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Wyszukujesz frazę "black gaze" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
The Spectacle of Historical Trauma of Black Bodies in America: Subjectivity, Abjection, and Commodification of The White/Black Gaze
Autorzy:
Briseno, Rosemary
Powiązania:
https://bibliotekanauki.pl/articles/28407290.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
black gaze
white gaze
racism
abjection
objectification
psychic trauma
Opis:
In 1994, Elizabeth Alexander's”'Can you be Black and Look at This?’: Reading the Rodney King Video(s)” was published in The New Yorker magazine. Alexander focuses on the ways in which Black bodies have been the focal point of public pain, torture, and humiliation for centuries. These public lynchings, whippings, and other forms of physical abuse leading to maiming and death have been elements central to the entertainment for the racial status quo. Alexander's essay also focuses on the ways in which there has always been a “Black gaze” bearing witness to the decimation of other Black bodies--- the legacy of which leads to a continued cycle of both psychological and historic trauma that is (re)visited over and over again. Of course, with the prevalence of technology now a norm, such incidents of recorded violence are part of life in America.   As the United States' greatest cancer, racism, continues to be a root cause of this violence, neither the killing of Blacks nor survivors' consciousness will be healed; and worse, the spectacle of racial violence will continue to perpetuate victims on various levels: 1) as victims directly tied to such violence and 2) as witnesses to said violence. My proposed essay focuses on the tragedy of Black bodies as spectacles of public pain---whether they are viewed as victims, as specimens of morbid curiosity, or as receptacles of displaced hate and disgust; and even as supposed rightly displays of justices incurred, simply because the body in question is Black (“They got what they deserved. They should have just pulled over.”). I will focus on various, very public historical and modern-day lynchings, from Emmett Till to George Floyd, and explore the cause and effects against Blacks in America. Ultimately, the essay poses the following questions: who is the monster, who are the victims? And at what cost will this continuum perpetuate the legacy of trauma of the American Black population?
Źródło:
Forum for Contemporary Issues in Language and Literature; 2023, 4; 80-88
2391-9426
Pojawia się w:
Forum for Contemporary Issues in Language and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Superreal images for superreal people”. Black self-representation as self-invention in poetry and visual art of the black arts movement: the wall of respect
Autorzy:
Kamionowski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/423078.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Black Aesthetic
black murals
Black Power
black self-representation
gaze
Gwendolyn Brooks
Haki Madhubuti
images of blacks
the Wall of Respect
Opis:
The article entitled “'Superreal images for SUPERREAL People.' Black Self-Representation as Self-Invention in Poetry and Visual Art of the Black Arts Movement: The Wall of Respect” provides an analysis of the representation of African Americans by Black Arts Movement poets and visual artists involved in making the Wall of Respect, the most famous Black Power mural. Resisting, challenging and rejecting the controlling white gaze, through their verbal and visual acts of self-representation, they made an attempt to achieve a “better and truer self” for American blacks, which resulted in black myth-making and self-invention. That phenomenon is explored here through an examination of the history, legend and aesthetics of the mural, which is approached as a multimedia Poem of the People, whose interplay of various artistic forms of expression is aimed at liberation from the oppressiveness of white cultural hegemony, achieving “visibility,” and practicing “truly black” image-making. More specifically, special attention is given to its literary component – Amiri Baraka's poem “SOS,” which is embedded in the mural, and two poems entitled “The Wall,” written for that occasion by Haki Madhubuti and Gwendolyn Brooks, the latter poem read at the opening ceremony by its author. Detailed reading of the poems demonstrates how the written/spoken word assisted and enhanced visual black self-invention and projected-cum-generated a sense of togetherness and collective identification by creating an ultra-positive image of “new blacks,” and stigmatizing “negro toms” who stood for old-fashioned integrationism. Also, through condensed references to theories pertaining to the nature of image, visual representation and the power of the gaze (by Plato, Heidegger, Sartre and Lacan), put together with concepts of African American culture and expression (Houston Baker Jr.'s “the Black (W)hole” and Robert Stepto's “immersion”), philosophical aspects of the Black Arts Movement's artistic strategy of black self-invention as well as its limitations are explored.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/2; 210-232
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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