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Wyszukujesz frazę "architecture of postmodernism" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Styl i znaczenie w architekturze (Gaudi, Gehry, Libeskind)
Style and Meaning in Architecture (Gaudi, Gehry, Libeskind)
Autorzy:
Małecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/953658.pdf
Data publikacji:
2008-12-31
Wydawca:
Uniwersytet Opolski
Tematy:
meaning of architecture
symbolism in architecture
postmodernism in architecture
deconstructivism in architecture
Gaudi
Gehry
Libeskind
Opis:
The paper discusses the problem o f meaning in architecture and its relation to style. First, Roman Ingarden’s aesthetic theory is referred to. It is concluded that the architectonic object can be considered a valuable realisation in the sphere o f art only if it combines artistic values with so-called “metaphysical qualities”, i.e. symbolic reference to the ultimate reality. This artistic and metaphysical mission o f architecture is fulfilled primarily by the medieval cathedral regarded as “imitation o f the cathedral that is in heaven”. The beauty o f church based on harmonic proportion symbolises God’s perfection. The main part o f the paper is devoted to discussion o f three original architects: Antonio Gaudi, the representative o f modernism, and postmodern deconstructivists: Frank O. Gehry and Daniel Libeskind. The work o f the “divine architect” Antonio Gaudi is considered as a revival o f gothic tradition, embodied in eclectic and highly decorative style, with its characteristic organicist elements. For Gaudi, architecture consists in the following o f natural principles, thus pointing to God as the creator o f nature. Frank O. Gehry, on the other hand, dismantles and reconstructs architectural forms in a new and shocking way, introducing contrast with the environment. His works may be regarded a purely formal game, thus indicating the decline of meaningful culture. They are considered as Baudrillard’s simulacra, pointing only at themselves. The other o f analysed deconstructivists, Daniel Libeskind, reintroduces the idea o f architecture as a domain o f deeper meanings. His best known masterpiece, the Jewish Museum in Berlin, provides the visitors with an opportunity o f symbolic participation in suffering o f Jews, which is the purpose achieved by architectural means. His works are characterized by a lack o f one univocal meaning; and are open to ever new involvement o f the subject, who is to constitute the meaning within their own aesthetic experience, in the discourse between history and the present.
Źródło:
Stylistyka; 2008, 17; 41-48
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialogue of epochs in postmodern urban planning concepts of the late ХХth and early ХХIst centuries
Autorzy:
Remizova, Olena
Novak, Natalya
Powiązania:
https://bibliotekanauki.pl/articles/391021.pdf
Data publikacji:
2018
Wydawca:
Politechnika Lubelska. Wydawnictwo Politechniki Lubelskiej
Tematy:
urbanism of the XX century
architecture of postmodernism
order in architecture
Bofill R.
Krier R.
Krier L.
Rossi A.
Opis:
The postmodern architecture of the last third of the XX century saw a steady tendency of appealing to classical heritage aimed at combining modern technologies and historical associations with classical architecture. The work considers postmodern urban planning concepts of the late XX-the beginning of ХХI centuries. Methods of interpreting the order system in the architecture of postmodernism are analyzed by comparing such theoretical concepts as R. Bofi ll›s industrial classicism, the new urbanism of L. and R. Krier, the theory of the city by Aldo Rossi. Architects postmodernists searching for sense and architectural language began to address to the historical past, using signs and images of classical architecture. Leaders of postmodern movement, trying to return to architecture the «eternal values» lost by modernism, opened a way for new creative searches and transformation of the order system elements. Its representatives were attracted by the «double code» of the order architecture, which allowed to solve complex town-planning problems. Postmodernism declared the idea of «architecture parlante». The notion of «postmodern classicism» disguised the compositional search for dialogue with any classical epoch – antiquity, renaissance, baroque, classicism itself. The order language of these epochs, possessing a tremendous potential of utterance, allowed the architect to create all the new meanings and texts. The article discusses the change of semantic meanings occurring in modern urbanism, the interpretation of order compositions, the notion of «order tradition» and the expansion of the semantics of the order system in historical and cultural context. The article shows that the theory of postmodernism actualized the notion of «order tradition» and expanded the semantics of the order system by its application in modern city planning concepts.
Źródło:
Budownictwo i Architektura; 2018, 17, 4; 67-75
1899-0665
Pojawia się w:
Budownictwo i Architektura
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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