Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "art based research" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-9 z 9
    Tytuł:
    „Tunel do sześcianu”: art-based research w praktyce edukacji wyższej
    Tunnel to the Third Power – art-based research in the practice of higher education
    Autorzy:
    Kwiatkowska-Tybulewicz, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/2159136.pdf
    Data publikacji:
    2022-09-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    edukacja artystyczna
    sztuka
    art-based research
    zwrot edukacyjny w sztuce
    art-as-pedagogy
    badania jakościowe
    art education
    art
    educational turn in art
    qualitative research
    Opis:
    The article presents the artistic-educational-research project Tunnel to the Third Power, implemented by two communities related to artistic and educational spaces: a group of students of Artistic Education at the Faculty of Education, University of Warsaw, who are prepared to work as art educators, and the second group: the students of the Academy of Fine Arts in Warsaw. The methodological basis of the implemented activities was art-based research. The theoretical basis of the project was the art-as-pedagogy of Clair Bishop and the widely commented educational turn in contemporary art. The artistic basis was the project of the artist Piotr Grabowski Tunnel. The importance of mankind for the future. The article discusses the assumptions of the project, its implementation and research conclusions. The student project was also shown as an example of using art-based research in the practice of higher education.
    W artykule zaprezentowano projekt artystyczno-edukacyjno-badawczy Tunel do sześcianu, zrealizowany przez dwa środowiska związane z przestrzenią artystyczną i edukacyjną: grupę studentek i studentów Wydziału Pedagogicznego Uniwersytetu Warszawskiego, specjalności edukacja artystyczna i medialna, przygotowujących się do pracy w charakterze edukatorów i edukatorek artystycznych, oraz drugą grupę: osoby studiujące w Akademii Sztuk Pięknych w Warszawie. Podstawą metodologiczną zrealizowanych działań były badania posługujące się sztuką (art-based research). Podstawę teoretyczną projektu stanowiła sztuka-jako-pedagogika Clair Bishop oraz szeroko komentowany zwrot edukacyjny w sztuce współczesnej. Podstawą artystyczną zaś był projekt artysty Piotra Grabowskiego Tunel. Znaczenie ludzkości dla przyszłości. W artykule omówiono założenia projektu, jego realizację oraz wnioski z badań. Pokazano również projekt studencki jako przykład wykorzystania art-based research w praktyce edukacji wyższej.
    Źródło:
    Kultura i Edukacja; 2022, 3(137); 188-203
    1230-266X
    Pojawia się w:
    Kultura i Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zaangażowanie jako metoda. Badania artystyczne w najnowszych dokumentalnych publikacjach fotograficznych
    Engagement as a method. Art-based research in the latest publications of documentary photography
    Autorzy:
    Sita, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/2157568.pdf
    Data publikacji:
    2022-07-31
    Wydawca:
    Narodowe Centrum Kultury
    Tematy:
    fotografia
    badania artystyczne
    zaangażowanie
    książka fotograficzna
    antropologia wizualna
    photography
    art-based research
    engagement
    photo book
    visual anthropology
    Opis:
    Photography emerging from the documentary tradition has continued to evolve over the recent years, nearing the scientific practices applied in the study of the social and community-based dimensions of culture. Photographers conduct experiments in the social space, reflect on the interactions and dependencies that they intentionally create, and construct languages of communication subordinated to the interpersonal relationships in which they operate. As authors of their art-based research, they are in charge of both methodology of analysis (by adapting the tools employed by the humanities and social sciences) and the ways in which their results are presented and included in the social mainstream as artistic interventions, collective practices, and photography publications. Given that the latter are the subject of this article, it focuses on three selected publications and identifies engagement as a central category for methods used by artists to establish a relationship with the studied social reality, influence it, and create knowledge about it. Engagement, in both its versions – as an attempt to have an impact on the studied social reality and as a method of intentional relationship building within a community, carries a significant learning potential, allowing us to look anew at the role of photography in qualitative social research.
