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Wyszukujesz frazę "artistic brand" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Marka artystyczna. Jak rozumiane jest pojęcie marki w świecie sztuki?
The Artistic Brand: How is the Concept of a Brand Understood in the Art World?
Autorzy:
Szymańska-Palaczyk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1373208.pdf
Data publikacji:
2017-01-30
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
brand
artistic brand
contemporary art
art world
marka
marka artystyczna
sztuka współczesna
świat sztuki
Opis:
This article shows how members of the contemporary art world in Poland understand the concept of the brand: how they define and validate it; what associations it evokes; and what kind of language is used to speak about it. The article summarizes part of the research conducted in 2015 with members of the art world within the framework of the project ‘The Artistic Brand as a Social Phenomenon: The Creation, Differentiation, and Role of Artistic Brands in Contemporary Poland.’ Thoughts on the subject of art brands lead to a description of the state of contemporary art in Poland. The definitions formulated by the respondents are compared to marketing theories, thus making it possible to determine the respondents’ level of knowledge of such theories. In conclusion, definitions of artistic brands are reviewed and supplemented on the basis of the material obtained from the research.
Źródło:
Kultura i Społeczeństwo; 2017, 61, 1; 231-251
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
NOWOCZESNOŚĆ W REFLEKSJI NAD SZTUKĄ
Modernity in reflection on art
Autorzy:
Dziamski, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/487834.pdf
Data publikacji:
2016-12-05
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
Avant -garde
neo -avant -garde
modernism
postmodernism
language code
literary (artistic ) code
brand code
artistic sociolect
artistic idiolect
Opis:
The twentieth century has developed three models for describing contemporary art. Three narratives dominated in the 1930’s and the 1940’s: Paris-French, German-Expressionist and avant-garde-international. In the 1950’s and the 1960’s, avant-garde-centrist model included two basic phases or formations in the art of the twentieth century. Historical avantgarde period covered the years 1905–1930. Neo-avant-garde lasted from 1955 to 1970. To a pair of avant-garde – neo-avant-garde, some authors add yet proto-avant-garde they considered as the nineteenth century artistic trends leading to the birth of the historical avant-garde - romanticism, realism of Courbet, impressionism, post-impressionism and on the other hand post-avant-garde, or art after the fall of the avant-garde. In the 1980’s and the 1990’s, avant-garde model was superseded by a model operating the opposition modernism - postmodernism. According to that model, the twentieth century art include two cultural and artistic formations: modernist and postmodernist formations. The first experienced its climax around 1910, when abstract art was born; the second in the 1980’s. Modernism and postmodernism can be considered as two codes that define literary (artistic) codes, but there is a significant difference between them. The modernist code reveals modernist essentialist attitude, the trend of looking for essence, individuality, specificity of art, trying to melt pure art, while postmodernist code refers to the avant-garde and the expanded field of art, focusing on the relationship of art and life.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2016, 22; 6-18
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Arts for Business: Creative Co‑operation for Innovation and Sustainable Development of the Company as a Brand and Community
Autorzy:
Szczepaniak, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1194625.pdf
Data publikacji:
2018
Wydawca:
Szkoła Główna Handlowa w Warszawie
Tematy:
art
business
innovation
creativity
empowerment
employee development
self‑leadership
CSR
brand identity
artistic residencies
Opis:
In Poland, the value of art as a contributor and equal collaborator for business is still either not fully recognized or undervalued. Thus, the aim of the article is to present a set of effective practices and research, highlighting examples from Poland and focusing on areas of creative collaboration beneficial for entrepreneurs, such as employees’ development and empowerment, artistic residences, and investing in artists seen as brands or simply hiring them as chief innovators and inspirers, not only instructors. Finally, the benefits in the field of human capital and communication are briefly discussed to encourage Polish business practitioners to strengthen and extend the art‑business collaboration for the sake of the sustained socio‑economic development.
Źródło:
Edukacja Ekonomistów i Menedżerów; 2018, 50, 4; 127-141
1734-087X
Pojawia się w:
Edukacja Ekonomistów i Menedżerów
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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