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Tytuł:
Pseudokonserwatorskie praktyki 2 poł. XX wieku i ich obecne konsekwencje na wybranych przykładach cerkwi drewnianych Zamojszczyzny
Pseudo-conservation practices in the second half of the twentieth century and their current consequences on selected examples of wooden orthodox churches of the Zamość region
Autorzy:
Adamczyk-Bomersbach, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/1848250.pdf
Data publikacji:
2021
Wydawca:
PWB MEDIA Zdziebłowski
Tematy:
Zamojszczyzna
cerkiew drewniana
konserwacja zabytków
Zamość region
wooden orthodox church
monument conservation
Opis:
Tekst porusza problem podejścia oraz metod i sposobów działań prowadzonych przy dawnych drewnianych cerkwiach Zamojszczyzny w 2 poł. XX wieku oraz współcześnie. Prezentuje szereg działań wykonanych szczególnie w latach 70-80. XX wieku, a podyktowanych głównie względami użytkowymi czy ekonomicznymi, bez uszanowania tradycyjnej formy czy detalu, których konsekwencją była utrata w mniejszym lub większym stopniu walorów artystycznych oraz charakterystycznego „klimatu”. A także prace XXI-wieczne, prowadzone z konserwatorską starannością i uwzględnieniem tychże walorów. Opiera się o wyniki autorskich badań prowadzonych od końca XX wieku do czasów obecnych.
The text addresses the problem of the approach, methods and ways of activities carried out at the former wooden orthodox churches of the Zamość region in the second half of the 20th century and today. It presents a number of activities performed especially in the 1970s and 1980s, dictated mainly by utility or economic reasons, without respecting the traditional form or detail, the consequence of which was the loss, to a greater or lesser extent, of artistic values and the characteristic "climate". And also the works of the 21st century, carried out with care and attention to these values. It is based on the results of original research conducted from the end of the 20th century to the present day.
Źródło:
Builder; 2021, 25, 7; 58-61
1896-0642
Pojawia się w:
Builder
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drewniana cerkiew w Kulasznem : z materiałów IS PAN do inwentarza drewnianej architektury sakralnej w Polsce
THE WOOD-CONSTRUCTED ORTHODOX CHURCH AT KULASZNE, RZESZÓW VOIVODSHIP
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537934.pdf
Data publikacji:
1975
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana cerkiew w Kulasznem
wschodni typ cerkwi łemkowskich
Kulaszne
Opis:
The orthodox church of St. Nicolas the Bishop at Kulaszne that is being dealt with in the present report was totally destroyed by fire in 1974. In view of a wide range of research problems associated with it the author considered it necessary to publish a set of materials concerning the above object. Within the first part of publication the archival, bibliographic and illustrative sources are presented then a full description of the object itself and the state of investigations is reported from which it follows that this church has been erected in 1883—1912 on a site occupied previously by another, earlier built church. The newly built church was erected with the use of carcass construction based on a stone sill. It was covered with gabled roofs provided with turrets and a lantern. The plan was divided into three clearly separated bodies with a porch and sanctuary enclosed at three sides. The ceiling was covered with figurai paintings dating from the time of erection. It was the most lately erected church within the space of the Osława Valley at the same time representing one of the last links in a chain of the so-called eastern-type orthodox churches on the territory of an ancient Lemki culture. As its prototype may, among others, be considered the orthodox church at Komańcza (1802—1836). That type of orthodox churches has developed in the first Quarter of the 19th century.
Źródło:
Ochrona Zabytków; 1975, 2; 132-136
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jasina – cerkiew Strukowska z Listy UNESCO na tle innych świątyń huculskich
Yasinia – the Strukivska tserkva from the UNESCO World Heritage List compared to other Hutsul temples
Autorzy:
Witkowski, Włodzimierz
Powiązania:
https://bibliotekanauki.pl/articles/535679.pdf
Data publikacji:
2015
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
cerkiew huculska
cerkiew drewniana
architektura drewniana
Jasina
Huculszczyzna
Zakarpacie
Lista światowego dziedzictwa
UNESCO
Hutsul tserkva
wooden tserkva
wooden architecture
Yasinia
the Hutsul Land
Transcarpathia
UNESCO World Heritage List
Opis:
In 2013, the tserkva dedicated to the Ascension, and traditionally called the Strukivska tserkva, in Yasinia, in the district of Rakhiv, in the Transcarpathian area, in the Hutsul Lands, was inscribed on the UNESCO World Heritage List, together with fifteen other wooden tserkvas in Polish and Ukrainian Carpathian region. Due to his long-lasting supervision over inventory measurements of the Hutsul folk architecture and wooden sacred architecture in the Hutsul Lands and in the Pokuttya region, the author makes a detailed presentation of this temple, which is known in Poland mainly in tourist and sightseeing circles, and compares it with other Hutsul tserkvas with similar plan characteristics. The article contains presentation of the history of this tserkva, which was built in 1824. Its traditional name is supposed to originate from the surname of a Hutsul shepherd, Ivan Struk, who probably founded it as a votive offering for a miraculous rescue of a flock of sheep in winter, which is a theme of a legend that is popular in this part of the Hutsul Lands. On the basis of the field studies that – among others – resulted in making measurement documentation by architecture students from the Lodz University of Technology, under the supervision of the author, there are discussed characteristics of the log construction, with consideration given to the use of squared timber, corners with dovetail joints and cut endings of logs, which is common among others in wooden sacred architecture in the Transcarpathian area, but more seldom in the Galician Hutsul Lands. The temple has no choir gallery over the vestibule for women, which is atypical in Hutsul tserkvas, yet here it is a result of very small sizes of the object. In the tserkva there has been preserved a valuable baroque iconostasis, unfortunately with icons that have been painted on the former paintings recently. A high artistic value is represented by a few other elements of the decor: single icons, processional crosses and banners. Another interesting element is a severe decoration of wooden construction arches at the junction of nave square and side arms, with the characteristic wooden volutes, which is unique for the Hutsul Lands but known for example in the Podhale region. It is one of the two tserkvas of the Hutsul type situated on the South of the Carpathian arch. Other wooden tserkvas in this area belong to totally different types of spatial forms, which are not related to the Hutsul Lands. Due to its plan and shape the one-dome Strukivska tserkva may be classified to the group of a dozen or so recognised wooden temples mainly from the Galician Hutsul Lands and the Pokuttya region that are based on a spatial pattern of a central building on the Greek cross plan, which is composed of five squares, with the middle one being bigger than the remaining ones. This group may comprise both elder (the end of the 18th c. – the beginning of the 19th c.) traditional one-dome Hutsul tserkvas, such as: Deliatyn (1785, extended in 1894, 1902, 1911- -1912), Velyka Kam’yanka (1794), Zelena, the district of Nadvirna (1796, later extended), Zhabye Slupeyka (about 1800, extended in 1850, does not exist), Dora (1823, extended in 1844), Lojeva (1835), Bili Oslavy (called the lower one, 1835), and fivedome objects from the 2nd half of the 19th c.: Tlumachyk (1852, does not exist), Knyazhdvir (1864, does not exist), and Havrylivka (1862, not examined by the author yet), and also the threedome tserkva in Hvizdets (1855), in which the side arms are narrower (rectangular, not square). Whereas, three temples from the parish of Mykulychyn, designed by professionals: Mykulychyn (1868, designed by the architect J. Czajkowski), Tatariv (1912, designed by the architect Franciszek Mączyński from Cracow, polychromes made by the painter Karol Maszkowski, also from Cracow) and Polyanytsya Popovichivska (1912, does not exist), the so called new tserkva in Vorokhta (the 30s of the 20th c.), the tserkva in Zarichchya (1943, designed by the architect Lev Levyns’kyi), are creative interpretations of the original pattern. The two latter ones may be classified simultaneously to a large group of tserkvas in the national Ukrainian style. Similar characteristics are probably to be found in the tserkva in Tysmyenichany (1865), not examined by the author yet. A few tserkvas were extended from the classic three-part plan to the ‘cross’ plan with an enlarged nave square