    Źródło:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2022, 118, 2; 106-125
    1230-4808
    Pojawia się w:
    Kultura Współczesna. Teoria. Interpretacje. Praktyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Exploring adult learning and its impact on wider communities through arts-based methods: an evaluation of narrative inquiry through filmmaking
    Autorzy:
    Broadhead, Samantha
    Powiązania:
    https://bibliotekanauki.pl/articles/2130227.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Zielonogórski. Oficyna Wydawnicza
    Tematy:
    Arts-based research methods
    art and design
    adult education
    learning journeys
    portfolio
    careers
    Opis:
    This article reports on a project that employed narrative inquiry captured on film to explore the creative practices of five mature graduates. They had previously been mature students and continued to work within their various communities after they had left formal education. The participants were asked to describe their creative practice and its impact on other people through interviews and presentations. A researcher with help from a professional filmmaker carried out the project. From the initial footage, three polished, edited versions of the films were made. The participants could use the films to promote their own work if they so wished. Narrative inquiry is a means of seeing the connections between significant incidents and longerterm impact beyond formal education. The film footage was able to capture the connectivity between formal education, the participants and the people who had been touched by their creative practices. It successfully gave a narrative coherence to the participants’ stories. Where appropriate, the visual aspects of creativity were captured, in this case, the participants all had a creative practice, and the visual realm was an important part of their stories. The findings of the project were that the participants had some shared values about the importance of creative education. They all developed portfolio careers in order to carry on their creative work. All the participants were able to give examples of particular instances where their creative practice had had an impact on other people. In other words, adult learning does not just influence the individual but can have a wider and longer-term impact on others.
    Źródło:
    Dyskursy Młodych Andragogów; 2021, 22; 41-59
    2084-2740
    Pojawia się w:
    Dyskursy Młodych Andragogów
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sztuka zaangażowana i action research... – wspólna droga ku zmianie
    Autorzy:
    Kluzowicz, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/28407798.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Komisji Edukacji Narodowej w Krakowie
    Tematy:
    art based research
    action research
    sztuka zaangażowana
    Opis:
    Współcześnie coraz częściej w badaniach jakościowych nawołuje się do wychodzenia poza sztywne kanony metodologiczne i poszukiwań badawczych rozwiązań poza utartymi dotąd ścieżkami (np. etnografia performatywna, etnografia CAP, pisanie jako metoda badawcza). Ostatnie dziesięciolecia ukonstytuowały także art based research, czyli jakościowe badania oparte na sztuce, wykorzystujące procesy artystyczne w celu zrozumienia i wyrażenia subiektywności ludzkiego doświadczenia. Przenikanie się nauki i sztuki może prowadzić do interesujących badawczo wniosków, stąd też pojawia się prezentowana w niniejszym artykule koncepcja połączenia sztuki zaangażowanej i action research we wspólnych działaniach.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione; 2021, 16, 363; 85-96
    2081-3325
    2300-5912
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The New Humanities in Poland: A Few Subjective Observations, Conjectures, and Criticisms
    Nowa humanistyka w Polsce: kilka bardzo subiektywnych obserwacji, koniektur, refutacji
    Autorzy:
    Nycz, Ryszard
    Schauffler, David
    Powiązania:
    https://bibliotekanauki.pl/articles/2097198.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Nowa Humanistyka
    humanistyka cyfrowa
    humanistyka zaangażowana
    humanistyka kognitywna
    posthumanizm
    badania oparte na sztuce
    KTL
    kulturowa teoria literatury
    kulturowo-tekstualna piśmienność
    New Humanities
    digital humanities
    engaged humanities
    cognitive humanities
    posthumanism
    art-based research
    CLS
    cultural literary theory
    cultural-textual literacy
    Opis:
    Nycz outlines the main trends of the New Humanities in the world - digital humanities, engaged humanities, cognitive humanities, posthumanism, art-based research, as well as the main debates and misunderstandings that have emerged over the last decade in the Polish context. An example of the evolution of ways of thinking and conducting research are the cultural-literary studies, CLS. This acronym stands for a variety of terms ranging from cultural literary theory to cultural-textual literacy.
    Nycz zarysowuje główne nurty Nowej Humanistyki na świecie – humanistykę cyfrową, humanistykę zaangażowaną, humanistykę kognitywną, posthumanizm, badania oparte na sztuce, a także główne debaty i nieporozumienia, które pojawiły się w ciągu ostatniej dekady w kontekście polskim. Przykładem ewolucji sposobów myślenia oraz prowadzenia badań są studia literacko-kulturowe, KTL. Skrót ten oznacza różne pojęcia, od kulturowej teorii literatury do kulturowo-tekstualnej piśmienności.
    Źródło:
    ER(R)GO: Teoria – Literatura – Kultura; 2021, 43; 315-338
    1508-6305
    2544-3186
    Pojawia się w:
    ER(R)GO: Teoria – Literatura – Kultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Badacz jako artysta, artysta jako badacz. Założenia metodologiczne działań artystycznych w procesie badawczym ABR (art-based-research)
    The Researcher as the Artist, the Artist as the Researcher: Methodological Premises of Artistic Activities in the ABR Research Process (Art-Based-Research)
    Autorzy:
    Bielecka-Prus, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1371618.pdf
    Data publikacji:
    2020-05-31
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    sztuka w badaniach jakościowych
    ABR
    metodologia badań jakościowych
    art in qualitative research
    art-based research (ABR)
    methodology of qualitative research
    Opis:
    Postmodernizm, podważając założenia epistemologiczne pozytywizmu i hermeneutyki, wywarł ogromny wpływ na metodologię badań jakościowych. Zatarciu ulegają nie tylko gatunki, ale także granice między dyscyplinami, tak jak to jest w przypadku działań artystycznych w procesie badawczym (ABR – art-based-research), w których badacz posługuje się środkami artystycznymi na różnych etapach zbierania, analizy i prezentacji danych. Problem łączenia sztuki z działaniami badawczymi można rozpatrywać na wielu płaszczyznach. W tym artykule chciałabym skupić się na: 1. Wyjaśnieniu głównych założeń epistemologicznych i metodologicznych badań opartych o sztukę; 2. Omówieniu funkcji ABR w społecznym konstruowaniu wiedzy; 3. Wskazaniu kryteriów, które pozwalają ocenić jakość ABR, oraz trudności, jakie wiążą się z prowadzeniem tego typu badań.
    Questioning the epistemological assumptions of positivism and hermeneutics, postmodernism has had a huge impact on the methodology of qualitative research. Not only genres and research roles, but also the boundaries between disciplines have been blurred, as the example of art-based-research (ABR) shows. In ABR, researchers use artistic forms of expression at different stages of data collection, analysis, and presentation. The question of merging the art with science can be analyzed on different levels. In this article, I would like to focus on: 1. explaining the main epistemological and methodological assumptions of ABR; 2. discussing the function of ABR in the social construction of knowledge; 3. specifying the criteria which help evaluate the quality of ABR as well as the difficulties associated with conducting such studies.
    Źródło:
    Przegląd Socjologii Jakościowej; 2020, 16, 2; 16-34
    1733-8069
    Pojawia się w:
    Przegląd Socjologii Jakościowej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Art&science. Autoetnografia artystki realizującej projekty w laboratoriach biologicznych
    Art&science: the autoethnography of a women artist engaged in art&science projects in biological laboratories
    Autorzy:
    Żyniewicz, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/14973863.pdf
    Data publikacji:
    2017-07-10
    Wydawca:
    Polska Akademia Nauk. Czasopisma i Monografie PAN
    Tematy:
    art-based research
    analytic autoethnography
    ethnography of the laboratory
    art
    science
    art&science
    autoetnografia analityczna
    etnografia laboratorium
    sztuka
    nauka
    Opis:
    The aim of the text is to present the use of the analytical autoethnographic method in studying the “art&science” phenomenon. It is attempt to show that the role of the artist can combine with the role of the ethnographer. The objects of study are the multilevel relations emerging during the realization of artistic projects in biological laboratories. These relations concern both humans (the artist, the scientists) and non-humans (laboratory organisms, equipment). On the basis of actor-network theory, the author presents how the liminal status of ethnographic research is modified when it connects with art. The form of conducting the research is both an example of activity in the art and science field and a new methodological proposal for the study of science and technology.
    Źródło:
    Kultura i Społeczeństwo; 2017, 61, 3; 103-126
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między autonomią a epifanią. Art based research, badania jakościowe i teoria sztuki
    Between autonomy and epiphany. Art based research, qualitative research and the theory of art.
    Autorzy:
    Kosińska, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/424497.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Tematy:
    art based research, badania jakościowe, analiza kulturowa, teoria sztuki, epifania, heuretyka, aktywizm, qualitative research, cultural analysis, theory of art, epiphany, heuretics, activism
    Opis:
    The subject of the article is an analysis of the most important contexts of emergence and the crucial tendencies apparent in the field of contemporary art based research. The author reconstructs the historical coincidence in the humanities and social sciences, which enabled the emergence of art based research. The author analyzes the changes within the field of qualitative research and cultural studies, especially those being conducive to searching the qualities of socio-cultural phenomena through artistic practices. An analysis of the methodological tendencies and the basic aesthetic categories of that field is undertaken and a question about the value of the qualities gained in the course of the artisticly based research is posed. The article inscribes the art based research in the context of the fourth historical phases of qualitative research by the discerned Yvonne S. Lincoln and Norman K. Denzin, and also in the democratic and postmodern flow of cultural studies. It underlines the importance of the reflexive turn in anthropology, but most of all, the role of the cultural analysis of literature and the narrative turn. It punctuates as the most important in the field of art based research – the modern dichotomy between knowledge and emotion. From that dichotomy the basic ways of defining the cognitive possibilities of art has emerged. Artistic practices are treated here as evocative, revealing emphatic experience. Finally, the author undertakes a comparative analysis of the modern theory of art and the activity of symbolization in the conception of Susanne K. Langer with the conception of evocative, epiphanic genres and identifies them as the two crucial tendencies in the field of art based research. They are analyzed as defining differently the cognitive qualities of art, resulting in distinct ethical and political consequences.
    Źródło:
    Sztuka i Dokumentacja; 2016, 14; 12-27
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sekcja 1. Badania inspirujące się sztuką: sztuka i humanistyka. Wstęp
    Art Based Research: Arts and Humanities. Introduction
    Autorzy:
    Kosińska, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/424537.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Tematy:
    art based research, badania jakościowe, analiza kulturowa, teoria sztuki, epifania, heuretyka, aktywizm, qualitative research, cultural analysis, theory of art, ephiphany, heuretics, activism
    Opis:
    Contemporary discussion on the main tendencies in the field of art based research for qualitative research is based on the already accepted belief that art is also the cognitive practice. The discourse about artistic as cognitive should be then moved forward, and the questions about the concrete examples of synergy of artistic and qualitative research should be posed. The profits resulting from this contract should be evaluated, and the inventory of the real democratic equivalence of artistic and humanistic tools should be done. How the balance between competences and roles in the artistic-qualitative research is maintained? Can we speak about them as of art based, or maybe it would be better to cautiously think of them as of arts informed? Are these projects the most experimental and critical bridgehead of the qualitative research, or rather trade trend of proffesionals? Should we treat them as examples of the interdisciplinary practices, or rather as exemplars of the transdisciplinary cultural analysis? The last mentioned will serve here as the axis of deliberations: from the perspective of cultural analysis we will evaluate the role of art in the field of qualitative research. Articles gathered in this issue represent the wide range of the possible approaches to the art based research. The introductory article of my authorship, „Between authonomy and ephiphany. Art based research, qualitative research and the theory of art”, attempts the analysis of the main tendencies within the field of art based research in the historical, methodological and aesthetical terms. It draws the historical coincidence in the social sciences and the humanities which enabled the emergence of the artistic qualitative research, and emhasizes the special role of the narrative turn. It reveals the slits within the cultural analysis and the qualitative research which became the new places for the artistic-research practices. It also reveals the entanglement of these practices in the dichotomies founded on the modern theories of art and analyzes the most important of them: between the autonomy of artistic symbolical forms and the epiphanic evocativeness of art. The last mentioned emerges on the foundation of the presence and experience, and in the consequence, opens the social spaces for the ethics of care. An article of Dariusz Brzostek, „Black Science – Black Magic. Afrofuturism, narrative and cognition”, can serve as an example of the classical cultural analysis in the semiotic-critical spirit, representative for this version of cultural studies which was explicitly conducive for the growing tendencies of art based research. An analysis of afrofuturism as the narrative formation and speculative fiction which are formative for the specific socio-cultural groups, realizes an assumption of Paul Willis of searching the creative action in the practices of everyday life. The democratic impetus of cultural studies has diminished the historical burden of an autonomy of art, treating it as the one of many cultural practices, as a place of production of socially important meanings, and in the same time, has strenghtened the labourious practices of cultivation of every day – accentuating its creative aspects in the terms of art living. In the Brzostek’s cultural analysis which can be defined as artistically informed, one can also notice the clue of the narrative turn. The productive and formative aspects of the popular narrations are crucial in this analysis: they tie together the two records of the qualitative research – biographies and social structures. In the consequence, an analysis of afrofuturism reminds the best years of the cultural studies, as from the Paul Willis’ projects Learning to Labour: How Working Class Kids Get Working Class Jobs. The clue of the disciplinary thinking, attempting to situate the art based research in the front of, within, and besides other social sciences and the humanities is continued in the article of Dorota Łuczak, „The Iconology of X-Ray Images”. Łuczak analyzes the history of the process of including X-ray photography in the area of the interest of the history of art, especially in the project conducted by Horst Bredekamp, Das Technische Bild in years 2000-2012 in Hermann von Helmholtz–Zentrum für Kulturtechnik at the University in Berlin. In the epistemological and metodological aspect, the project raised the problem of the subject of the visual research and the role of technical images in the social process of construction of knowledge. The subject of the inquiry was rather not the prove of the social construction of the visual reality (as in the anglo-saxian visual studies) but rather an analysis of the reciprocial determination between systems of knowledge and the conventions of representation of technical images. Finally, in the conclusion an author points out, that it is not necassary to resign from the rigours of the art historian analysis (style, iconology, comparative studies), that they can be productive for the research of the bodily, perceptual, subjective and habitual contexts of the technical images. Most of all, the subjectivitizing category of style can be refferred to the mental constructs constituting the processes of knowing. The usage of drawing, sketching and doodling in the practice of the organizational development is the subject of consideration of Adam Dzidowski in his article „The formative role of art and organisational aesthetics – visualisation and drawing in organisational development”. Dzidowski analyzes drawing as an expressive medium, enabling to reveal the creative and innovative solutions. Drawing and sketching can be seen as a cognitive tools, resolving problems, representing the stage of the organizational development, diagnozing, searching for the creative solutions. In those areas their usage in the organizational development inscribes itself into the heuretic tendencies in the field of art based research – as the practices of creation of the generative formulas, resulting with the creative scripts of action. The achievement of these goals can be supported by the artictic practices changing the models of organizations and breaking the prevailing schemes of thinking. Dzidowski refers to the dychotomy between functionalism and the cultural and interpretive studies, outlining the situation in which the management practice is still founded on the functional paradigm and the artistic tool of drawing is intended to „soften” this quantitative and formal attitude. He refers to the old dychotomy between the structuralism and ethnography, the scientific heritage of Emile Durkheim and the sociological writings of Georg Simmel – revealing in the same time the deep entanglement of the art based research in the series of various oppositions. The most solid of them is the opposition between knowledge and emotion, from which the whole current Issue of Art and Documentation begins. The two articles in this Issue: of the duo Joanna Bielecka-Prus and Aneta Pepaś and an article of Karolina Sikorska, represent the activist tendency in the field of art based research. The perspective of Bielecka-Prus and Pepaś is the precise reconstruction of the realized by them project Where the cocs crow – the wedding ethnoperformance. This was the animation-research enterprise, organized by the City Culture Centre in Dynów, realized with the cooperation with ethnographers, anthropologists, ant socio-cultural animators. This two-voice reconstruction is then the record of the interdysciplinary art based research project. The aim of this ethnoperformative action was the reconstruction and play of the the wedding ceremony characteristic of the Dynów Foothill, for which the point of departure was a scenario of the wedding from Ulanica. It was not the accuracy of the ethnographic reconstruction at the stake of this action, but rather the mediation of tensions and relations in the local communities through the common, performative action. The wide range of the qualitative research has been centered around the scenario of the wedding ceremony, scenario negotiated with the local community. The final version of the ethnodrama, the performative scipt built on the basis of data gathered in the research, was the common decision of the inhabitants of the Dynów Foothill. An article of Karolina Sikorska, „Female artists in work and about work. The cognitive dimensions of art” reveals this version of the activist tendency in the field of art based research which does not exist without the critical theory. This perspective takes often the critically based form of detailed case studies. Sikorska in the context of the subject matter of this Issue draws the specific map of the problems specific for the cultural and political contexts of work of women artists at Academies and Universities. She poses fundamental questions for the practice of the art based research: what makes impossible and what enables being the artist-researcher functioning in the institutional structure and not in the partisan field beyond that. Finally Sikorska points out three concrete artistic-cognitive strategies taken by women making art about other women work. Paula Milczarczyk, an author of an article „Omnis natura artificiosa est. Project The Symbiosity of Creation” in the light of the theory of paraartistic values” analyzes the artistic practice of Jarosław Czarnecki/Elvin Flamingo in the context of an aesthetics of reality and the conception of paraartistic values of Maria Gołaszewska. Finally, Sebastian Dudzik and Marek Glinkowski in the dialogue „The graphic art as a cognitive tool. The two voices about the matrix” convey the conversation of the artist and art historian considering the cognitive aspects of the ways of thinking and action in the graphic art. They represent the graphic thinking as the paradigmatic for the media art, they define the notion of the matrix, the matrix thinking, the cultural matrix, the matrix trancoding, analyzing the transitivity of these notions from the classic graphical techniques to the new media art. Using the cultural matrix notion, they define graphic art as the medial tool of the cultural analysis. We were opening this section on art based research with the assumption of the qualitatively directed cultural analysis of Paul Willis, that the symbolical wholeness of the expressive human life is the sort of art, and its research demands aesthetic tools. Similarily, in the aesthetics of paraartistic values, artistic structures are treated as usable to the reality. Artist become in this context an accoucher, revealer, finder of the hidden aspects of the reality, who helps to see and analyze its qualities.
    Źródło:
    Sztuka i Dokumentacja; 2016, 14; 5-10
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies