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Wyszukujesz frazę "atemporality" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Melisso, il tempo e l’eterno
Melissus, Time and Eternity
Autorzy:
Pulpito, Massimo
Powiązania:
https://bibliotekanauki.pl/articles/938290.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Melissus
Parmenides
Time
Eternity
Atemporality
Eleatism
Opis:
The traditional interpretation of Eleatism has it (1) that Melissus was a disciple of Parmenides (albeit with some divergences) and (2) that Parmenides believed in the timeless eternity of Being. It seems, on the contrary, (3) that Melissus acknowledged the reality of time by conceiving eternity as infinite time. Failing to justify this particular divergence from Parmenides’ approach, certain authors held that it was necessary to reinterpret the Melissan eternity as a form of infinite timelessness. This paper attempts to demonstrate that this reading is groundless and that if the traditional interpretation is questioned then one should reconsider the assumptions (1) and (2) but not (3).
Źródło:
Peitho. Examina Antiqua; 2017, 8, 1; 107-124
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KŁOPOTY Z POJĘCIEM WIECZNEJ TERAŹNIEJSZOŚCI
PROBLEMS WITH A CONCEPT OF ETERNAL PRESENT
Autorzy:
Piwowarczyk, Marek
Powiązania:
https://bibliotekanauki.pl/articles/488632.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
wieczna teraźniejszość
bezczasowość
Alfred North Whitehead
Eleonore Stump
Norman Kretzmann
eternal present
atemporality
Opis:
The article is devoted to problems connected with a concept of eternal present. I analyze two such conceptions of maximally extended divine “now”: proposed by Stump and Kretzmann and proposed by Whitehead. Yet the article begins with the presentation Thomas Aquinas’ conception of eternity. On the ground of this theory “eternal now’ has only metaphorical meaning.
Źródło:
Roczniki Filozoficzne; 2012, 60, 4; 297-317
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interpreting Puccini’s Suor Angelica: An application of the semiotics of temporality
Autorzy:
Davis, Andrew
Powiązania:
https://bibliotekanauki.pl/articles/780159.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
temporality
time
Raymond Monelle
levels of discourse
atemporality
verismo
realism
Giacomo Puccini
Suor Angelica
II Trittico
forms in melodrama
marvelous (topic)
Romanticism
nineteenth-century
Opis:
This article summarizes recent discussions in the secondary literature of the semiotics of temporality, understood not as time per se but as the “time signified” by the signs in any semiotic system. Drawing especially on theories of the late Raymond Monelle and noting parallels with Monelle in work of, for example, Abbate, Daverio, Kinderman, Hatten, and Berger, the article posits that states of “temporality” in music can correlate with the syntactic signification of linear, teleological motion through time, whereas states of “atemporality” can correlate with syntactic signification of suppressed linear motion through time. As one of the distinguishing semantic characteristics of post Classical music, the signification of extended moments of atemporality is understood as a central expressive issue in the structure of Puccini’s Suor Angelica (from the II trittico of 1918), an opera that divides approximately into two halves: an atemporal half focused on portraying the Roman Catholic church, and a temporal half focused on exploring the character of Angelica, where both halves also include “tropes of temporality” cued by juxtapositions of temporal and atemporal signifiers. That the church in Suor Angelica is elevated to the position of the drama’s primary antagonist is asserted as one of the ways with which the piece engages with the aesthetics of “realism”, an aesthetic that, in turn, informs an interpretation of the opera’s ending, which includes a deus ex machina in the form of an appearance of the Virgin Mary and an apparition of Angelica’s dead son.
Źródło:
Interdisciplinary Studies in Musicology; 2015, 14; 48-61
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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