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Tytuł:
Routine But Ribald. Intimacy in Stefan Żeromski’s Journals
Autorzy:
Kościewicz, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/648910.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Stefan Żeromski
Dzienniki
censorship
self-censorship
Opis:
Stefan Żeromski’s Journals concern mostly matters of intellectual (book, theatre, and exhibition reviews, writing techniques) and personal character, with the latter including some very intimate material. Żeromski was an exhibitionist in his writing. He described his autoerotic practices, his visits to brothels, details of sexual relationships with his mistresses, as well as some personal problems of his friends and acquaintances. The present analysis of the writer’s Journals focuses on how Żeromski tended to write about his intimate life, what matters and to what extent were treated as taboo by the author himself, by people from his closest circle, by readers of the manuscript version of his Journals, and finally, by editors and publishers of two 20th-century editions of his work. Taking this perspective, the close reading of Żeromski’s Journals will thus concentrate on issues such as private life, taboo, censorship and self-censorship.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cenzura redaktorska w zaborze rosyjskim w XIX wieku
Editorial Censorship in the Russian Partition in the 19th century
Autorzy:
Liszka, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2079043.pdf
Data publikacji:
2022-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
censorship
editorial censorship
editor
Przegląd Tygodniowy
Tygodnik Ilustrowany
Opis:
The article provides an insight into the problem of editorial censorship in the Kingdom of Poland. It shows that the nature of the censorship measures did not only depend on the attitude towards the state system, but also on the in-house relations dictated by the policy of the publisher and market relations. The editor, representing both private and corporate interests, imposes changes of a censorious nature not only under political or moral pressure, but also under the publisher’s pressure. And thus, he becomes a censor. This provides an additional insight into the practice of censorship under the Partitions of Poland. This issue is commonly viewed from the national and patriotic perspective that neglects this aspect, emphasising mainly the external oppression of the partitioning powers. In order to illustrate the differences between the various publishing policies, the measures applied by the editors of Przegląd Tygodniowy and Tygodnik Ilustrowany weeklies are discussed.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, 169-170; 233-254
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“There Aren’t any Dwarfs; They got out in Time”. Censored Image of the Home Army in Polish Poetry in 1956–1958
Autorzy:
Kloc, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/648925.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Home Army
censorship after 1945
censorship towards literature
Opis:
The paper focuses on censorship board’s approach to the subject of Home Army in Polish poetry from the period 1956−1958 of the liberalization of culture. The basic purpose of the research is focused on the identification of censorship reference to the image created by the authors. Moreover, it attempts to specify – on the basis of examples – the kind of content that was accepted, rejected or amended. Juxtaposition of the sensor’s reviews, “preventive inspection reports” and the content published works allows for the examination of the depth of the censor’s intervention and their methods of manipulating historical facts concerning the Hole Army. Research of the relationship censor-author allows for analyze “Aesop’s language” strategy. The whole of paper is based on a historical context and related phenomena, including the amnesty and so-called the “rehabilitation”.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Polish Trial of Kafka. On the Reception of Franz Kafka and So-Called “Dark Literature” by the Censorship Board
Autorzy:
Mojsak, Kajetan
Powiązania:
https://bibliotekanauki.pl/articles/648928.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Franz Kafka
censorship
Opis:
The article discusses the reception of Franz Kafka’s novels and the so-called “dark literature”, popular after 1956, by the censorship board. It presents the discussions around Kafka’s work and various interpretational strategies used to secure this literature a place in the culture of People’s Republic of Poland. The article presents analyses of the censors’ reviews of Kafka’s (but also Sartre’s or Faulkner’s) novels and offers insight into the censorship process and the literary life of the late 1950s in general.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Klątwa” w Teatrze Rozrywki. Cenzura w afekcie
The Curse at the Teatr Rozrywki. Censorship in Affect
Autorzy:
Głowacka, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/2164344.pdf
Data publikacji:
2022-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
preventive censorship
emotional censorship
The Curse
Oliver Frljić
affective economies
Opis:
The subject of the article is the circumstances of the production of The Curse, directed by Oliver Frljić, at the Teatr Rozrywki (Entertainment Theatre) in Chorzow in August 2017 as part of the Wakacyjny Przegląd Przedstawień (Holiday Performance Festival). This was the first presentation of this play outside the house of the Powszechny Theatre in Warsaw. For a few weeks while the show was on sale nothing foreshadowed the subsequent protests to block its presentation. Recalling the events of five years ago, I do not only reconstruct the course of events, but also analyse the documentation that could be collected at the theatre and the experiences of the staff, as well as the role of the media, the Catholic Church and local politicians in the creation of events. The actions aimed at cancelling the performance fall into the category that Grzegorz Niziołek calls censorship of passion as the passionate emotions surrounding the performance significantly influenced the way it was organised.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, 172; 139-165
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Politics, Poetics and “the Tragedy of Existence”. The Reception of Młyny Boże [the Mills of God] Novel Series by Kazimierz Truchanowski by the Censorship Bureau
Autorzy:
Mojsak, Kajetan
Powiązania:
https://bibliotekanauki.pl/articles/648899.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Truchanowski Kazimierz
The Mills of the God
censorship
censorship towards literature
Opis:
The article analyzes the censorship board’s reception of Kazimierz Truchanowski’s novel cycle The Mills of the God, published between 1961 and 1967. The analysis gives an insight into the interesting process of the growing tolerance – and indifference – of censorship board towards this kind of hermetic, non-epic prose: far from the official cultural course, but at the same time not coming into open conflict with it. Review of censors’ reception of the subsequent parts of Truchanowski’s novel can be seen as a contribution to the history of the so-called “socparnasizm” as well as to the history of the growing pragmatism of the censorship board (and its de-ideologization).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A few remarks on the mechanisms of censorship in the PRL and the Third Republic of Poland
Autorzy:
Dąbrowski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/650125.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
censorship in communist countries
censorship in democratic states
freedom of expression
Opis:
The purpose of the paper is to discuss the mechanism of censorship before and after 1990 when the mission of the communist Chief Control Bureau for Press, Publications and Performances (GUKPPiW) was terminated. Communist censorship was not, as we have grown to perceive it, a case-based preventive control of the flow of ideas but a complex and continuous system of relations which shaped desired social actions. Institutional censorship only ensured the coherence of messages produced by self-censoring culture outlets: representatives of the media, scholars, writers, and artists. In my opinion the abolition of GUKPPiW was not some radical rupture, it seems that some of the mechanisms of censorship have a rather permanent nature, regardless of the political system. Moreover, even though institutional control over the discursive sphere was lifted, many informal relations of power have remained untouched. These dispersed power relations have been shaping Polish society’s view of the world for centuries deciding what is good or bad, nice or ugly, decent or indecent, Polish or non-Polish, and last but not least – expressible or inexpressible.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 45, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O problemie cenzury społecznej na przykładzie recepcji twórczości Józefa Mackiewicza
On the Problem of Social Censorship on the Example of the Reception of the Work of Józef Mackiewicz
Autorzy:
Hylewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1832985.pdf
Data publikacji:
2020-04-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
twórczość artystyczna
cenzura
cenzura społeczna
Józef Mackiewicz
artistic work
censorship
social censorship
Opis:
Twórczość artystyczna podlega szeregowi zewnętrznych presji, które konstytuują i strukturyzują pole artystycznej licentia poetica. Obok wszechstronnie rozpoznanego i typowego dla niektórych formacji ustrojowych zjawiska cenzury urzędowej (oficjalnej) należy wyróżnić funkcjonujący powszechnie fenomen cenzury społecznej (nieoficjalnej). Cenzura w sensie oficjalnym jest definiowana jako, prewencyjna bądź ofensywna, kontrola treści aktów komunikacji dokonywana przez wyspecjalizowane instytucje państwa w ramach prowadzonej przez rząd polityki informacyjnej. Cenzura społeczna również stanowi fragment aparatu kontroli społecznej i koncentruje się na reglamentacji procesu komunikacji, jej dysponentem nie jest jednak rząd, a określone kręgi społeczne. Z tej przyczyny jej działania, jakkolwiek mogą stanowić dopełnienie realizacji celów cenzury urzędowej, nie są przez nią delegowane na zasadzie przymusu instytucjonalnego. Funkcjonowanie cenzury społecznej autor przybliża na przykładach zaczerpniętych z życia literackiego, zwłaszcza zawirowań wokół osoby i twórczości Józefa Mackiewicza.
Artistic work is subject to a series of external pressures that constitute and structure the field of artistic licentia poetica. Apart from the phenomenon of official censorship, which is widely recognized and typical for some political groups, the phenomenon of social (unofficial) censorship should be distinguished. Censorship in the official sense is defined as, preventive or offensive, control of the content of acts of communication made by specialized state institutions within the framework of the government’s information policy. Social censorship also constitutes a fragment of the social control apparatus and focuses on the regulation of the communication process, but its disponent is not the government but the specific social circles. For this reason, its actions, although they may be the fulfillment of the official censorship goals, are not delegated by it on the basis of institutional coercion. The author deals with the functioning of social censorship on examples drawn from literary life, especially the turmoil around the person and the work of Józef Mackiewicz.
Źródło:
Roczniki Nauk Społecznych; 2014, 45, 4; 231-247
0137-4176
Pojawia się w:
Roczniki Nauk Społecznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Moments of liberty. (Self-)censorship Games in the Essays of Virginia Woolf
Autorzy:
Pająk, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/650133.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Virginia Woolf
liberty
censorship
self-censorship
personal essay
women’semancipation
non-heteronormativity
pacifism
Opis:
What is surprising in Virginia Woolf’s essays is the scale and the audacity of her intellectual searches – in the time of increased repressive censorship and growing totalitarianisms, she approached the themes of freedom which have remained controversial ever since. The article presents the essayistic nature as a strategy applied by Woolf in her personal essays to avoid censorship, and intentionally expand the limits of freedoms important to her. The author offers an outline of the mechanism of repressive censorship and the chilling effect it worked in the interwar United Kingdom based on the examples of suspensions of outstanding modernist works and show-trials of writers. She presents three areas of study of freedom in Woolf’s essays: women’s emancipation, tolerance towards non-heteronormative persons, and pacifism, as well as the areas of private and public (self-)censorship which existed therein.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 45, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
PRZEŁOM CZY KONTYNUACJA? CENZURA W OBLICZU POLSKIEGO PAŹDZIERNIKA 19561, CZ. 2
BREAKTHROUGH OR CONTINUATION? CENSORSHIP IN THE FACE OF POLISH OCTOBER 1956, PART 2
Autorzy:
Gogol, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/418537.pdf
Data publikacji:
2017
Wydawca:
Akademia Marynarki Wojennej. Wydział Nauk Humanistycznych i Społecznych
Tematy:
censorship
propaganda
Polish October
history
Opis:
The present article is a contribution to the history of post-war preventive censorship in the Polish People’s Republic, as well as an attempt to grasp the full scale of manipulations perpetrated against both authors and audience of the censored media — literally of ‘fabricating’ of other people’s texts. The purposes of institutional censorship were constant, prior to and after 1956. In brief, they consisted in: permanent, preventive control of all mass media, of each, even the most simple, piece of information publicised in any way. The censorship, in its official capacity, was interested in publications in all walks of life. The scale of the censoring is astonishing, even today. The presence of introductory, preventive censorship in Poland was commonly known, but its actual scale, basis and content of interferences or confi scations were kept secret from public. It was a mechanism precisely controlled through secret or confi dential regulations. important is the evaluation of meticulousness of the censorial interferences of the ‘red pencil’ and their accuracy to the intentions of the authors of regulations — decision-makers from the Polish United Workers’ Party or state institutions. These regulations determined a field of activity for a censor; they regulated information meant for a Jan Kowalski, an ordinary Polish citizen. They reveal ‘obsessions’ of the state authorities in the period of Polish Stalinism, for instance in the specific scope of state secrets. The control over the expression was only one of many duties of the censorship. An important matter was to present a consultative role of the office, appraisal of the work done by editorial staff, publishers, writers, journalists and even scientific researchers. Censure reduced or intensified its operation according to the actual situation in the country and the policy of the state authorities. There was a difference between its work before and after ‘the Thaw’ of October 1956. Each of the two periods had its own censoring obsessions and priorities. After the parliamentary elections of January 1947 a monopoly over the propaganda information was imposed, in a spilit of Stalinism leaving its stamp on almost all spheres of public life. Censorship played in the process a role of orthodox guard of the unreal image of the political system being imposed on the country. After 1956, in the wake of the October Thaw, its role changed a little but did not weaken. It is evident in the fact that censors themselves began to call into question some of the regulations but it had no infl uence on the core of censoring operations. The decree on censorship was not changed. The extent of censorial control was not thoroughly specified and the scale of information manipulation was not reduced. After a short reorganizational chaos censors carried out their duties on the basis of methods worked out in the first years of the existence of the office. The final year of 1958 was marked by an evident end of the Thaw, the ban on criticising ‘the Party line’, and a beginning of the so-called Little Stabilisation, in maintaining of which censorship was to play an important role, thus the usefulness of its existence for the regime was not discredited.
Źródło:
Colloquium; 2017, 9, 2; 5-26
2081-3813
2658-0365
Pojawia się w:
Colloquium
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
PRZEŁOM CZY KONTYNUACJA? CENZURA W OBLICZU POLSKIEGO PAŹDZIERNIKA 1956, CZ. 1
BREAKTHROUGH OR CONTINUATION? CENSORSHIP IN THE FACE OF POLISH OCTOBER 1956, PART 1
Autorzy:
Gogol, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/418608.pdf
Data publikacji:
2016
Wydawca:
Akademia Marynarki Wojennej. Wydział Nauk Humanistycznych i Społecznych
Tematy:
censorship
propaganda
Polish October
History
Opis:
The present article is a contribution to the history of post-war preventive censorship in the Polish People’s Republic, as well as an attempt to grasp the full scale of manipulations perpetrated against both authors and audience of the censored media — literally of ‘fabricating’ of other people’s texts. The purposes of institutional censorship were constant, prior to and after 1956. In brief, they consisted in: permanent, preventive control of all mass media, of each, even the most simple, piece of information publicised in any way. The censorship, in its official capacity, was interested in publications in all walks of life. The scale of the censoring is astonishing, even today. The presence of introductory, preventive censorship in Poland was commonly known, but its actual scale, basis and content of interferences or confi scations were kept secret from public. It was a mechanism precisely controlled through secret or confi dential regulations. important is the evaluation of meticulousness of the censorial interferences of the ‘red pencil’ and their accuracy to the intentions of the authors of regulations — decision-makers from the Polish United Workers’ Party or state institutions. These regulations determined a field of activity for a censor; they regulated information meant for a Jan Kowalski, an ordinary Polish citizen. They reveal ‘obsessions’ of the state authorities in the period of Polish Stalinism, for instance in the specifi c scope of state secrets. The control over the expression was only one of many duties of the censorship. An important matter was to present a consultative role of the office, appraisal of the work done by editorial staff, publishers, writers, journalists and even scientific researchers. Censure reduced or intensified its operation according to the actual situation in the country and the policy of the state authorities. There was a difference between its work before and after ‘the Thaw’ of October 1956. Each of the two periods had its own censoring obsessions and priorities. After the parliamentary elections of January 1947 a monopoly over the propaganda information was imposed, in a spilit of Stalinism leaving its stamp on almost all spheres of public life. Censorship played in the process a role of orthodox guard of the unreal image of the political system being imposed on the country. After 1956, in the wake of the October Thaw, its role changed a little but did not weaken. It is evident in the fact that censors themselves began to call into question some of the regulations but it had no infl uence on the core of censoring operations. The decree on censorship was not changed. The extent of censorial control was not thoroughly specified and the scale of information manipulation was not reduced. After a short reorganizational chaos censors carried out their duties on the basis of methods worked out in the first years of the existence of the office. The final year of 1958 was marked by an evident end of the Thaw, the ban on criticising ‘the Party line’, and a beginning of the so-called Little Stabilisation, in maintaining of which censorship was to play an important role, thus the usefulness of its existence for the regime was not discredited.