by means of adding side arms; for example: Krasne, the district of Rozhniativ, earlier the county of Kalush (about 1840, extended, 1899 rebuilt) and Chornyi Potik, (the 19th c?). The Strukivska tserkva is decidedly the smallest one in the discussed group (side of the nave log construction is about 5 metres long), which may be explained by the fact that it was a private, peasant foundation. Tserkvas that belong to the pattern described above are situated in a quite compact group in a relatively small geographical area, which may be basically associated mainly with the upper Pruth valley from Vorokhta to Zabolotiv. Some of them are located by roadsides that lead to major tracts or to the Pruth valley. The river and trade routes at its banks contributed to spreading of the pattern, yet it did not spread beyond these tracts. Maybe, in the course of some further studies in the areas of Pokuttya, at the North of the Pruth river, which have been less explored yet, it will happen to find some other examples of objects with the same original plan. The pattern of the tserkva at the Greek cross plan with enlarged nave square was present (though very rare) not only in other regions of former Galicia, but also in Northern, middle, and Eastern lands of Ukraine. However, tserkvas of this type did not exist in a compact group in such a small area as in the discussed region of the Hutsul Lands and Pokuttya. Due to its morphology the group described as the cruciform tserkvas with enlarged nave square presents a set that may be distinguished from the remaining types of wooden temples in the Hutsul Lands and Pokuttya, and may be referred to as Western or – to be more precise – North-Western type the Hutsul wooden tserkva with two variants and older and younger variations. It is not only the fact of identical scheme of groundfloor plan and similar sizes that is significant here, but also the time when the temples were built (the end of the 18th c. – the beginning of the 2nd half of the 19th c.). An additional fact that in this area there were built a few other tserkvas the forms of which present an interpretation of the original pattern indicates that the pattern was so marked in the described area that it was also observed by professionals, who as early as in the 2nd half of the 19th c. and the beginning of the 20th c. wanted to respect consciously the local building traditions, which presented an inspiration for them. The Strukivska tserkva in Yasinia constitutes a very important element in this interesting group of temples. It is an ‘import’ of the pattern of ‘cruciform’ tserkva from the Galician Hutsul Lands to the Transcarpathians. It was built at the same time when the model of ‘cruciform’ tserkvas with enlarged nave square was spreading to the North from the main Carpathian arch. It represents a high level of building technique, with some distinct features that were characteristic of the area. It has been preserved in a relatively pure form, not ‘spoiled’ (as some other Hutsul tserkvas) with extending, rebuilding, or changing materials for covering walls and roofs. At present, it does not demand any important conservatory works. The inscription of this tserkva on the UNESCO World Heritage List seems thoroughly justified. In the group of eight Ukrainian wooden tserkvas that are inscribed on the List, as many as two come from the Hutsul Lands and Pokuttya, which is a clear evidence for the role of this region for the Ukrainian culture. Translated by Joanna Witkowska
Źródło:
Ochrona Zabytków; 2015, 2; 7-39
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drewniana cerkiew połemkowska w Stawiszy
Autorzy:
Brykowski, Ryszard
Chrzanowski, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/537039.pdf
Data publikacji:
1967
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana cerkiew w Stawiszy
pożar cerkwi w Stawiszy
budowla łemkowska
ikonostas cerkwi w Stawiszy
ogrodzenie zrębowe
Źródło:
Ochrona Zabytków; 1967, 3; 59-66
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przeniesienie malowideł ściennych w cerkwi drewnianej w Uluczu, pow. Brzozów z zastosowaniem tzw. "suchego montażu" (1962-1964)
LE TRANSFERT DES PEINTURES DES PAROIS À L’ÉGLISE ORTHODOXE EN BOIS (ULUCZ —DISTR. BRZOZÓW) — APPLICATION DE LA MÉTHODE DU „MONTAGE À SEC” 1962 — 1964
Autorzy:
Markowska, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/535413.pdf
Data publikacji:
1966
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana cerkiew w Uluczu
malowidła ścienne w cerkwi w Uluczu
przeniesienie malowidła ściennego
technika „suchego montażu”
Opis:
L’église orthodoxe en bois du culte gréco-catholique, dans la localité Ulucz, distr. Brzozów est considérée comme le plus précieux des 7 monuments de ce genre de construction conservés dans la voïvodie de Rzeszów. On détermine la date de sa construction à l ’année 1510. Les peintures des parois exécutées au tempera se sont conservées uniquement sur l’une des parois du coté nord et en très mauvais état. Vu qu’un nombre considérable de poutres dans l’église furent atteintes de moisissure, il a fallu les remplacer par des poutres nouvelles et le conservateur avait pour but de sauver ces peintures d’une destruction complète Leur composition picturale constitue un ensemble de quadrilatères représentant des scènes de la Passion. Sur un fragment de la coupole au-dessus de la paroi — une composition dans un triangle illustre la Resurrection et sur les pendentifs sont présentées les figures des apôtres, à gauche — Saint Luc, à droite — Saint Mathieu. Etant donné le mauvais état de conservation de cette peinture, la décision fut prise de procéder à un „montage à sec”, expérience sansi p r é c é d e n t en Pologne. Après avoir effectué les travaux consistant à consolider la peinture par l’application du polyacétate de vinyle (Vinavyle), à protéger celle-ci par une couche de papier de soie japonais et de marli sur pate de cire, et ensuite à démonter les poutres, enlever les couches du bois pourri jusqu’à la couche picturale, en laissant toutefois une couche de bois d’un à trois cm d’epaisseur, à nettoyer la couche de bois et la couche picturale ainsi dégagées des résidus de pourriture et la protéger en employant des fongicides et insecticides et le vinoflex, ainsi qu’à compléter les déficiences par une pate de sciure avec le vinoflex, — la peinture fut transférée sur des supports en forme de panneaux de copeaux de même dimensions. La peinture fut collée à l’aide d’une colle de phenol-formaldéhyde. Le montage des poutres du pendentif à l’emplacement qu’elles occupaient fut exécuté pendant le trocage des poutres de l’église. Par contre, les peintures de la paroi nord, collées sur des panneaux de copeaux furent placées sur la paroi à l’aide de crochets, executes en textolite spécialement à ces fins, fixées par des vis de laiton. Ce système de montage permet d’assembler des pąnneaux polychromes quelconques tout en donnant à ces parois la durabilité et l’élasticité voulues, indépendantes entièrement des déplacements inévitables des poutres sur une nouvelle paroi. Entre cette nouvelle paroi et le revers des planches servant de support à la peinture, on laisse une couche d’isolation à vide de 5 cm d’épaisseur. L’ensemble de la peinture peut être démonté et remonté en quelques heures à peine ce qui constitue la valeur essentielle du „montage à sec”, en outre il devient extrêmement facile de transférer les peintures sur des planches respectives dans des buts d ’exposition et de présentation.
Źródło:
Ochrona Zabytków; 1966, 3; 23-31
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odkrycie najstarszej datowanej drewnianej cerkwi w Ukrainie
Finding of the oldest dated wooden church in Ukraine
Autorzy:
Slobodian, Vasyl
Powiązania:
https://bibliotekanauki.pl/articles/536838.pdf
Data publikacji:
2014
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
architektura cerkiewna
cerkiew
architektura drewniana
Stara Skwarzawa
Ukraina
Opis:
The article presents the circumstances of finding the oldest wooden tserkva in Ukraine, in the village Stara Skvaryava near Zhovkva. The finding was made on the occasion of creating documentation of the renovation of that disused church. The oldest references to the village Skvaryava come from 1515, and to the church itself – from 1578. The subsequent broader information regarding the church appeared in the 18th century protocols of parish visitation. The protocols contain also information about moving the church from Glinsk to Stara Skvaryava in 1715. That building is identified as a wooden single domed eastern type church from the 16th century on the basis of an analysis of sources. Along with the church, an iconostasis with icons from various periods was moved to Stara Skvaryava. Its oldest part was probably made by the masters from Przemyśl in the 16th century, and the other parts in the 17th and 19th century. The protocol of a Dean’s visitation of 1792 informs that the church was restored at the end of the 18th century. From 1947 to 1989 the church was closed. Opened in the early 1990s, it was used until completion of construction of a new brick church in 1995. The monument, abandoned since then, needed an urgent renovation. According to some sources, the currently existing wooden church was built in 1820. However, the earlier origin of the church can be confirmed by the window openings typical of the beginning of the 18th century. The discovery in 2008 of the inscriptions on the wall of the nave: „АФИ” and „ѿ АѰ Сей цркви С лѣтъ без осми”, allows unambiguously to date the church at 1508 and confirms the information of its moving from Glińsk. The celebrations of the quincentenary of the church on Michaelmas in 2008 became a true feast for all inhabitants and unified them in the pursuit of preservation and restoration of the original look of the church. In spring 2009 renovation works began and were continued in the next years when financial resources were available. Taking into consideration a unique character of the church and its original equipment, as well as the fact that this is the oldest Ukrainian wooden eastern type church with a known date of construction, it is necessary to aim at listing it in the National Register of Cultural Heritage of Ukraine.
Źródło:
Ochrona Zabytków; 2014, 1; 75-87
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problemy konwersji drewnianej architektury sakralnej Łemków po 1947 r.
Problems of conversions wooden sacred architecture of Lemko temples after 1947
Autorzy:
Uścinowicz, J.
Powiązania:
https://bibliotekanauki.pl/articles/390745.pdf
Data publikacji:
2015
Wydawca:
Politechnika Lubelska. Wydawnictwo Politechniki Lubelskiej
Tematy:
konwersja
cerkiew
architektura drewniana
sacrum
ikonostas
conversion
orthodox church
wooden architecture
iconostasis
Opis:
W referacie przedstawiono wybrane przykłady międzykonfesyjnych konwersji cerkwi łemkowskich, dokonanych po „Akcji Wisła” 1947 r. w Polsce. Ukazano proces przetworzenia struktur przestrzenno-funkcjonalnych i rozwiązań ikonograficznych tych świątyń, zrealizowanych podczas ich adaptacji na kościoły rzymskokatolickie. Ujawniono zarówno występujące wówczas problemy natury konserwatorskiej, jak też istotne aspekty ideowe, natury symboliczno-liturgicznej.
This paper presents selected examples of interconfessional conversions of lemko temples, after "Vistula Operation" 1947 in Poland. It also shows the process of transformation of spatial and functional structures as well as iconography of the temples, implemented throughout adaptation. It covers problems in architectural conservation as well as essential ideological aspects of symbolical and liturgical nature.
Źródło:
Budownictwo i Architektura; 2015, 14, 3; 277-293
1899-0665
Pojawia się w:
Budownictwo i Architektura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spalona cerkiew z Hulcza i grupa cerkwi tomaszowsko-hrubieszowskich
THE BURNT-DOWN UNIATE ORTHODOX CHURCH AT HULCZE AND A GROUP OF THE UNIATE ORTHODOX CHURCHES IN TOMASZÓW-HRUBIESZÓW REGION
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537944.pdf
Data publikacji:
1974
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniane zabytki woj. lubelskiego
drewniana architektura sakralna
cerkiew z Hulcza
cerkwie grupy tomaszowsko-hrubieszowskiej
cerkiew z Hrebennego
pożary w zabytkach drewnianych
Opis:
In the south-eastern part of vaivodship of Lublin, and, to be more accurate, within the areas of Tomaszów and Hrubieszów districts and partly in Zamość district may be encountered a group of timber-constructed Uniate orthodox churches characteristic of their specific architectural features which are greatly differing from those present in architecture of orthodox churches in the neighbouring areas. The most ancient sacred buildings of that group are dating from the mid-seventeenth century while those most recently built, from the years ending the nineteenth century. They all were erected as those clearly divided into three parts in their general plans, namely that of sanctuary, nave and a part designed for the feminine worshipers and, in addition, with a strong emphasis on the nave forming both in plan and in the outer shape of the whole building its clearly discernible central portion. The above Uniate orthodox churches are, furthermore, characteristic of considerable heights of their outer walls which the impression cannot be obscured even by a strong enough horizontal accent formed by the overhanging eaves running around the building. Due to the separate roofings applied in all the three main portions of the building and having the shape о-f three domes or a dome crowning the nave and two gable roofs covering the two remaining parts and also owing to the strictly observed rule that the nave should always dominate over the other two portions have been more still emphasised not only the central nucleus and the symmetry of the whole structure but, at the same time, through this perpendicular accentuation of its separate portions was considerably strengthened an impression of its height. Both magnitude, but at the same time a certain tallness of solids of these Uniate orthodox churches seem to be even more striking features in the triple-dome buildings. For special attention deserve the two different, with concern to height, ways that were usually applied for shaping 'of carcasses of these sacred buildings which are either differentiated, i.e. these of nave walls are higher and thus dominating over those of the other two portions (normally having the same heights), or are of the same height in all the three portions of the building and are ending with a common cornice. Buildings in their first version are mainly to be found in the area of Tomaszów district and the so designed objects exibit an unbroken traditional continuity in their forms dating from the mid-seventeenth century until the first quarter of the nineteenth century. Designs representing the second version are grouped in the area of Hrubieszów district and their preserved and well known examples are dating from the nineteenth century. The burnt-down (due to the faulty electrical installation) Uniate orhodox church at Hulcze (erected in 1869) constituted one of the outstanding examples of the „Hrubieszów versionb of that group. The until now gathered documentation allows to state that the territorial range of the timber-constructed Uniate orthodox churches belonging to Tomaszów-Hrubieszów group is covering the territory of the neighbouring deanships of the former Uniate diocese of Chełm and also that the local building tradition was continued throughout the period from the first half of the 17th century until the years ending the 19th century. This tradition must have been one strong enough if even after the abolition in (1875 by the tzarist authorities of the Uniate diocese and after introducing of the orthodox rite lit was able to prevent the penetration of foreign influences which the fact is apparently evidenced by orthodox churches erected after 1875 and planned for the Russian-type liturgy who, however, preserved their former character.
Źródło:
Ochrona Zabytków; 1974, 1; 38-44
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problemy i tendencje ochrony zabytków sakralnych na Ukrainie
Issues and tendencies of protecting historic religious buildings in Ukraine
Autorzy:
Gerycz, Włodzimierz
Powiązania:
https://bibliotekanauki.pl/articles/539106.pdf
Data publikacji:
2010
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Żółkiew
zabytki sakralne
architektura sakralna
Ukraina
architektura drewniana
cerkiew
ikonostas
ikony
Lista Światowego Dziedzictwa UNESCO
Opis:
Since time immemorial Ukraine has been the center of Eastern Christianity. Many temples were built in Kiev and towns nearby. The ones which survived until this day are treated as the most valuable national historic objects. In the whole country, despite the fact that religious life was being ruined in various periods, especially in the east during Soviet times, many religious historic objects exist. After Ukraine regained independence, the number of voices favoring the protection of cultural heritage began increasing. An appropriate legislation system was created, the state and individual regions readily started joining in to protect and restore historic objects, believers commenced helping with the work related with religious objects. Many good examples of church, orthodox church, monastery and wooden religious architecture restoration can be given. However, the consciousness of congregations and the representatives of the clergy is not always at theappropriate standard. Frequently, the urge to make a profit, the use of wrong technology, or the dishonesty of contractors lead historic objects – the witnesses of our history – to destruction. To improve the level of protection of historic religious objects, the dialogue between society and the clergy has to be broadened, specialists’ activity in the field must be supported, and legalregulations need to be refined.
Źródło:
Ochrona Zabytków; 2010, 1-4; 7-15
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W sprawie zabytkowej drewnianej architektury cerkiewnej powiatu Tomaszów Lubelski
ON THE NEED OF PRESERVING THE HISTORICAL ORTHODOX CHURCHES IN TOMASZOW LUBELSKI DISTRICT (POLAND)
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/536150.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana architektura cerkiewna
cerkwie woj. rzeszowskiego
cerkiew w Korczminie
cerkiew Michała Archanioła w Wierzbicy
dzwonnica cerkiewna w Machnowie
cerkwie pow. Tomaszów Lubelski
Opis:
This article was prepared as a result of field surveys carried out in the years 1970—1971 as a part of work on documentation of the wood sacred buildings which is conducted by the Institute of Art of the Polish Academy of Sciences and is supplemented by data taken from the “Catalogue of Monuments of Art in Poland” which were collected in 1954—1955. The author points to the deplorable state of preservation of the orthodox churches in territories of the Lublin and Rzeszów Voivodships. These objects, already considerably damaged by natural wear and entirely deprived of protection are very fastly turning into ruins. It may be expected that within a relatively short period of time, unless suitable measures will be taken, it will come to a total disappearing of objects belonging to this category of wood-constructed buildings. The data characterizing the number of orthodox churches in the first post-war years, when confronted with those pertaining to the actual state are best illustrating this disastrous situation. As an excellent annex to the article may be regarded the attached “Description of the wood-constructed orthodox churches and belfries that are endangered or have been demolished in Tomaszów Lubelski District”. In his attempt to find an answer to the question what should be done to stop the disappearance of the wood-constructed sacred buildings in this country the author puts forward a proposal that the most representative objects should be transferred to open-air museums of wood building. In addition, he is of opinion that the problem deserves to be popularized among both local authorities and communities. One form of their protection and preservation could consist in their adaptation to modern requirements or their overhanding to administration of the Roman Catholic Church, of schools etc. For objects whose preserving has already become impossible should be prepared a full documentation in form of inventorying surveys, drawings and photographs, thus allowing to obtain the only means forming an evidence of their existence. Such measures, however, are to be considered as the last extremity. It must be borne in mind that every historical monument being a specimen of cultural property and a witness of the past periods of the Polish culture should be preserved at any cost for the forthcoming generations.
Źródło:
Ochrona Zabytków; 1972, 4; 276-285
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Monaster Świętej Trójcy w Markowie pod Witebskiem
The Holy Trinity Orthodox Monastery at Markowo near Witebsk
Autorzy:
Boberska, Marta
Boberski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/24822868.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Markowo
Witebsk
Samuel Lew Ogiński
monaster
cerkiew Św. Trójcy w Markowie
architektura drewniana
ikonostas
malowidła barokowe
Witebsk (Vitebsk)
Orthodox monastery
Orthodox Church of the Holy Trinity at Markowo
wooden architecture
iconostasis
Baroque paintings
Opis:
Artykuł jest monograficznym opracowaniem monasteru Świętej Trójcy w Markowie pod Witebskiem. Przedstawia jego dzieje na tle konfliktów religijnych między wyznawcami prawosławia a unitami w XVII i XVIII w., szczególnie żywych w Witebsku, w którym pamięć o zabójstwie abp Jozafata Kuncewicza (1623) czyniła z restytucji prawosławia kwestię bardzo  drażliwą. Fundatorami i dobroczyńcami markowskiego monasteru w XVII w. była rodzina Ogińskich. Zgodnie ze wschodnią tradycją monastyczną, zespół budowli skupionych wokół dziedzińca tworzył niemal samowystarczalne „osobne miasto”. Składały się nań: dwie cerkwie: drewniana Świętej Trójcy (po 1685-1690) o bogatym wyposażeniu i murowana pw. Pokrowy [Opieki Najświętszej Marii Panny] (1754-1755) oraz zabudowania klasztorne. Do monasteru należały jeszcze dwie drewniane cerkwie stojące poza jego murami cmentarna św. Mikołaja i św. Praksedy (obie ok. 1730 r.).
A monograph study on the Orthodox Monastery of the Holy Trinity at Markowo near Witebsk (Vitebsk) is presented. It shows the Monastery’s history as seen against religious conflicts between the followers of the Orthodox and Uniate Churches in the 17th cand 18th centuries, the conflicts particularly vivid in Witebsk where the memory of the assassination of Archbishop Jozafat Kuncewicz (1623) made the restitution of the Orthodox Church a sensitive issue. The Ogiński family were the founders and benefactors of the Markowo Monastery in the 17th century. In harmony with the Eastern monastic tradition, the complex of buildings grouped around a courtyard created an almost self-sufficient ‘separate town’. It was composed of the following: two Orthodox churches: the wooden one of the Holy Trinity (after 1685-1690), richly furnished, and the brick one of the Intercession of the Theotokos (1754-1755), together with monastery buildings. Additionally, two wooden Orthodox churches belonged to the Monastery: the cemetery one of St Nicholas and of St Praxedes (both ca 1730).
Źródło:
Biuletyn Historii Sztuki; 2021, 83, 4; 947-988
0006-3967
2719-4612
Pojawia się w:
Biuletyn Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekształcenia dawnej cerkwi greckokatolickiej w Hannie w świetle badań architektonicznych i dendrochronologicznych
Transformation of the Former Greek Catholic Church in Hanna: Architectural and Dendrochronological Studies
Autorzy:
Warchoł, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/2104869.pdf
Data publikacji:
2020
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
kościół pw. Świętych Apostołów Piotra i Pawła
w Hannie
cerkiew greckokatolicka
badania architektoniczne
badania
dendrochronologiczne
architektura drewniana
Keywords: Saints Peter and Paul the Apostles Church in Hanna
Greek Catholic church
architectural research
dendrochronological
studies
wooden architecture
Opis:
Celem opracowania jest przedstawienie wyników przeprowadzonych w 2018 r. badań architektonicznych kościoła pw. Świętych Apostołów Piotra i Pawła w Hannie, dawnej cerkwi greckokatolickiej. Z uwagi na brak jednoznacznie określonej chronologii świątyni, głównym celem badań było dokonanie rozwarstwienia chronologicznego poszczególnych części zabytku oraz jednoznaczne określenie czasu ich wzniesienia i zakresu ewentualnych przekształceń. W tym celu analizę architektoniczną obiektu uzupełniono o badania dendrochronologiczne drewna konstrukcji ścian i dachów, dające możliwość precyzyjnego określenia daty ścięcia drzew, z których zostały wzniesione poszczególne części cerkwi. W wyniku przeprowadzonych badań i analiz ustalono, że świątynia wznoszona była w kilku fazach budowlanych od XVIII do XX stulecia. Pierwsza struktura cerkwi hanieńskiej wzniesiona została w latach 1739-1740, kolejne przekształcenia nastąpiły w 1747 r., kiedy dostawiono drewnianą kaplicę, oraz w latach 1764-1765, gdy cerkiew powiększono o część zachodnią mieszczącą babiniec wraz z przedsionkiem oraz nadbudowano z celu wyrównania korony zrębu ścian nowych i starych części. Cerkiew uzyskała wtedy kształt zbliżony do obecnego. W XIX w. dokonywano jedynie niezbędnych remontów, szczególnie w zakresie wieżyczek i przekrycia dachów i ścian, oraz przekształcano dobudówki przy sanktuarium, które ostateczną formę uzyskały dopiero w 1. połowie XX wieku.
The purpose of the study is to report the results of architectural research conducted in 2018 in Saints Peter and Paul the Apostles Church in Hanna, a former Greek Catholic temple. Since a clear chronology of the temple is missing, the main purpose of the studies was to perform chronological stratification of the individual sections of the historic monument and to clearly date the erection of the temple and determine the scope of its transformations. For this purpose, the architectural analysis of the site was supplemented with dendrochronological studies of the wooden wall and roof structures with a view to precisely determining the time of sourcing the trees used for the construction of particular sections of the church. The performed studies and analysis showed that the temple had been erected over several construction phases from the 18th through the 20th century. The first structure of the Hanna church was built in the years 1739-1740; subsequent additions and transformations occurred in 1747 (a wooden chapel was added) and in the years 1764-1765 when the church was enlarged by the western part housing the women’s section and the vestibule; it was also extended upwards to level the top of the wall framework of the new and old parts. At that time, the church was given its present-day shape. In the 19th century, only necessary renovations were carried out, especially in the turrets, roofs and walls. Also, the annexes to the sanctuary were transformed, however, its current shape goes back to no earlier than the early 20th century.
Źródło:
Ochrona Zabytków; 2020, 1; 79-104
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Особенности развития деревянного культового зодчества Беларуси
Cechy rozwoju religijnej architektury drewnianej Białorusi
Features of development of wooden religious architecture of Belarus
Autorzy:
Kozar, N.
Rajczyk, M.
Powiązania:
https://bibliotekanauki.pl/articles/2068511.pdf
Data publikacji:
2013
Wydawca:
Politechnika Częstochowska
Tematy:
cerkiew
architektura drewniana
architektura białoruska
architektura sakralna
architektura XVIII w.
architektura XIX w.
budownictwo sakralne
Białoruś
church
wooden architecture
Belarusian architecture
sacral architecture
architecture of 18th c.
architecture of 19th c.
sacral building
Belarus
Opis:
W artykule przedstawiono główne zasady tworzenia kompozycji architektonicznej drewnianych świątyń na Białorusi oraz przeanalizowano sposoby ich wznoszenia.
The main principles of composition formation for wooden temples of Belarus and the methods of their erection are in the focus of attention in this paper.
Źródło:
Zeszyty Naukowe Politechniki Częstochowskiej. Budownictwo; 2013, 19 (169); 44--51
0860-7214
Pojawia się w:
Zeszyty Naukowe Politechniki Częstochowskiej. Budownictwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 17

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