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    Wyświetlanie 1-4 z 4
    Tytuł:
    Mroczne żądło zdegenerowanej natury. Szkic o czarnoromantycznych inspiracjach Róży Wojciecha Smarzowskiego
    The dark sting of degenerate nature. Sketch of the dark-romantic inspirations in Wojciech Smarzowski’s Rose
    Autorzy:
    SZPULAK, ANDRZEJ
    Powiązania:
    https://bibliotekanauki.pl/articles/920942.pdf
    Data publikacji:
    2016-11-03
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Wojciech Smarzowski
    Rose
    black romanticism
    Romanticism in film
    Polish historical film
    war film
    Opis:
    The text presents Polish dark romanticism as an important source of inspiration for the images of violence, includ- ing sexual violence, in Wojciech Smarzowskis Rose. The author reveals the mechanisms of this inspiration: visual, dramatic, intellectual, and refers to specific literary texts, from the Romantic era and later, by Antoni Malczewski, Seweryn Goszczyński, Juliusz Słowacki and Włodzimierz Odojewski.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 265-272
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz czarnego słońca w wybranych utworach francuskich i polskich romantyków (rekonesans).
    The image of black sun in selected texts of Polish and French romantics (reconnaissance) .
    Autorzy:
    Śniedziewski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/690203.pdf
    Data publikacji:
    2015
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Black Sun
    Saturn
    Melancholy
    Polish Romanticism
    French Romanticism
    Théophile Gautier
    Gérard de Nerval
    Juliusz Słowacki
    Zygmunt Krasiński
    czarne słońce
    melancholia
    romantyzm polski
    romantyzm francuski
    Opis:
    The article’s goal is an inquiry into the main contexts, in Polish and French Romanticism, for the metaphor of black sun; the metaphor belongs with images and themes clearly marked by the experience of melancholia. There was also a significant impact of astronomical fantasies which, perhaps surprisingly, were very popular in Romanticism. Another important reference point for the present text analysis is the Biblical tradition (related mainly to Old Testament books and The Revelation). However, it must be stressed that the popularity of the metaphor of black sun, both in France and in Poland, was undoubtedly fostered by the popularity of Dürer’s print Melancholia I, and Jean-Paul Richter’s famous Speech of the Dead Christ. In works by selected authors, who represent the two language areas under discussion (including Gautier, Nerval, Słowacki, and Krasiński), it is possible to notice significant differences, which allow for asserting the existence of a different model of dissemination of the image of black sun. Inasmuch as French Romantics mostly approach the image in aesthetic and existential terms, the Polish authors clearly focus on metaphysical and historiographical approaches. It is also important that contrary to Biblical sources, where the image of black sun was often related to God’s wrath or his intervention in earthly order, as in Last Judgement, and contrary to astronomical sources, which eliminated individual perspective and clearly strived for objective approach, the metaphor of black sun in texts by Romantic authors is mostly of anthropological quality; it is an image of the human being confronted by individually experienced transience (in the existential model, closer to French Romantics), or in confrontation with time of a community (historiosophic model, which dominates in texts by Polish Romantics).
    Źródło:
    Prace Polonistyczne; 2015, LXX; 199-215
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Tam, gdzie nas nie spotkamy, melancholia się nami nie nażre”. Romantyczna antropologia melancholiczna w polskim black metalu
    „Where We Don’t Meet Each Other, the Melancholy Won’t Stuff Itself With Us”. Romantic Melancholic Anthropology in Polish Black Metal
    Autorzy:
    Barski, Kamil
    Powiązania:
    https://bibliotekanauki.pl/articles/27307330.pdf
    Data publikacji:
    2023-12-15
    Wydawca:
    Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
    Tematy:
    melancholy
    black metal
    Romanticism
    heavy metal
    melancholia
    romantyzm
    Opis:
    Among the many research fields, in terms of which heavy metal (counter)culture (more precisely, in this case, black metal) can be studied, the history of literature has a prominent place. The separation of the lyrics of the song from its musical layer makes it a poem which can be interpreted in various keys. As a result, it can also be established in various literary traditions. In opinion of the author – expressed also in other publications – black metal poetry has a romantic character for many reasons. In this article, literary studies combine with anthropological considerations. There is a specific concept of man that emerges from the interpretation of the lyrics, which makes us consider black metal musicians as “late grandchildren” of Romanticism, and black metal itself – as another incarnation of this movement in the history of culture. It turns out, that the most represented anthropological attitude which occurs in contemporary works of this genre is Romantic melancholy, the various manifestations of which are traced in each lyric.
    Źródło:
    Academic Journal of Modern Philology; 2023, 19; 9-23
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku
    Black metal as a continuation of Romanticism? About the figure of an artist and the attitude to Nature as the roots of the genre
    Autorzy:
    Barski, Kamil
    Powiązania:
    https://bibliotekanauki.pl/articles/29520346.pdf
    Data publikacji:
    2023-12-18
    Wydawca:
    Uniwersytet Bielsko-Bialski
    Tematy:
    black metal
    romantyzm
    heavy metal
    metal studies
    ekokrytyka
    artysta
    natura
    Romanticism
    ecocriticism
    artist
    nature
    Opis:
    The main purpose of this article is to determine the roots of the extreme music genre black metal. The author notices links to the artistic anthropology of Roman ticism and the reception of nature characteristic of that time. Considering the first problem, he draws attention to the relationship between the lyrical message of black metal songs and political life, as well as to the realization of the romantic-modernist figure of the artist-madman and the tormented artist who also has mediumistic features. An important element of this image is transgressive Satanism. The second group of problems is connected with the romantic attitude toward nature that is observed in black metal music. Nature there becomes a space to escape from the modern, technocratic, neoliberal world and offers a chance to consolidate an indi vidual’s identity. Much attention is paid to the relationship between the American black metal scene and poets considered to be the precursors of ecocriticism; atten tion is also drawn to the resentment-based return of nationalizing black metal to a rustic past.
    Źródło:
    Świat i Słowo; 2023, 41, 2; 325-345
    1731-3317
    Pojawia się w:
    Świat i Słowo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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