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Wyszukujesz frazę "cemetery literature" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
Semantyka inskrypcji nagrobnych nekropolii rzymskokatolickich na przykładzie cmentarzy parafialnych we Włostowie i w Obrazowie
Autorzy:
Jędrycha, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1047352.pdf
Data publikacji:
2018
Wydawca:
Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
Tematy:
inskrypcja nagrobna
komunikacja językowa
nekropolie rzymskokatolickie
literatura cmentarna
gravestone inscription
language communication
cemetery literature
roman catholic necropolises
Opis:
The article presents the conclusions of the study of gravestone inscriptions (3644) carried out on two Roman Catholic cemeteries in the Świętokrzyskie province. The collected material dates back to the 1720s, giving an opportunity to observe socio-historical changes, and to answer the question of how, in the optional elements of the gravestone, the community’s value system is reflected. In addition, what information about the inscription was conveyed the gravestone, how its functions function as a gravestone and what is the origin of the inscription.
Źródło:
Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2018, 25; 153-174
1234-8880
Pojawia się w:
Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mnimuria wyspy Skiatos. Cmentarz w opowiadaniach Aleksandrosa Papadiamandisa
Mnimuria of Skiathos island. Cemetery in Alexandros Papadiamantis’ short stories
Autorzy:
Borowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2012204.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
cmentarz
Ateny
Skiatos
literatura grecka
Aleksandros Papadiamandis
cemetery
Athens
Skiathos
Greek Literature
Opis:
Mnimouria – a modest country cemetery plays an important role in the novels by Alexandros Papadiamantis. While the pretentious offi cial First Cemetery of Athens displays the wealth of the nouveaux riches who strive to imitate in an artifi cial and exaggerated manner various forms of tombs of the ancient Greek Kerameikos in an attempt to prove their ancient ancestry, Papadiamantis in his picture of Skiathos little koimeterion manages to place it both in the order of nature and in the world of culture. He shows us, sometimes not without a mild irony, how the old pagan beliefs and superstitions such as: evil-eye, curses, ghosts and apparitions still coexist harmoniously with sincere Christian faith of his simple compatriots in an island where one could hear the pipe of a young shepherd, who could have been perhaps a satyr, or glimpse a strange shape, possibly of a Nymph or a Naiad (neraida).
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2012, 2(5); 283-297
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Deconstructing the Topos of Poland as a Jewish Necropolis in Texts by Israeli Authors of the Third Post-Holocaust Generation
Autorzy:
Budzik, Jagoda
Powiązania:
https://bibliotekanauki.pl/articles/594865.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Holocaust memory
Israel
Israeli literature
topos of Poland
topos of cemetery
third generation
Opis:
The paper aims at recognizing and describing the ways of deconstructing the topos of Poland as a Jewish necropolis, a process that in the last decade appears more and more often in the works of Israeli authors of the third generation after the Shoah. The generation concept – as I argue – can serve here as a useful tool for understanding the shift which occurred in the specific national context of Israeli Holocaust discourse and strongly influenced the image of Poland in Israeli literature and culture. Poland depicted as a Jewish necropolis has become one of the central motifs present in Israeli literary as well as the artistic canon of Shoah representations. As the central space where the Shoah occurred, Poland was obviously perceived as a land marked by death and formed exclusively by the experience of the Holocaust. However, in the aftermath of two major shifts that have occurred in the last decades: a meaningful change in the Israeli Holocaust discourse and the new reality of Poland after 1989, and also as a consequence of the growing time distance separating yet another generation from the events themselves, numerous authors born in Israel mostly in the 1970s and in the 1980s began approaching the above-mentioned motif critically. This tendency, one of the few typical for the third generation, is demonstrated either through the motif ’s deconstruction and subversive usage or, more radically, by employing the genre of alternate history and changing the place’s identity (e.g. Tel Aviv by Yair Chasdiel). The topos of Poland as a necropolis has therefore been turned into a part – or even a starting point – of the reflection on collective memory patterns (e.g. Kompot. The Polish-Israeli Comic Book), stereotypes (e.g. Bat Yam by Yael Ronen), and on the authors’ own roots and identity (e.g. The Property by Rutu Modan). By analyzing the abovementioned texts, I will explore the process of constant interaction occurring between collective and the individual memory, between the Israeli national perspective and Polish landscapes, between an author and space and, finally – between the category of the third generation and its representatives themselves.
Źródło:
Polish Political Science Yearbook; 2018, 2 (47); 379-389
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Milczące cmentarze Pragi
Silent Prague Cemeteries
Autorzy:
Sosnowska, Danuta
Powiązania:
https://bibliotekanauki.pl/articles/2012221.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
literatura czeska
Praga
Europa Środkowa
cmentarz
mitologia narodowa
Czech literature
Prague
Central Europe
cemetery
national mythology
Opis:
The article discusses the semiotics of Prague cemeteries as well as their role in Czech culture against the backdrop of the cultural role of cemeteries in Central Europe. Prague cemeteries are silent as their presence in the memory and life of Czechs is much less noticeable than one would have assumed it should be as resulting from the 19th century patriotic concepts which accompanied the establishment of national cemetery, the magnifi cence of funeral ceremonies of the time and the signifi cance of necropolises cultural heritage. The Czech way of commemorating the dead personages of cultural merit is naming after them public institutions rather than visiting the graveyard and perceiving thecemetery as an institution of memorialising national history. The refl ection on the cultural role of Prague cemeteries is more often present in Czech literary works than in scientific studies on Czech culture. This peculiar indifference is characteritic of Czech mentality, even though the determining factors to create Prague cemetery did not distinguish Czechs from the nations of Central Europe – national revival and national mythology together with the change in perceiving the cemetery in the urban organism.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2012, 2(5); 127-143
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Labirynt żywych i umarłych. Mitologizacja przestrzeni Cmentarza Olszańskiego w trylogii „Trýznivé město” Danieli Hodrovej
A Maze of the Living and the Dead: Mythologisation of the Space of Olšany Cemetery in the Trilogy “Trýznivé město” by Daniela Hodrová
Autorzy:
Woszczerowicz, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/44930941.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Daniela Hodrová
Trýznivé město
literatura czeska
cmentarz
labirynt
mit
przestrzeń
Tryznivé město
Czech literature
cemetery
labyrinth
myth
space
Opis:
This article is devoted to the issue of the mythologisation of the space of Olšany Cemetery performed by Daniela Hodrová in her trilogy Trýznivé město (City of Torment). The article consists of two parts: the first one is a theoretical introduction about the concepts of myth, cemetery and maze, and the cultural connection between them. The second part contains an analysis of Olšany Cemetery as presented in the trilogy. Hodrová depicts the cemetery as a kind of mythical space which has the nature of a maze, where the living and the dead both share the fate of being prisoners.
W niniejszym artykule podjęto problematykę mitologizacji przestrzeni Cmentarza Olszańskiego w trylogii Trýznivé město autorstwa Danieli Hodrovej. Pierwsza część artykułu poświęcona jest teoretycznemu wprowadzeniu dotyczącemu pojęć mitu, cmentarza, labiryntu oraz kulturowego związku między nimi. Druga natomiast zawiera analizę mitologizacji przestrzeni cmentarza w trylogii. Cmentarz Olszański został przez Hodrovą przedstawiony jako rodzaj mitycznej przestrzeni o charakterze labiryntu, z którego wyjścia poszukują zarówno żywi, jak i umarli.
Źródło:
Adeptus; 2023, 20
2300-0783
Pojawia się w:
Adeptus
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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