Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "autobiographical fiction" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-5 z 5
    Tytuł:
    Kobiety i twórczość muzyczna w prozie autobiograficznej
    Women and music in autobiographical fiction
    Autorzy:
    Czerska, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/650178.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    polish literature
    women motives
    music
    autobiographical fiction
    Opis:
    The essay deals with the problem of the presence of women in music. In the history of the culture, art above all, women have traditionally constituted the object of artistic crea-tion, not the creator. Particularly valuable material for research may prove female auto-biographical writing. The selected works of Polish authors are analyzed through the categories of gender discourses. The paper is an attempt to show cultural changes asso-ciated with the feminine approach to musical creation. In the nineteenth century, we can talk about the formation of a kind of salon women's subculture. The turn of the modern-ist and the First World War mean the cultural advancement of women. We can talk about the expansion of women in the culture, and thus in the music. In analyzed memo-ries appear women practicing music only in the private sphere: the home or giving les-sons, even if some of them the ability to play an instrument is a passion. The autobio-graphical prose seem to confirm that women were determined to develop his artistic passion had to choose between art and family.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 194-204
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La finzione autobiografica tra mistificazione e paradigma universale nel Secretum meum di Petrarca
    Autobiographical Fiction: Between Mystification and the Universal Paradigm in Petrarch’s Secretum Meum
    Autorzy:
    Maślanka-Soro, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/34670940.pdf
    Data publikacji:
    2024-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Petrarch
    Secretum meum
    autobiographical fiction
    mystification
    universal paradigm
    Petrarca
    finzione autobiografica
    mistificazione
    paradigma universale
    Opis:
    Petrarch’s customary reliance on autobiographical themes serves as a guiding principle to nearly all of his works. The Secretum meum is perhaps his most autographical text. It is a treatise in the form of a dialogue in which the speakers, Francesco and Augustine, are characters alluding to Petrarch and St Augustine. The analogies between their respective itinera conversionis determine the strategies endorsing their paradigmatic dimension. In this article, I show that Petrarch uses his own individual case as a point of departure to embark on general discourse; that the Augustinian conflict between ‘the inner man’ and ‘the outer man’ serves as the framework for the construction of the dialogue; and that the story of Francesco’s moral crisis and his attempts to surmount it assume a universal meaning. I also discuss Petrarch as a master of mystification, brilliant at conjuring up an image of himself and cultivating his autobiographical myth built up of a blend of fact and fiction. From the very outset, the reader is up against an instance of unintended internal mystification: Augustine accuses Francesco of unwitting self-deception regarding his deplorable moral condition. By the end of the Secretum, Francesco manages to renounce his weaknesses, recovers his selfcontrol, and resolves to lead a life of virtue. However, Augustine is not at all sure whether his therapeutic methods have indeed worked. Perhaps writing will be the best remedy.
    Per Petrarca l’autobiografismo diventa il filo conduttore di quasi tutta la produzione letteraria. L’opera più autobiografica è forse il Secretum meum, trattato in forma di dialogo i cui interlocutori, Francesco e Agostino, alludono a Petrarca e a sant’Agostino. Le analogie tra l’iter conversionis dell’uno e dell’altro sono strategie che confermano la dimensione paradigmatica di entrambi. Nell’articolo si cerca di dimostrare come Petrarca a partire da un caso individuale sviluppa un discorso generale, come il conflitto agostiniano tra “uomo interiore” e “uomo esteriore” costituisce un’asse portante intorno alla quale è costruito il dialogo e come si universalizza la storia della crisi morale di Francesco e dei tentativi di superarla. Inoltre, l’articolo ha come obiettivo presentare Petrarca come geniale mistificatore che ha saputo creare la propria immagine e coltivare il mito autobiografico in cui confonde verità e finzione. Fin dall’inizio si ha a che fare anche con la mistificazione interna non intenzionata, in quanto Agostino accusa Francesco di ingannare se stesso sul motivo della propria miseria morale, senza esserne consapevole. Il proposito da parte di Francesco di abbandonare le proprie debolezze riacquistando il dominio di sé si fa faticosamente strada verso la fine del Secretum, ma Agostino non ha nessuna certezza che i suoi metodi „terapeutici” siano stati efficaci. Forse la cura reale è la scrittura.
    Źródło:
    Italica Wratislaviensia; 2024, 15.1; 219-237
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Storying War Childhood in Al’bert Likhanov’s Russian Boys
    Autorzy:
    Rudova, Larissa
    Powiązania:
    https://bibliotekanauki.pl/articles/45427073.pdf
    Data publikacji:
    2018
    Wydawca:
    Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    autobiographical fiction
    Soviet children’s literature
    Great Patriotic War
    culture of memory
    cross-writing
    Opis:
    This article examines the role of “cross-writing” in Al’bert Likhanov’s novel, Russian Boys (Russkie mal’chiki, 1960s-1990s), in which the author recasts his WWII childhood in autofictional form. As is frequently the case in autobiographical war fiction, the novel redefines the boundaries of childhood by calling attention to two narrative perspectives: the child’s perception of the changed surrounding world and the adult narrator’s perception of the states of abjection and trauma to which his young heroes are subjected. Likhanov’s novel is deeply personal and moving, yet it also tests the myth of protected Soviet childhood. In my analysis, I demonstrate how “cross-writing” helps the author not only to bring specific historical circumstances into the picture, but also to draw attention to the conditions of abjection and marginalization of Soviet children during the war. Ultimately, in Russian Boys, Likhanov shapes a narrative of hope and extraordinary personal psychological and moral growth “outside of the history of the experienced trauma.”
    Źródło:
    Filoteknos; 2018, 8; 63-74
    2657-4810
    Pojawia się w:
    Filoteknos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Alterity, First-Person Narratives and Memory in Paul Auster’s Works
    Autorzy:
    Kochbati, Mehdi
    Powiązania:
    https://bibliotekanauki.pl/articles/605638.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    autobiography
    memory
    fiction
    autobiographical pact
    identity
    American literature
    Paul Auster
    Opis:
    Der Band enthält die Abstracts ausschließlich in englischer Sprache.
    If the presence of extracts from the life of the author (Paul Auster) allows us to postulate the “autobiographical” project of the memorial writing, others on the contrary confer it with a fictive project. The use of a stratagem of increased self-distancing and the multiple “mise en abyme” of identities leaves us puzzled as to the existence of an autobiographical scheme specific to Auster’s creation. Through the many forms of auctorial disguises, games of duplication, selfreflective mirroring, identity usurpation and handwritten possession, memorial writing integrates the different autobiographies of others. These are transformed into a functionalized or “real” autobiography of a subject who is a narrator, a character and an author.
    Le numéro contient uniquement les résumés en anglais.
    Том не содержит аннотаций на английском языке.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2016, 40, 2
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Autobiograficzne czytanie powieści „Drwiące żądze” Draga Jančara
    An Autobiographical Reading of Drago Jančar’s Novel “Mocking Desire”
    Autorzy:
    Cmiel-Bażant, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/44924433.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Instytut Slawistyki PAN
    Tematy:
    powieść autobiograficzna
    pakt autobiograficzny
    gry z konwencją
    fikcja literacka
    narracja
    Drago Jančar
    autobiographical novel
    autobiographical pact
    plays with convention
    fiction writing
    narrative
    Opis:
    The novel Mocking Desire was published in 1993, when Drago Jančar was already a wellknown author, who had received some important literary awards. This hybrid and multifaceted literary work describes the Slovenian writer’s stay in New Orleans and in New York. Because Jančar visited the United States on a Fulbright Fellowship in 1985, his novel is read as an autobiography, although the author has not established an autobiographical pact with the reader (Lejeune). The aim of this study is to consider the autobiographical writing as a literary genre, the figure of reading, and the play with convention, in order to answer the question what provokes the autobiographical reading of Mocking Desire.
    Powieść Drwiące żądze ukazała się w 1993 roku, kiedy Drago Jančar był już znanym i nagradzanym słoweńskim literatem. Synkretyczne i wielowątkowe dzieło opisuje pobyt słoweńskiego pisarza w Nowym Orleanie i Nowym Jorku. Ponieważ Jančar również otrzymał stypendium Fulbrighta dla pisarzy w USA w 1985 roku, powieść bywa odczytywana w kluczu autobiograficznym, mimo że autor nie zawarł z czytelnikiem paktu autobiograficznego (Lejeune). Artykuł podejmuje na tym przykładzie problematykę autobiografii jako gatunku i sposobu czytania, oraz współczesnych gier z konwencją, aby odpowiedzieć na pytanie, co skłania odbiorców do autobiograficznego odczytania powieści.
    Źródło:
    Adeptus; 2022, 19
    2300-0783
    Pojawia się w:
    Adeptus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies