 1940 r. Chór Wojska Polskiego. Z chórem pracował m.in. Henryk Hosowicz (1910–69), który na potrzeby zespołu wydał dwa śpiewniki kolędowe na czterogłosowy chór męski a cappella: 16 kolęd (1940) i 50 kolend (1942). W 1944 r. w Jerozolimie nakładem Ministerstwa Wyznań Religijnych i Oświecenia Publicznego wydany został obszerny Zbiór pieśni polskich w opracowaniu Juliusza Leo (1901–62), który zawiera 180 utworów: 150 świeckich i 30 religijnych. W grudniu 1945 r. Sekcja Wydawnicza 2 Korpusu wydała zbiór kolęd na chór męski a cappella w przedwojennych opracowaniach Kazimierza Garbusińskiego i Gerarda Płachetki. Autor zbioru Kolendy polskie (1945), ppor. Feliks Kapała (ur. 1909), był weteranem walk nad Bzurą, a potem jeńcem Oflagu VIIA Murnau. W zbiorze Kapały znajduje się dwadzieścia pięć kolęd w różnych układach. Kompozytor Szymon Laks (1901–83) w czasie wojny był więźniem obozu w Oświęcimiu. Zbiór pt. Pięć kolęd został wydany już po wojnie przez Związek Polskich Kół Muzyczno-Teatralnych we Francji. Omówienie wymienionych wojennych wydań kolęd na zespoły chóralne jest przyczynkiem do historii polskiej tradycji muzycznej.
    Choirs and vocal ensembles sprang up in many places where Poles lived or stayed during the war and military occupation of Poland. It was for their needs that songbooks comprising arrangements of Polish Christmas carols for unaccompanied choir were published in exile. The present paper is dedicated to these songbooks. A Polish junior and senior high school named after Cyprian Kamil Norwid operated in 1940–46 at Villard-de-Lans near Grenoble. For the needs of the school choir, led by mathematician Ernest Berger (1904–58), the school’s director, his edition of Zbiór pieśni kościelnych [A collection of church songs] was published in 1941 at Villard de Lans. Rudolf Rygiel (1910–86), a soldier in the 1939 Polish defensive war, reached France in 1940, where he became an active member of the resistance movement, as well as working as a conductor and composer. In 1941 he published the third fascicle of Echo ojczyste [Fatherland echo], which comprised twenty-three carols for male unaccompanied choir. The Polish Army Choir, one of the main Polish ensembles in the UK, founded in 1940, collaborated with, among others, Henryk Hosowicz (1910–69), who published for the needs of this ensemble two collections of Christmas carols for 4-part male unaccompanied choir: 16 kolęd [16 carols] (1940) and 50 kolęd [50 carols] (1942). An extensive Zbiór pieśni polskich [Collection of Polish songs] (ed. Juliusz Leo, 1901–62) was published in 1944 in Jerusalem under the imprint of the Polish Ministry of Religious Affairs and Public Education (in exile). It contains 180 works: 150 secular and 30 sacred pieces. In December 1945 the Second Polish Corps publishing section printed a collection of carols for male unaccompanied choir in pre-war arrangements by Kazimierz Garbusiński and Gerard Płachetko. Second lieutenant Feliks Kapała (b. 1909), veteran of the Battle of the Bzura and subsequently a POW at Oflag VIIA Murnau, is the author of Kolędy polskie [Polish carols] (1945), a set of 25 variously scored carols. Composer Szymon Laks (1901–83), an Auschwitz prisoner during the war, had his Pięć kolęd [Five carols] published, already after World War II, by the Union of Polish Music and Theatre Clubs in France. My discussion of the above-listed choral editions of Christmas carols is a contribution to the history of Polish music traditions.
    Źródło:
    Muzyka; 2022, 67, 2; 91-112
    0027-5344
    2720-7021
    Pojawia się w:
    Muzyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    REPERTUAR LITURGICZNY W DRODZE DO NIEBA I SKARBCU MODLITW I PIEŚNI NA PRZYKŁADZIE PIEŚNI BOŻONARODZENIOWYCH
    CHRISTMAS SONGS AS A CASE STUDY OF VARIABILITY OF LITURGICAL REPERTOIRE IN „DROGA DO NIEBA” AND „SKARBIEC MODLITW I PIEŚNI”
    Autorzy:
    Borowiak, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/946887.pdf
    Data publikacji:
    2016
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    śpiewy bożonarodzeniowe
    Śląsk
    śpiewnik liturgiczny
    repertuar
    liturgiczny
    Christmas Carols
    Silesia Region
    liturgical songbook
    liturgical repertoire
    Opis:
    Singing Church songs is an important part of Silesian citizens’ religious life. Spiritual leaders wanting to help people in practicing this form of piety have started publishing songbooks containing songs performed in the area discussed. In the beginnings of 20th century, father Ludwik Skowronek, priest of the parish Bogucice made a prayer book called „Droga do nieba”. With time, this collection has become the most popular prayer book of Upper Silesia. Nowadays it is used in Dioceses of Opole and Gliwice. Some time later, „Skarbiec” is being created by priests of Upper Silesia. It is still used in Archdiocese of Kraków. Both prayer books since their beginnings have had many forms and have been published many times. In contemporary collections we can see many similarities in repertoire and versions of songs, but also some number of differences. The songbooks differ in position of sections, sometimes in songs and versions of a particular song as well. In „Droga do nieba” more songs and verses of them have been included. We have focused on Christmas songs in this article. Examining them it has been stated that 39 songs are identical, whereas 14 differ more or less. 22 songs connected with Christmas can be found only in „Droga do nieba”, while 6 only in „Skarbiec”. The melodic and rhythmic anylisis has shown that 39 songs are the same in both songbooks. In 12 of them melodic differences have been found, while in 10 of them - rhythmic ones. By analisying Silesian songbooks we can see thier role and importance in practicing Silesian tradition of carolling as well as the whole Church repertoire.
    Źródło:
    Musica Ecclesiastica; 2016, 11; 127-138
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Talent to dobro powierzone...” – etyka chrześcijańska w postawie twórczej i życiowej Witolda Lutosławskiego
    Autorzy:
    Bolesławska-Lewandowska, Beata
    Powiązania:
    https://bibliotekanauki.pl/articles/668977.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    Witold Lutosławski
    history of Polish music
    WWII
    Martial Law in Poland
    folk songs
    Christmas carols
    Opis:
    „Talent is a form of wealth entrusted to us” – these words may serve as Witold Lutosławski’s motto. He repeated them often and at many occasions, emphasising that each creative artist is obliged to treat his talent carefully and develop it to produce great results for public consumption. This corresponds well with Biblical parable on talents but does it mean that Lutosławski was a religious man? Was Christian ethic important to him? In his music there is no much connection with religion – only his youthful Lacrimosa for soprano, choir and orchestra, and the arrangements of traditional Polish Christmas carols, composed shortly after the Second World War, present his direct relations to religious inspirations. However, he did not like to talk about his beliefs and worldview, especially in the context of his own music, which for him always was abstract and free from any extra-musical features. But his attitude to composing, as well as to the public activity, reveals many connections with Christianity values. He was brought up in the family of strongly catholic and patriotic beliefs, connected with high moral principles. An atmosphere of Lutosławskis’ family, which belonged to the intellectual elites of pre-war Poland, made strong influence on young Witold. For the rest of his life he felt obliged to pay his duties both as a composer and as a man of a high moral standards. He not only concentrated on his creative work (though it was his main life obligation) but searched for public weal in his social activity, always aiming „to behave decently”. This corresponds perfectly with Christian ethic and indeed in one of his interviews Lutosławski openly admitted that not only his worldview was formed by Catholicism, towards which he remained faithful, but also that in his opinion Christian ethic remains pre-eminent among all ethic systems formed by the humanity.
    „Talent is a form of wealth entrusted to us” – these words may serve as Witold Lutosławski’s motto. He repeated them often and at many occasions, emphasising that each creative artist is obliged to treat his talent carefully and develop it to produce great results for public consumption. This corresponds well with Biblical parable on talents but does it mean that Lutosławski was a religious man? Was Christian ethic important to him? In his music there is no much connection with religion – only his youthful Lacrimosa for soprano, choir and orchestra, and the arrangements of traditional Polish Christmas carols, composed shortly after the Second World War, present his direct relations to religious inspirations. However, he did not like to talk about his beliefs and worldview, especially in the context of his own music, which for him always was abstract and free from any extra-musical features. But his attitude to composing, as well as to the public activity, reveals many connections with Christianity values. He was brought up in the family of strongly catholic and patriotic beliefs, connected with high moral principles. An atmosphere of Lutosławskis’ family, which belonged to the intellectual elites of pre-war Poland, made strong influence on young Witold. For the rest of his life he felt obliged to pay his duties both as a composer and as a man of a high moral standards. He not only concentrated on his creative work (though it was his main life obligation) but searched for public weal in his social activity, always aiming „to behave decently”. This corresponds perfectly with Christian ethic and indeed in one of his interviews Lutosławski openly admitted that not only his worldview was formed by Catholicism, towards which he remained faithful, but also that in his opinion Christian ethic remains pre-eminent among all ethic systems formed by the humanity.
    Źródło:
    Pro Musica Sacra; 2013, 11
    2083-4039
    Pojawia się w:
    Pro Musica Sacra
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zu den vielfältigen Einsatzmöglichkeiten traditioneller deutschsprachiger Weihnachtslieder im DaF-Unterricht
    On the diverse possibilities of using traditional German Christmas carols at the German language classes
    Autorzy:
    Piechocki, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/16539474.pdf
    Data publikacji:
    2020
    Wydawca:
    Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim
    Tematy:
    Weihnachtslieder
    Musik im DaF-Unterricht
    Tertiärsprachendidaktik
    Mehrsprachigkeit
    Lernerautonomie
    authentische Texte
    Christmas carols
    multilingual teaching
    glottodidactics
    Opis:
    Der Einsatz von traditionellen deutschsprachigen Weihnachtsliedern im Deutschunterricht erfreut sich sowohl bei Lehrenden als auch bei Lernenden großer Beliebtheit. Ebenso werden die Thematik der Weihnachtslieder sowie zahlreiche praktische Vorschläge für den Umgang mit Liedern im Unterricht in zahlreichen Lehrwerken und in der praxisorientierten Fachliteratur behandelt. Der heutige Deutschunterricht verläuft sehr oft im Sinne der Tertiärsprachendidaktik, die eine von mehreren möglichen Ausprägungen des Konzepts der Mehrsprachigkeitsdidaktik darstellt. Der vorliegende Beitrag versucht, folgenden Fragen nachzugehen: Wie sieht der geschichtliche Hintergrund traditioneller deutschsprachiger Weihnachtslieder aus? Wie kann ein traditionelles deutschsprachiges Weihnachtslied den Deutschunterricht bereichern? Welche Vorteile werden dem Einsatz von traditionellen deutschsprachigen Weihnachtsliedern zugeschrieben? Was sind die Merkmale der Tertiärsprachendidaktik? Wie können Elemente der Tertiärsprachendidaktik anhand vom traditionellen deutschsprachigen Weihnachtslied im Deutschunterricht umgesetzt werden? Dem Beitrag wird ein Übungsmaterial zu dem Weihnachtslied „Stille Nacht, heilige Nacht“ beigelegt, das im Sinne der Tertiärsprachendidaktik konzipiert und in der Unterrichtspraxis getestet wurde.
    The use of traditional German carols in German as a foreign language is very popular with both teachers and learners. The subject matter of Christmas and numerous practical solutions for the use of carols in language classes are also dealt with in numerous textbooks and practical literature.Modern teaching of German as a foreign language is oriented, among other things, towards teaching third (tertiary) languages, which is one of several possible conceptsfor teaching multilingualism.This article tries to answer the following questions: What is the historical background to traditional German carols? How can traditional German carols enrich the classes of German as a foreign language? What are the benefits of using traditional German carols? What are the characteristics of the teaching of third languages? How can elements of third language teaching be implemented in German language classes using traditional German carols?The article is accompanied by a practically tested glottodidactic material for the carol“Silent Night”, which in its concept refers to the assumptions of third languages didactics.
    Źródło:
    Studia – konteksty pogranicza; 2020, 4; 31-49
    2543-6465
    Pojawia się w:
    Studia – konteksty pogranicza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Old polish Christmas carols by contemplative nuns (seventeenth and eighteenth centuries)
    Autorzy:
    Gwioździk, Jolanta
    Powiązania:
    https://bibliotekanauki.pl/articles/780137.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Christmas carols
    contemplative orders
    Benedictine nuns
    Carmelite nuns
    Poor Clares
    Republic of Poland
    seventeenth and eighteenth centuries
    Opis:
    Old Polish Christmas carols in the contemplative female orders of Benedictine nuns, Poor Clares and Carmelite nuns were written and functioned at the junction of traditions - Polish and European, lay and religious, noble and elite, monastic and folk - and also in the Polish borderlands, which exhibited great diversification in terms of nationalities, religious denominations and cultures. The numerous versions of carols confirm not only their popularity, but also the fact that they functioned in specific environments, with the mutual influence of various motives, particularly noticeable in this genre, which was susceptible to all sorts of interference. The singing of carols, including those types which were characteristic of the monastic environment, such as lullabies, religious carols, songs of the nativity and of adoration and New Year carols, was a traditional part of Christmas celebrations. Performed both as part of the liturgy and outside it, they constituted a sort of a paratheatrical spectacle, characteristic of the Baroque mentality and of the spirituality of a specific order.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 169-186
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz Józefa w polskich kolędach i pastorałkach (na przykładzie tekstów zebranych przez ks. Michała M. Mioduszewskiego)
    The portrait of St. Joseph in Polish Christmas carols and pastorals (based on texts collected by a priest Michał M. Mioduszewski)
    Autorzy:
    Serafin, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/594358.pdf
    Data publikacji:
    2017
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    St. Joseph
    christmas carols
    old man
    father
    the cultural image of the world
    the textual image of the world
    św. Józef
    kolędy
    starzec
    ojciec
    kulturowy obraz świata
    tekstowy obraz świata
    Opis:
    The aim of the article is to consider the cultural and textual profile of St. Joseph. The picture of him was reconstructed based on the texts collected by a priest M.M. Mioduszewski in the 19th century. Even though the collection includes 340 songs, the figure of St. Joseph appears only in 72 carols. Perception of St. Joseph was based on the evangelic text and extended thanks to introduction of Apocryphal and depictions of the Saint taken from the Polish folk traditions. The description of Joseph was narrowed down to the basic profiles – roles: ‘the old man’ and ‘the head of the family’. St. Joseph is close to authentic Polish realities. He appears as an old, grey-haired, poor man who takes care of his wife Mary and the adopted son Jesus. The development and detailing of the described profiles has been concluded in particular carols and pastorals.
    Celem artykułu jest rozważenie kulturowego i tekstowego profilu św. Józefa. Obraz został zrekonstruowany na podstawie tekstów kolęd i pastorałek zebranych przez księdza M.M. Mioduszewskiego w XIX wieku. Zbiór zawiera 340 utworów, ale postać św. Józefa pojawia się tylko w 72 z nich. Jego wizerunek, który został utrwalony w niniejszym tomie, oparty jest na przekazach ewangelicznych, a rozwijany przez apokryfy i opisy mężczyzny zaczerpnięte z polskiej tradycji ludowej. Obraz Józefa został zawężony do podstawowych profili, określonych dwoma – najogólniej rzecz biorąc – rolami: „starca” i „głowy rodziny”. Bliski jest on polskim realiom. Mężczyzna przedstawiony został jako siwy, ubogi starzec i mąż, który opiekuje się swoją żoną Maryją i przybranym Synem Jezusem. Rozwinięcie i uszczegółowienie tych przedstawień zawarte zostało w kolędach i pastorałkach.
    Źródło:
    Rozprawy Komisji Językowej ŁTN; 2017, 64; 275-287
    0076-0390
    Pojawia się w:
    Rozprawy Komisji Językowej ŁTN
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wigilijne sacrum – między religią a magią
    The Christmas Eve sacred – between religion and magic
    Autorzy:
    Zimny, Dominik
    Powiązania:
    https://bibliotekanauki.pl/articles/1964592.pdf
    Data publikacji:
    2019
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    Christmas
    Christmas time
    fasting
    Christmas tree
    Christmas Eve dinner
    carols
    caroling
    Opis:
    In this publication Dominik Zimny is presenting the traditions and customs of the period of Christmas Eve in the area of southern Podlasie, namely the last week of December and the first week of January. During this period, depending on the religion, all living Christians experience a unique time — the time of Christmas. It has always been known that Christmas time differs substantially from ordinary time, as Christmas time was full of rituals and traditions which, apart from purely religious values, possessed both magical and worship aspects. In traditional culture, the religious context frequently accompanied the magical-worship context, creating an inseparable ceremonial whole. Christmas Eve is no exception to this rule, which demonstrates a wealth of attributes and ritual forms, concealing in their structure both religious and magical values. An example of such a ritual attribute can be one of the Christmas dishes, that is, ‘kutia’, which possessed both magical and sacred character. In the structure of the Christmas Eve rituals this dish could exist as a dish creating a new life, which was reborn on that exceptional evening. Kutia could also be a fortune-telling dish used for divination in the household, and it could replace traditional, sacramental bread, particularly in Orthodox people, where kutia is having a sacred function. A similar character is presented by many other Christmas attributes and traditions, among which the author of this publication lists: fast, hay, Christmas tree, Christmas Eve dinner with selected dishes, as well as carols and carolling. The characteristics of Christmas Eve was presented on the example of Christmas traditions of southern Podlasie, as in this region of Poland many archaic and traditional ritual forms have been preserved until the modern times. What is more, the very characteristics depicts the multiculturalism of the Polish eastern borderlands. Special attention needs to be paid to the fact that some of the Christmas traditions of southern Podlasie are so deeply rooted in the consciousness and memory of the inhabitants that over time, they became a cultural identifier of the region.
    Źródło:
    Facta Ficta. Journal of Theory, Narrative & Media; 2019, 3, 1; 29-49
    2719-8278
    Pojawia się w:
    Facta Ficta. Journal of Theory, Narrative & Media
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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