Źródło:
Colloquium; 2016, 8, 4; 19-45
2081-3813
2658-0365
Pojawia się w:
Colloquium
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Непубликуваните фикционални текстове (Васил Попович и Асен Христофоров)
Autorzy:
Аретов, Николай
Powiązania:
https://bibliotekanauki.pl/articles/1890765.pdf
Data publikacji:
2021-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
unpublished
fiction
censorship
personal relations
Opis:
This paper deals with some texts from the archives of two authors from different periods. These texts were not published by the authors in their lifetime. The reason was not some kind of censorship, especially in the case of Vasil Popovich, who probably had some scruples dealing with events from the private life of his opponent Konstantin Jireček. Asen Hristoforov, a writer who was expelled from the University and sent to a labor camp, did not offer texts about his time in the labor camp for publishing. However, in this published texts there are hints about the repressions he suffered and about his disapproval of the communist regime. At the same time, there was a tension between his criticism and his attempt to partially accept the official perspective towards some events and political figures of Bulgarian communist past.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 149-168
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Nie należy … dopuszczać do przesadnej popularyzacji … papieża Pawła VI i jego wystąpień”. Cenzura prewencyjna a ograniczanie wpływu Kościoła katolickiego na społeczeństwo w Polsce w latach tzw. małej stabilizacji
Autorzy:
Gogol, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/2134292.pdf
Data publikacji:
2020-09-01
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
Catholic church
preventive censorship
propaganda
Opis:
In the political system of the Polish People's Republic, the Catholic Church and the Polish United Workers' Party competed with each other for influence in society. There was virtually no convergence between the doctrine and teaching of the Catholic Church and the ideology of the ruling PZPR. The church was the only institution in the Polish People's Republic which, even through pastoral teaching, publishing the titles of Catholic press and publishing openly and legally in the country, violated the monopoly of communist power introduced after 1945 for the transmission of information and ideology directed to society. The scope of duties and activity of the institution of preventive censorship - GUKPP and W and its delegations were properly officially on the side of the authorities in the current of this rivalry. It was in her hands to have the power to control church publishing houses, the press, and finally materials sent from abroad, to which the recipients were, e.g. curia. Censorship was intended to limit the message of the Church, where it was uncomfortable for power, to reduce the influence of the Church in society, the authority of its hierarchs, and finally, if possible, literally "cross" the traditional presence of the Church, customs and values of the Catholic religion from various spheres of social life. These activities were carried out both at the central level in Warsaw and at the level of voivodship field delegations. Due to the well-preserved materials of Gdańsk censorship, it is worth looking at her work in this area on the example of the activities of the Provincial Office for the Control of Press, Publications and Performances in the years of Gomułka's Little Stabilization 1956–1970. The article is a development and addition to two previous articles published in the "Religious Review".
Źródło:
Przegląd Religioznawczy; 2020, 3/277; 155-178
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Model chińskiej cyberdyplomacji
Model of Chinese cyber diplomacy
Autorzy:
Broś, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/521497.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Wrocławski. Wydział Nauk Społecznych. Instytut Studiów Międzynarodowych
Tematy:
cyberdiplomacy
China
diplomatic strategies
censorship
Opis:
Objective of the article is to present Chinese concept of cyberdiplomacy which refers to globval trend in foreign affairs to use model of new public diplomacy as modern approach in international relations. The Chinese government, observing a significant increase in the number of network, Internet users and analyzing the bene& ts which has been achieved by Western countries, activated its actions and strategies in the cyber environment in order to promote domestic and foreign policies. Due to the progressive modernization of the country and the desire to alter its international image, the importance of new tools acquired in the field of soft power focusing on the attractiveness of the state in order to achieve its political objectives connected with concept of „China’s peaceful rise”. Their cyberdiplomacy strategy involves the use of the Internet, social media, portals to integrate a wide international audience. However China faces many challenges to create effective cyberdiplomacy and widely used censorship and propaganda are the biggest obstacle in this matter.
Źródło:
Wschodnioznawstwo; 2016, 10; 145-160
2082-7695
Pojawia się w:
Wschodnioznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cenzura wobec problematyki „odwilży” 1956 roku na łamach Gazety Poznańskiej
Autorzy:
Swacha, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/643253.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
censorship, October ’56, newspapers, Poznan
Opis:
The purpose of the article is to point out the outlook of Local Censorship Office in Poznań to articles about political changes in Poland in 1956, which were published in Gazeta Poznańska. The previous research on the attitude of the press and censorship during the “Polish October” focused primarily on newspapers which were considered revisionist. Gazeta Poznańska was edited by Regional Committee of the Polish United Workers` Party and presented an official conservative point of view. The article was based on the documents from State Archive in Poznań. The basis of arrangements presented in the article were the result of the analysis of source documents created by Local Censorship Office in Poznań. They made it possible to create a category of texts which were consistently excluded from publication. This group included articles on the increase in wages and focused on the movements of Soviet troops in Poland. Censorship also blocked opinions that evaluated the earlier period of the Communist Party governments too critically and suggested dissatisfaction with the ongoing changes. The activity of censorship in Gazeta Poznańska in the year 1956 also indicates what type and level f criticism of the Communist Party at that time was considered to be admissible. The outlook of Local Censorship Office in Poznań to Gazeta Poznańska in the period of 1956 changes in Poland showed what type and level of criticism was acceptable in the Polish United Workers’ Party’s press.
Źródło:
Zeszyty Prasoznawcze; 2014, 57, 1
0555-0025
2084-3836
Pojawia się w:
Zeszyty Prasoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł

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